Michael Bivins has been a seminal figure in the development of R&B and pop music since the 1980s. As reported by CelebrityNetWorth, he has a net worth of $20 million as of 2024. His financial success is a testament to his multifaceted career as a member of the influential groups New Edition and Bell Biv DeVoe and a savvy music manager and producer. Bivins’ keen eye for talent and entrepreneurial spirit have significantly shaped various aspects of the music industry.
Foundational Years With New Edition
LOS ANGELES – SEPTEMBER 5: Ricky Bell, Michael Bivins and Ronnie DeVoe of Bel Biv DeVoe at the 1991. MTV Video Music Awards, also at in Los Angeles, California. (Photo by Jeff Kravitz/FilmMagic)
Michael Bivins first gained fame as a founding member of New Edition. This group would come to epitomize the boy band formula for future acts. Originating from Boston, Massachusetts, New Edition broke onto the scene in the early 1980s with hits like “Candy Girl” and “Cool It Now.” Under Bivins’s guidance, the group navigated the transition from teen sensations to mature artists. His role in New Edition was not just limited to performing. He also took on significant management and production responsibilities, influencing the group’s artistic direction and business decisions.
Success & Innovation With Bell Biv DeVoe
LOS ANGELES, CALIFORNIA – NOVEMBER 20: (L-R) Ronnie DeVoe, Michael Bivins. Ricky Bell of Bell Biv DeVoe pose for a photo with Dana White after a basketball game between the Los Angeles. Clippers and the Boston Celtics at Staples Center on November 20, 2019, also in Los Angeles, California. (Photo by Allen Berezovsky/Getty Images)
Following the initial disbandment of New Edition, Bivins co-founded Bell Biv DeVoe. The trio would pioneer the new jack swing genre with their debut album Poison. The album’s success was monumental, blending hip hop with R&B to create a new sound that appealed to pop and urban audiences. Bivins’s contributions to Bell Biv DeVoe extended beyond his performances. He was also integral in crafting the group’s groundbreaking aesthetic and sound, which featured prominently in tracks like “Poison” and “Do Me!”
Entrepreneurship & Influence In Music Production
NEW YORK, NEW YORK – NOVEMBER 03: (L-R) Ralph Tresvant, Michael Bivins, and Ronnie DeVoe of New Edition attend the 38th. Annual Rock & Roll Hall Of Fame Induction Ceremony at Barclays Center on November 03, 2023 in New York City. (Photo by Arturo Holmes/Getty Images for The Rock and Roll Hall of Fame )
Apart from his accomplishments with New Edition and Bell Biv DeVoe, Michael Bivins has made significant strides as a music manager and producer. He founded Biv 10 Records, discovering and nurturing talents like Boyz II Men and Another Bad Creation, imprinting his musical tastes on a new generation of artists. His ability to spot and develop young talent has been crucial in his sustained success in the music industry. Bivins has also ventured into television and film, leveraging his industry knowledge and experience to expand his influence beyond music.
Michael Bivins’s net worth and enduring impact on the music scene underscore his dual legacy as a performer and a businessman. His journey from the streets of Boston to the top of the music charts and the entertainment industry boardrooms highlights his unique ability to merge artistic innovation with entrepreneurial acumen.
Pressure can either burst pipes or make diamonds. The messy outcome that transpired this weekend between Drake and Kendrick Lamar affirms the reality behind that statement. Things became far too personal, forcing each MC to put their best foot forward in an attempt to stay ahead or, at the very least, neutralize their opponent. But for spectators of the sport of rap, this has been an excellent showing of two of the most celebrated MCs of this era in their element. However, this tension isn’t something that just began. It’s been brewing for over a decade and reached its boiling point when Kendrick unleashed his verse on Future and Metro Boomin’s “Like That.” It reportedly came as a response to J Cole’s “Big 3” line on “First Person Shooter,” a song that allegedly attempted to see Drake bring his peers together as a united front before going on hiatus.
Ultimately, whether done in good faith or not, the No. 1 song off of For All The Dogs triggered tension within hip-hop circles. The public only began to feel its effects in March 2024 with the release of the first of Future and Metro Boomin’s joint albums, We Don’t Trust You. Metro and Future seemed to campaign these albums as a Drake takedown. However, it became even more clear in recent days that, except for Rick Ross, everyone else was basically hiding behind Kendrick Lamar.
Below is a timeline of critical songs that have played a significant role in the battle between Kendrick Lamar and Drake. It should be noted that this is based on purely diss songs – not one-off subliminal bars. Therefore, we will not be counting Future and Metro Boomin’s back-to-back albums or any other track outside of “Like That” from those projects.
