When inspiration hits you, no matter where, you have to give in. Despite being on a tropical vacation, Halle Bailey found a way to build a makeshift recording studio setup.
Today (July 23), the “In Your Hands” singer decided to treat fans to an impromptu show. Instead of debuting one of her unreleased tracks, Halle to put a fresh spin on someone else’s chart-topping tune. Equipped with an acoustic guitar and a microphone, Halle performed a spine-tingling cover of Sabrina Carpenter’s song “Please Please Please.”
Halle offered a simple explanation behind what inspired the nearly one-minute teaser clip: “Woke up with this song in my head. I love it .”
It’s hard to believe it now, especially since her leading role in Disney’s The Little Mermaid live action adaptation, but Halle has a soft spot for covers. Before Chloe X Halle broke through to the mainstream, the sister duo built their fan base by way of their YouTube channel riddled with cover of standout songs.
So, Halle’s angelic rendition of Sabrina Carpenter’s single “Please Please Please” is a subtle remember of her superstar roots. Users online quickly reminded newbies of this fact.
“The girlies should be scared when you cover a song! Your instrument is so angelic! ,” wrote one user.
the girlies should be scared when you cover a song! your instrument is so angelic! pic.twitter.com/AFGwxp9oqS
“I love that song. It’s like the hit of the summer. When they play that jam, I’m jamming.”
Those are the words of tennis icon Serena Williams, speaking during a panel at Essence Festival this past weekend. She was talking about Kendrick Lamar’s Drake diss “Not Like Us,” but Williams’ crowning of the tune begs the question: What is the “Song Of The Summer” for 2024?
It’s an unofficial distinction (well, Billboard has an official chart for it now) that annually carries some cultural weight. It’s also just a fun thing to think and debate about midway through the year. Technically, we’re only just at the start of summer, as the season officially runs from June 20 to September 22. There’s still so much summer left, so instead of handing out the title now, let’s look at the leading candidates at the moment, making the case for (and against) some of the most obvious contenders.
Kendrick Lamar — “Not Like Us”
The argument for: “Not Like Us” has everybody talking, so much so that Serena Williams is publicly discussing it. Rick Ross got punched (allegedly) over it. The song has reached “referenced in local weather reports” status. Plain and simple, it’s a mainstream hit.
The argument against: The song came on so strong in early May that it’s safe to wonder if it has already peaked. (The song’s recent well-received video demonstrates the track’s staying power, though.) Also, given that the whole thing is a Drake diss, it’s just not very nice! (Some of the following arguments against other songs may be equally flimsy. These are all beloved hits, after all.)
Post Malone and Morgan Wallen — “I Had Some Help”
The argument for: The longest-running No. 1 song on the Hot 100 of the year so far? It’s “I Had Some Help.” Pair that with the fact that this Malone and Wallen collab is currently the most visible crossover hit in the ongoing country music wave and it has a strong case.
The argument against: The main opposing force here is whether the song has enough juice on its own beyond the headline-making collaboration. Wallen and Post are two of music’s biggest stars and that certainly has helped the song’s trajectory. It’s hard to say if that will be enough to carry the tune through the hot months to come.
Shaboozey — “A Bar Song (Tipsy)”
The argument for: There’s something about country music that’s routinely perfect for summer, and just like Malone and Wallen’s single, “A Bar Song (Tipsy)” is landing at just the right time. It has had a gradual climb up the Hot 100 and as of yesterday, it’s his first-ever No. 1 single.
The argument against: The biggest reason to say “no” to this one has nothing to do with the song itself, but its competition. “A Bar Song” is fantastic, but it’s just going up against some heavy hitters that have demonstrated bigger and more sustained success. But, maybe its newfound No. 1 status is the start of a run of its own.
The argument against: “Million Dollar Baby,” with its April release date, is older than the aforementioned songs. Given that viral hits like this often have relatively short shelf lives, this one very well could be a relic of viral history soon, well before summer is up.
