While it might seem a stretch to compare an imminent super hero blockbuster to a 90s cult-classic comedy, it’s exactly what Michael Keaton is doing. In an interview for the YouTube channel Jake’s Takes, Keaton revealed that working on the upcoming DC movie The Flash strangely reminded him of working on one of his former movies: Duplicity.
According to Keaton, Duplicity’s story — which follows a father who creates clones of himself in order to keep up with his hectic life — shares a lot of similarities with 2022’s The Flash. The actor then went on to say he feels a lot of the challenges he faced while filming Duplicity, such as having to play different versions of himself, are seemingly the same ones Barry Allen star Ezra Miller has incurred while on set:
I mean just did The Flash and there’s a similarity in how – I don’t want to give too much away – but how he has to play against himself and with himself. And we were talking about the difficulty of making multiplicity and the challenge.
While it might seem a strange pull, what Keaton’s saying actually makes perfect sense considering everything we know about the upcoming DC film. It’s been confirmed for some time that The Flash will be the DCCU’s take on the iconic comic book series Flashpoint, a story in which Barry Allen must merge three separate timelines into one in order to save the universe… s.
Honestly, and Flashpoint plot aside, just Keaton’s involvement in the film alongside Ben Affleck’s Batman makes it seem as if there are going to be alternate realities and versions of other superheroes — heroes such as Miller’s Flash — aplenty. While the abundance of Batman movies makes for quite a few Batman variants to pepper in the film, it wouldn’t be shocking at all to hear that Miller will be playing his own counterparts in a very Duplicity-esque fashion seeing as The Flash has had much less prominence in the film. Only time will tell if our speculations are correct, but we’re pretty certain at least in some reality they are.
Drinking whiskey and listening to music go hand in hand. Pouring a glass of the good stuff and slipping a beloved vinyl out of its sleeve is a whole vibe. Or maybe you’re rocking your favorite summer streaming playlist and downing Jack and Cokes. Either way, whiskey pairs well with pretty much all genres of music so much so that thousands of songs have been written about drinking in general while hundreds have been written specifically about whiskey.
We’re here to talk about songs about whiskey and the best whiskey to pour for each of those tunes. I’m not a music critic, so I won’t be critiquing any of these songs. But I am a whiskey critic, and these tunes stand out from the dense crowd of whiskey hymns, so I paired them with the bottles that capture the vibe of each song.
The feel of the song is really what I focused on with these pairings. Bands and artists from the plains tended to elicit thoughts of vast fields of rye and wheat. Irish bands singing about whiskey took me to Midleton, Cork, and Dublin. Old school Americana blues riffs called for old school bourbons. You get the point so let’s dive in and listen to some good tunes and drink some damn good whiskey.
We’re starting off by going way back to the Benny Goodman big band era. While this song doesn’t actually reference whiskey in the lyrics, it’s all about a regretful love life, which is a major theme of a lot of songs about whiskey. Plus, we all need a little extra Billie Holiday in our lives.
The Whiskey:
The blend is a “pure malt” blended whisky, meaning that it’s made only with single malts (usually blended scotch is made with both grain and malt whisky). In this case, the juice is pulled from all over Scotland with a focus on Speyside, Highland, Lowland, and Island malts, including a minimum of 15-year-old Talisker, Caol Ila, Cragganmore, and Linkwood.
Tasting Notes:
This sip draws you in with the smells of an old, soft cedar box that’s held black pepper, sweet fruits, and oily vanilla pods next to a hint of green grass. The taste really holds onto the cedar as the fruits lean tropical with a hint of dried roses pinging in the background. The end builds on that by adding a note of spicy tobacco, a splash of sea spray, and a distant billow of campfire smoke.
The Pairing Lyric:
“I jumped out of the frying pan and right into the fire. Lord, right into the fire.”
This feels like the best place to start since oftentimes when drinking scotch, you’re jumping into the smoky fire for the night.
19. One Bourbon, One Scotch, and One Beer, John Lee Hooker — Chivas Regal 12
This mid-1960s version of the bluesy original from Amos Milburn is far more succinct than the sprawling George Thoroughgood version, which is a bit like watching a documentary play out in song. It clocks in at just north of three minutes, which is the perfect amount of time to pour yourself a whiskey and get ready for a drinking session with John Lee Hooker’s timeless licks.
The Whiskey:
This Highland whisky is built around the famed Strathisla Distillery. The whisky is crafted to work as a sipper or mixer, with real complexity built-in. It really shines in both respects.
Tasting Notes:
There’s a matrix of oak, nuts, malts, and fruit up top. The fruitiness leans into orchards in full bloom as a minerality drives the taste towards spicy tobacco with a hint of creamy vanilla. The oak peeks back in with a little more maltiness, as the end slowly fades alongside a mild chewiness.
The Pairing Lyric:
“I ain’t seen the girl since night before last. Wanna get drunk, get her off my mind. One bourbon, one scotch, one beer.”
Chivas feels like an easy pour at a dive bar if you’re ordering scotch. It’s cheap, very easy drinking, and pretty damn ubiquitous.
18. What Good Can Drinkin’ Do, Janis Joplin — Old Tub
Joplin wrote and recorded this deep cut when she was 19. It’s a classic blues number in all its 12-bar glory. It also feels like a time machine to a completely different era — if not world — where you learn the cold hard truth that the answers you seek are not at the bottom of a bottle.
The Whiskey:
Last year, Jim Beam released their “distillery-only” Old Tub expression on the national market. The juice is an unfiltered and higher ABV version of classic Beam, giving you more of the brand’s depth in each sip of whiskey.