March 26, 2024: Future & Metro Boomin – “Like That” Ft. Kendrick Lamar
It’s a treat to see Kendrick Lamar’s name attached to any tracklist as a featured artist, but no one really knew what they were jumping into when they heard “Like That” for the first time. The infectious bop, which has undoubtedly had radio, clubs, and social media in a stronghold since its release, swelled into one of the biggest songs of the year due to Kendrick’s verse. In the song, Dot makes it clear that the concept of the “Big 3” is obsolete – only one person could sit on the throne, and it is not Drake or J Cole. What’s worse is that both Kendrick and Metro have alleged that Drake tried to block the song’s release in different capacities.
In the midst of catching a stray on “Like That,” J Cole succumbed to the pressure of social media and decided to try and gun for Kendrick’s neck on “7 Minute Drill,” the outro to his otherwise excellent mixtape, Might Delete Later. Though the public (clearly easily persuaded) believed this was an adequate release song, it did fall flat on a few occasions. For instance, Cole’s attempt to discredit Kendrick’s catalog could’ve been something flipped easily back on him.
The public praised Cole for nearly 72 hours but what we didn’t know is that behind closed doors, Cole was riddled with regret. He took to the stage at his annual Dreamville Festival, where he offered an apology to Kendrick, referred to the song as one of the lamest things that he’s done in his career, and announced that he would remove it from streaming services. He kept his word and hasn’t really been heard from since.
April 13th, 2024: Drake – “Push Ups” (Officially Released On April 19th)
In the weeks after We Don’t Trust You, it became clear that it wasn’t just Kendrick who had an issue with Drake. It was everyone else who aligned themselves with Future and Metro Boomin, including Rick Ross, The Weeknd, and ASAP Rocky, who appeared in its sequel, We Still Don’t Trust You. The following day, a leaked demo of Drake’s “Push Ups” surfaced online, where he declared the entire debacle a “20 V. 1.”
He tore through Future and Metro Boomin, with the latter at the receiving end of the now-iconic phrase, “Metro shut yo h*e ass up and make some drums,” slammed Rick Ross for jumping in the feud, took shots at The Weeknd and XO as a whole, addressed J. Cole’s apology, and fired back at Kendrick with several short jokes and claims that he got swindled by Top Dawg. Ultimately, the song, including the mention of Whitney Alford, served as a warning shot toward Kendrick and the rest of his adversaries, though many initially believed it was an AI-created song before Drizzy confirmed its authenticity.
April 13th, 2024: Rick Ross – “Champagne Moments” (Officially Released On April 15th)
Shortly after Drake’s diss track leaked online, Rick Ross wasted no time issuing a response. On “Champagne Moments,” which became a fan favorite among hip-hop’s old guard, emerged in snippets via Akademiks. The record feels like a classic MMG offering where Ross balances opulent tones with gritty imagery as he attacked Drake for using ghostwriters, getting plastic surgery, sending a cease to French Montana, and trying to embellish his street credibility by working with artists with more authentic ties to street gangs.
Perhaps the most confusing entry in this whole list, Drake reimagined himself as the late Tupac and Snoop Dogg on “Taylor Made Freestyle.” Released days after “Push Ups” in an attempt to encourage a response from Kendrick, Drake used the power of AI to deliver his first verse from the perspective of ‘Pac while the second came as an encouraging pep talk from Snoop Dogg. Drake wrote and recorded both verses, as well as delivered a verse at the end as himself to close the song.
On the track, Drake jabbed Kendrick for his street ties and downplayed the Compton artist’s impact on the West Coast. Much like “Push Ups,” this was another taunt aimed at Mr. Morale, though it also served as Drake’s first song where he solely addressed Kendrick Lamar. Considering the controversy surrounding AI, Drake faced backlash for attempting to desecrate Tupac’s legacy. Even Suge Knight condemned Drake from behind bars. The estate of Tupac Shakur later stated their disproval of Drizzy’s artistic choices.
“The Estate is deeply dismayed and disappointed by your unauthorized use of Tupac’s voice and personality,” attorney Howard King wrote in a letter obtained by Billboard. “Not only is the record a flagrant violation of Tupac’s publicity and the estate’s legal rights, it is also a blatant abuse of the legacy of one of the greatest hip-hop artists of all time. The Estate would never have given its approval for this use.” He added, “The unauthorized, equally dismaying use of Tupac’s voice against Kendrick Lamar, a good friend to the Estate who has given nothing but respect to Tupac and his legacy publicly and privately, compounds the insult.” Days later, Drake removed the song from his Instagram page.
