What Is Pink’s Best-Selling Album?

In the eclectic echelons of pop-rock aristocracy, P!nk is a maverick maestro. Her vocal prowess and her rebellion against musical norms have cemented her place in the annals of music history. As we navigate her career, one album is a testament to her spirit: Missundaztood. This 2001 masterpiece further signaled a significant shift from her R&B roots. It also embraced a rock essence that would become synonymous with P!nk’s identity.

The genesis of Missundaztood was nothing short of P!nk laying her emotions bare. It was set against a backdrop of genre-melding melodies and heartfelt lyrics. The partnership with Linda Perry, the distinctive voice behind 4 Non Blondes, proved pivotal. The duo crafted tracks that weaved personal anecdotes with universal themes, showcasing P!nk’s versatility and depth. It wasn’t merely a change in musical direction. It was also a reinvention, a demolition of the expected pop paradigm to construct a unique soundscape with Missundaztood as its foundation.

Read More: Pink Fan Throws Mother’s Ashes On Stage: “Don’t Know How I Feel About This”

The Genesis Of Missundaztood: A Synergy Between Rebel & Artisan

The beginning of Missundaztood tells a tale of artistry where the simple truths of life’s journey crashed with the mastery of musical composition. P!nk’s pursuit of Linda Perry was also an outreach for fellowship in the music world’s vast, often impersonal expanse. It was a plea encapsulated in a letter that bridged two artists from disparate musical realms. Their collaboration in the studios evolved as an exploration of genuineness.

This creative epoch marked by Missundaztood was also as much an act of insurrection against the norm as a disclosure of the artist’s inner world. P!nk navigated through the storm of her formative years, creating tracks like “Don’t Let Me Get Me” and “Family Portrait” that spoke to the souls of those grappling with similar uproars. Further, Perry’s hand can be discerned in the raw honesty of the album, an echo of her musical signature. Together, they embarked on a voyage that changed personal history into a universally felt heartbeat. It is encapsulated within the rhythm and rhymes of Missundaztood.

Critical Acclaim & Commercial Triumph

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HIGHLAND, CALIFORNIA – SEPTEMBER 29: Pink performs an intimate show at Yaamava Theater. At Yaamava Resort & Casino on September 29, 2022 in Highland, California. (Photo by Rich Polk/Getty Images for Yaamava’ Resort & Casino)

The release of Missundaztood pushed P!nk into the stratosphere of music stardom. Critics, who often serve as the gatekeepers of musical prestige, were quick to acknowledge the album’s departure from the artist’s debut work. It was an album that skirted the edge of P!nk’s punkish roots while diving headfirst into the deep waters of pop and R&B.

Additionally, as sales soared and chart positions were clinched with the tenacity of the album’s title, Missundaztood became a commercial hit. It wasn’t merely the numbers that told the story—though they were staggering—but the cultural imprint it left. The album became a fixture from the boardrooms of record label executives to the streets. Anthems like “Get the Party Started” became ubiquitous. Further, the RIAA certifications piled up. It was also a tangible measure of the album’s resonance with an audience that found parts of themselves in its tracks.

Read More: Pink Says She Wasn’t “Shading” Christina Aguilera With “Lady Marmalade” Comments

Legacy & Impact: A Cultural & Commercial Powerhouse

Missundaztood surpassed the 13 million mark globally. It also firmly etched P!nk’s name in the annals of music history with its lasting impact. Its singles, especially the chart-topping “Just Like a Pill,” became anthems. They influenced a generation of pop music enthusiasts and future artists. Moreover, the album’s impressive peak at No. 6 on the Billboard 200 was merely a prelude to its enduring legacy. This can be measured not just in platinum certifications—five times over in the United States alone—but also in its contribution to the narrative of pop music.

Beyond the raw sales data and chart metrics, the album’s impact is reflected in its cultural pervasiveness. From the Grammy stage to the soundtracks of countless lives in the early 2000s, Missundaztood became a beacon of personal storytelling through music. Its influence rippled through the industry, inspiring artists to explore deeper emotional honesty. Overall, the album’s bravado and the vulnerability it championed broke ground for what was acceptable in the mainstream, paving the way for a more diverse musical expression.

