Irv Gotti Shares His Take On Drake’s New Album “Honestly, Nevermind”

Irv Gotti

Irv Gotti is fed up with the state of hip-hop after Drake’s new dance album Honestly, Nevermind. He recently had comments about how rap music is going. Former Murder Inc CEO Irv Gotti recently shared his thoughts on the direction that hip-hop was going after the response and release of Drake’s latest album, Honestly, Nevermind.  […]

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Irv Gotti Says ‘Honestly, Nevermind’ Puts Hip-Hop In Peril, Says He’s Looking For A “New DMX”

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Drake has definitely set hip-hop ablaze with the release of his newest album Honestly, Nevermind. The album has people split, with some applauding Drake for trying a new sound, while others wish Drake would revert back to his old rapping and singing days. Joe Budden and Vince Staples even debated whether the album is signaling the end of rap.

Among those critical of the album and the future of hip hop is Murder Inc. co-founder and record producer Irv Gotti.

TMZ caught up with the multi-hyphenate at LAX and asked him what they thought of the shift in sound from Drizzy.

“Drake’s new album is not hip-hop,” Gotti said. “And he can do whatever he wants. Let me stress that: Drake can do whatever he wants.”

When asked if Honestly, Nevermind signifies the end of rap music, Gotti stated that there can never be a demise of hip-hop and that the new album made him want to go find the next big hip-hop act. “I hope not. … As long as I’m alive it could never be a demise of the hip-hop, I gotta get back in the game and find me a n*gga, then. That’s what that album made me feel like, it made me feel like going to find me a raw new DMX, new Ja, new Jay, and serving n*ggas and f*ckin’ bringing back great hip-hop.”

Gotti continued, saying how Drake is so influential of an artist that up-and-coming artists might ditch hip-hop to follow Drake’s wave.  “That album is not hip-hop. … And [Drake’s] so strong and so powerful he can change the dynamic of shit and any n*gga who sees this, please, hip-hop, yo…hip-hop has changed so many n*ggas lives that was in the hood that gave them an out, and Drake can do that. I just wasn’t expecting a whole album of that shit…he’s too powerful and too strong and it made me feel like we need another n*gga that’s as powerful and strong that’s gonna stay with this thing called hip-hop.”

What do you think? You can check out the clip below.

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Joe Budden and Vince Staples Debate Whether Drake’s Album “Pushes Us Closer to the Elimination of Rap Music”

Joe Budden Celebrates Top 50 Podcast Ranking: "Independent. No Backing. Black Owned."

Drake might have dropped the most divisive album for a hip-hop artist since Kanye dropped Yeezus in 2013. Both albums signaled a musical shift in the artist’s career and public reaction was split upon both albums’ release. However, over time, Yeezus has grown on many people, with the sound of hip-hop music having changed so drastically in the last decade. Only time will tell with Honestly, Nevermind.

Drizzy’s shift in sound is nothing new as he’s released songs like the ones found on his recent album in the past with “Passionfruit” off of More Life, and “One Dance” off of Views. However, this shift in sound has sparked conversations about the future of rap music.

On a recent episode of the Joe Budden Podcast, Joe called Long Beach MC, Vince Staples where the two discussed if Drake’s newest album “pushes us closer to the elimination of rap music.”

“You think Drake putting out a dance album gets us closer to the elimination of rap music as a whole?” Budden asked.

Vince responded, talking about how his 2017 album, Big Fish Theory, received backlash from a lot of fans because of its experimental sound, and how eventually, rap will eventually fade away “because the internet pushes everything into the same bubble.’

“Music has always been very visual,” Staples responded. “When I think about artists, visual things pop up… Michael Jackson it’s the moonwalk and 2Pac it’s a lot of aesthetic things. Of course, it’s the music, but the thing is we’re visual people”

Vince added, “When you think about where music is headed, everything is Instagram, everything looks the same, moves the same, dresses the same and talks the same. The genre sh*t is going to have to go out the window eventually. It’s too hard to separate culture because the internet has kinda pushed everything into the same little bubble.”

You can watch the full episode below. Their conversation starts around the 1:57:00 mark.

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Drake Selects “Sticky” and “Massive” as Singles from ‘Honestly, Nevermind’

honestly nevermind

Drake dropped a video for “Falling Back” with the release of Honestly, Nevermind, but has selected “Sticky” and “Massive” as the first singles from the album. According to HipHopNMore, those two singles will be sent to radio.

“Sticky,” produced by Gordo and RY X will head to Rhythm and Urban Radio, while “Massive” is headed to Pop radio.

Drake is in a position to add another No. 1 album to his resume. The 6ix God surprised fans with the new dance album, Honestly, Nevermind, on Friday.

Even though the album is receiving mixed reviews, Drizzy is set to pull in a solid first-week number according to HitsDailyDouble. The 7th solo album from Drake is estimated for the first week between 210,000 and 230,000 equivalent album units.

In comparison to Certified Lover Boy, Honestly, Nevermind is a drop-off in first-week production as CLB made a No. 1 debut with 613,000 units.

Drake‘s Honestly, Nevermind became Apple Music’s most-streamed dance album, smashing the previous record for first-day streams worldwide.

Honestly, Nevermind adds to Drake’s Apple Music run. Certified Lover Boy, Drake’s previous album, presently holds the record for the most first-day streams in Apple Music history. On Apple Music, Scorpion is the second most popular album in terms of first-day streams worldwide. With “Girls Want Girls,” Drake also holds the record for the most first-day streams worldwide on Apple Music.

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Vince Staples Offers His Thoughts On Drake Releasing A Dance Album: ‘I Did That In 2017’

There’s a new Drake album out and as usual, it’s dominating the discourse online as fans parse what it means for pop culture at large. However, this time, there’s a whole new angle for that discussion, as Honestly, Nevermind eschews Drake’s usual mopey R&B and passive-aggressive raps in favor of a genre experiment in the vein of house music alongside executive producer Black Coffee. And as usual, Joe Budden has thoughts, which he shared on his podcast along with call-in guest Vince Staples.

While Joe wondered whether the album meant the elimination of rap music as a whole (because Joe Budden, again, is not a journalist and has no real frame of reference for such things), Vince’s response was more measured as he pointed out that such genre-hopping projects are nothing new in hip-hop — not even for Vince himself. “I did that in 2017,” he reminded the host. “N****s was on me… That Big Fish Theory, n****s was mad at that. ‘What’s up with this n****?’”

Vince expanded on his views (no pun intended), comparing music to Instagram: “Everything looks the same, everything moves the same, everyone dresses the same, everyone talks the same,” he explained. “So the genre sh*t is gonna have to go out the window eventually. It’s too hard to separate culture because the internet is kinda pushing everything in the same little bubble.”

He’s got a point: Besides himself, a number of artists have blended genres including dance genres like house and techno into hip-hop, with some artists distancing themselves from the “rapper” label altogether. However, the thing that hasn’t gone away is rapping as a lyrical style, and there are still plenty of artists — arguably way more of them, to be honest, who release music primarily in that mode regardless of trends. And considering some of the responses to Drake’s album, it doesn’t look like hip-hop fans were quite ready to make the switch — which didn’t stop it from topping Apple Music’s Dance chart on release day.

Basically, no rappers should be restricted solely to rapping or making music according to popular trends, but rap as a genre probably isn’t going anywhere anytime soon.

You can watch the full episode of The Joe Budden Podcast above.