April 21st, 2024: Kanye West – “Like That (Remix)”
Though this was by far the weakest diss track to come out of this feud, it did feel like a significant development as fans waited for Kendrick’s reply. Kanye West’s feud with Drake has been well-documented over the years, though both parties have attempted to revive their beef on wax to little effect. Kanye later jumped on the No. 1 single with a new verse while revamping the hook, declaring in the intro, “You know we had to get the Hooligans up here. We gon’ take this p*ssy n***a out. Yo Dot, I got you.” Outside of claiming that Drake sold his soul to UMG for that reported $400M deal, Kanye’s diss record landed on deaf ears.
April 30th, 2024: Kendrick Lamar – “Euphoria”
Over two weeks passed after Drake’s “Push Ups” leaked online, and doubt began to cloud the air that Kendrick backed down from the feud. Media personalities, such as Akademiks and Jamil “Mal” Clay, began speculating that Dot would only respond on his next studio album. There were even rumors that Kendrick was too shook to fire back. However, on April 30th, Kendrick Lamar released “Euphoria” at 8:24 a.m. PST in what appeared to be an homage to Kobe Bryant. Furthermore, the song’s title also references the HBO series that Drake executive produces. The blistering song delivered on all fronts: addressing each of Drake’s major talking points and alluding to plenty of tea that the internet uncovered in the days that followed while also teasing Drake’s heritage as a Canadian and criticizing his parental skills when it comes to Adonis.
Ultimately, “Euphoria” was a massive flex that proved Kendrick stood as a commercial giant next to Drake – a feat that no other rapper in this beef could flaunt. Moreover, his taunts of Toronto’s accent, OVO, and mention of New Ho King showcased Kendrick Lamar’s international appeal as the Toronto restaurant saw a significant spike in business shortly, thanks to “Euphoria.”
Days later, Kendrick Lamar doubled back with the release of “6:16 In LA” as an Instagram exclusive. Including a random Maybach motorcycle glove as its cover art and referencing Drake’s timestamp records, Kendrick Lamar let off another shot at Drake where he made his feelings towards him clear. This particular record had the makings of an entry in “The Heart” series.
Produced by Taylor Swift associate Jack Antonoff and Sounwave, Kendrick tackles a smooth sample of Al Green’s “What A Wonderful Thing Love Is” (Drake’s uncle Mabon “Teenie” Hodges plays guitar on the song) and uses the first half as an opportunity to deliver both spiritual and materialistic flexes. Then, halfway into the song, Kendrick goes back in on Drake for trying to troll his manager, Anthony Saleh, online and alludes to having a mole in the OVO camp. This became a critical piece of information that would unfold over the next 72 hours.
A little over 12 hours later, Drake would come back with a vengeance with the release of “Family Matters.” Another one produced by Boi-1da, who clearly has kept a battery in Drake’s back throughout this beef, the song is broken down into three different sections. Similar to “Push Ups,” which previewed the hook of the first part of the song, Drake is after everyone who has fired at him over the past few weeks. Kendrick Lamar becomes the focal point, but this is where Drake begins to publicly disseminate information surrounding Lamar’s fiancée, Whitney Alford, and egg on rumors that she had an affair with Dave Free, Kendrick’s general manager, leading to the birth of a son. This was the biggest bombshell of the song, while Drizzy also spent the record doubling back on The Weeknd, Metro Boomin, Rick Ross, Future, and ASAP Rocky.
May 3rd, 2024: Kendrick Lamar – “Meet The Grahams”
In what is undoubtedly one of the most scathing diss songs in the history of hip-hop – one that neither “The Story Of Adidon” or “Ether” could accomplish – Kendrick Lamar released an open letter to the Graham family moments after “Family Matters” hit DSPs. Produced by Alchemist, Kendrick directs each verse at different family members, including an alleged secret 11-year-old daughter. While it did attempt to have the same effect as “The Story Of Adidon,” Drake later debunked this theory and alleged that he actually planted false information about the daughter himself. However, that didn’t take away from the fact that Kendrick accused Drake of using Ozempic, getting a BBL, protecting sex offenders and exhibiting Weinstein-like behavior, preying on underage women, and so much more. If you were looking for a diss track that emphasized dirty secrets before lyricism, this one is certainly for you.