Tasting Notes:
There’s a sense of cornmeal next to sawdust, oily vanilla, and a hint of fresh honey sweetness that entices your senses. The sip takes on a caramel corn sweetness as the vanilla carries you towards sweeter woods and cherry fruits. The end is short and sweet (like most Beam), with a distant wisp of orange oils next to a slight minerality.
The Pairing Lyric:
“Give me whiskey, give me bourbon, give me gin because it doesn’t matter what I’m drinking, Lord, as long as it drowns this sorrow I’m in.”
The old-school blues harmony of the guitar and vocals on this take you straight back to the 1920s. And that is exactly where Old Tub is from (albeit a new version of that). The throwback bourbon feels perfect for sipping on while listening to this throwback track.
17. Moonshiner, Bob Dylan — Crown Royal Northern Harvest Rye
This early Dylan track goes deep on the whiskey drinking and sorrow wallowing with friends at a local bar. The song’s last verse starts with “The whole world’s a bottle and life’s but a dram.” If that’s not the perfect whiskey verse (albeit a Shakespeare paraphrase), we don’t know what is.
The Whiskey:
Crown Royal puts out a lot of whisky. But their Northern Harvest Rye might well be their best release to date. The juice is a blend of ryes, creating a 90 percent rye whisky, that’s then cut with spring water and bottled at a very approachable 90 proof.
Tasting Notes:
This opens with a nose leaning into dried florals and herbs with a sweet edge of pear and apricot. It’s slightly grassy with touches of pepper spice and woody vanilla taking. aback seat to the pears and peaches and red berries. The end is swift but leaves you with a sense of scones covered in orange marmalade with a nice dose of eggnog spice warmth.
The Pairing Lyric:
“The whole world’s a bottle and life’s but a dram. When the bottle gets empty, it sure ain’t worth a damn.”
There’s just something about the old-school, wind-swept Northern folksiness of this song that feels like the ever-moving grass fields where Dylan grew up. And that always leads us back to Crown Royal Northern Harvest Rye. The whisky will transport you to those grassy fields that Dylan ran away through all those times as a kid.
16. Streams of Whiskey, The Pogues — Tullamore D.E.W.
The Pogues have always felt like the ultimate whiskey drinking band. It’s no secret that the band’s lead, Shane MacGowan, would go on notoriously dark drinking binges. That darkness often comes through in the lyrics of a lot of their upbeat pub songs, including this one.
The Whiskey:
This is a straight-up classic Irish whiskey. The juice is triple distilled — like most Irish whiskeys — and then it rests in both ex-bourbon and ex-sherry casks. The whiskeys are then blended into a final product that’s as easy to drink as it is to mix.
Tasting Notes:
Clear fruity notes of apple mingle with a hint of bourbon-y vanilla. That fruit carries on through the very light (in a good way) sip as a hint of wood and citrus arrive. The vanilla peeks back in near the end as the sip quickly fades while warming you up.
The Pairing Lyric:
“I am going, I am going where streams of whiskey are flowing, yeah!”
This could literally be Ireland’s tourism branding. Whiskey and Ireland and inextricably bound and Tullamore D.E.W. feels like the Pogue-esque underdog to enjoy while dreaming of the Emerald Isle.
15. Whiskey in the Jar, Thin Lizzy — Jameson Stout Cask
In the end, this is a classic Irish folk song (originally performed by The Dubliners) of love, betrayal, colonialism, and death wrapped up a in very 70s rock jam.
The Whiskey:
Aging stout in whiskey barrels has a long tradition in brewing. Then there’s the whole tradition of stouts in Ireland that go hand-in-hand with drams of Irish whiskey. So aging Jameson in whiskey barrels that held stout beer makes a lot of sense.
In this case, the aged juice spends an extra six months in the stout barrels, giving the whiskey that little something extra.
Tasting Notes:
Apple orchards and bails of hay mingle with almonds, spice, chocolate, and a hint of lemon oil. Dark chocolate and a note of spicy wood dance on the palate as creamy sweetness balances everything out. The end brings about a note of butterscotch next to a milkier chocolate texture that quickly drops off.
The Pairing Lyric:
“As I was goin’ over the Cork and Kerry mountains…”
If there’s anything County Cork is now known for, it’s the Midleton Distillery where the world’s supply of Jameson is made. The extra boozy aspects of this song of lust, murder, and tragedy adds a certain Irish stoutness to the mix, hence the mix of stout finishing and old-school Jameson.
This politic Irish folk song from Christy Moore goes to some pretty dark places while memorializing Irish suffering during the Troubles. Moore laments the people lost to “winter graves” and “streets running red” and, yeah, we need a pull of a whiskey now too.
The Whiskey:
This is a testament to the magic that can happen when a cask hits just the right marks. This is the standard 12-year expression — single pot still, triple distilled, and ex-bourbon/ex-sherry maturation — that’s blended and bottled unfiltered and uncut.
It’s the purest expression of the cask in the bottle.
Tasting Notes:
Dried tropical fruit, stone fruit, and berries come through on the nose with a hint of cedar next to a slight cinnamon-forward spice powder. Those fruits and spices mix into a Christmas cake with a bit of malt next to that wood while vanilla pokes in with a rich and creamy texture. The fruit, oak, and spice marry on the long and warming end as the fade brings a buzzing to your senses.
The Pairing Lyric:
“Kids wear white garters and smell like their mothers whose husbands and fathers alike drink black beer in the same public houses, smelling of smoke and strong whiskey.”