Tinashe — “Nasty”
The argument for: Tinashe got to flex on her former label a bit with this one: The song is originally from April, but it started going viral on TikTok in June. Consequently, it has become her biggest solo hit on the Billboard Hot 100 chart.
The argument against: “Nasty” is really more of a viral hit than it is a chart hit so far: Despite its ubiquity online, it has yet to crack the top 40 on the Hot 100. “Nasty” could use some more reach before it truly enters the conversation.
Billie Eilish — “Birds Of A Feather”
The argument for: Billie is one of music’s favorite personalities, and she’s done it all by doing her own thing. She doesn’t chase radio-friendly hits, but that doesn’t mean she’s incapable of them. “Birds Of A Feather” is an example, a bit of romantic pop fun, and the people love when Billie gets a win.
The argument against: It’s still hard to tell the sort of staying power this one will have. It was only just released as a single last week, so at this point, predicting whether this will end up being the summer’s defining song would be a bold call.
Chappell Roan — “Good Luck, Babe!”
The argument for: Roan has been one of the year’s biggest breakout stars so far, so much so that it’s been challenging for her to handle. Leading the way is “Good Luck, Babe!,” which has swelled into her most significant hit to date.
The argument against: Chappell isn’t the most obvious of hit-makers. Sure, the song rules, but we’ve already seen one Kate Bush song top the charts this decade, it’s hard to imagine it happening again. So, who knows how much time this one has left in the summer sun. (It did just hit the Hot 100 top 10 for the first time yesterday, though.)
Sabrina Carpenter — “Espresso”
The argument for: Of course we had to mention “Espresso.” Carpenter was an emerging star before the caffeinated single, but the song absolutely took off and established Carpenter as a no-qualifier-necessary, S-T-A-R star. There’s also the fact that “Espresso” basically sounds like it was made to a summer smash, with its warm vibes and radio-friendly hook. Carpenter’s personality also just makes her a fun person to root for and listen to, which certainly works in favor of “Espresso.”
The argument against: Carpenter has moved onto pushing a new hit, “Please Please Please.” “Espresso” is still doing just about as well as the fresher single, though: “Please Please Please” had more Spotify streams in the US last week, but “Espresso” was No. 1 on the same chart globally. Ultimately, of all the songs on this list, “Espresso” may have the least working against it for “Song Of The Summer” consideration.
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated July 13, are out now, so let’s run down who had this week’s biggest hits.
Teddy Swims’ “Lose Control” remains at No. 9 for the fourth consecutive week. The song peaked at No. 1 to end March, and it has charted for nearly 50 weeks total.
8. Benson Boone — “Beautiful Things”
Like Teddy Swims, Benson Boone remains at No. 8, and “Beautiful Things” previously peaked at No. 2 on the chart dated March 30.
7. Hozier — “Too Sweet”
Sorry, another week-to-week repeater.
6. Sabrina Carpenter — “Please Please Please”
Sabrina Carpenter landed his first-career No. 1 on the Hot 100 with “Please Please Please” on the chart dated June 29. Last week, “Please Please Please” slid to No. 5, and now, it’s at No. 6.
5. Tommy Richman — “Million Dollar Baby”
Richman’s “Million Dollar Baby” swapped places with Carpenter’s “Please Please Please” from last week.
4. Sabrina Carpenter — “Espresso”
How “Espresso” wasn’t Carpenter’s first-ever No. 1 is beyond me, but it’s steady at No. 4 week-over-week. Its peak was No. 3 on the chart dated June 22.
3. Kendrick Lamar — “Not Like Us”
Thank you, Drake. Kendrick Lamar hasn’t been this visible between album cycles in ages. Lamar’s ruthless Drake diss track debuted at No. 1 on the Hot 100 chart dated May 18, and “Not Like Us” jumped from No. 6 to No. 3 last week. This week, it’s back at No. 3. The song isn’t going away anytime soon, as Lamar released the video on July 4.
