Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated July 13, are out now, so let’s run down who had this week’s biggest hits.
Teddy Swims’ “Lose Control” remains at No. 9 for the fourth consecutive week. The song peaked at No. 1 to end March, and it has charted for nearly 50 weeks total.
8. Benson Boone — “Beautiful Things”
Like Teddy Swims, Benson Boone remains at No. 8, and “Beautiful Things” previously peaked at No. 2 on the chart dated March 30.
7. Hozier — “Too Sweet”
Sorry, another week-to-week repeater.
6. Sabrina Carpenter — “Please Please Please”
Sabrina Carpenter landed his first-career No. 1 on the Hot 100 with “Please Please Please” on the chart dated June 29. Last week, “Please Please Please” slid to No. 5, and now, it’s at No. 6.
5. Tommy Richman — “Million Dollar Baby”
Richman’s “Million Dollar Baby” swapped places with Carpenter’s “Please Please Please” from last week.
4. Sabrina Carpenter — “Espresso”
How “Espresso” wasn’t Carpenter’s first-ever No. 1 is beyond me, but it’s steady at No. 4 week-over-week. Its peak was No. 3 on the chart dated June 22.
3. Kendrick Lamar — “Not Like Us”
Thank you, Drake. Kendrick Lamar hasn’t been this visible between album cycles in ages. Lamar’s ruthless Drake diss track debuted at No. 1 on the Hot 100 chart dated May 18, and “Not Like Us” jumped from No. 6 to No. 3 last week. This week, it’s back at No. 3. The song isn’t going away anytime soon, as Lamar released the video on July 4.
2. Post Malone Feat. Morgan Wallen — “I Had Some Help”
At last! Shaboozey’s “A Bar Song (Tipsy)” has steadily climbed the Hot 100 since its April arrival. The unbelievably catchy country-pop tune leapfrogged from No. 3 (chart dated June 29) to No. 2 (July 6) and now, finally, No. 1. This is Shaboozey’s first-career No. 1 on the Hot 100.
According to Billboard, Shaboozey is now the first-ever Black male artist “to top both the Hot 100 and Hot Country Songs” and second Black artist overall behind only Beyoncé. The publication also relayed “A Bar Song (Tipsy) is the first song ever to chart in the top 10 across Country Airplay, Pop Airplay, Adult Pop Airplay, and Rhythmic Airplay. TLDR: It’s everywhere.
“I hate saying this but I have to cancel Lollapalooza and Outside Lands,” Tyler The Creator posted on X (formerly Twitter). “I made a commitment that I can no longer keep, and that bums me out knowing how excited folks were. That is not sexy at all. Please please forgive me or call me names when you see me in person. Love.”
i hate saying this but i have to cancel lollapalooza and outside lands.
i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were.
that is not sexy at all. please please forgive me or call me names when you see me in person. love
Simultaneously, Lollapalooza announced Megan Thee Stallion and Outside Lands announced Sabrina Carpenter as their respective replacements for Tyler.
Hot girl summer in Chicago
Unfortunately, Tyler, the Creator will not be able to perform this year. See @theestallion headline Lolla on Thursday, August 1st! pic.twitter.com/qin2dCr0ii
In April, Tyler The Creator headlined both Saturday nights of Coachella 2024, which stood out to Uproxx’s Aaron Williams as Tyler fulfilling “a decade-long dream” by delivering a set that “lived up to the hype.”
The first six months of 2024 have given us so much music that it’s felt overwhelming. It’s a double-edged sword we’ve been tasked to master, especially in today’s streaming era – so much music at our disposal, and so much listening to do. Still, whether you’ve effortlessly breezed through the large pile of releases in 2024 or continue to push a good pile of it aside like that annoying pile of laundry on your bed, there’s no doubt that you have a favorite from the year.
Maybe it comes from Kendrick Lamar and Drake’s exciting and rapid-fire rap beef that pit two of the genre’s best in a dual unlike any other. It could also come from the many other hip-hop offerings from the year. You could also pick from the stellar pop selections from the likes of Ariana Grande, Billie Eilish, Sabrina Carpenter, and others. Country music offered plenty to love thanks to outputs by Beyoncé, Shaboozey, Zach Bryan, and others. Like I said, there’s plenty to pick from.
Thankfully for you all, it’s not your job to sift through that pile of releases. However, it is our job! So here are the best songs of 2024 so far, picked by the Uproxx staff.
