Ice Spice’s 2024 BET Awards performance generated headlines, but it hasn’t taken long for people to shift from reacting to her public performance to speculating about her private life. Ice Spice had been linked to Lil Tjay, but she has been spotted with a different rapper.
Are Central Cee And Ice Spice Dating?
According to several social media accounts, such as Pop Crave and DJ Akademiks, Central Cee and Ice Spice were recently together in London for what appears to be an innocent shopping spree. Of course, when you’re famous rappers in your early-to-mid twenties, hanging out publicly is done at the risk of reckless speculation, as is the case here.
To answer the question, there is no concrete evidence to suggest that Central Cee and Ice Spice are dating — and it is kind of antiquated to assume that a man and woman are romantically involved just because they’re hanging out — but it is within the vast realm of possibilities that they are.
“We’ve become good friends over the past year ever since he hopped on ‘Munch [Remix],’” Ice Spice said, “but we’re gonna drop something new and exciting when we’re ready.”
Central Cee added, “She reminds me of me a bit. She’s just cool innit. Humble, down to earth, don’t really care too much about the shiny stuff; but also knows how to play the game. And you can hear that in the music, and see that in the moves that she makes, and I appreciate that because some people don’t really know what they’re doing, and they take it for granted or they don’t take the opportunity and run with it, but she’s really running with it right now.”
The Foolio shooting shocked the hip-hop world on June 23. The rapper was only 26 years old, and a burgeoning star in his native Florida. Police have yet to announce suspects in relation to the shooting, but TMZ has obtained surveillance footage of the fateful incident. The tragic shooting took place only two days after Foolio’s birthday and show him being approached by two men in a hotel parking lot. What follows is a chilling display of violence.
Foolio is never seen in the surveillance footage. He is either offscreen, or inside the vehicle in which his body was found. The angle of the camera shows a gunman approaching and then firing rounds. He fires on Foolio’s vehicle as it approaches him, and eventually crashes as it exits the parking lot. The shooter who is clearly seen in the video tails the car with weapon still in hand. The footage ends with the shooter in question walking out of frame. His face is not visible at any point. TMZ claims that there were multiple culprits, but the others are harder to spot in the background.
The shooting took place at 4:37 a.m. in Jacksonville, Florida. There were three other people in the car with Foolio at the time of the shooting, but all of them survived. The investigation into Foolio’s death has been overshadowed by the antics tied to it via social media. Footage of one of the alleged shooters was posted to Instagram on July 2, and Foolio’s account commented on it. It remains to be seen who is on the late rapper’s account, but the mysterious party wrote: “Demi God” in the comment section.
Foolio’s death was the third Jacksonville shooting to take place in one week. Sheriff T.K. Waters told Fox that there are no suspects, but the police is committed to bringing the shooters to justice. He also cited the diss tracks that have been made in the wake of these shootings. “It ain’t cool now. It’s over now, its over for (Jones), its permanent,” he noted. “Now we have to deal with the mess of cleaning it up.” T.K. Waters did not provide additional information, but he did assure locals that the investigation is already underway. “If it takes us following them one at a time, we will follow them one at a time,” he asserted.
“White boy summer was created to be fun, playful, and a celebration of fly white boys who love beautiful queens of every race,” Hanks wrote on Instagram. “Anything else that it has been twisted into to support any kind of hate or bigotry against any group of people is deplorable, and I condemn it. I hope that we all can spread love to each other and treat each other with kindness and dignity. Love, Chet Hanks.”
Specifically, the Global Project Against Hate and Extremism relayed, “Over the past couple months, white supremacists and neo-Nazis have been calling for the destruction of Pride flags, killing ‘n*****s and communists,’ and the creation of ‘more militia[s]’ all under one slogan: ‘White Boy Summer.’ Several extremist groups including the Proud Boys, White Lives Matter, the Identitarian movement in Europe, and neo-Nazi Active Clubs are all using ‘White Boy Summer’ to spread propaganda, recruit new members, and facilitate targeted hate campaigns including acts of vandalism and hate incidents.”
While Hanks did the right thing by publicly condemning such bigotry and racism, he has not always handled it correctly. In 2015, Hanks defended his past use of racial slurs in a truly indefensible way.
In 2022, Hanks appeared on Ziwe, and the show’s namesake host asked Hanks about his cultural appropriation and whether there were “any marginalized communities you want to apologize to,” and his response was pretty insensitive. “I don’t feel like I’ve truly done anything offensive,” he told Ziwe, adding that “social justice warriors can kick rocks.”