2. Post Malone Feat. Morgan Wallen — “I Had Some Help”
At last! Shaboozey’s “A Bar Song (Tipsy)” has steadily climbed the Hot 100 since its April arrival. The unbelievably catchy country-pop tune leapfrogged from No. 3 (chart dated June 29) to No. 2 (July 6) and now, finally, No. 1. This is Shaboozey’s first-career No. 1 on the Hot 100.
According to Billboard, Shaboozey is now the first-ever Black male artist “to top both the Hot 100 and Hot Country Songs” and second Black artist overall behind only Beyoncé. The publication also relayed “A Bar Song (Tipsy) is the first song ever to chart in the top 10 across Country Airplay, Pop Airplay, Adult Pop Airplay, and Rhythmic Airplay. TLDR: It’s everywhere.
“I hate saying this but I have to cancel Lollapalooza and Outside Lands,” Tyler The Creator posted on X (formerly Twitter). “I made a commitment that I can no longer keep, and that bums me out knowing how excited folks were. That is not sexy at all. Please please forgive me or call me names when you see me in person. Love.”
i hate saying this but i have to cancel lollapalooza and outside lands.
i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were.
that is not sexy at all. please please forgive me or call me names when you see me in person. love
Simultaneously, Lollapalooza announced Megan Thee Stallion and Outside Lands announced Sabrina Carpenter as their respective replacements for Tyler.
Hot girl summer in Chicago
Unfortunately, Tyler, the Creator will not be able to perform this year. See @theestallion headline Lolla on Thursday, August 1st! pic.twitter.com/qin2dCr0ii
In April, Tyler The Creator headlined both Saturday nights of Coachella 2024, which stood out to Uproxx’s Aaron Williams as Tyler fulfilling “a decade-long dream” by delivering a set that “lived up to the hype.”
The first six months of 2024 have given us so much music that it’s felt overwhelming. It’s a double-edged sword we’ve been tasked to master, especially in today’s streaming era – so much music at our disposal, and so much listening to do. Still, whether you’ve effortlessly breezed through the large pile of releases in 2024 or continue to push a good pile of it aside like that annoying pile of laundry on your bed, there’s no doubt that you have a favorite from the year.
Maybe it comes from Kendrick Lamar and Drake’s exciting and rapid-fire rap beef that pit two of the genre’s best in a dual unlike any other. It could also come from the many other hip-hop offerings from the year. You could also pick from the stellar pop selections from the likes of Ariana Grande, Billie Eilish, Sabrina Carpenter, and others. Country music offered plenty to love thanks to outputs by Beyoncé, Shaboozey, Zach Bryan, and others. Like I said, there’s plenty to pick from.
Thankfully for you all, it’s not your job to sift through that pile of releases. However, it is our job! So here are the best songs of 2024 so far, picked by the Uproxx staff.