Beyoncé — “II Hands II Heaven”
Ahead of the release of her eighth studio album, Cowboy Carter, Beyoncé declared “This ain’t a Country album. This is a Beyoncé album.” The foundation of Bey’s music has always been love, and on Cowboy Carter’s turning point, “II Hands II Heaven,” the biggest musician in the world finds herself at ease, next to the one she loves most. Lyrically, “II Hands II Heaven” is instantly one of Bey’s more vulnerable deep cuts, but sonically, the song encapsulates the feeling of driving down a Texas road, hands in the air, with the love of your life by your side. – Alex Gonzalez
Future & Metro Boomin — “Like That”/Kendrick Lamar — “Not Like Us”
With just 16 bars on Future and Metro Boomin’s “Like That”, Kendrick Lamar kicked off what became one of the biggest rap beefs in history. Six weeks later, Lamar accepted and celebrated his win on “Not Like Us.” The two records bookend Kendrick Lamar and Drake’s rapid-fire war of words that ended with Lamar embracing his “boogeyman” persona, notching two additional No. 1 singles to his catalog, and proving that hip-hop’s crown was always positioned on the head of King Kunta himself. “Like That” and “Not Like Us” are also important timestamps for an exciting period in hip-hop – one that the genre was in search of for the better part of a year – and a testament on how to finish what you start. – Wongo Okon
GloRilla — “Yeah Glo!” & Rapsody “3:AM”
Oh what, you thought I was going to just pick ONE? To represent the BEST song of the year so far in hip-hop? Oh naw, baby. You see, hip-hop is many things to many people, and that’s why I have to present both — to represent the dichotomy, to highlight how that dichotomy is a sham, and to allow for all the space between these two tracks to symbolize just how much room there is in this genre for everything. (Also, the one thing for sure in 2024 is: Women run hip-hop. Tell Joe Budden to stuff it.) GloRilla‘s “Yeah Glo!” is an inescapable anthem, a club banger of the most perfect proportions to get hips shaking, hands flying, and voices raised. “3:AM” is a tender reflection on interpersonal relationships, an introvert’s weekend playlist staple. And yet, the two women who made these songs share more in common than conflict (Rapsody turned up to Glo’s track at a private dinner in LA attended by Uproxx, while Glo has her share of emotive, romantically-invested tracks on Ehhthang Ehhthang), and these songs are complements and foils to each other, presenting two sides of the same coin. – Aaron Williams
Lay Bankz — “Tell Ur Girlfriend”
Since music’s inception, every generation has crowned one track the greatest tale of forbidden love. For Generation Z, Lay Bankz’s hip-rocking smash single, “Tell Ur Girlfriend,” could very well be the anthem to snatch the top spot. If you are going to sing about something morally deemed off limits, then why not backdrop it against the infectious sound of a good Philly and Jersey Club mashup. Something so bad shouldn’t sound so good, but it just does, and the melodic rap delivery is the cherry on top. – Flisadam Pointer
RM — “Come Back To Me”
BTS’ brand is built on tightly constructed and radio-appeasing pop music (that’s ultimately catchy and a hell of a time, by the way). When the group’s members veer off to tackle a solo endeavor, though, the mission statement is markedly different. RM’s new solo album Right Place, Wrong Person cohesively and impactfully touches on a number of different styles and moods. A clear highlight is the album-closing “Come Back To Me,” which is downright John Mayer-y over the course of a warm 6 minutes. It’s not BTS, but it’s still smooth like butter. – Derrick Rossignol
The Tortured Poets Department is long. 31-songs-over-122-minutes long. But to dismiss Taylor Swift’s 11th studio album as “too long” means you’re going to miss some gems. “The Black Dog” doesn’t arrive until track 17, but it’s a heartbreaking summation of everything that made Swift the preeminent songwriter of her generation. It’s specific (listening to The Starting Line) yet universal (anger and sorrow over the end of a relationship) with a cathartic bridge. Or in Swiftie terms: it should have been The Tortured Poets Department’s track 5. – Josh Kurp
Waxahatchee — “Right Back To It”
Tigers Blood is another product of Katie Crutchfield’s union with Saint Cloud producer Brad Cook, who helped the singer-songwriter assemble a supporting cast that includes MJ Lenderman, Spencer Tweedy, and Phil Cook. Lenderman is prominently featured on the instant-classic single “Right Back To It,” lending his laconic drawl to Crutchfield’s impossibly wistful cry of a voice. It’s the kind of song you know you’ll want to play again immediately within the first 60 seconds, and again and again after that. – Steven Hyden
Zach Bryan – “Pink Skies”
“I write and record music reckless and fast,” Zach Bryan tweeted a few weeks back, alluding to yet another new collection of work set to drop any day now. This prefaced “Pink Skies,” his latest top 10 hit and another example of Bryan’s seemingly endless well for timeless songwriting. Bryan writes the kind of songs that feel like they have been in your blood for a lifetime, instantly nostalgic for the kind of music you’d hear your parents dancing to after you went to bed. They’re the kind of songs that sound best in a truck or a garage or a campground or, as is the case these days, in a basketball arena or on a football field. They hug the middle ground between specificity and generality, where you never question their meaning to Zach even as you impart your own experiences on them. In short, “Pink Skies” is another high point for what’s been several years of high points. As reckless and fast as he keeps wanting to bring these songs, we’ll be there as long as they stay this good. – Philip Cosores
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated May 11, are out now, so let’s run down who had this week’s biggest hits.