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Pink Net Worth 2023: What Is The Music Icon Worth?

Born Alesha Beth Moore on September 8, 1979, in Doylestown, Pennsylvania, Pink was seemingly destined for a life far removed from international stages and platinum records. The small-town vibes of Doylestown, with its quaint streets and community-centric spirit, were nurturing grounds for young Alesha. But it wasn’t long before she felt the irresistible pull of music. Exhibiting signs of a musical prodigy early on, Pink took to singing with the enthusiasm one would expect from future world-beaters. And while her hometown cheered her initial endeavors, little did they know she was on a trajectory to become a global sensation. Speaking of accolades and success, 2023 finds Pink with an impressive net worth of $220 million, as reported by CAknowledge.

Career Highlights & Accolades

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LAS VEGAS, NV – SEPTEMBER 22: Pink performs onstage during the 2017 iHeartRadio Music Festival. At T-Mobile Arena on September 22, 2017 in Las Vegas, Nevada. (Photo by Kevin Winter/Getty Images for iHeartMedia)

Can’t Take Me Home, her debut album, may have turned heads, but it was M!ssundaztood that firmly planted Pink on the global music map. Songs like “Get the Party Started” didn’t just top charts. They became anthems. With her eclectic mix of pop and punk, she quickly became the voice of a restless generation. Fast forward through a career laden with awards and recognitions, three Grammys included, and Pink’s impact in the music industry is hard to quantify but easy to see.

Personal Life & Highlights

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LOS ANGELES, CALIFORNIA – NOVEMBER 20: (EDITORIAL USE ONLY) (L-R) Pink, Willow Sage Hart, Jameson Moon Hart, and Carey Hart attend the 2022 American Music Awards at Microsoft Theater on November 20, 2022 in Los Angeles, California. (Photo by Axelle/Bauer-Griffin/FilmMagic)

Away from the reverberating applause and stage lights, Pink navigates the fulfilling yet complex journey of motherhood. Her open-hearted tales of life with children, Willow and Jameson, resonate with parents everywhere. As for matters of the heart, Pink’s long-standing relationship with motocross maven, Carey Hart, often plays muse to her songwriting. Their love story, with all its highs and lows, has been the lyrical backbone for some of her most emotive tracks.

Business Ventures & Philanthropy

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HOLLYWOOD, CALIFORNIA – FEBRUARY 05: Pink and Carey Hart attend a ceremony honoring her with the 2.656th star on The Hollywood Walk Of Fame on February 05, 2019 in Hollywood, California. (Photo by Alberto E. Rodriguez/Getty Images)

While Pink’s dulcet tones have won millions of hearts, she’s not just about high notes and rhythmic beats. Her entrepreneurial side shines with ventures like her collaboration with CoverGirl and the birth of Two Wolves Wine. But commerce isn’t her only calling. Altruism runs deep in Pink’s veins. Passionately supporting causes like Save the Children and No Kid Hungry, she effortlessly merges her world of music with profound activism, marking her as an entertainer and a change-maker.

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Here Are The Music Midtown Set Times For 2023

Music Midtown will stage its annual festival at Piedmont Park in Atlanta, Georgia from Friday, September 15, to Sunday, September 17, and six headliners are coming to town: Pink, Flume, Billie Eilish, The 1975, Guns N’ Roses, and Lil Baby.

The festival released the weekend’s full schedule on August 30, giving attendees plenty of time to plan.

On September 15, doors will open at 5 p.m. local time. Only six acts will perform on opening night. Skaiwater will start everything off from 5:15-5:45 p.m., followed by Leah Kate (5:45-6:30 p.m.), JID (6:30-7:30 p.m.), Pitbull (7:30-8:30 p.m.), and Flume (8:30-9:30 p.m.). Pink’s set is scheduled to begin at 9:30 p.m.

