Last month, Earl Sweatshirt teamed up with The Alchemist for a new project. The pair have collaborated in the past but never on a full-length album. The record was called Voir Dire and was met with pretty positive reviews from critics. Unfortunately, it was released on an NFT music streaming platform that prevented many fans from hearing it. Only one track from the album is available on streaming services like Spotify and Apple Music, the track Sentry which also features MIKE.
Earl Sweatshirt caught up with Apple Music 1’s Zane Lowe in a recent interview. They talked about a variety of subjects but many fans honed in on his admitted sensitivity. “I’m the most sensitive n#### that’s outside. I’m not going to lie to you. No, that’s what I was saying outside to them. I was like, what if I went in there with Zane Lowe and sat down and just started profusely crying right now. Serious,” he told Zane in their interview. He continued his vulnerability from there. “I swear to God, ask them, I was like, if I just sat down, first question, dry open and profusely crying in 10 minutes. I knew I was sensitive.” Check out the full interview below.
To celebrate the release of Voir Dire Earl Sweatshirt and The Alchemist announced a short tour. The pair will be playing 11 shows across various American cities running from November 6 until the 27. MIKE and Black Noise are also coming along for the ride as opening acts.
Earl has been playing plenty of his own shows recently and drawing attention for some of them. In one viral clip that made the rounds, he bumps Playboi Carti songs during a break in his set which both he and the fans in attendance are clearly enjoying. He also recently brought out Tyler, The Creator during a show in LA so the pair could play their song “Whoa.” What do you think of Earl Sweatshirt admitting to being extremely sensitive to Zane Lowe? Let us know in the comment section below.
With anticipation for Drake’s album For All The Dogs ratcheting up every passing day, there are certainly some fans wondering which of the Toronto rapper’s A-list friends will make appearances on the tracklist. While he’s had quite the run with 21 Savage lately, he’s also had some impressive runs throughout his career with the likes of Lil Wayne, Rick Ross, and Travis Scott.
But there’s one artist he’s close with we haven’t seen him collaborate with for a long time: Nicki Minaj. While the two Young Money artists rose in parallel with each other, in recent years, they’ve worked together less than they did when they were starting out. So, understandably there are plenty of fans wondering whether they’ll reunite on one of their upcoming albums (Nicki’s Pink Friday 2 is due in November).
Fortunately, they’re getting some good news on that front. During an interview with Apple Music’s Zane Lowe, Nicki revealed that she’ll have a guest appearance on Drake’s upcoming album. “You know, I have a song on Drake’s album coming out soon too,” she said. “I love the song so much. I’ll just say I really love the song. I know my fans are going to love the song. I know the world’s going to love the song. And that’s all I will say about that.” As far as whether he is planning to return the favor, Nicki joked, “Barbz, make sure y’all let Drizzy Drake know that Pink Friday 2 is coming out November 17th as well. And we are waiting on his contribution.”
Yesterday (August 21), Drake unveiled the official cover art for his forthcoming solo album, For All The Dogs. Another update came out today about the upcoming project. Although the initial post was taken down, Amazon Music’s official X (formerly Twitter) suggested that the body of work was slated to drop this Friday (August 25).
Rumors have continued to flood social media about what listeners should expect from the album, and somehow Apple Music’s Zane Lowe found himself wrapped up in a major one. According to the outlet Upcoming 100, Lowe hinted that Drake and Frank Ocean were working on a collaboration.
However, the journalist denied that he ever said such a thing. During an exchange with a user in a now-deleted post, Lowe shot down the claim, writing, “Never happened. I haven’t even been live on the radio for the last two weeks. Completely false [shrugging emoji].”
Never happened. Haven’t even been live on radio for the last two weeks. Completely false https://t.co/wGT7qbZi1b
Apple Music’s Zane Lowe responds to rumors that he hinted at a Frank Ocean feature on Drake’s album
“Not true. Haven’t said a word about the new Drake album, I hardly ever speak on Frank. Haven’t even been on radio for last few weeks. Back today.” pic.twitter.com/ii2dSAEZVx
Not including the album’s cover art, the last major update Drake shared regarding For All The Dogs was around the release of his poetry book in June. “I made an album to go with the book. They say they miss the old Drake girl; don’t tempt me. For all the dogs,” the rapper wrote in a post promoting his literary work.