LL Cool J has been on a press run lately. He dropped the single “Saturday Night Special” and made some controversial comments regarding Andre 3000’s flute playing. The most hotly-discussed topic a rapper could mention in 2024, though, is the Drake vs. Kendrick Lamar battle. LL has plenty to say on the topic during a recent interview with Hot 97’s TT Torrez. Not mind-blowing takes in terms of stance, but still a fascinating POV from someone who’s had beef in the past.
LL Cool J told Torrez that Kendrick Lamar was the definitive winner in the battle. It’s pretty uncontested among hip-hop fans, but the rapper did make a point of giving Drake his props. “Kendrick won the battle. I mean, come on,” he noted. “That’s obvious. That’s a no-brainer. And listen, I like Drake. I love his music, he’s a cool dude. We don’t know each other but I like his music. I’m happy for him and everything.” Cool J then made the comment that caught most fans’ attention. He suggested that the 6 God ultimately made a bad choice when he decided to butt heads with Dot. “Kendrick… that might have been a bad choice,” he added. “I like him but Kendrick did his thing.”
LL Cool J, who has been recognized by many as a precursor to Drake’s R&B-leaning sound, broadened the topic. He placed both Drake and Lamar in the greater context of rap history, and claimed that both men have secured their place. “It was great for Hip Hop culture, don’t get it twisted,” LL noted. “Both of their names will be etched in history because of it.” The rapper also reminded fans how good the Drake disses were, even if they were overshadowed. “Even us just talking about it now is etching it into history,” he concluded. “Both of them are super talented, they both did great. It ain’t like Drake completely and utterly played himself.”
LL Cool J voicing passion for hip-hop as a culture could not have come at a better time. The rapper-turned-actor is currently working on a new album. His first album, actually since, 2013. The album will be produced by another genre legend, Q-Tip, and will release sometime in the fall. Interestingly, a feature on his lead single, Rick Ross, is one of the many rappers who declared war on Drake earlier this year. To be fair to LL, it’s hard to avoid rappers who haven’t beefed with Drake at this point.
Waka Flocka Flame, born Juaquin James Malphurs, isn’t just a name in hip-hop—he’s a force of nature. Bursting onto the scene from Atlanta, Georgia, Waka brought an unfiltered energy that was impossible to ignore. His debut album, Flockaveli (2010), wasn’t just an album. It was a seismic event that rattled the foundations of trap music. With its aggressive productions, thunderous basslines, and Waka’s unmistakable roar, Flockaveli became an instant classic. It also helped set the standard for the trap sound that dominates today.
But Waka Flocka Flame is more than his music. He’s a cultural icon, a reality TV star, and an outspoken advocate for social issues, unafraid to use his platform to address everything from mental health to animal rights. His ventures into television with shows like Love & Hip Hop: Atlanta and Growing Up Hip Hop: Atlanta has displayed his charisma and relatability, endearing him to fans beyond the music scene. Let’s look at five essential tracks that highlight Waka’s significant contributions to hip-hop and underline his lasting influence and the sheer power of his artistic expression.
1. “O Let’s Do It” (2009)
Released in 2009, “O Let’s Do It” was the explosive single that catapulted Waka Flocka Flame into the limelight. This track introduced the world to Waka’s unfiltered style with its unapologetically raw energy and street-centric lyrics. The production, characterized by a hard-hitting, aggressive trap beat, set the tone for Waka’s signature sound. His delivery was equally aggressive, matching the beat’s intensity with his powerful vocal performance. This debut single wasn’t just a song but a declaration of intent from an artist ready to shake up the hip-hop scene.
The impact of “O Let’s Do It” was immediate and profound. It climbed the charts, becoming a street anthem and gaining significant radio play. This track marked Waka’s arrival in the music industry, earning him recognition and respect from fans and fellow artists. The song’s success also paved the way for his debut album, Flockaveli, which would solidify his place in the trap music genre. “O Let’s Do It” is essential not only for its role in launching Waka’s career but also for showcasing the raw, unfiltered energy that he brought to hip-hop, setting a new standard for authenticity and intensity in the genre.
2. “Hard In Da Paint” (2010)
In 2010, Waka Flocka Flame unleashed “Hard in da Paint,” a track that would become an anthem for the streets and a definitive moment in his career. From his debut album Flockaveli, this song epitomizes the gritty, unrelenting style Waka is known for. Produced by Lex Luger, the beat is a sonic sledgehammer—booming bass, relentless hi-hats, and a haunting, repetitive hook that demands attention. Waka’s delivery on this track is nothing short of ferocious; his voice is a battle cry, and his lyrics are a testament to the raw, unfiltered reality of his experiences.
