Montreal police have a long history of making things difficult for rappers that try to perform in the city. While the city has a bustling rap scene of its own, instances of backstage issues and police shutting down shows date back years. Despite their reputation, they took it to the next level during a recent show Dave East was trying to perform in the city.
In a compilation of clips assembled by MtlFlexTV, they recap the events of the night. It first starts with the police interrupting Dave’s show inside with a series of back-and-forth interactions between him and various officers on the scene. Afterward, they stop the show entirely and force everyone outside which is where the eventual confrontation happens. The final clip shows the police pepper spraying East and the group surrounding him as well as anyone nearby including the person trying to film the encounter. Check out the full clip below.
In the caption of the post, the account makes reference to the reputation Montreal police have. “SPVM doing their best to make sure no artist wants to perform in Montreal,” it reads. “No big rapper or entertainer would ever wanna don’t here anymore it’s a damn shame. Everytime there is a little bit of hope for the city the Quebec government steps in or the police,” one of the top comments on the post agrees.
Dave East is fresh off the release of a new mixtape with Crunch Calhoun. The project is called 30 For 30 and features 14 track with numerous collaborations throughout. Mike & Keys, Buda & Grandz, J. Stone, aarabMUZIK, and Lyrivelli all make appearances on the record. It’s Dave East’s second new project of 2023 following his lengthy Fortune Favors The Bold which dropped back in July. In addition to that he also shared the deluxe edition of his album Book Of David which added an entire 9 new songs to the project. What do you think of the Montreal Police interrupting Dave East’s concert, taking him outside, and pepper spraying him? Let us know in the comment section below.
In 2003, 50 Cent emerged as a tyrant in hip–hop with the release of Get Rich Or Die Tryin’. Already established as a rebel in his own right, the industry blacklisted him prior to its release. A deal with Columbia Records fell through. Meanwhile, songs like “How To Rob” and “Ghetto Quran” established 50 Cent as a forceful MC that wouldn’t hold his sharp tongue against heavyweights. Although his career hit a brick wall, his resilience and hunger caught the attention of Dr. Dre and Eminem. And maybe without those two, we wouldn’t be celebrating one of the greatest hip-hop albums 20 years later.
The Final Lap tour appears to be 50 Cent’s final full-fledged trek on the road. The past decade hasn’t seen him releasing much music but his television empire has grown exponentially. Marking the 20th anniversary of Get Rich Or Die Tryin’ and coinciding with the 50th anniversary of hip-hop, The Final Lap tour has been nothing short of a spectacle; a time capsule that revisits 20 years of heat, from defining singles found on his chart-topping debut and sophomore releases to deep cuts that only his day-one fans can appreciate. With opening acts Pressa, Jeremih, and Busta Rhymes, 50 Cent celebrates his own contributions to the culture.
The opening acts all hold a place in 50 Cent’s heart to some capacity. The connection to Pressa seems to have developed more recently. Pressa’s appearance on stage, alongside WhyG and Bundog, suggests that 50 Cent’s cooking up something in the 6ix. Tony Yayo hasn’t shied away from expressing his appreciation for BunDog and Pressa in recent times, either. However, it strongly indicates that 50 Cent and Tony Yayo have taken the budding Toronto star under his wing. It’s an impeccable feat for Pressa, who has the bragging rights of touring with 50 Cent and Drake.
There might not be another R&B artist whose influence is as understated as Jeremih. The Chicago-born’s catalog speaks for itself but in the past few years, his presence hasn’t been as consistent. A serious and highly publicized bout with COVID-19 left him re-learning how to walk. Three years later, he made his triumphant comeback to the stage. His set brought fans through a decade-plus-worth of hits that sent a wave of nostalgia through the crowd.
Backed by a DJ and two scantily-dressed pole dancers, Jeremih’s strain of futuristic stripper-friendly R&B anthems received its proper visual accompaniment. Jeremih’s sheer presence took command of the Bell Centre. Through each song, the crowd’s enthusiasm grew, eventually building up to songs like “Oui,” “Planez,” and of course, “Birthday Sex.” After not being on the road for a few years, Jeremih’s catalog shines from night to night. He’s opening up in front of an audience of hardcore hip-hop fans. Even so, his sultry and airy vocals take control of the room.