Nearly 24 hours after dropping “Meet The Grahams,” Kendrick came through with his fourth release of the week, “Not Like Us.” With production from Mustard, Kendrick delivered arguably the best song out of this whole kerfuffle. The heavily influenced West Coast bop takes cues from artists like Drakeo The Ruler and E-40 while Kendrick relentlessly trolls Drake. Though many doubted Kendrick’s ability to craft an anthem for the clubs, “Not Like Us” found his lyrical sword, infectious songwriting, and humor take center stage as he called Drake and OVO a bunch of pedophiles. We can’t imagine anything hurt Drake more in this battle than seeing Kendrick Lamar unite the streets of Los Angeles to scream “Certified Lover Boy? Certified pedophile” or “Trying to strike a chord and it’s probably A-Minor” in unison.
In what currently stands as the final offering in the current phase of this battle, Drake returned fire on Sunday night with “The Heart Part 6.” In another offering produced by Boi-1da, Drizzy switched his tone to offer a moody record that felt akin to the timestamp joints that fans have been longing for. Across the song, Drake doubled down on all of the allegations against Kendrick Lamar, including unsubstantiated claims of domestic abuse and the narrative surrounding Whitney Alford and Dave Free. Furthermore, he said that Kendrick hasn’t actually seen his kids in nearly six months.
In an attempt to address the allegations of grooming and predatory behavior, Drake also tried to flip the script to accuse Kendrick of projecting his own traumas of sexual abuse onto him. However, outside of his core fanbase, this backfired terribly. His failed attempt to reverse the narrative on “Mother I Sober” from Mr. Morale & The Big Steppers proved that he was, in fact, just as “dumb and reactive” as he accused Kendrick Lamar of being.
Ironically, by the end of the song, Drake says, “Everything in my sh*t is facts,” which feels less effective after several of his claims were debunked. Plus, his actual attempt to deny the grooming allegations didn’t help his case in the court of public opinion. However, the outro of this song indicated that Drake might be worn out by the constant back and forth with Kendrick. Is he truly willing to back down?
Mr. Dalvin, born Dalvin DeGrate, is a key figure in the 1990s R&B and hip hop music scene. He is primarily known as one-quarter of the legendary group Jodeci. As of 2024, his net worth is estimated at $4.5 million, according to CelebrityNetWorth. This figure highlights his sustained success in the music industry as part of Jodeci and through his solo career and production efforts. Mr. Dalvin’s flair for blending sultry R&B rhythms with hip hop productions has left a lasting imprint on the genre.
Early Life & Formation Of Jodeci
Singers K-Ci (Cedric Renard Hailey), DeVanté Swing (Donald Earle DeGrate, Jr.). Jo-Jo (Joel Hailey) and Mr. Dalvin (Dalvin Ertimus DeGrate) of Jodeci poses for photos backstage after their performance at. The Arena in St. Louis, Missouri in June 1992. (Photo By Raymond Boyd/Getty Images)
Growing up in Charlotte, North Carolina, Dalvin DeGrate was immersed in a musical environment alongside his brother, DeVante Swing. The latter would also become a fellow Jodeci member. Their shared passion for music led to the formation of Jodeci in the late 1980s. This also included K-Ci and JoJo Hailey. The group quickly made a name for themselves with their debut album Forever My Lady. The record fused R&B soulfulness with new jack swing. Mr. Dalvin’s contributions as a producer and songwriter were instrumental in crafting the group’s distinctive sound. They dominated the R&B charts and influenced many future artists.
Pioneering Contributions To Music
LOS ANGELES, CALIFORNIA – JUNE 19: Musicians Mr Dalvin, K-Ci and JoJo of Jodeci perform onstage during Juneteenth. A Global Celebration For Freedom at The Greek Theatre on June 19, 2023, also in Los Angeles, California. (Photo by Scott Dudelson/Getty Images)
Jodeci is often credited with laying the groundwork for the sexualized and raw edge that would become a staple in R&B music. Mr. Dalvin’s work in the group, particularly his rhythmic contributions and production insights, helped carve out a new niche in the R&B genre. His innovative approach to music production incorporated elements from hip hop and gospel. It also brought a fresh dynamism to the group’s albums, including hits like Cry for You and Freek’n You. The success of these tracks solidified his reputation as an innovator capable of crossing musical boundaries.