“Hard in da Paint” quickly became a staple in clubs and at parties, its electrifying energy impossible to resist. The track’s influence extended far beyond the dance floor, cementing Waka’s status as a leader in the trap music movement. Its success was a clear signal that Waka Flocka Flame was not just a fleeting presence in hip-hop but a powerful force reshaping the genre’s landscape. This song is critical for understanding Waka’s seismic impact on the music scene, reinforcing his reputation as an artist who brings an unmatched intensity and authenticity to his craft.
In 2010, Waka Flocka Flame showcased his versatility with “No Hands,” a standout track from Flockaveli. This song featured Roscoe Dash and Wale, embracing a more melodic, radio-friendly approach, diverging from Waka’s usual hard-hitting style. The production’s smooth, infectious beat and catchy chorus highlighted Waka’s ability to create a crossover hit. Roscoe Dash’s sing-along hook combined with Wale’s slick verses added layers of appeal, making “No Hands” an undeniable anthem for both the clubs and the airwaves. The impact of “No Hands” was immediate and widespread, reaching the Top 20 on the Billboard Hot 100. It also became a fixture on party playlists everywhere. “No Hands” is essential for highlighting Waka Flocka Flame’s broad appeal, proving that he could seamlessly transition from street anthems to mainstream successes.
4. “Grove St. Party” (Featuring Kebo Gotti) (2011)
Released in 2011, “Grove St. Party” is another electrifying track from Waka Flocka Flame’s debut album Flockaveli. Featuring Kebo Gotti, this song quickly became synonymous with high-energy celebrations and late-night revelry. The production is quintessentially Waka, with a booming production that commands attention. Waka’s delivery and Kebo Gotti’s contributions create an irresistible party atmosphere. Further, the success of “Grove St. Party” reinforced Waka’s reputation as a master of crafting anthems. Its enduring popularity is a testament to Waka’s knack for making music that moves and energizes its listeners.
Released in 2011 as the lead single for Waka Flocka Flame’s second album Triple F Life: Friends, Fans & Family, “Round of Applause” features a high-profile collaboration with Drake. This track showcases a different side of Waka, with a more polished, radio-friendly production. The song’s celebratory rhythm is hard to resist. Drake’s smooth verses add a layer of sophistication, making the track appealing to a broader audience while retaining Waka’s signature flair.
“Round of Applause” also achieved significant commercial success, charting on the Billboard Hot 100 and earning heavy rotation on radio stations and in clubs. The collaboration with Drake brought Waka’s music to an even more expansive audience. This track is vital because it highlights Waka Flocka Flame’s knack for producing hits that reverberate across different demographics. It stresses his talent for creating music that dominates the charts and leaves a lasting impact on the listeners.
Jamie Foxx, born Eric Marlon Bishop, is a man of many talents. Known primarily as an award-winning actor, Foxx has also greatly influenced the music industry. His transition from comedy and acting to music seamlessly showcased his depth as an artist. Foxx’s musical journey is testified to his ability to blend genres, from R&B to hip-hop, creating a unique sound that resonates with a broad audience. This article will delve into five essential songs that epitomize Jamie Foxx’s musical prowess, highlighting his impact and contributions to the industry.
Released in 2005 as the lead single from Jamie Foxx’s second studio album, Unpredictable, this track marked a milestone in his music career. Collaborating with rapper Ludacris, Foxx created a crossover hit that appealed to fans of both genres. The song features a seductive, mid-tempo groove with a smooth bassline and lush production. Foxx’s velvety vocals complement Ludacris’s rap verses, creating a dynamic interplay between the two artists.
“Unpredictable” reached No. 8 on the Billboard Hot 100 and topped the Billboard Hot R&B/Hip-Hop Songs chart. The song’s commercial success established Foxx as a credible music artist, earning him recognition beyond his acting accolades. This track is essential as it marks Jamie Foxx’s successful transition from an actor and comedian to a respected figure in the music industry. “Unpredictable” set the tone for his music career, proving his ability to create hits that resonate with a diverse audience.