Doors will open at 11 a.m. local time on Saturday and Sunday alike. All four stages will be functioning on Saturday, September 16, featuring the likes of Niall Horan (6-7 p.m.), Fletcher (7-8 p.m.), Destroy Lonely (7-8 p.m.), and Louis The Child (8-9 p.m.) ahead of headlining performances from The 1975 (8-9:30 p.m.) and Eilish, who will take the Venmo stage at 9:30 p.m.

The final day will welcome JP Saxe (2:30-3:30 p.m.), Masego (3:30-4:30 p.m.), Tove Lo (4:30-5:30 p.m.), GloRilla (5:30-6:30 p.m.), Incubus (5:30-6:30 p.m.), Young Nudy (6:30-7:30 p.m.), and The Garden (6:30-7:30 p.m.) before headlining sets from Lil Baby (7:30-8:45 p.m.) and Guns N’ Roses, who are slated for 7:30 p.m.

Check out the full lineup and schedule below, and find more information here.

Lizzo Released The ‘Bad Day’ Version Of Her Song ‘Pink’ From The ‘Barbie’ Soundtrack

On the star-studded Barbie soundtrack, Lizzo opens the collection of songs with “Pink,” an ode to Barbie’s favorite color. While the song has become a fan-favorite on the soundtrack, garnering over 14.2 million loops on TikTok, according to a press release, a different version of the song plays during the movie, in a particularly notable moment.

Without spoiling the movie, a darker version of “Pink” plays in a scene where Margot Robbie’s Barbie character is experiencing an existential crisis. This particular version was not included on Barbie The Album, however it has since been released to streaming services today (July 29), in the form of “Pink (Bad Day).”

Though “Pink (Bad Day)” clocks in at just over a minute long, the song encapsulates a key moment in the movie. We’d share some lyrics, but even those might be spoilers for those who haven’t seen it.

Following the premiere of Barbie last weekend, a special edition of the soundtrack titled Barbie The Album: Best Weekend Ever Edition was released, featuring Ryan Gosling’s cover of Matchbox 20’s “Push” and Brandi Carlile and Caroline Carlile’s cover of Indigo Girls’ “Closer To Fine.”

You can listen to “Pink (Bad Day)” above.

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Lizzo Shares Her Love For ‘Pink’ In Her Jubilant Song From The ‘Barbie’ Movie Soundtrack

The Barbie movie is out today, yet the most exciting part for some might be the release of the soundtrack. From Billie Eilish’s “What Was I Made For?” to Charli XCX’s “Speed Drive,” the album is unmatched.

Lizzo’s “Pink” was a highly anticipated track that wasn’t shared as a single, along with songs by Sam Smith and Tame Impala. It has her typically buoyant, extravagant ambiance and her confident vocals: “In pink, goes with everything / Beautiful from head to toe / I’m read’ to go, you know, you know,” she sings. “It’s pink, good enough to drink / We like other colors / But pink just looks so good on us.”

Last month, Lizzo spoke about how Beyoncé has influenced her. “Today was one of those days where I was very angry, very angry at the world,” she said. “Saw a lot of mean sh*t about me on the internet, and I wanted to give up. There are days where the hate outweighs the love so badly that I want to quit music and just disappear. I definitely have enough money to go and buy a farm and just never f*ck with anybody ever again, because f*ck everybody. Then, I reminded myself to get up, get out, and get some sun, and I put on Renaissance.”

Listen to “Pink” above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Pink Claims Christina Aguilera Wanted To Fight On “Lady Marmalade” Shoot

Over 20 years have passed since Pink and Christina Aguilera released their pop-hit “Lady Marmalade,” but the beef continues to stew. In a recent interview on Who’s Talking to Chris Wallace, the 43-year-old dished out on drama that ensued on the set of the music video shoot. “Lady Marmalade,” which was a part of the Moulin Rouge! soundtrack, also featured Lil’ Kim and Mya. The 2001 track allegedly deepened a feud between the two popstars, which continues to unravel today.