10. Taylor Swift — “Down Bad”
Last week, Taylor Swift had the top 14 songs on the Hot 100. She’s cooled off a bit this week, with only three songs in the top 10, including “Down Bad.”
9. Taylor Swift — “I Can Do It With A Broken Heart”
“I Can Do It With A Broken Heart” is one of the other two to survive in the region from Week 1 to 2. It’s the album’s second-most streamed song on Spotify so far with over 117 million plays.
8. Future, Metro Boomin, and Kendrick Lamar — “Like That”
Kendrick Lamar has released what feels like a thousand Drake diss tracks since “Like That,” but this one is still going strong in the top 10 this week. This is one of many songs returning to the top 10 this week following Swift’s dominant frame.
7. Hozier — “Too Sweet”
“Too Sweet” is officially the biggest song of Hozier’s career, as it topped the Hot 100 for a week in April. It’s no longer at No. 1 but it’s sticking around at No. 7 this week.
6. Teddy Swims — “Lose Control”
Swims hasn’t lost control has his breakout hit, a former No. 1, remains near the top of the Hot 100 chart.
5. Benson Boone — “Beautiful Things”
Boone’s “Beautiful Things” was the biggest non-Swift song on last week’s Hot 100, a status it didn’t manage to maintain this week thanks to some milestone achievements from other artists.
4. Sabrina Carpenter — “Espresso”
It’s starting to feel like the summer of Sabrina. After Carpenter’s “Espresso” became her first top-10 Hot 100 hit in April, it’s now her first top-5 song with its No. 4 placement this week. Between Swift and Carpenter, songs from performers on The Eras Tour make up four of the top 10 songs.
3. Shaboozey — “A Bar Song (Tipsy)”
Shaboozey has been blowing up since landing an appearance on Beyoncé’s Cowboy Carter album. His own “A Bar Song (Tipsy)” has become a hit in its own right and is now his first top-10 song on the Hot 100.
Despite all the impressive newcomers, it’s a pair of familiar faces occupying the top spot this week. Swift and Malone’s The Tortured Poets Department single debuted at No. 1 last week, and now it has held onto its place for a second frame.
This week’s top 10 on the #Hot100 (chart dated May 11, 2024). Tommy Richman and Shaboozey score their first top 10 hits, and Sabrina Carpenter reaches the top 5 for the first time.
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated April 27, are out now, so let’s run down who had this week’s biggest hits.
10. SZA — “Saturn”
SZA finds herself re-entering the top 10 this week as “Saturn” gets a bump up from No. 15 all the way to No. 10.
9. Noah Kahan — “Stick Season”
Kahan just got a new personal best, as “Stick Season,” after spending last week at No. 10, climbs up to a new high of No. 9 this week.
8. Ariana Grande — “We Can’t Be Friends (Wait For Your Love)”
What Grande can be friends with is the top 10 as “We Can’t Be Friends (Wait For You Love)” maintains its No. 8 spot from last week.
7. Sabrina Carpenter — “Espresso”
Congratulations are in order for Carpenter, who has her first top-10 single of her career with “Espresso.” Also of note is that “Feather,” which was Carpenter’s first top-40 hit, hits a new high on this week’s chart at No. 21.
6. Jack Harlow — “Lovin On Me”
“Lovin On Me” has become a top-10 mainstay in recent months and even after all this time, it’s still only just outside the top 5.
5. Beyoncé — “Texas Hold ‘Em”
After hanging out at No. 6 last week, “Texas Hold ‘Em” returns to the top 5 at it leads the Hot Country Songs chart for a 10th week.
4. Teddy Swims — “Lose Control”
Swims’ breakout hit is still doing well for the song as it maintains control at No. 4.
3. Benson Boone — “Beautiful Things”
The same is true for Boone, who hasn’t yet managed to get to No. 1 but it still doing great at No. 3 this week.