Released in 2009 from Jamie Foxx’s third studio album, Intuition, “Blame It” features the distinctive vocal stylings of T-Pain. This track emerged when Auto-Tune dominated the music scene, and Foxx’s collaboration with T-Pain capitalized on this trend. The song’s electro-R&B style, Foxx’s delivery, and T-Pain’s Auto-Tuned vocals created a contemporary and infectious sound. The production, characterized by its catchy hook and upbeat tempo, made “Blame It” an instant hit in clubs and on the radio.
Further, “Blame It” achieved significant commercial success. It topped the Billboard Hot R&B/Hip-Hop Songs chart for 14 weeks and peaked at No. 2 on the Billboard Hot 100. The song’s widespread appeal was further cemented when it won a Grammy Award for Best R&B Performance by a Duo or Group. This track is essential for solidifying Jamie Foxx’s status as an influential artist in the industry.
Released in 2010 from Jamie Foxx’s fourth studio album, Best Night of My Life, “Fall For Your Type” features Drake. This track is a more reflective and emotional piece in Foxx’s discography. It diverges from the club-oriented hits he is often known for. The slow tempo and melancholy piano melody create a poignant backdrop for Foxx’s soulful vocals. The lyrical content delves into themes of love, regret, and vulnerability, offering a more personal glimpse into Foxx’s artistry.
“Fall For Your Type” also received positive reviews from critics. The collaboration with Drake, one of the most influential artists of his time, helped the song resonate with a wider audience. This track highlights Jamie Foxx’s ability to adapt to different styles. It also solidified his reputation as a multifaceted musician capable of producing both upbeat hits and heartfelt ballads.
4. “DJ Play A Love Song” (Featuring Twista) (2006)
“DJ Play A Love Song” features Twista’s rapid-fire rap. This track continues Foxx’s exploration of romantic themes, combining his smooth R&B vocals with Twista’s dynamic rap delivery. The song’s production features a sultry beat and lush instrumentation, creating an intimate atmosphere that complements the romantic lyrics. Foxx’s expressive vocal performance and Twista’s energetic verses add a unique dynamic to the track, making it stand out in his discography. Additionally, “DJ Play A Love Song” resounded with fans for its relatable lyrics and sensual vibe. The track’s success further established Foxx’s reputation as a universal R&B artist. It cemented his presence in the scene, proving his talent for creating memorable and heartfelt music.
5. “Can I Take You Home” (2005)
Released in 2005 from Jamie Foxx’s second studio album, “Unpredictable,” “Can I Take You Home” is a quintessential R&B track that combines classic elements with a modern twist. The song features a smooth, seductive beat and Foxx’s signature velvety vocals. Its lyrics revolve around romantic pursuit and attraction themes, delivered with a confident yet tender approach. The production, characterized by a catchy melody and lush instrumental arrangement, showcases Foxx’s ability to blend traditional R&B with contemporary sounds.
“Can I Take You Home” became a fan favorite for its relatable and heartfelt lyrics and infectious groove. The song’s appeal lies in its timeless quality, making it a standout track in Foxx’s catalog. This track is essential for demonstrating Jamie Foxx’s skill in creating R&B music that resonates with listeners across different generations. It highlights his talent for producing timeless songs that maintain their charm and appeal, solidifying his status as a versatile and enduring artist in the music industry.
Questlove is an amazingly accomplished artist, with six Grammy Awards, an Academy Award, and a slew of books and movies to his name. Likewise, fellow Philadelphian multihyphenate Quinta Brunson has a ton of hardware adorning her shelf, with an Emmy Award to go alongside multiple(!) Peabody Awards.
You’d think that these would be pretty serious people, but everyone needs to unwind sometime — and, in their case, they equally overachieve with their game nights as with anything else, putting on a party of epic proportions with a guest list that reads like a dream blunt rotation.
In addition to fellow Abbott Elementary stars Ayo Edibiri (who plays Quinta’s character’s sister), Cree Summer, and Zack Fox (who plays Quinta’s character’s ex), the guests included music stars like Eryn Allen Kane, Finneas, Jason Sudeikis, Jojo, Kelly Rowland, LL Cool J, Maggie Rogers, Steve Lacy, Thundercat, Vince Staples, Willow, and even Weird Al Yankovic. I’d ask what a brother has to do to get an invite, but it seems pretty obvious: Get nominated for a Grammy or two, shift the paradigms of popular music, or be one of the most talented humans alive. You can check out some photos from the hosts below.
Diddy is facing a new lawsuit claiming that he “groomed” a woman named Adria English into sex trafficking after she met the disgraced rapper in 2004. According to documents obtained by TMZ, English says her then-boyfriend was auditioning for a modeling gig for Sean John when Diddy allegedly requested that the man and another model perform oral sex on him to get the job. English says her partner refused.