Zane Lowe has shot down the rumor circulating that he hinted about Frank Ocean making an appearance on Drake’s For All The Dogs. Lowe addressed the reports in a post on Twitter, Tuesday afternoon.
“100% untrue. Never said it,” Lowe wrote in response to a viral tweet sharing the misinformation. “Haven’t even been on radio for the last two weeks.” In the since-deleted report, a user falsely quoted Lowe as saying that one guest contribution on For All The Dogs is “industry-shaking, never-done-before,” and the “feature of dreams.” They also said that Lowe hinted at it being Frank Ocean by not-so-subtly playing the Blonde track, “Nikes,” afterward.
As for official information on Drake’s For All The Dogs, he recently revealed the cover artwork, which was done by his son, Adonis. Drake has yet to confirm a release date for the project, but Amazon Music seems to have accidentally leaked that it will be dropping on Friday. Responding to the new cover art, the platform’s Twitter account wrote: “Drizzy’s son has a future as a cover artist. new @drake august 25th!!” Check out Zane Lowe’s tweet about the project below.
Zane Lowe Shuts Down Rumors
As for word from Drake himself, he noted that For All The Dogs is just “weeks” away during a concert in July. He told the audience in New York City: “Make new friends. If you drink, drink some liquor. If you smoke, smoke some weed. And if you like somebody, like my dad says, keep f*cking. I will be back soon. I have an album dropping for you in, like, two weeks or some sh*t. But until then, just know, you’re always with me and I’m always thinking of you. Everything I do is for you. Every time I step in that booth, I hope I make you proud.”
Zane Lowe appeared to hint that Frank Ocean will be making an appearance on Drake’s upcoming album, For All The Dogs. Speaking about the project during his Apple Music Radio show, Lowe described one guest contribution on For All The Dogs as “industry-shaking, never-done-before,” and the “feature of dreams.”
Immediately following the remark, Lowe played Frank Ocean’s Blonde song, “Nikes.” The comments sparked plenty of excitement from fans on social media. One tweeted: “If I see Frank on a track ima go nuts.” Another wrote: “If frank ocean is on the album its album of the year automatically.” Further fueling the rumors, Drake shared a picture of Ocean’s Blonde on vinyl on his Instagram Story, last week.
Despite the apparent hints, other users online weren’t as confident that Ocean will be collaborating with Drake. “That’d obviously be cr*zy and a great song but idk if it would really be considered ‘industry-shaking, never done before feature of dreams,’” one said. A different fan added: “Not to mention that this album is mostly singing drake. If this is true it’d be ground breaking but it is frank at the end of the day so don’t get ur hopes up.”
Zane Lowe Teases “Industry-Shaking” Feature On “For All The Dogs”
If he does make an appearance on the album, Ocean won’t be the only high-profile guest to do so. During a concert on his Its All a Blur tour in July, Drake confirmed that his longtime collaborator Nicki Minaj will be a guest on For All The Dogs. “Imma give away one thing off the album in Detroit tonight, ‘cuz I got a lot of love for Detroit,” Drake told his audience at the time. “So Imma have to tell you, like, me and Nicki Minaj did our first song in like, a really long time. I got a lot of love for her.”
During a recent interview with Zane Lowe, Russ opened up about his previous alcohol consumption. Apparently, that’s what could have led to some of his previous controversies. He revealed that he used substances to mask his insecurities, claiming that eventually, it just felt normal to him. It soon got out of hand, however, and he began to feel the need to drink before interviews.
“I was drinking a lot, and it was just because when I first started making music, that’s what it was,” he began. “The studio was a party. You’re smoking weed, you’re drinking. And so I would drink when I was in the studio. It just felt normal. It felt regular.” Russ went on, “But then I was drinking before interviews, and that’s how a lot of those interviews went left. I was pretty hammered in some of them. Because it’s all that’s coming out, but I never had a problem. I wasn’t waking up and like, ‘I need a drink.’ I would just drink in certain situations, but that in and of itself was an issue.”
“And it was easier to just do that than actually be authentic and be like, ‘You know what? I am nervous, I am feeling insecure, I am all these things,’” Russ shared. “And now it’s, yeah. I’m not rigid to the point where it’s like, ‘I will not drink.’ It’s, ‘I’ll have a drink whenever I want to have a drink.’ It’s just now I don’t want to have a drink when I wanted to have a drink back then.”