With a career spanning 30 years, Busta Rhymes’ is the definition of a timeless act. When he accepted his Lifetime Achievement Award at the 2023 BET Awards, he admitted that he never had a desire to be a solo artist while a member of Leaders Of The New School. It’s ironic, considering that his star power shone brighter than any one of his group mates. Busta Rhymes and Spliff Starr’s live performance remains one of hip-hop’s greatest acts by a landslide. Without gimmicks, the strength of Busta’s hits, bolstered by his chemistry and synchronicity with Spliff Starr, make for a dynamic performance. Busta said it best: “We don’t need no special effects. We are the special effects.”
Busta’s dramatic intro kicks off with a WWE-like monologue, courtesy of Spliff Starr. Busta’s throne rotates as he joins his hypeman with high energy with M.O.P.’s “Ante Up (Remix).” The coordination between the two boils down to the details, with choreographed moves executed throughout the set.
Busta Rhymes’ grip on the rap game from the late 90s to the 2000s was on full display. He went through classics like the funky, “Put Your Hands Where My Eyes Can See.” Later, he’d demand the women serenade him with Mariah Carey’s hook on the uber-sensual, “I Know What You Want.” Of course, it wouldn’t be a Busta show without performing “Break Your Neck.”
Although the last bit of his set felt abrupt, it became more personal. Busta and Spliff Starr would dive into records, some unreleased, before cutting them off before the hook came in. For example, Busta began performing “Touch It” and cut off the record before reaching the hook. The reason? He’s afforded that right through his 30+ year tenure in hip-hop.
Still, it’s quite clear that one of Busta’s most mesmerizing moments as an MC only occurred within the past 12 years. He still raps his verse on Chris Brown’s “Look At Me” without skipping a beat. It’s truly a testament to a man who has mastered his craft. At 51 years old, Busta Rhymes’s breath control is giving every MC in the game a run for their money. Before Busta left the stage, he had already shown us exactly why he’s feared in the Verzuz space.
50 Cent’s assumed the role of an elder statesman in hip-hop these days. His proximity to the music industry has largely consisted of the mentorship he provides to the younger generation. However, 50 Cent’s The Final Lap tour almost feels like a bid farewell for a titan in the rap industry. Joined by Tony Yayo and Uncle Murda as his faithful hypemen, 50 Cent implemented the precise choreography of a pop artist to bring fans through a journey of his greatest hits.
The elaborate stage setup included an extended platform that split the floor seats. Behind him were screens plastered from the top to the bottom of the stage. Joined by a DJ and a full band, who performed from an elevated platform, as well as a whole dance squad, 50 Cent created a Vegas-like atmosphere, where the lights, confetti, and pyrotechnics amplified the nostalgia of his unmatched run in the early 2000s. The screens behind them amplified the feeling of the East Coast as animated replicas of New York brownstone buildings and the city skyline displayed through records like “I Get Money” and “Hustler’s Ambition”
Although a celebration of the 20-year anniversary of his debut album, 50 Cent proved that his career didn’t necessarily phase out following his sales battle with Kanye West when Curtis dropped. He went across anthems on GRODT, The Massacre, Curtis, and even a few records from the past few years, whether “I’m The Man” or “The Woo,” where he pays homage to his late prodigy, Pop Smoke.
While Fif managed to get through his vast catalog within the first half of the show, he eventually welcomed Jeremih back out on stage where they performed “Down On Me” together and then, allowed the Chicago singer to deliver a gorgeous stripped-down version of “Birthday Sex” on the piano. Afterward, Fif returned to the fold to close out the show, leading up to the extravaganza that accompanied “In Da Club.” But for his encore, 50 Cent dived into the back catalog with anthems like “Wanksta,” “Southside,” and “Poor Lil’ Rich” before finally closing out with, “I’ll Whip Ya Head Boy.”