English further claims Diddy eventually offered him another chance at the job if she worked as a “go-go dancer” at one of the white parties in the Hamptons, later that year, which she accepted. TMZ provided a photo of her appearing to be at the iconic party. It went smoothly and Diddy allegedly continued inviting her to more parties, where he requested she flirt with guests and consume laced alcoholic drinks.
LONDON, ENGLAND – NOVEMBER 07: Diddy performs at O2 Shepherd’s Bush Empire in a special one night only event at O2 Shepherd’s Bush Empire on November 07, 2023, in London, England. (Photo by Samir Hussein/Getty Images for Sean Diddy Combs)
While it didn’t go any further than that at first, English claims Diddy later demanded she have “forced sexual intercourse” with jeweler Jacob Arabov. She also claims several other unnamed people sexually assaulted her throughout her time with the Bad Boy mogul as well. Additionally, English is suing Tamiko Thomas, who she compared to Jeffrey Epstein’s wife, Ghislaine Maxwell. She claims the woman organized the alleged sex trafficking operation. It’s unclear what amount English is seeking, but she’s cited several damages including emotional trauma, intimacy issues, painful memories, and more.
Facing numerous lawsuits throughout the last year, Diddy has consistently denied all of the allegations against him. The drama began when Cassie sued him with accusations of sexual abuse back in November 2023. Despite the two quickly settling, several more alleged victims have come forward. On Wednesday, reports surfaced that he was trying to sell his Los Angeles home for $70 million. Be on the lookout for further updates on Diddy and the latest lawsuit on HotNewHipHop.
It’s been a busy few months for Cardi B, and unfortunately, she also now has a lawsuit to deal with. The hitmaker is currently gearing up to unleash her highly anticipated new album, and while a release date hasn’t been officially announced, she’s been doing plenty of teasing. To get fans ready for what’s to come, she’s also dropped a couple of singles this year, including “Enough (Miami).” The track left fans impressed, and eager to hear what else she has up her sleeve.
According to new legal docs obtained by TMZ Hip Hop, however, she’s being accused of using other artists’ work on the song without permission. Joshua Fraustro and Miguel Aguilar, who also go by Sten Joddi and Kemika 1956, are suing her for allegedly stealing part of their own song “Greasy Frybread.”
Joshua Fraustro And Miguel Aguilar Accuse Cardi B Of Using Portions Of Their Song Without Permission
Their song was previously used to promote the FX series Reservation Dogs, and was released three years before Cardi’s track. Aside from her, producers OG Parker and DJ SwanQo, Atlantic Records, and Warner Music Group are named as defendants. It’s unclear whether or not the lawsuit will impact her upcoming release in any way. She has already been hard at work lately teasing yet another new track, however. She appears to be going in an R&B direction with the song, which has no official name.
Fans were also quick to dissect her recent BET Experience performance, searching for potential clues about the album. She took the stage in a sparkly jersey featuring the number eleven, for instance. Some speculated this could be a hint at the release date, title, or something else. This is unconfirmed, particularly considering the femcee’s newfound legal issues. What do you think of Cardi B getting hit with a lawsuit for alleged copyright infringement over her track “Enough (Miami)”? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
Sean “Diddy” Combs has been named in a slew of lawsuits claiming sexual impropriety by the music mogul, and it seems new allegations keep cropping up. Today, another lawsuit was reportedly filed by a woman — a former porn star — who says she was forced into prostitution at Diddy’s now-infamous “white parties,” according to TMZ.
Adria English, who went by Omunique, says that after meeting Diddy in 2004 while accompanying her then-boyfriend to a modeling audition for Diddy’s clothing brand, Sean Jean, they were both propositioned by Diddy, who she says told him he’d get the job in exchange for oral sex. While he refused, another Diddy associate supposedly offered him the job if he could convince Adria to work as a go-go dancer for one of Diddy’s parties.
After working a few more parties, where she says she was encouraged to drink laced beverages, she says Diddy paid her an extra $1,000 to have sex with Jacob Arabov — better known as Jacob The Jeweler. She says after this, she was “passed off” to other people at Diddy’s parties, with Diddy threatening to blackball her and her boyfriend from the industry if she didn’t comply — which he eventually did when she returned to California. She’s named event curator Tamiko Thomas as a co-defendant, saying she helped facilitate the alleged sex trafficking.