2. Future, Metro Boomin, and Kendrick Lamar — “Like That”
“Like That” was No. 1 for its first three weeks on the Hot 100, but the time has come for that streak to end, because there’s a new champion on the latest chart.
1. Hozier — “Too Sweet”
For a long while, it seemed that 2013’s “Take Me To Church” would make Hozier a one-hit wonder, as it was his only single to chart in the top 10 (in the top 35, even), peaking at No. 2. Now, though, it’s no longer the biggest chart success of his career, as “Too Sweet” just became his first No. 1 single. It’s also the first chart-topper by an Irish artist in decades, since Sinéad O’Connor’s “Nothing Compares 2 U” in 1990.
This week’s #Hot100 top 10 (chart dated April 27, 2024).
There’s a notion in business that if you aren’t growing, you are dying. It’s a mentality that feels easy to combat, yet everything we experience regarding capitalism, about startups and the stock market, tells us differently, and it infects every aspect of our lives. You’d think culture would be immune, but Americans treat the arts in a similarly toxic manner, building things up only to tear them back down. If something finds too much success (and “too much” is generally the precipice of people outside their target demographic becoming aware of something and feeling the need to weigh in), a camaraderie forms in villainizing it, a common enemy that feels safe to punch up at. Marvel, Taylor Swift, Drake, Shohei Ohtani, Caitlin Clark; the list could go on and on.
Coachella is very much in this boat, with the advanced narrative of Coachella’s regression stemming from lower-than-usual ticket sales, headliners that were less headline-grabbing (all of whom came from marginalized demographics, mind you), and an overall lineup that seemed as far from its initial identity as its ever been. But being out on the polo fields again, it’s clear the rumors of Coachella’s demise have been greatly exaggerated. A larger footprint and a new Quasar stage helped make the crowd feel a bit thinner despite the event selling out, though it wouldn’t be surprising to discover a lower overall attendance. Still, you could pack in a day of non-stop music as well as ever. And if a moment wasn’t stacked with conflicts, you could wander around and discover something unexpected.
And it has to be said, that beyond the printed lineup, we got Vampire Weekend and Kid Cudi added to Weekend 1 and 2, respectively. Plus, surprise appearances from Shakira, Billie Eilish (multiple times), Sky Ferreira, Mac Demarco, Katy Perry, Olivia Rodrigo, Will Smith, Childish Gambino, Metro Boomin, ASAP Rocky, Becky G, Jackson Wang, Kesha, 21 Savage, Justin Bieber, and many more. Plus, Taylor Swift and Travis Kelce prowled the audience on Saturday to take in Ice Spice (and more covertly took in Bleachers from side stage). If Coachella wasn’t still the biggest music news-generating event of the year, I’d be shocked. Sure, there are rumors that Weekend 2 will be much more sparsely populated and that this seems like a bit of a regrouping year as the fest looks to continue big splashes. But if this is what an off-year for Coachella looks like, we should all be so lucky.
Below, check out an exclusive gallery of our favorite sets of Coachella Weekend 1.
With her multifaceted career as an actress, singer, and songwriter, Sabrina Carpenter has emerged as a prominent figure in the entertainment industry. As of 2024, according to Eric Singer, Carpenter’s net worth is estimated at $12 million, developed through the strategic expansion of her career beyond her Disney Channel beginnings. Further, Carpenter’s journey is marked by a continuous evolution. She explores various artistic avenues and leverages her platform to entertain and inspire her extensive fan base.
A Star In The Making: Carpenter’s Rise To Fame
Sabrina Carpenter’s rise to fame began with her role in the popular Disney Channel series Girl Meets World. She captured viewers’ hearts with her compelling performance and charismatic presence. However, Carpenter did not confine her talents to acting alone. She simultaneously pursued a music career, showcasing her exceptional vocal skills and songwriting abilities. Albums like Eyes Wide Open and Singular: Act I & II have solidified her status as a rising star in the music industry, with tracks that resonate with listeners for their authenticity and emotional depth. Her ability to seamlessly transition between acting and music has played a crucial role in her career trajectory. This also contributed significantly to her net worth and public persona.
Beyond Entertainment: Ventures & Advocacy
Beyond her accomplishments in film and music, Sabrina Carpenter has ventured into fashion and beauty. She has collaborated with brands and launched products that reflect her unique style and aesthetic. These ventures diversify her career and amplify her influence as a trendsetter and entrepreneur. Moreover, Carpenter’s advocacy and charitable work, particularly in support of mental health and empowerment initiatives, underscores her commitment to positively impacting society, further endearing her to fans and followers.