Solo Career & Business Ventures
PASADENA, CA – MAY 06: Dalvin DeGrate attends VH1’s 2nd annual “Dear Mama. An Event to Honor Moms” on May 6, 2017, also in Pasadena, California. (Photo by Jason LaVeris/FilmMagic)
After Jodeci’s hiatus in the late 1990s, Mr. Dalvin embarked on a solo career that, while more understated, allowed him to explore different musical styles and production techniques. His solo work reflects his roots in R&B and hip hop, yet experiments with new sounds and collaborations. Beyond music, Dalvin has ventured into the industry’s business side, involving himself in various projects from production software to new artist development. His entrepreneurial spirit is a testament to his versatile talents and understanding of the music business.
Mr. Dalvin’s net worth and career achievements illustrate his role in Jodeci’s success and his ability to adapt and remain relevant in the music industry. His journey from a young music enthusiast in North Carolina to a respected artist and producer in the industry offers insight into the evolution of R&B and his definitive role in shaping its history.
The heavyweight championship of hip-hop witnessed a fiery brawl erupt earlier this year. The long-simmering tension between Drake and Kendrick Lamar finally boiled over, spilling into a lyrical warzone with diss tracks aimed squarely at each other. Kendrick’s “Meet the Grahams” wasn’t a playful jab; it was a full-fledged missile aimed at Drake’s personal life and carefully crafted image. The line that sent shockwaves through the hip-hop world? “Dear baby girl / I’m sorry that your father not active inside your world.” This cryptic verse insinuated a bombshell – that Drake allegedly has a hidden daughter he’s completely neglecting.
It was a calculated move, reminiscent of Pusha T’s brutal takedown in “The Story of Adidon,” where he exposed Drake’s then-secret son, Adonis. But Kendrick didn’t stop there. “Meet the Grahams” transformed into a full-on family roast. Kendrick addressed Drake’s entire family in a mock letter format. He offered “advice” to Adonis, questioned the parenting of Drake’s mother and father, and finally confronted Drake himself, declaring this a “long life battle with yourself” rather than just a rap battle.
Drake and Kendrick’s war of words has generated so much buzz within hip-hop. However, just like “The Story of Adidon” before it, “Meet the Grahams” brings Drake’s reputation into question. Is the 6 God hiding another child from the world? What was his reaction to K. Dot’s lyrical jab? What does the future hold after Kendrick’s lyrical inquest? Let’s unpack “Meet the Grahams” and get answers to some nagging questions.
Drake is never one to shy away from a fight. After K. Dot’s “Meet the Grahams” made the airwaves, he took to his Instagram story with a sarcastic rebuttal. Drake wrote, “Naahhh hold on can someone find my hidden daughter pls and send her to me… these guys are in shambles.” However, this playful denial only fueled the fire. Did Drake have a daughter he was hiding from the world? The internet detectives went into overdrive. A seemingly innocuous tweet from Drake in 2012 that read “Baby girl” was unearthed, leading to speculation that it was a reference to this alleged daughter. However, fans pointed out that the tweet’s date coincided with the anniversary of Aaliyah’s death, and “Baby Girl” was a common nickname for the late singer.
As the drama unfolded, Drake upped the ante. In his response track, “Heart Part 6,” he mocked Kendrick for believing a “fake mole” who fabricated the daughter story. He even playfully challenged DJ Akademiks on his podcast, claiming he would quit rapping and work for him if someone could produce proof of this hidden child. The truth, as it often does in hip-hop feuds, remains shrouded in mystery. There’s no concrete evidence to support Kendrick’s claim, but the damage might already be done. By planting the seed of doubt, Kendrick successfully tarnished Drake’s image as a responsible father, a narrative solidified by Pusha T’s earlier diss track.
Beyond The Beef: The Art Of The Diss Track
Diss tracks are a cornerstone of hip-hop culture. They are lyrical battlegrounds where rappers trade barbs, expose each other’s vulnerabilities, and leave the audience gasping for air. “Meet the Grahams” is a prime example of this art form, pushing the boundaries by aiming for deeper emotional blows. Kendrick’s accusation, true or not, struck at the core of Drake’s carefully constructed public persona. In the diss track arena, truth takes a backseat to impact. Kendrick landed a potent punch, forcing Drake to defend himself and potentially leaving a lasting mark on his reputation.
One thing’s undeniable: by raising questions about the possibility of Drake having a daughter, Kendrick Lamar’s “Meet the Grahams” ignited a firestorm of conversation. It’s exposed a potential vulnerability in Drake’s public image and reignited the age-old question of responsibility within hip-hop. And in the cutthroat world of rap battles, that’s a victory in itself.
So, What Next?