He went on to explain that he’s been able to maintain a healthy relationship with alcohol since slowing down, which has helped him come into a more real version of himself. It looks to be paying off, as his new album SANTIAGO has so far been a success. Recently, it even got the approval of Dr. Dre. Russ shared a clip of the duo nodding along to “Enough” in the studio. “A big part of this album is about validating yourself and chasing your own approval,” he captioned the post. “But I can’t lie DR DRE APPROVAL FEELS GOOD AS F*CK!!!!“
Conway The Machine says that going to therapy has had a positive impact on his music. Speaking with Zane Lowe for Apple Music, he explained that his new album, Won’t He Do It, is some of his best work yet and attributes that to working on his mental health with a professional.
“I feel like I just needed to show a different side of me, man. Man, my life has been really great, if I really look at it and just really count my blessings and just be thankful more and grateful of what I have accomplished and what I do have instead of tripping off negative dumb stuff,” he began, as noted by HipHopDX. “You know what I mean? So that’s how I ended up here with Won’t He Do It. It’s just like, man, I feel good, man. You know what I’m saying?”
He elaborated: “I did some therapy. You know what I’m saying? I did some therapy. Like I said, I kind of just isolated myself and just shut it off for a minute. Yeah. You know what I’m saying? It’s like a computer. You know what I’m saying? Sometimes you got to turn it off and let it rest for a few minutes and turn it back on and reboot it. You know what I’m saying?”
From there, he explained that, in the community in which he grew up, there was a stigma around going to therapy. “Because growing up in a hood and stuff, and particularly with young men and just in the communities and stuff, we look at wanting to get therapy or stuff like that, it’s like a, I don’t know, a slight, I guess or, we look at it like it’s a weakness or something,” he continued. “But I realized quick that it really wasn’t. It was actually very helpful. You know what I’m saying? And got me to this point to where I’m back making music, I think some of my best music. You know what I mean?”
Conway The Machine Discusses Therapy
Conway dropped Won’t He Do It earlier this month with features from Westside Gunn, Dave East, Fabolous, Benny The Butcher, and more. The album is his first album since last year’s God Don’t Make Mistakes, and his first post-Shady Records release.
Songibrd Victoria Monét is undoubtedly a force to be reckoned with. Her musical talents are one thing, but she commands attention when she hits the stage. The Georgia-born, California-raised singer-songwriter has been working on her craft since childhood. Around 2010, the dancer began exploring other avenues, and after taking a shot at writing poetry, a new skill developed.
Since that time, Monét has catapulted into the industry. Her songwriting and production credits include the likes of Ariana Grande, Chrisette Michele, Fifth Harmony, Brandy, and Chloe x Halle—just to name a few. This week, Victoria shared her latest single, “Party Girls,” featuring music icon Buju Banton. With her forthcoming album Jaguar Pt. II on the horizon, Monét sits down with Zane Lowe for Apple Music 1 and details what’s coming in her next season. Read through a few takeaways below.
Victoria Monét Talks “Party Girls”
“So it actually started with just a bassline that was playing in the studio. It was one of those nights where we were doing a couple ideas, and for some reason, I heard it…He heard it really musically and soulful, and I heard it in a Caribbean influence. And we didn’t see eye to eye on it at first. But he was like, I understand afterward, when it all came together.”
“So then it became this multi-version song, where there’s transitions in different … The hook only plays the way you hear it the first time, once, and there are transitions. And then Buju’s part sounds so big and epic…we actually went to Jamaica to shoot the video, and when we were there…my mom is the one who actually introduced me to Buju, and I just remember his voice… I couldn’t forget it. I was like, ‘Who is that? Who is my mom listening to?’”
All About Jaguar Pt. II
“You know what? I feel really lucky that, even from Jaguar Part One, I had planned for it to be a three-part project. So this album … This album is called Jaguar Part Two … so it really kind of breathes new life into Part One. If you’re just now catching onto me as an artist, it’s because it’s Part Two, that there was a Part One, so you may revisit it.