This protest song gets pretty deep and brutal, so we’re sticking with the “strong whiskey” part. And that makes us think of Redbreast 12 Cast Strength. It’s one of the stronger Irish whiskeys on the shelf while still being one of the most well-made.
13. Here Comes A Regular, The Replacements — Larceny Wheated Bourbon Barrel Proof
This song feels like it’s going to be about Norm from Cheers. But it’s, again, a dark tome of drinking alone, the loss of a friend, and more drinking.
The Whiskey:
These barrel blends from Heaven Hill are meant to highlight the precise quality of the distillery’s prowess from grain to bottle. This small batch of wheated bourbon is derived from barrels between six and eight years old. The juice then goes right into the bottle with no cutting or filtering, allowing the masterful craft to shine through in every sip.
Tasting Notes:
This has a mellow nose that ebbs and flows between soft maple syrup cut with cinnamon sticks, a light touch of brioche, new leather gloves, and bruised apples. It offers a warm rollercoaster ride through figgy puddings touched with burnt sugars, dried fruits and nuts, holiday spices, and a brandy butter silkiness. The taste has a hint of almond or walnut shell on the end that marries to a dry mouthfeel, vanilla, and a touch of tobacco chewiness.
The warmth lingers pretty long but never overpowers and almost becomes halfway between fizzy and buzzing as it fades, leaving you with a woody, bourbon vibe and a very late wet straw note.
The Pairing Lyric:
“And even if you’re in the arms of someone’s baby now, I’ll take a great big whiskey to you anyway.”
Most of the wheat for American bourbons comes from Minnesota (and North Dakota). Since The Replacements also come from the land of endless wheat, a wheated bourbon felt like the best move. Plus, Larceny Barrel Proof feels like the epitome of a “great big whiskey.”
12. Whiskey River, Willie Nelson — Balcones Texas Single Malt Whisky
There are about a million country songs about breakups and whiskey. We chose three for this list and at least one of those had to be from Willie Nelson. While this song is pretty straightforward (it’s all chorus and bridges), it flows at the perfect pace to sip some good whisky.
The Whiskey:
Master Distiller Jared Himstedt has one of the best collections of Scotch single malts I’ve seen outside of Scotland. This expression is his salute to the classic style. The juice is made from 100 percent malted barley in copper pot stills before aging in variously sized barrels before getting finished in a single, large barrel. The final product is a single malt unlike any other that’ll help you fall in love with the style.
Tasting Notes:
Hints of pears and bananas greet you with a sense of rose water and citrus. The sip shines with a feel of rich, sweet, and bitter marmalade with a base of sourdough toast dripping with rich, creamy butter. This sip is like a warm hug that you didn’t know you needed.
The dram fades slowly through the senses as burnt sugar, cedar, and honey notes linger on the palate.
The Pairing Lyric:
“I’m drowning in a whiskey river, bathing my mem’ried mind. In the wetness of its soul, feeling the amber current flowin’ from my mind.”
You need a Texas whisky as unique as Willie for this song and that is Balcones Texas Single Malt.
11. Alabama Song (Whisky Bar), The Doors — Evan Williams Black Label
This might be the most 60s-sounding song of all time. Still, the beat is quick enough to get you hyped about a drinking session at your favorite whiskey bar, and that’s sort of the point of all of this.
The Whiskey:
This is more of an entry-point for Evan Williams. The juice is a mix of four to seven-year-old barrels of the standard Heaven Hill bourbon. The whiskey is then proofed to 43 proof and bottled.
Tasting Notes:
There’s a bit of that fruit candy feel to this sip next to vanilla, dry corn, and a hint of caramel apples next to oak. The body of the sip is very light, with a slight spice burn. The end is very short, sweet, and full of vanilla, toffee, and oak.
The Pairing Lyric:
“Well, show me the way to the next whiskey bar. Oh, don’t ask why.”
If you’re drinking shots of Evan Williams Black at a whiskey bar, no one had better ask you why.
10. Take Your Whiskey Home, Van Halen — Bulliet Rye
This song starts off as a classic blues number and ends as a now-classic 80s rocker with a nice Eddie Van Halen solo to cap things off. At its heart, though, the song is about alcoholism destroying a relationship, which is very in line with classic blues.
The Whiskey:
MGP of Indiana’s rye is one of the most popular ryes on earth. Their rye is has a mash bill of 95 percent rye and five percent malted barley. The juice is aged for four to seven years before blending, proofing, and bottling.
Tasting Notes:
This dram opens up with a mix of resinous cedar, sharp rye spiciness, creamy vanilla, and a hint of fresh mint. The taste delivers on those notes while folding in hints of dark cacao (with water added), savory fruits, and a buttery/crumbly biscuit somewhere deep in the bottom of the sip. The end lasts a while and circles back around to that cedar and sap, with plenty more sharp spiciness.
The Pairing Lyric:
“Yeah, you know that you’re headed for a lot of trouble if you take your whiskey home.”
Bulleit Rye remains one of the best bar whiskeys money can buy. It’s a good mixer or shooter and always available … at the bar.
9. Friends In Low Places, Garth Brooks — Jim Beam Bonded
Yes, this is a country breakup song. But it’s uptempo and pretty much a classic (or standard) at this point. It’s also a banger for just the right moment when you’re drinking at a dive bar and just tipsy enough to sing along with the whole bar.