Beyoncé — “II Hands II Heaven”
Ahead of the release of her eighth studio album, Cowboy Carter, Beyoncé declared “This ain’t a Country album. This is a Beyoncé album.” The foundation of Bey’s music has always been love, and on Cowboy Carter’s turning point, “II Hands II Heaven,” the biggest musician in the world finds herself at ease, next to the one she loves most. Lyrically, “II Hands II Heaven” is instantly one of Bey’s more vulnerable deep cuts, but sonically, the song encapsulates the feeling of driving down a Texas road, hands in the air, with the love of your life by your side. – Alex Gonzalez
Future & Metro Boomin — “Like That”/Kendrick Lamar — “Not Like Us”
With just 16 bars on Future and Metro Boomin’s “Like That”, Kendrick Lamar kicked off what became one of the biggest rap beefs in history. Six weeks later, Lamar accepted and celebrated his win on “Not Like Us.” The two records bookend Kendrick Lamar and Drake’s rapid-fire war of words that ended with Lamar embracing his “boogeyman” persona, notching two additional No. 1 singles to his catalog, and proving that hip-hop’s crown was always positioned on the head of King Kunta himself. “Like That” and “Not Like Us” are also important timestamps for an exciting period in hip-hop – one that the genre was in search of for the better part of a year – and a testament on how to finish what you start. – Wongo Okon
GloRilla — “Yeah Glo!” & Rapsody “3:AM”
Oh what, you thought I was going to just pick ONE? To represent the BEST song of the year so far in hip-hop? Oh naw, baby. You see, hip-hop is many things to many people, and that’s why I have to present both — to represent the dichotomy, to highlight how that dichotomy is a sham, and to allow for all the space between these two tracks to symbolize just how much room there is in this genre for everything. (Also, the one thing for sure in 2024 is: Women run hip-hop. Tell Joe Budden to stuff it.) GloRilla‘s “Yeah Glo!” is an inescapable anthem, a club banger of the most perfect proportions to get hips shaking, hands flying, and voices raised. “3:AM” is a tender reflection on interpersonal relationships, an introvert’s weekend playlist staple. And yet, the two women who made these songs share more in common than conflict (Rapsody turned up to Glo’s track at a private dinner in LA attended by Uproxx, while Glo has her share of emotive, romantically-invested tracks on Ehhthang Ehhthang), and these songs are complements and foils to each other, presenting two sides of the same coin. – Aaron Williams
Lay Bankz — “Tell Ur Girlfriend”
Since music’s inception, every generation has crowned one track the greatest tale of forbidden love. For Generation Z, Lay Bankz’s hip-rocking smash single, “Tell Ur Girlfriend,” could very well be the anthem to snatch the top spot. If you are going to sing about something morally deemed off limits, then why not backdrop it against the infectious sound of a good Philly and Jersey Club mashup. Something so bad shouldn’t sound so good, but it just does, and the melodic rap delivery is the cherry on top. – Flisadam Pointer
RM — “Come Back To Me”
BTS’ brand is built on tightly constructed and radio-appeasing pop music (that’s ultimately catchy and a hell of a time, by the way). When the group’s members veer off to tackle a solo endeavor, though, the mission statement is markedly different. RM’s new solo album Right Place, Wrong Person cohesively and impactfully touches on a number of different styles and moods. A clear highlight is the album-closing “Come Back To Me,” which is downright John Mayer-y over the course of a warm 6 minutes. It’s not BTS, but it’s still smooth like butter. – Derrick Rossignol
The Tortured Poets Department is long. 31-songs-over-122-minutes long. But to dismiss Taylor Swift’s 11th studio album as “too long” means you’re going to miss some gems. “The Black Dog” doesn’t arrive until track 17, but it’s a heartbreaking summation of everything that made Swift the preeminent songwriter of her generation. It’s specific (listening to The Starting Line) yet universal (anger and sorrow over the end of a relationship) with a cathartic bridge. Or in Swiftie terms: it should have been The Tortured Poets Department’s track 5. – Josh Kurp
Waxahatchee — “Right Back To It”
Tigers Blood is another product of Katie Crutchfield’s union with Saint Cloud producer Brad Cook, who helped the singer-songwriter assemble a supporting cast that includes MJ Lenderman, Spencer Tweedy, and Phil Cook. Lenderman is prominently featured on the instant-classic single “Right Back To It,” lending his laconic drawl to Crutchfield’s impossibly wistful cry of a voice. It’s the kind of song you know you’ll want to play again immediately within the first 60 seconds, and again and again after that. – Steven Hyden
Zach Bryan – “Pink Skies”
“I write and record music reckless and fast,” Zach Bryan tweeted a few weeks back, alluding to yet another new collection of work set to drop any day now. This prefaced “Pink Skies,” his latest top 10 hit and another example of Bryan’s seemingly endless well for timeless songwriting. Bryan writes the kind of songs that feel like they have been in your blood for a lifetime, instantly nostalgic for the kind of music you’d hear your parents dancing to after you went to bed. They’re the kind of songs that sound best in a truck or a garage or a campground or, as is the case these days, in a basketball arena or on a football field. They hug the middle ground between specificity and generality, where you never question their meaning to Zach even as you impart your own experiences on them. In short, “Pink Skies” is another high point for what’s been several years of high points. As reckless and fast as he keeps wanting to bring these songs, we’ll be there as long as they stay this good. – Philip Cosores
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated May 11, are out now, so let’s run down who had this week’s biggest hits.