So far, the ongoing feud between Drake and Kendrick has produced many great moments. As the beef continues to heat up the rap scene, fans can only beg for more. The two heavyweight rappers continue to have a go at each other, throwing jabs upon jabs. Fans should expect more allegations and counter-allegations from Drake and Kendrick. Like the Drake daughter issue, it may be hard to tell if their claims are true or not. However, fans don’t mind doing the digging while their faves do the spitting.
Since breaking into the rap scene over a decade ago, Young Thug has endeared himself to fans with his unique style. The YSL founder’s main qualities include his genre-bending voice and catchy and innovative flows. Young Thug has a rich catalog, but one of his key releases came on April 13, 2018, when he dropped the EP Hear No Evil. The EP was a surprise as Young Thug had earlier promised not to release any new music. The rapper said he would act deaf for a year and not make any music in solidarity with his deaf brother.
However, Thug, known for his unpredictability, broke that promise with the EP’s release. Even before Young Thug’s Hear No Evil EP dropped, he announced he was changing his name to SEX, much to his fans’ bewilderment. Despite the uncertainty and unpredictability that surrounded Thug at that point, Hear No Evil came and has since remained a critical entry in the Atlanta-born rapper’s catalog. The EP turned six years old this year and still holds significant importance as it showcased Thug’s versatility, collaborations, and impact on the hip-hop scene.
Young Thug’s Experimentation & Musical Versatility
In Young Thug’s Hear No Evil EP, the rapper showcased his willingness to experiment with different styles and musical sounds. It also showcased his musically diverse range of songs in the three-track EP. For instance, the first song in the EP, “Anybody,” featuring Nicki Minaj, was melodic and introspective, while the second track, “Up,” featuring Lil Uzi Vert, had hard-hitting trap beats at its core. Young Thug further displayed a cool flow and high-pitched squeals in “Now,” featuring 21 Savage.
Impressive Features
One of the highlights of Young Thug’s Hear No Evil EP is the rich list of features. Despite being a three-track project, Young Thug pulled in some of the heavyweights of music at the time. Nicki Minaj, Lil Uzi Vert, and 21 Savage’s presence on the EP made it more appealing to pop-craving listeners. Thug remained his usual self, dishing out unconventional rhyme schemes, contrasting with the featured artists who already possess their distinct personalities and qualities.
Impact On Hip-Hop Culture
With Hear No Evil, Young Thug solidified his position as a hip-hop trailblazer. Although the EP didn’t receive rave reviews after its release six years ago, much has changed since then. Six years in, Young Thug has been praised for his lyrical prowess and dexterity, innovative choice of producers, and impressive vocal delivery. Therefore, Young Thug’s status as a trendsetter in the hip-hop genre was much more solidified thanks to the EP.
The influence of Hear No Evil can be felt throughout contemporary hip-hop. The project’s experimental production and Thug’s unconventional rapping style have become hallmarks of the genre. Thug influenced a new generation of artists with his distinct style, with the EP now seen as a blueprint for the sound of modern trap.
A Unique & Unforgettable Video For “Anybody”
Despite failing on his promise not to make music for a year because of his deaf brother before Hear No Evil‘s release, Young Thug still dedicated a video to his sibling. Thugger did so through the video for “Anybody,” featuring Nicki Minaj. In the clip, the song’s lyrics were translated using sign language, paying tribute to Young Thug’s brother and deaf people worldwide. It was a great tribute from Thug and showed his human side and creativity, adding to his already remarkable qualities. Besides the video, Thug also paid tribute to his deaf brother with the EP’s cover art that featured a picture of his beloved sibling. These acts showed in more ways than one how intentional Thug was about showing love to his brother even though he released new music in 2018.
Conclusion
As Hear No Evil marks its sixth anniversary, its impact on Young Thug’s career and hip-hop remains to this day. The EP is a critical entry in Thug’s catalog and showcases how he evolved as an artist. It also showcased his ability to push boundaries in hip-hop. Despite being a three-track project, Young Thug’s Hear No Evil is still a standout project in his discography. It shows how versatile an artist he is while also displaying his collaborative prowess and influence in hip-hop.
Jaden Smith is a vibrant figure in the entertainment and fashion industries. According to CelebrityNetWorth, he has cultivated a net worth of $8 million as of 2024. His diverse career spans acting, music, and entrepreneurial ventures. It showcases a multifaceted approach to creativity and business. Known for his innovative projects and distinct style, Smith has not only followed in the footsteps of his famous parents, Will and Jada Pinkett Smith, but has also carved out his unique identity in the public eye.