The Whiskey:
This bourbon is Jim Beam’s high watermark when it comes to Kentucky bourbon. The juice is aged in a bottled-in-bond facility for four years where it’s also bottled at 100 proof with no bullshit. This is the standard Beam bourbon mash bill (77 percent corn, 13 percent rye, and ten percent malted barley) but there’s just something extra happening that makes this expression shine.
Tasting Notes:
This bourbon beckons you in with notes of toasted oak, red cherry, and vanilla. That leads to fresh honey, sweet caramel corn, rich toffee, bold vanilla, crisp apple, more of that red cherry, peppery spice, and a note of fresh mint. With a little water, the dram edges towards bitter dark chocolate with a nice billow of pipe tobacco while holding onto the mint, toffee, and vanilla oakiness.
The end is long, meandering, and full of warmth, fruit, spice, and bourbon goodness.
The Pairing Lyric:
“‘Cause I’ve got friends in low places where the whiskey drowns and the beer chases my blues away and I’ll be okay.”
You’re gonna want something familiar, cheap, good, and strong while you party (and sway) to this song. Jim Beam Bonded hits all of those marks perfectly.
When I made this list, I thought to myself, “Whiskey’N Mama has to be in there.” I remembered a fun romp of Texas rock. But, again, this is a breakup song about a Whiskey’N Mama. I swear we have some fun songs on this list too!
The Whiskey:
This introductory juice from Four Roses is a blend of all ten of their whiskeys. The barrels are a minimum of five years old when they’re plucked from the warehouses, blended, brought down to proof, and bottled.
Tasting Notes:
There’s a bit of steeliness to the nose that’s mellowed by hints of dried florals, apple, and a touch of honey and spice. The taste doesn’t veer too far from the nose as the apple turns more honey, with mild vanilla and more honeyed sweetness. The end is subtle and short with a touch of green oak, spice, fruit, and one more dash of honey.
The Pairing Lyric:
“I should have known better than to fool with a whiskey’n mama.”
There’s something about Four Roses that feels very ZZ Top. Just grab a bottle of Four Roses the next time you’re in a liquor store, you won’t be disappointed, especially if ZZ Top is already playing on your car radio.
7. Whiskey And You, Chris Stapleton — Jim Beam Black
This is the ultimate hangover/breakup song. Stapleton’s very slowed and drop-D take on the Tim McGraw track will break your soul if you’re already hungover and maybe help it start to mend if you’re going through a breakup.
The Whiskey:
This expression replaced the old Black Label 8 Year. The juice in this bottle is aged longer than your average four-year-old Beam, but there is no age statement on exactly how long. The best way to think of it is that it’s aged for as long as it needs to be, according to the distilling team.
Tasting Notes:
This bourbon is where Jim Beam starts to get dialed-in to its core notes of vanilla, caramel, corn, and oak, with a hint of orchard fruit. Yes, all of those elements were there in standard Jim Beam above. But there’s more refinement in this whiskey with a little bit of sweet smoke added in. By the end, the vanilla is more like a dried vanilla pod, the caramel is richer, the fruit is a bit more tart (sweet apple-ish), the oak is more toasted than charred.
The fade isn’t too long but sticks with you.
The Pairing Lyric:
“Come tomorrow, I can walk in any store, it ain’t a problem, they’ll always sell me more.”
Jim Beam is the ultimate bottle that you can literally walk into any store and find some variation on the shelf. And yes, they’ll always sell you one.
6. Whiskey Girl, Gillian Welch — Michter’s Small Batch Original Sour Mash Whiskey
Keeping things low and slow, this ethereal song is all about a couple tying one on and going deep into the “underworld.” It’s very folksy and Americana-filed somehow (I told you I wasn’t a music critic). In the end, it’s about two people coming together rather than splitting up.
The Whiskey:
This was the first American whiskey to be named “Whiskey of the Year” by The Whiskey Exchange just last year. The reason this is a “sour mash” and not a bourbon or rye is that the mash bill doesn’t focus on corn or rye, hence it’s just a sour mash whiskey. The juice is then aged in new white oak with a heavy char.
Tasting Notes:
Smoked plums and rye spice mingle up top. The sip really embraces the smoky dark fruit with hints of vanilla and cherry popping up on the palate. The dram carries that smoky plumminess through to the end with a nice nod to the oak and bourbon-y vanilla underbelly.
The Pairing Lyric:
“Nowhere man and the whiskey girl, they loaded up for a weekend in the underworld.”
There’s something about the folksy and haunting tones of Welch’s voice that speaks to this deeply flavored and folksy whiskey. Pour it neat and let the record spin.
5. Drink You Away, Justin Timberlake — Jack Daniel’s Sinatra Select
This song straight-up references Jim and Jack, so you know we had to pick one of those two. And, yes, we know this is another breakup song. Still, it’s an easy jam to let spin while you sip some good whiskey.
The Whiskey:
Frank Sinatra was one of Jack’s biggest fans. The crooner was buried with a bottle. The actual juice in this expression is a throwback of sorts to how Jack was made in Sinatra’s day. They use special “Sinatra Barrels” that have concentric grooves carved into the newly charred oak, giving the whiskey more surface area to do its thing. Once that’s aged, it’s blended with traditional Old No. 7 and proofed at 45 percent, as it also would have been back in the Rat Pack days.
Tasting Notes:
Stonefruit, caramel apples, vanilla pods, and a hint of that toasted oak pull you in. The sip leans into the fruit with a rich and buttery vanilla-laden caramel, plenty of peppery spice, and more of that oak, along with a very distant echo of tobacco smoke. The fruit leans back towards a mild banana as the caramel, spice, vanilla, and oak slowly fades out and warms your senses, leaving you with one final puff of that smoke.