“When I do tour this album, I will be doing songs from Part One, as well. So, I feel like… because I’m still in this era, I get to still show love. It really became a result of observation of people’s attention span. And I know that, if people are just getting an introduced to an artist, if they see a long list, a long album, they may get kind of overwhelmed. So, I kind of always intended to microdose my style and my music to people in segments. But as I went on, I just kind of kept adding songs to those little segments. I know that there won’t be a Part Three anymore, because obviously, didn’t expect to take three years in between Part One and Part Two, or have a child in between.”
How Victoria Monét Navigates The Industry
“It feels like a movie to me. It feels like the plot is thick. And if I were to look backwards, I know why certain things happened, positive or negative, but I wouldn’t know that until I get to the end. So within … navigating the music industry, there was times where I was miserable and burnt out. And there was also times where I felt so elated and naturally high just because of whatever was going on, or the song that I made, or the success that it had, or the way it made people feel.”
“It’s just kind of like a rollercoaster and a movie, and so, when I look back on it at the end of my life, I just want it to be filled with mostly happiness… I bleed music. It’s just what I really love to do. So it’s almost just like my skin, I’m not really going to change it, it’s just what I am and what I love.”
Selling Out Her First Headlining Tour In One Minute
“I feel really, really excited. Just doing my first headlining tour, it sold out in one minute. Insane. My mom called me, she was like, ‘Victoria, I can’t get tickets.’ I was like, mom, come on, I got yours. I got yours, I promise you can come. But it was just very crazy. I’m so, so excited to put out this next project, I’m already wanting to work on the next one, because I know that… once tours happens, I’m going to want to start doing the next phase. So, I just want to get into the creative process already, now. And I kind of have the concept for the next era, as well, so I’m really excited to just keep rolling.”
World Building With Her Albums
“I have a team of women, mostly, and we are on a group chat just checking every box, making sure everything makes sense. And the biggest thing that I wanted to do with Jaguar is to make sure that if we were to take the concept and say, build a house, or even a theme park, you would be able to see things from the videos. You’d be able to… Things you can touch and see and feel and smell. And it’s just such a strong environment that you know it’s a Jaguar era. And then, when I switch, that we’ve got a whole new park. It’s like a whole new world.”
“I feel like it allows me to not feel so obligated to stay within one lane of myself. I really want to be able to give layers and turn pages, and really create a difference between each project so people can feel, and they understand, oh, when she was feeling like this, this is the color palette, this is the mood, this is what the environment looked like. And then, maybe this age … I mean, I feel like when Adele names her projects after her age, it’s very clear, to me, it’s like, oh, this is how you feel at this age, and the concepts within it.”
The Importance of Family
“As far as family is concerned, I could not do what I do without my family. I have realized, more than ever, that it really takes a tribe. And I only have one child, and I can imagine, for families of three and four, and … so my mom’s taking shifts, my boyfriend’s taking shifts while I’m in the studio, and just being able to focus. I have the luxury of being able to have a nanny, which has become family. My friends, it’s like a community is really raising this one child. And I can look up to so many people that helped raise me. So, it’s the most important thing, because we’re not in this world to be alone. We’re not I Am Legend, you know what I mean?”
Attention has been once again focused on Janelle Monáe. Not only has she announced a new album, The Age of Pleasure, but she’s shared her much-talked-about single, “Lipstick Lover.” Social media chatter has been at an all-time high about Ms. Monáe, especially after videos of the multihyphenate artist dancing at a private party. Monáe’s eclectic style has also captured the hearts of fans across several genres. Her additions to Pop, Hip Hop, R&B, and more have set her apart in an industry of copycats.
The set off this new season, Janelle Monáe sat down with none other than Zane Lowe for Apple Music 1. During their chat, the singer discussed “Lipstick Lover” and what can be expected from The Age of Pleasure. It’s always a wild, yet enjoyable ride when Monáe is in her bag, so here are a few takeaways from her Apple Music 1 interview.
The Make-Out Inspiration Behind “Lipstick Lover”
“That song, ‘Lipstick Lover,’ ugh. I’m like, ‘Why didn’t I write this song years ago?’ Because if you know me… Today, I don’t have on any red lipstick, but I’m always in red lipstick. And there have been so many instances where I’ve made out with somebody at a party, and it’s dark. Nobody notices it. But when the lights come on, whoever I’ve made out with, lipstick all over their face. And then, I’ve also been on the receiving end of a human…who’s so attractive….or I’ll get home, and I’m like, ‘Oh my God. I have lipstick all over my face.’ I’ve also been the Lipstick Lover where you know exactly who I kissed.”