In 2005, a Liberal Member of the Canadian Parliament petitioned to have 50 Cent banned from performing in Canada as a result of his lyrical content, largely the references to guns. Nearly 20 years later, 50 Cent’s The Final Lap tour yields far different results, providing fans with a healthy dose of nostalgia to revisit the early 2000s. No less of a gangster than he was when he came in the door, 50 Cent’s ascended to another stratosphere of pop culture. Similarly, his audience has also evolved and matured within the same time frame. The Final Lap tour isn’t necessarily marketed as a 50th Anniversary Of Hip-Hop event but it certainly emphasizes the contributions of two East Coast legends with the support of one of R&B’s finest talents.
After six shows in the United States, the It’s All a Blur Tour has headed to the Great White North for the first time. The Drake/21 Savage co-tour hit up Montreal’s Bell Center for a pair of shows beginning on July 14. Of course, there has been a little bit of controversy with the tour so far. The start of the tour was delayed multiple times without explanation. The tour was originally meant to begin in Memphis on June 16 but actually began in Chicago on July 5. Furthermore, people were surprised to learn that the “hologram” that formed part of Drake’s set was actually just a guy playing “young Drake”.
However, fans were treated to yet another surprise guest during the Montreal show. Drake has brought out some heavy hitters on the tour so far. The most notable of these was in Boston when Drake brought out Celtics superstar Jayson Tatum. Despite this, Drake’s guest in Montreal was not a local star. Instead, Drake’s guest for his first show in Canada was North Carolina rapper J. Cole. Regardless, fans were very excited about the superstar, who walked to the stage through a sea of outstretched hands. After Montreal, the tour is set to head to Brooklyn on July 17.
However, an appearance by J. Cole wasn’t the only tour-related news coming out of Drake’s first Canadian performance. Drake also shared photos from the tour so far on his personal Instagram. “You love thinking that this shit is all heavenly and what not like we’re not capable of being enemies and what not like it’s just security moving heavily and what not you boys over the hill like you seventy and what not or over the hill like we in Beverly and what not. Even when we sober react we tend to over react…allegedly or what not,” Drake added as a caption.
While many of the pictures show the love that Drake has received on the tour so far, or his energetic performances, one picture stood. A picture of a goth/emo child appeared as the final image of the set and was tagged with the account of “V4ng0thz”, a Canadian artist and musician. V4ng0thz also appeared in the comments of Drake’s post, saying “y’all sleeping on the last pic.”
Montreal’s contribution to hip-hop is undoubtedly understated. Producers like DRTWRK and Nicholas Craven have worked alongside heavyweights in the genre. Meanwhile, while Kaytranada has further cemented Montreal as a hub for electronic music. However, it’s artists like Skiifall who are shedding light on the MCs from the city. Over the past few years, he emerged as a refreshing voice who continues to blur the lines between genres and speaks to the sounds of the diaspora at large.
Two years after the release of his debut EP, Woiiyoie Tapes Vol. 1, he returned with the official second installment. Laced with seven songs in total, including the previously released singles, “Yuteman Denis” and “Fam Without Blood,” Skiifall continues to expound on his sound on Woiiyoie Tapes Vol. 2: Intense City. It’s hard to deny that hip-hop remains a foundation. Still, the sounds of the Caribbean seep through to form a sound that is both gorgeous and gritty. With appearances from Charlotte Cardin, Zibz, and Obongjayar, the production credits on Skiifall’s project includes DJ Dahi, Wondagurl, YAMO//SATO & more.
Skiifall Unlocks A New Level On New EP
The rapper explained how the death of his friend D’Andre Spring in custody influenced his latest project. “I didn’t want to post a picture of him or anything, I want to talk about it in my music because millions of people are going to listen to it,” said Skiifall. He added, “I didn’t choose to take part in this narrative — it was given to me by the government and the schools they send us to, the rules they give us. They keep us on a path where it’s difficult to succeed.”
Since breaking out with the release of “Ting Tun Up” in 2020, Skiifall’s become one artist to look out for. He’s gained significant momentum since then, leading to collaborations alongside BADBADNOTGOOD and more. Hopefully, we could expect more music from him before the year comes to an end. Check out Woiiyoie Tapes Vol. 2: Intense City above and sound off with your thoughts in the comments.
(@mtlflextv)