The Pairing Lyric:
“I’ve tried Jack, I’ve tried Jim, I’ve tried all of their friends, but I can’t drink you away.”
But did he try Jack Daniel’s Sinatra Select? Really, this is more about the tuxedo-wearing swagger Timberlake rocked during his 20/20 tour — that was Sinatra to its core — than it is about a breakup song.
Okay, we’re picking things back up. This is the ultimate “let’s get this party started” tune for hard rockers. Hell, a shot of whiskey almost magically appears in your hand when this song revs up.
The Whiskey:
Starward Solera is an Australian grain-to-glass experience. The mash is made from 100 percent Australian malted barley. The juice is then aged in used Apera fortified wine casks from Australia. The final result is cut with local water and bottled at a very agreeable 86 proof.
Tasting Notes:
Subtle notes of butterscotch, red berries, and vanilla pods mingle on the nose. The palate has a slight floral note (think dried roses) that marries well to those sweet red berries as a note of woody spice comes into play with a hint of honey. The end leans into the vanilla to the point of getting a little creamy as the fruit, honey, and spice fade out.
The Pairing Lyric:
“Yes, my glass is gettin’ shorter on whiskey, ice, and water.”
Look at that! The recipe for a highball. Starward Solera is an excellent choice for a great highball with unique flavors and plenty of Aussie vibes.
3. Broken Whiskey Glass, Post Malone — Wild Turkey 101
This feels like a post-modern My Morning Jacket boast track. It’s mostly about getting f*cked up and going through life as a rock star, which whiskey always seems to be a central part of. But hey, at least it’s not about another breakup.
The Whiskey:
A lot of Wild Turkey’s character comes from the hard and deep char they use on their oak barrels. 101 is a high-rye and high-ABV bourbon that leans into the wood and aging, having spent six years in the cask. A little of that soft Kentucky limestone water is added to cool it down a bit before bottling.
Tasting Notes:
There’s a sweetness that feels like buttery toffee next to creamy vanilla and a note of citrus next to charred oak. The taste delivers on those notes and adds more vanilla pudding, sharp rye spice, butterscotch, and a hint of fresh and sweet tobacco leaves. The end is bold and long with the spice, oak, and sweetness lingering on the senses while heating you to your soul (this is what’s called the “Kentucky hug,” although this particular embrace isn’t overly gentle).
The Pairing Lyric:
“And that 101 like the highway in hell, going too damn fast.”
Those extra ABVs on Turkey 101 will 100 percent get you there faster.
A song purely about partying, taking shots, wearing sunglasses at night, and Jameson with an Avril Lavigne hook (of sorts)? F*ck yeah, I’ll drink to that.
The Whiskey:
This is more than just 18-year-old Jameson. It’s a masterful blend of hand-selected 18-year-old whiskeys aged in ex-bourbon and ex-sherry casks. That juice is then married and finished in first-fill bourbon casks until it’s just right.
Tasting Notes:
This has a bold-yet-dialed-in nose, with bourbon vanilla, soft cedar, orange oils, rich toffee, and subtle spice. The taste delivers on those promises and adds in leather, hazelnuts, and a dusting of dark chocolate (especially with a little water). The end is slow and combines the cedar, toffee, and spice in a wonderful balance.
The Pairing Lyric:
“Oh, let the Jameson sink in, I drink to that, yeah, yeah…”
If Rihanna is calling out Jameson shots at the bar, they better be the best f*cking Jameson shots ever. And that’s clearly Jameson 18.
1. Tennessee Whiskey, Chris Stapleton — Uncle Nearest 1856
This list was pre-destined to end on this song. It’s about being in love and the person you’re in love with being as good as Tennessee whiskey — well that and strawberry wine and brandy too. Regardless, this is probably the best whiskey song of all time (this version specifically) because it’s not about a breakup. It’s about finding love, which is a massive outlier in songs about whiskey.
The Whiskey:
This whiskey is the entry point to the newly minted Uncle Nearest line. The shingle was created to celebrate Nathan “Nearest” Green who was instrumental in Jack Daniel’s early success in postbellum Tennessee. The juice in the bottle is a sourced (for now) blend of Tennessee whiskeys that have aged eight to 14 years before blending and bottling.
Tasting Notes:
Fairground caramel corn mingles with rushes of dry hay, thin maple syrup, bowls of freshly picked peaches, and a hint of red berries. The fruit takes on dry edges as the maple and caramel take on a spiciness next to a maltiness that almost feels like a spiced cake full of dried red fruit. There’s a hint of dried florals behind vanilla and caramel on the short end.
The Pairing Lyric:
“You’re as smooth as Tennessee whiskey. You’re as sweet as strawberry wine. You’re as warm as a glass of brandy. And honey, I stay stoned on your love all the time.”
That deep red fruit that turns a little dry in a Tennessee whiskey exudes the vibes of this song’s chorus. Tennessee whiskey, strawberry wine, and brandy is this bottle.
Check out the whole playlist below:
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It’s been a few years since smash-hit girl group Fifth Harmony went on hiatus to prioritize solo careers. Members like Camila Cabello were able to find instant solo success while others did not have the same opportunities. After leaving to focus on her own music and upcoming solo album, Normani has spent much time reflecting on her time in the group. She now says she felt “overlooked” while in Fifth Harmony, which has impacted her solo career.