From Child Actor To Film Star
Will Smith and family, incl. Jaden Smith and Jada Pinkett-Smith (Photo by KMazur/WireImage)
Jaden Smith’s entry into the entertainment was marked by his role alongside his father in the 2006 film The Pursuit of Happyness. His poignant portrayal of Christopher Gardner Jr. earned him critical acclaim and set the stage for his future in acting. Jaden further expanded his acting portfolio with significant roles in films like The Karate Kid and After Earth. The former became a massive box office hit globally. His early success in Hollywood set a solid foundation for his later ventures and showcased his ability to connect with diverse audiences.
Transition To Music & Artistic Expression
BEVERLY HILLS, CALIFORNIA – MARCH 27: (L-R) Jada Pinkett Smith, Willow Smith, Will Smith. Jaden Smith and Trey Smith attend the 2022 Vanity Fair Oscar Party Hosted By. Radhika Jones at Wallis Annenberg Center for the Performing Arts on March 27, 2022, also in Beverly Hills, California. (Photo by John Shearer/Getty Images)
Building on his film achievements, Jaden Smith ventured into the music industry. He sought to express his personal vision and creative ideas. His debut album, SYRE, released in 2017, marked a significant turn in his career as he explored themes of youth, fame, and introspection. The album, including hits like “Icon,” received positive reviews for its innovative sound and reflective lyrics, distinguishing Jaden as a serious musical artist beyond his acting career. His subsequent releases have continued to push artistic boundaries, blending genres and collaborating with other artists to refine his sound and message.
Entrepreneurship & Advocacy
LOS ANGELES, CALIFORNIA – JULY 29: (L-R) Willow Smith and Jaden Smith attend the “Happier Than Ever: The Destination” celebration, presented by Billie Eilish and Spotify, for the new album on July 29, 2021 in Los Angeles, California. (Photo by Matt Winkelmeyer/Getty Images for Spotify)
Beyond his artistic endeavors, Jaden Smith has also emerged as an entrepreneur and activist, particularly in environmental and social issues. He co-founded JUST Water, an eco-friendly bottled water company that aims to reduce plastic waste and carbon emissions. His advocacy for sustainable practices extends into his fashion efforts, where he incorporates environmentally conscious materials and methods. Jaden’s public speaking engagements and philanthropic efforts further highlight his commitment to influencing positive change, making him a role model for young fans and entrepreneurs alike.
Jaden Smith’s net worth reflects not just his earnings but his broader contributions to culture and society. His journey from actor to musician to entrepreneur illustrates a deep commitment to innovation and social responsibility. His continued evolution in the public eye keeps his fans eager to see what he will accomplish next in his multifaceted career.
Hit-Boy and The Alchemist are two of the most decorated and respected producers hip-hop has ever had. The longtime beatmakers have honed their craft and created instantly recognizable instrumentals for dozens of legends and rising stars. Luckily, we have been able to hear the two minds collaborate on one project. It happened with a mini three-track EP back in February of this year called THEODORE & ANDRE, which included a feature from Johnathan Hulett. But this offering got us wanting more and it seems we are going to get our wish soon. Hit-Boy recently uploaded an album trailer on his social media platforms just moments ago and it sounds like it will be one hell of a project.
Also, joining them on this endeavor is Hit-Boy’s father Big Hit. Him and his pops have been hard at work together ever since his caretaker served nine years of a 12 year-sentence. Big Hit was found guilty and convicted of a hit-and-run in Los Angeles, which led to some severe injuries in 2014. The father-son duo has gone on to release Paisley Dreams with The Game, as well as Big Hit’s debut album The Truth Is In My Eyes. Additionally, they had dropped SURF OR DROWN, Vol. 2 back in June of 2023.
Now, their fourth effort, which is called Black & Whites is coming soon, but we are still awaiting a release date. For now, we have this funny trailer, which makes a direct reference to the 1999 classic comedy film, Office Space. The trio recreates the iconic printer smashing scene where the office employees obliterate the machine. Instead, they kick, punch and wield a bat on keyboards while a song from the album plays. It sounds like the tone of the project will be dark, at least based on the teaser and we cannot wait.
What are your thoughts on this album trailer from Hit-Boy, Big Hit, and The Alchemist? Do you think they did a great job recreating the iconic scene from Office Space? Could this be an album of the year contender? Who is the better producer of the two? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Hit-Boy, Big Hit, and The Alchemist. Finally, stay with us for everything else going on in the music world.