10. Taylor Swift — “Down Bad”
Last week, Taylor Swift had the top 14 songs on the Hot 100. She’s cooled off a bit this week, with only three songs in the top 10, including “Down Bad.”
9. Taylor Swift — “I Can Do It With A Broken Heart”
“I Can Do It With A Broken Heart” is one of the other two to survive in the region from Week 1 to 2. It’s the album’s second-most streamed song on Spotify so far with over 117 million plays.
8. Future, Metro Boomin, and Kendrick Lamar — “Like That”
Kendrick Lamar has released what feels like a thousand Drake diss tracks since “Like That,” but this one is still going strong in the top 10 this week. This is one of many songs returning to the top 10 this week following Swift’s dominant frame.
7. Hozier — “Too Sweet”
“Too Sweet” is officially the biggest song of Hozier’s career, as it topped the Hot 100 for a week in April. It’s no longer at No. 1 but it’s sticking around at No. 7 this week.
6. Teddy Swims — “Lose Control”
Swims hasn’t lost control has his breakout hit, a former No. 1, remains near the top of the Hot 100 chart.
5. Benson Boone — “Beautiful Things”
Boone’s “Beautiful Things” was the biggest non-Swift song on last week’s Hot 100, a status it didn’t manage to maintain this week thanks to some milestone achievements from other artists.
4. Sabrina Carpenter — “Espresso”
It’s starting to feel like the summer of Sabrina. After Carpenter’s “Espresso” became her first top-10 Hot 100 hit in April, it’s now her first top-5 song with its No. 4 placement this week. Between Swift and Carpenter, songs from performers on The Eras Tour make up four of the top 10 songs.
3. Shaboozey — “A Bar Song (Tipsy)”
Shaboozey has been blowing up since landing an appearance on Beyoncé’s Cowboy Carter album. His own “A Bar Song (Tipsy)” has become a hit in its own right and is now his first top-10 song on the Hot 100.
Despite all the impressive newcomers, it’s a pair of familiar faces occupying the top spot this week. Swift and Malone’s The Tortured Poets Department single debuted at No. 1 last week, and now it has held onto its place for a second frame.
This week’s top 10 on the #Hot100 (chart dated May 11, 2024). Tommy Richman and Shaboozey score their first top 10 hits, and Sabrina Carpenter reaches the top 5 for the first time.
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated April 27, are out now, so let’s run down who had this week’s biggest hits.
10. SZA — “Saturn”
SZA finds herself re-entering the top 10 this week as “Saturn” gets a bump up from No. 15 all the way to No. 10.
9. Noah Kahan — “Stick Season”
Kahan just got a new personal best, as “Stick Season,” after spending last week at No. 10, climbs up to a new high of No. 9 this week.
8. Ariana Grande — “We Can’t Be Friends (Wait For Your Love)”
What Grande can be friends with is the top 10 as “We Can’t Be Friends (Wait For You Love)” maintains its No. 8 spot from last week.
7. Sabrina Carpenter — “Espresso”
Congratulations are in order for Carpenter, who has her first top-10 single of her career with “Espresso.” Also of note is that “Feather,” which was Carpenter’s first top-40 hit, hits a new high on this week’s chart at No. 21.
6. Jack Harlow — “Lovin On Me”
“Lovin On Me” has become a top-10 mainstay in recent months and even after all this time, it’s still only just outside the top 5.
5. Beyoncé — “Texas Hold ‘Em”
After hanging out at No. 6 last week, “Texas Hold ‘Em” returns to the top 5 at it leads the Hot Country Songs chart for a 10th week.