Normani recently sat down with Allure for their September 2021 cover interview, where the singer got candid about her solo career’s trajectory. After describing how she felt “overlooked” as a part of Fifth Harmony, Normani says she now wants to show off her versatility. “I didn’t get to really sing in the group. I felt like I was overlooked,” Normani said. “That idea has been projected on me. Like, this is your place.” She continued that she aims to prove them wrong with her new music:
“My purpose in this work that I do is for other people that feel like they have Black women figured out. There’s so many layers to us, there’s so many textures, there’s so much that we’re capable of doing. Yes, I can throw ass. But I can also give you a proper eight-count, and I can do ballet, and I can do contemporary dance. If I want to sing this pop ballad, then you’re going to love it! While you see my Black face!”
Lil Nas X got real about a sexual preference of his on “Holiday” when he rapped, “Ayy, can I pop sh*t? / I might bottom on the low, but I top sh*t.” Now, the rapper, one of music’s most visible members of the LGBTQ community, has spoken out about being a bottom in a new Variety interview, in which he discusses some stigmas bottoms face.
He said, “I feel like even within the gay community, people see bottoming as a joke or something, and somebody who bottoms is beneath a top or something. The idea of that, I feel like, is a form of misogyny between men, you know? It doesn’t make any sense, and people attribute certain traits to whichever sexual position you decide to take. A lot of people say, ‘It’s just a joke.’ But all jokes have truths to them.”
Elsewhere, he speaks about how fame has impacted his love life, saying, “Before fame, I didn’t really have a sexual life besides one person or two. It’s definitely made things a lot more interesting, to say the least. I’ve had some good boyfriends, some bad ones. A lot of them emotionally unavailable and whatnot. A lot of insecurity between them. But yeah, I found somebody special now.”
Steadily dropping new singles all summer, rising Louisville rapper Est Gee has been on a run lately with track like “Riata Dada,” “Price Tag,” and “Capitol 1,” all of which appeared on his Bigger Than Life Or Death project from last month. That album also cracked the Billboard 200 chart, hitting No. 7, and dith momentum like that, all anyone would expect Est Gee to do is keep dropping new music. Today, that’s exactly what he’s done — although, if he’s going to be meeting up with Jay Z to put in work at the studio, he better come alone.
His latest single “5500 Degrees” is a study in the art of the posse cut, with Lil Baby, 42 Dugg, and Rylo all joining in. The video is a massive flex with stacks of cash everywhere, lots of fancy cars, diamond encrusted chains, and all the rappers partying together, celebrating their abundance. The track is a clever update of Juvenile’s 1998 classic “400 Degreez,” and is just another example of how ’90s nostalgia is finding its way into hip-hop and the pop mainstream of late. All the rappers deliver on their verses, but Lil Baby’s final, rapid-fire effort is definitely worth sticking around for. Watch the video above and look out for more new music from Est Gee coming soon.
Last week Isaiah Rashad dropped his excellent new album, The House Is Burning, which our hip-hop editor Aaron Williams described as depicting ” the tension between that sense of helplessness in the face of certain doom and our own… need to press forward as though this is all normal, even though we know it’s not.” This week, Rashad is keeping up the stream of new material by dropping a video for the Lil Uzi Vert-featuring “From The Garden.” The visuals start off in black and white, with Rashad rapping and walking through the neighborhood, lingering outside a line to get into a club, where 4-wheelers and expensive cars line the street.
Lil Uzi Vert does show up in the clip to rap alongside Rashad, wielding a 4-wheeler of his own in a return to black and white visuals that multiply and divide like a trippy ’70s video where twerking abounds. Cutting back to the club from earlier, more hijinks abound as someone drops a pizza, and Rashad makes it rain with fistfuls of money outside the club, as patrons eagerly run over to grab the cash. Check out the Omar Jones-directed visuals above and read our full review of The House Is Burninghere.
MTV has officially unveiled their full list of nomination for the 2021 VMAs, with Justin Bieber and Megan Thee Stallion leading the pack. Thanks to his successful Justice release, Bieber holds seven nominations, including nods for Video Of The Year, Artist Of The Year, and Best Pop. Megan follows behind him with six nominations for categories like Video Of The Year and Song Of The Year.
This year’s MTV VMAs is set to return to Barclays Center in Brooklyn for the first time since 2013. It kicks off September 12 and organizers expect to invite musicians and fans to join the event in-person.
See the full list of 2021 VMA nominations below.
Video Of The Year
Cardi B Feat. Megan Thee Stallion — “WAP”
DJ Khaled Feat. Drake — “Popstar” (Starring Justin Bieber)
Doja Cat Feat. SZA — “Kiss Me More”
Ed Sheeran — “Bad Habits” – Atlantic Records
Lil Nas X — “Montero (Call Me By Your Name)” – Columbia Records
The Weeknd — “Save Your Tears”
Artist Of The Year
Ariana Grande
Doja Cat
Justin Bieber
Megan Thee Stallion
Olivia Rodrigo
Taylor Swift
Song Of The Year
24kGoldn Feat. Iann Dior — “Mood”
Bruno Mars, Anderson .Paak, Silk Sonic — “Leave the Door Open”
BTS — “Dynamite”
Cardi B Feat. Megan Thee Stallion — “WAP”
Dua Lipa — “Levitating”
Olivia Rodrigo — “Drivers License”
Best New Artist
24kGoldn
Giveon
The Kid Laroi
Olivia Rodrigo
Polo G
Saweetie
Push Performance Of The Year
Wallows — “Are You Bored Yet?”