The Art Of Evolution: Continuing To Innovate & Inspire
Sabrina Carpenter’s ability to evolve artistically and personally has kept her relevant in the rapidly changing entertainment landscape. Her willingness to explore new genres, take on challenging roles, and push the boundaries of her musical style exemplifies her growth as an artist. With upcoming music, film, and television projects, as well as her continued involvement in various business endeavors, Carpenter is poised to increase her influence and net worth in the years to come.
With a net worth of $12 million in 2024, Sabrina Carpenter is a shining example of how talent, combined with hard work and a strategic approach to career development, can lead to remarkable success. Her journey from a child star to a well-respected artist and entrepreneur reflects her personal achievements and her ability to inspire and impact the lives of others through her work and advocacy. Carpenter’s story is a testament to the power of perseverance, versatility, and the relentless pursuit of one’s passions.
Megan Thee Stallion, Jelly Roll, Sabrina Carpenter, Cardi B, LL Cool J, Green Day, Ludacris, Janelle Monáe, Ellie Goulding, Doechii, Thirty Seconds To Mars, Nile Rodgers and CHIC, Paul Russell, Loud Luxury, Two Friends and Bebe Rexha, Reneé Rapp and Coco Jones, Aqua, Post Malone, NewJeans, and Ivy Queen are the acts currently set to join the celebration.
Here’s what to know about how to watch it.
How To Watch Dick Clark’s New Year’s Rockin’ Eve 2024
Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest is set to air on ABC starting at 8 p.m. ET. The event is set to last until 2 a.m. ET. For those without cable, there are a few live TV streams out there. DirecTV is offering a five-day free trial through Rolling Stone, for those who want to watch on a laptop or different device. (Just be sure to cancel after, if you so choose.)
If you do want a permanent membership, that is also an option. Hulu offers a live TV package for about $77 a month, along with a few other streaming sites out there.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The lineup for the 2023 New Year’s Rockin’ Eve got a few new significant additions, as Megan Thee Stallion, Sabrina Carpenter, Tyla, and Jelly Roll will be joining the party and the already star-studded slate of performers.
As for what songs to expect, Megan is treating the crowd to a special performance, which could possibly be a selection of new music. Carpenter is planning to mashup her two singles, “Nonsense” and “Feather.”
Tyla will play her breakthrough hit, “Water,” along with her new song, “Truth Or Dare.” Finally, Jelly Roll will be performing a medley alongside special guest Jessie Murph.
Other previously-announced artists that will be performing on the holiday special include Green Day, Ludacris, Janelle Monáe, Post Malone, NewJeans, Ellie Goulding, Doechii, Thirty Seconds To Mars, Nile Rodgers and CHIC, Paul Russell, Loud Luxury, Two Friends and Bebe Rexha, Reneé Rapp and Coco Jones, and many, many more.
While the event will be held live in New York, some of the artists will be joining in from around the globe for their performances. For example, Post Malone is participating in Vegas, and NewJeans will be in South Korea.
Viewers can tune in to watch their favorite artists starting at 8 p.m. ET on December 31 on ABC.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Pop Crave posted on X (formerly Twitter) that the show “opens with an Olivia Rodrigo performance” alongside a 26-second video snippet of Rodrigo backstage before “her first time performing at the Jingle Ball,” which would have been on December 1 in Los Angeles. Rodrigo also performed at the iHeartRadio Z100’s Jingle Ball 2023 at Madison Square Garden in New York City on December 8 — one day before serving as the musical guest on SNL. (It’s unclear where the video originated from.)
This year’s iHeart Radio Jingle Ball opens with an Olivia Rodrigo performance.
Catch up on who performed where during the iHeartRadio Jingle Ball Tour here, and learn how to watch the subsequent television special below.
How To Watch The iHeartRadio Jingle Ball 2023 Concert Special
The iHeartRadio Jingle Ball 2023 will air tonight, December 21, beginning at 8 p.m. ET on ABC. According to iHeartRadio, the TV concert special will feature performances from Cher, Olivia Rodrigo, SZA, Niall Horan, Sabrina Carpenter, OneRepublic, AJR, Doechii, Jelly Roll, Big Time Rush, Melanie Martinez, Paul Russell, and Pentatonix.
Beginning on Friday, December 22, the full special will be available to stream on Hulu or on demand.
Additionally, according to The Hollywood Reporter, there are also options to stream it via services like DirecTV Stream or Fubo. THR also relayed that “the show will include celebrity appearances, however, from Jimmy Fallon, Kendall Jenner, Hailey Bieber, Tate McRae, Dixie D’Amelio and others.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.