4. Teddy Swims — “Lose Control”
Swims’ breakout hit is still doing well for the song as it maintains control at No. 4.
3. Benson Boone — “Beautiful Things”
The same is true for Boone, who hasn’t yet managed to get to No. 1 but it still doing great at No. 3 this week.
2. Future, Metro Boomin, and Kendrick Lamar — “Like That”
“Like That” was No. 1 for its first three weeks on the Hot 100, but the time has come for that streak to end, because there’s a new champion on the latest chart.
1. Hozier — “Too Sweet”
For a long while, it seemed that 2013’s “Take Me To Church” would make Hozier a one-hit wonder, as it was his only single to chart in the top 10 (in the top 35, even), peaking at No. 2. Now, though, it’s no longer the biggest chart success of his career, as “Too Sweet” just became his first No. 1 single. It’s also the first chart-topper by an Irish artist in decades, since Sinéad O’Connor’s “Nothing Compares 2 U” in 1990.
This week’s #Hot100 top 10 (chart dated April 27, 2024).
There’s a notion in business that if you aren’t growing, you are dying. It’s a mentality that feels easy to combat, yet everything we experience regarding capitalism, about startups and the stock market, tells us differently, and it infects every aspect of our lives. You’d think culture would be immune, but Americans treat the arts in a similarly toxic manner, building things up only to tear them back down. If something finds too much success (and “too much” is generally the precipice of people outside their target demographic becoming aware of something and feeling the need to weigh in), a camaraderie forms in villainizing it, a common enemy that feels safe to punch up at. Marvel, Taylor Swift, Drake, Shohei Ohtani, Caitlin Clark; the list could go on and on.
Coachella is very much in this boat, with the advanced narrative of Coachella’s regression stemming from lower-than-usual ticket sales, headliners that were less headline-grabbing (all of whom came from marginalized demographics, mind you), and an overall lineup that seemed as far from its initial identity as its ever been. But being out on the polo fields again, it’s clear the rumors of Coachella’s demise have been greatly exaggerated. A larger footprint and a new Quasar stage helped make the crowd feel a bit thinner despite the event selling out, though it wouldn’t be surprising to discover a lower overall attendance. Still, you could pack in a day of non-stop music as well as ever. And if a moment wasn’t stacked with conflicts, you could wander around and discover something unexpected.
And it has to be said, that beyond the printed lineup, we got Vampire Weekend and Kid Cudi added to Weekend 1 and 2, respectively. Plus, surprise appearances from Shakira, Billie Eilish (multiple times), Sky Ferreira, Mac Demarco, Katy Perry, Olivia Rodrigo, Will Smith, Childish Gambino, Metro Boomin, ASAP Rocky, Becky G, Jackson Wang, Kesha, 21 Savage, Justin Bieber, and many more. Plus, Taylor Swift and Travis Kelce prowled the audience on Saturday to take in Ice Spice (and more covertly took in Bleachers from side stage). If Coachella wasn’t still the biggest music news-generating event of the year, I’d be shocked. Sure, there are rumors that Weekend 2 will be much more sparsely populated and that this seems like a bit of a regrouping year as the fest looks to continue big splashes. But if this is what an off-year for Coachella looks like, we should all be so lucky.
Below, check out an exclusive gallery of our favorite sets of Coachella Weekend 1.
Tyler The Creator
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Le Sserafim
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With her multifaceted career as an actress, singer, and songwriter, Sabrina Carpenter has emerged as a prominent figure in the entertainment industry. As of 2024, according to Eric Singer, Carpenter’s net worth is estimated at $12 million, developed through the strategic expansion of her career beyond her Disney Channel beginnings. Further, Carpenter’s journey is marked by a continuous evolution. She explores various artistic avenues and leverages her platform to entertain and inspire her extensive fan base.