Ashnikko — “Daisy”
Saint Jhn — “Gorgeous”
24kGoldn — “Coco”
JC Stewart — “Break My Heart”
Latto — “Sex Lies”
Madison Beer — “Selfish”
The Kid Laroi — “Without You”
Olivia Rodrigo — “Drivers License”
Girl in Red — “Serotonin”
Fousheé — “My Slime”
Jxdn — “Think About Me”
Best Collaboration
24kGoldn Feat. Iann Dior — “Mood”
Cardi B Feat. Megan Thee Stallion — “WAP”
Doja Cat Feat. SZA — “Kiss Me More”
Drake Feat. Lil Durk — “Laugh Now Cry Later”
Justin Bieber Feat. Daniel Caesar, Giveon — “Peaches”
Miley Cyrus Feat. Dua Lipa — “Prisoner”
Best Pop
Ariana Grande — “Positions”
Billie Eilish — “Therefore I Am”
BTS — “Butter”
Harry Styles — “Treat People With Kindness”
Justin Bieber Feat. Daniel Caesar, Giveon — “Peaches”
Olivia Rodrigo — “Good 4 U”
Shawn Mendes — “Wonder”
Taylor Swift — “Willow”
Best Hip-Hop
Evanescence — “Use My Voice”
Foo Fighters — “Shame Shame”
John Mayer — “Last Train Home”
The Killers — “My Own Soul’s Warning”
Kings Of Leon — “The Bandit”
Lenny Kravitz — “Raise Vibration”
Cardi B Feat. Megan Thee Stallion — “WAP”
Drake Feat. Lil Durk — “Laugh Now Cry Later”
Lil Baby Feat. Megan Thee Stallion — “On Me (remix)”
Moneybagg Yo – “Said Sum”
Polo G — “Rapstar”
Travis Scott Feat. Young Thug & M.I.A. — “Franchise”
Best Rock
Evanescence — “Use My Voice”
Foo Fighters — “Shame Shame”
John Mayer — “Last Train Home”
The Killers — “My Own Soul’s Warning”
Kings Of Leon — “The Bandit”
Lenny Kravitz — “Raise Vibration”
Best Alternative
Bleachers — “Stop Making This Hurt”
Glass Animals — “Heat Waves”
Imagine Dragons — “Follow You”
Machine Gun Kelly Feat. Blackbear — “My Ex’s Best Friend”
Twenty One Pilots — “Shy Away”
Willow Feat. Travis Barker — “Transparent Soul”
Best Latin
Bad Bunny x Jhay Cortez — “Dákiti”
Billie Eilish & Rosalía — “Lo Vas A Olvidar”
Black Eyed Peas and Shakira — “Girl Like Me”
Balvin, Dua Lipa, Bad Bunny, Tainy — “Un Die (One Day)”
Karol G — “Bichota”
Maluma — “Hawái”
Best R&B
Beyoncé, Blue Ivy, Saint Jhn, WizKid — “Brown Skin Girl”
Bruno Mars, Anderson .Paak, Silk Sonic — “Leave the Door Open”
Chris Brown and Young Thug — “Go Crazy”
Giveon — “Heartbreak Anniversary”
HER Feat. Chris Brown — “Come Through”
SZA — “Good Days”
Best K-pop
(G)I-DLE — “Dumdi Dumdi”
Blackpink and Selena Gomez — “Ice Cream”
BTS – “Butter”
Monsta X — “Gambler”
Seventeen — “Ready To Love”
Twice — “Alcohol-Free”
Video For Good
Billie Eilish — “Your Power”
Demi Lovato — “Dancing With The Devil”
HER — “Fight For You”
Kane Brown — “Worldwide Beautiful”
Lil Nas X — “Montero (Call Me By Your Name)”
Pharrell Williams Feat. Jay-Z — “Entrepreneur”
Best Direction
Billie Eilish — “Your Power” Directed by Billie Eilish
DJ Khaled Feat. Drake — “Popstar (Starring Justin Bieber)” Directed by Julien Christian Lutz aka Director X
Lil Nas X — “Montero (Call Me By Your Name)” Directed by Lil Nas X and Tanu Muino
Taylor Swift — “Willow” Directed by Taylor Swift
Travis Scott Feat. Young Thug & M.I.A — “Franchise” Directed by Travis Scott
Tyler, The Creator — “Lumberjack” Directed by Wolf Haley
Best Cinematography
Beyoncé, Blue Ivy, SAINt JHN, WizKid — “Brown Skin Girl” Cinematography by Benoit Soler, Malik H. Sayeed, Mohammaed Atta Ahmed, Santiago Gonzalez, Ryan Helfant
Billie Eilish — “Therefore I Am” Cinematography by Rob Witt
Foo Fighters — “Shame Shame” Cinematography by Santiago Gonzalez
Justin Bieber Feat.Chance The Rapper — “Holy” Cinematography by Elias Talbot
Lady Gaga — “911” Cinematography by Jeff Cronenweth
Lorde — “Solar Power” Cinematography by Andrew Stroud
Best Art Direction
Beyoncé, Shatta Wale, Major Lazer — “Already” Art Direction by Susan Linns, Gerard Santos
Ed Sheeran — “Bad Habits” Art Direction by Alison Dominitz
Lady Gaga — “911” Art Direction by Tom Foden, Peter Andrus
Lil Nas X — “Montero (Call Me By Your Name)” Art Direction by John Richoux
Saweetie Feat. Doja Cat — “Best Friend” Art Direction by Art Haynes
Taylor Swift — “Willow” Art Direction by Ethan Tobman, Regina Fernandez
Best Visual Effects
Bella Poarch — “Build a Bitch” Visual Effects by Andrew Donoho, Denhov Visuals, Denis Strahhov, Rein Jakobson, Vahur Kuusk, Tatjana Pavlik, Yekaterina Vetrova
Coldplay — “Higher Power” Visual Effects by Mathematic
Doja Cat & The Weeknd – “You Right” Visual Effects by La Pac, Anthony Lestremau, Julien Missaire, Petr Shkolniy, Alexi Bailla, Micha Sher, Antoine Hache, Mikros MPC, Nicolas Huget, Guillaume Ho Tsong Fang, Benjamin Lenfant, Stephane Pivron, MPC Bangalore, Chanakya Chander, Raju Ganesh, David Rouxel
Glass Animals — “Tangerine” Visual Effects by Ronan Fourreau
Lil Nas X — “Montero (Call Me By Your Name)” Visual Effects by Mathematic
Pink — “All I Know So Far” Visual Effects by Dave Meyers, Freenjoy Inc
Best Choreography