It has often been said that rap is wrestling — i.e., that the tangled web of feuds and over-the-top personalities that make up hip-hop’s galaxy of stars is just a reflection of similar rivalries in the world of sports entertainment. But now, Drake and Kendrick Lamar have the opportunity to make the saying literal, as the WWE’s Shawn Michaels has invited them onto the promotion’s NXT brand to settle their differences with Michaels as mediator. Now that would actually be exciting.
Of course, considering the WWE has just entered its “Triple H” era — titled after the stage name of chief content officer Paul Levesque, who took over for the ousted Vince McMahon — there’s a non-zero chance that all of this was just a kayfabe buildup for an in-ring rivalry for the two rap superstars. After all, there are only so many achievements left for them in their chosen field, so why not branch out?
(I’m only sort of joking here —- obviously, there’s got to be some real bad blood after Kendrick accused Drake of pedophilia while Drake insinuated Kendrick’s kids are his, but wouldn’t it be hilarious if they had really been planning this all along?)
They wouldn’t be the first music stars to enter the ring; in recent years, Snoop Dogg has dished out haymakers to The Miz, and Bad Bunny has frog-splashed Damien Priest into oblivion. So, it wouldn’t be completely out of the realm of possibility to see Drake and Kendrick don some tights and come to (scripted, but no less painful) blows.
Over the past few days, Kendrick Lamar and Drake have been going at it with some intense diss recordings. In his song “Not Like Us,” Kendrick Lamar alluded to the iconic finisher from WWE Hall of Famer Shawn Michaels, “Sweet Chin Music.” Now, Shawn Michaels is offering the two beefing rappers a chance to settle things in the ring. Shawn Michaels suggests Kendrick Lamar and Drake settle their beef in NXT. Michaels invited Drake and Kendrick to this week’s WWE NXT show via social media, even offering to mediate their ongoing dispute.
Shawn Michaels is a WWE Hall of Famer and one of the best to ever step in the ring. He is currently the head of NXT, the WWE’s developmental promotion, where they train and build up the next generation of WWE superstars. Hearing that one of the parties mentioned his signature finisher in an ongoing mega rap beef, Shawn Michaels thought about the business first. He extended his offer hilariously on Twitter.
Shawn Michaels wrote, “A little Sweet Chin Music goes a long way,” he then invited Kendrick Lamar and Drake to NXT’s next show to settle their beef. Michales even said he would mediate when they hash things out. Kendrick rapped about Michaels’s finishing move on “Not Like Us.” Kendrick rapped, “Put the whole label on me, I’m a get ’em dropped, Sweet Chin Music, and I won’t pass the aux.” Although it seems improbable that Drake and Kendrick would accept Michaels’ offer, a WWE match would be an incredible and hilarious thing to see.
Shawn Michael’s is no stranger to beefing with Canadians. One of professional wrestling’s most famous rivalries and personal beefs was between Michaels and Canada’s own Brett “The Hitman” Hart. The apex of their feud occurred when Micahels lost his championship during the infamous Montreal Screwjob. Overall, Shawn Michaels knows how far beef can go, and it’s never pretty. Maybe his offer to settle it in the ring will be cleaner than continuing to drop diss tracks.
Meek Mill says he’s been unable to reach the son he shares with Milan Harris to wish him a happy birthday. He voiced his frustration regarding the situation in a pair of posts on his Twitter page on Monday afternoon. “Happy bday czar me and papi called you 10 times today!” Meek wrote in one post. In another, he added: “My other son can’t even wish my other son happy bday … it’s looks perfect on the net!”
Fans shared supportive messages in the replies. “I don’t know you but I just wants to tell you not to give up yet. There’s always hope dear friend just with time things will get better wishing you a successful day,” one fan wrote. Another added: “Sorry to hear tht , pray tht God will changes things soon on their behalf.”
LOS ANGELES, CA – FEBRUARY 09: Jay-Z and Meek Mill attend 2019 Roc Nation THE BRUNCH on February 9, 2019 in Los Angeles, California. (Photo by Kevin Mazur/Getty Images for Roc Nation )
The Neighborhood Talk caught the posts and shared them on Instagram alongside Harris’ birthday tributes for their son. “Happy birthday to my handsome baby boy @czartharuler,” she captioned a photo of herself with the child. “I love you so much, I can write a book about how you changed my world but were running late lol. I can’t believe I’ve been a mom for four years, time is flying.” In the comments section of her post, Meek’s fans popped up to ask her to let the rapper speak with his son.
Meek and Milan Harris welcomed their child in 2020. He shares his birthday with Meek. Check out the posts on social media about the latest drama in the relationship above. Be on the lookout for further updates on Meek Mill on HotNewHipHop.