In the interview, Wallace opened up the dialogue regarding Pink’s relationship with Xtina. Pink described the ongoing problems to be a conflict between two different personalities. “I think the shade,” she explains, “where people get it twisted with me is that if you ask me a question, I’m gonna answer it honestly. I’m going to tell you my experience of how it happened. And to me that’s not shade that’s just honesty.” The “Try” singer continued to say, “now, I should know better by now that total honesty doesn’t work in this world. People want to hear nice things, and they want you to clean it all up for them, but it’s just not my way.”

Pink Dishes Out On Christina Aguilera Feud

Pink continues to describe her experience of how the “Candyman” singer had wanted to fight on the set of “Lady Marmalade.” Allegedly, the whole ordeal commenced after Pink sat in Xtina’s chair, which provoked the star to want “to shut down the entire production.” “And I didn’t know I was sitting in her chair, Pink told Wallace, “and I’m also, I’ve been, I was homeless at 15 like, you can’t talk to me any kind of way. And so, I’ve you know, you picked the wrong one. But that’s over, it’s over.”

Although Christina’s attempt at a brawl hadn’t gone through, Pink continues to hold negative sentiments about the collaboration project. Just last week, she spoke with Buzzfeed about her disliking of the whole “Lady Marmalade” shoot. Specifically, she put the blame on “some personalities.” While Pink denies stirring the pot, she does remain certain of her version of the truth. “I’m not “shading” someone by telling it over and over and over what actually happened,” she tweeted in response to the matter. For more news on hip-hop and pop culture, keep in touch with HNHH.

Xtina Allegedly Almost Canceled The “Lady Marmalade” Shoot

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Singer Pink Rank’s ‘Lady Marmalade’ Her Least Favorite Video: It Wasn’t Fun To Make, Kim Was Nice

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Singer, Pink ranked her 12 favorite music videos for BuzzFeed UK and placed “Lady Marmalade” featuring Christina Aguilera, Lil’ Kim and Mýa last. When asked why, she said, “It wasn’t very fun to make. I’m all about fun and it was like, a lot of fuss, and there were some personalities…Kim and Mýa were nice.”

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She added, “I guess it is iconic, but I remember I kept crying because my skin didn’t like the makeup. It was just…There was some annoying things happening that day.”

Pink has previously addressed past tensions with Christina that erupted over the recording of “Lady Marmalade.” In a 2009 VH1 Behind the Music special, Pink said, “[Record executive] Ron Fair walked in. He didn’t say hi to any of us and said, ‘What’s the high part? What’s the most singing part? Christina’s going to take that part.’”

Pink continued, “I stood up, and I said, ‘Hi. How are you? So nice of you to introduce yourself. I’m Pink. She will not be taking that part. I think that’s what the f–king meeting’s about.’ “
The two singers eventually put their differences aside and even worked together again. In 2017, Pink tweeted, “I [love] Xtina, we’ve made amends,” and also said on Watch What Happens Live With Andy Cohen that she and Christina made up while filming The Voice the previous year.

Pink also told host Andy Cohen that their feud once turned physical, saying Christina once swung on her at a club and that it was “hilarious.” In 2019, during her own appearance on WWHL, the “What a Girl Wants” singer responded to the accusation.

“Look at her and look at me,” she told Andy. “I wouldn’t swing on her. She’s like, she’s like, you know, she can beat my ass. Are you kidding me? She could really beat my ass then.”

Christina also spoke about the origin of their feud. “I know she had some, you know, feelings or whatever about how the recording of ‘Lady Marmalade’ went down and all that,” she said, “and I know the actual video, she intimidated me, because she was a little heckling me in the audience, a little bit behind the director and I was like, ‘Oh, what’s going on?’”

Christina continued, “That’s what she did back then. But she’s like, you know, she’s a different person now—she’s a mom, she’s like, she’s cool.”

The post Singer Pink Rank’s ‘Lady Marmalade’ Her Least Favorite Video: It Wasn’t Fun To Make, Kim Was Nice appeared first on The Source.