Janelle Monaé Previews The Age of Pleasure
“All the songs were written from such an honest space. Look, it never stops. Even with this album, this project. I’m just like, ‘You know what? It takes work.’ I have to learn things all over again, I have to practice, I have to… And thank God I love the songs. Yeah. So, it’s always a fun thing to do, too. It’s like starting on a blank canvas.”
“So, I hope that people feel that when they listen to the music, that they feel that when they come and encounter with me when I’m around, I definitely have had an opportunity to evolve and grow and to tap into the things that bring me pleasure. The things that perhaps I should rethink and rework. Sometimes, it really is just saying, ‘You know what? Let’s get back to the basics, and also let’s honor the present.’”
Bringing In A New “Age”
“What I’m super excited about with The Age of Pleasure. The Age of Pleasure is that… Listen, I’ve had my Age of Depression. I’ve had my Age of Anxiety. I’ve had my Age of Struggle. And again, it’s not like life is pleasurable every single day, but I think I have actively just sought out, how do I create a space for myself? How do I redirect my mind on how I’m thinking about things? How do I realize that right now, in this present moment, moments that we’ll never get back, this is where you need to find your pleasure?
“This is your moment. Don’t let it get confused that five minutes later, we’re going to try to go into doing something different. And again, this is just my experience where I’m at, even though, despite what I may be going through, there’s going to be a moment where this bad moment, I won’t even be around to even discuss it. I won’t.”
Testing Out Material From The New Album
“When I was writing The Age of Pleasure, I wrote it with friends, four friends. I was just like, ‘If my friends f*ck with this, this is for us.’ Because when we are together, I want them to want to play it. And what I would do is if I knew we were having a party on that Friday or Saturday, on Monday and Tuesday, I’d be like, ‘All right. We’re going to write three songs.’ If the songs can’t work at the party, they’re not going on the album. I was like, ‘If people are not trying to Shazam…’ Because I was like, ‘Don’t say it’s me. Don’t.’ If they know…whatever. I need them Shazaming.
“I have my friend who’s my DJ. He worked on some of the songs on the project with me. I was like, ‘Just play it. Put it after this song.’ We put it in the setlist. And that’s how we made the album. I was walking around. I was so scared. I almost went to the bathroom one time. But ‘Float,’ we did that. ‘Lipstick Lover,’ we did like that. I have a song called ‘Champagne Machine’ that’s on there. I don’t want to give away too much, but basically every song that you’ll hear on the project, that’s how I did it. I want it to be so specific to this Pan-African crowd who are my friends. I want it to be a love letter to the diaspora. And if they f*ck with it, it’s good. I’m great.”
Kim Petras says that working with Nicki Minaj on their new collaboration, “Alone,” feels unreal. She spoke about the making of the track during a recent interview with Apple Music 1’s Zane Lowe on New Music Daily Radio.
“It doesn’t feel real still. Her singing, ‘It’s Barbie and it’s Kim Petras,’ I cried. I was on the floor and then she calls me Kim Petty in it, which all my friends are like, ‘How do we not come up with that our entire lives?’” Petras said in the interview.
Kim Petras At The Grammys
She continued: “So she just changed my life in so many ways with that verse, and that verse rips. I love her and I’m so inspired by her always, it’s crazy to me. I don’t know how she does it, but she’s just the greatest ever. I’m so happy that she likes the song.” Petras also confirmed that a music video for “Alone” is on the way. “We shot the music video together and [Minaj] was like, ‘Ugh, when I heard the song, I just loved it.’ And that just made me so happy. I feel like I’ve learned so much. I feel like I love her more. When the camera’s on, it’s crazy. She just goes into full superstar,” Petras said.
The collaboration with Nicki Minaj comes after Petras won the Grammy Award for Best Pop Duo/Group Performance, earlier this year. She was honored in response to her song with Sam Smith, “Unholy.” In winning the award, she became the first openly transgender artist to do so. Despite the song being featured on Smith’s fourth studio album, Gloria, he let Petras accept the award on stage at the ceremony. While addressing the crowd, she gave a shoutout to the late musician, SOPHIE, who helped pioneer the hyperpop genre in the 2010s.