Ariana Grande — “34+35” Choreography by Brian Nicholson & Scott Nicholson
BTS — “Butter” Choreography by Son Sung with BHM Performance Directing Team
Ed Sheeran — “Bad Habits” Choreography by Natricia Bernard
Foo Fighters — “Shame Shame” Choreography by Nina McNeely
Harry Styles — “Treat People With Kindness”
Marshmello & Halsey — “Be Kind” Choreography by Dani Vitale
Best Editing
Bruno Mars, Anderson .Paak, Silk Sonic — “Leave the Door Open” Editing by Troy Charbonnet
BTS — “Butter” Editing by Yong Seok Choi from Lumpens
Drake — “What’s Next” Editing by Noah Kendal
Harry Styles — “Treat People With Kindness”
Justin Bieber Feat. Daniel Caesar, Giveon — “Peaches”
Miley Cyrus Feat. Dua Lipa — “Prisoner”
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Lil Nas X has been on a roll this year. After ushering in a new era of music, the rapper dropped the internet-breaking song “Montero (Call Me By Your Name),” along with the introspective number “Sun Goes Down” and the viral Jack Harlow collaboration “Industry Baby.” Thanks to the success of his recent singles, it’s no wonder that Lil Nas X has just become Spotify’s most-listened-to male rapper, surpassing DaBaby’s monthly listeners shortly after the rapper’s homophobic on-stage rant.
Lil Nas X now boasts well over 52 million monthly listeners on the popular streaming platform, according to Spotify’s data. That’s about one million more than DaBaby, who currently sits at 51 million monthly listeners. Upon hearing the news, Lil Nas X graciously thanked his followers for their continued support, saying it’s a career record for him. “wow this is insane,” he rapper on Twitter. “this is the most i’ve ever had in my career. thank u to everybody listening.”
wow this is insane. this is the most i’ve ever had in my career. thank u to everybody listening. https://t.co/JbCmp8QFN3
The rapper’s victory over DaBaby in streaming numbers arrives shortly after DaBaby was captured on the Rolling Loud stage making some very uninformed remarks about HIV/Aids and the LGBTQ community. Several festivals booted DaBaby from their lineups as a result of his homophobic rant, and many celebrities like Dua Lipa and Miley Cyrus condemned the rapper out for his uneducated comments.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Future and Brittni Mealy, the mother of his son Prince Wilburn, have had their personal disputes go public, and last night brought another one to the spotlight.
As HotNewHipHop notes, Mealy shared what appears to be a text conversation between Future and his son, in which he tells the child, “Your mother is a hoe!” Some people accused Mealy of fabricating the texts, to which she responded in an Instagram Story, “TF I GOT TO LIE FOR YOU SAID IT definitely your # and his SO STAND ON IT AND PIPE DOWN IF U DONT WANT THESE RECORDING POSTED!” She also added, “On GAWD YOU SAID IT THEY NEED TO CANCEL YOU. Cruelty to children! Haven’t seen him in 3 months but in the same State I can Keep Going! Got a refund on his school Clothes today! Petty cause someone Don’t wanna be sexually active with you and just want to co parent!!”
Future tweeted, seemingly in response to the situation, “Pray for Her.” His mother, Stephanie Jester, also shared some words, writing, “It’s sad when ppl can’t get their way so they turn to social media for attention. No matter how much you give a person it’s never enough. We have to really pray for self-love because ppl take it out on everyone else.”
It’s quite the situation, so check out screenshots of some of the posts below.
Eminem’s ex-wife Kim Scott, reportedly attempted suicide last month but survived the incident.
TMZ reports that according to law enforcement sources, police and emergency workers responded to a call of a suicidal person at Scott’s Michigan home on July 30. Scott apparently had to be restrained due to her combative behavior and was so violent that paramedics were unable to check her vitals. She appeared to have cut herself, due to multiple small lacerations on the back of her leg and the “good amount” of blood that was on the floor. She was rushed to the hospital for medical and psychological evaluation and is now reportedly recovering at home.
If the report is accurate, this isn’t the first time that Scott attempted suicide. Speaking about one of those attempts in 2016, in which Scott intentionally crashed a car, she said, “I sat at the end of a road where I knew that no one else but myself would get hurt. Yes, I drank, I took pills, and I hit the gas and aimed for a pole. I apologized immensely. I did not expect to even make it through that. I told [first responders] that I tried to do this on purpose, and I’m so sorry. I never lied to them. I told them everything that I did.”
(@LilNasX) 