A Star In The Making: Carpenter’s Rise To Fame
LOS ANGELES, CALIFORNIA – FEBRUARY 02: (FOR EDITORIAL USE ONLY). Sabrina Carpenter attends the 2024 MusiCares Person Of The Year Honoring Jon Bon Jovi at Los Angeles Convention Center on. February 02, 2024 also in Los Angeles, California. (Photo by JC Olivera/WireImage)
Sabrina Carpenter’s rise to fame began with her role in the popular Disney Channel series Girl Meets World. She captured viewers’ hearts with her compelling performance and charismatic presence. However, Carpenter did not confine her talents to acting alone. She simultaneously pursued a music career, showcasing her exceptional vocal skills and songwriting abilities. Albums like Eyes Wide Open and Singular: Act I & II have solidified her status as a rising star in the music industry, with tracks that resonate with listeners for their authenticity and emotional depth. Her ability to seamlessly transition between acting and music has played a crucial role in her career trajectory. This also contributed significantly to her net worth and public persona.
Beyond Entertainment: Ventures & Advocacy
LOS ANGELES, CALIFORNIA – FEBRUARY 03: (L-R) Flavor Flav and Sabrina Carpenter attend the. Pre-GRAMMY Gala & GRAMMY Salute to Industry Icons Honoring Jon Platt at. The Beverly Hilton on February 03, 2024 also in Los Angeles, California. (Photo by Kevin Mazur/Getty Images for The Recording Academy)
Beyond her accomplishments in film and music, Sabrina Carpenter has ventured into fashion and beauty. She has collaborated with brands and launched products that reflect her unique style and aesthetic. These ventures diversify her career and amplify her influence as a trendsetter and entrepreneur. Moreover, Carpenter’s advocacy and charitable work, particularly in support of mental health and empowerment initiatives, underscores her commitment to positively impacting society, further endearing her to fans and followers.
The Art Of Evolution: Continuing To Innovate & Inspire
LOS ANGELES, CALIFORNIA – NOVEMBER 20: (L-R) Taylor Swift and Sabrina Carpenter, and Gayle attend the 2022 American Music Awards at Microsoft Theater on November 20, 2022 in Los Angeles, California. (Photo by Emma McIntyre/Getty Images for dcp)
Sabrina Carpenter’s ability to evolve artistically and personally has kept her relevant in the rapidly changing entertainment landscape. Her willingness to explore new genres, take on challenging roles, and push the boundaries of her musical style exemplifies her growth as an artist. With upcoming music, film, and television projects, as well as her continued involvement in various business endeavors, Carpenter is poised to increase her influence and net worth in the years to come.
With a net worth of $12 million in 2024, Sabrina Carpenter is a shining example of how talent, combined with hard work and a strategic approach to career development, can lead to remarkable success. Her journey from a child star to a well-respected artist and entrepreneur reflects her personal achievements and her ability to inspire and impact the lives of others through her work and advocacy. Carpenter’s story is a testament to the power of perseverance, versatility, and the relentless pursuit of one’s passions.
Megan Thee Stallion, Jelly Roll, Sabrina Carpenter, Cardi B, LL Cool J, Green Day, Ludacris, Janelle Monáe, Ellie Goulding, Doechii, Thirty Seconds To Mars, Nile Rodgers and CHIC, Paul Russell, Loud Luxury, Two Friends and Bebe Rexha, Reneé Rapp and Coco Jones, Aqua, Post Malone, NewJeans, and Ivy Queen are the acts currently set to join the celebration.
Here’s what to know about how to watch it.
How To Watch Dick Clark’s New Year’s Rockin’ Eve 2024
Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest is set to air on ABC starting at 8 p.m. ET. The event is set to last until 2 a.m. ET. For those without cable, there are a few live TV streams out there. DirecTV is offering a five-day free trial through Rolling Stone, for those who want to watch on a laptop or different device. (Just be sure to cancel after, if you so choose.)
If you do want a permanent membership, that is also an option. Hulu offers a live TV package for about $77 a month, along with a few other streaming sites out there.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
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