Beef between two major media companies was made public yesterday (January 30), and the feud could have a noteworthy impact on the day-to-day content people consume.
TikTok and Universal Music Group have a licensing agreement that expires today, and this agreement allows UMG songs to appear on the TikTok platform and be utilized in videos from TikTok users. Negotiations on a new contract have apparently been going poorly, as indicated by the open letters both companies shared criticizing each other. If a new deal isn’t reached, music by UMG artists could soon leave TikTok.
Which UMG Artists Will Be Removed From TikTok?
Let’s start by looking at what UMG is: Broadly speaking, it’s a massive company that owns a ton of recognizable record labels, including but not limited to Interscope, Geffen, Capitol, Def Jam, Island, Polydor, Republic, and Virgin Music Group.
So, presumably, in the event that a new licensing agreement is not reached, all acts on those labels would see their music leave TikTok. That includes so many hit-making artists, like Taylor Swift, Drake, The Weeknd, Bad Bunny, SZA, Steve Lacy, Billie Eilish, Kendrick Lamar, Harry Styles, Rosalía, Ariana Grande, Justin Bieber, Adele, U2, Elton John, J Balvin, Pearl Jam, Bob Dylan, and Post Malone.
Those artists have an estimated 950 trillion streams between them (note: exaggerated estimate for comedic effect only), and a ton of beloved acts not even mentioned above are also under the UMG umbrella. So, should their music be wiped off of TikTok, it would be a noticeable loss for the platform’s users.
If you’ve been on TikTok anytime in the past couple of days, the odds are high you’ve seen some of your favorite creators fretting about an upcoming change that could result in devastating potentially millions of videos on the platform. If TikTok can’t reach a deal to renew its music licensing agreement with Universal Music Group, the label says it plans to pull its entire catalog from the app, resulting in any video utilizing UMG artists’ songs to be muted, beginning when the agreement expires today. Otherwise, TikTok could open itself to legal liability for copyright infringement. So…
Why Is UMG Removing Its Artists From TikTok?
In an open letter published on the company’s website on Tuesday (January 30), UMG expresses a number of concerns about an ongoing partnership with the app. Chief among them is ensuring fair monetary value for its artists’ work as TikTok seeks to launch its own music-based business (naturally). Meanwhile, UMG also says it has concerns about hate and harassment on the app and TikTok not taking a firm stance when it comes to “AI”-generated works, a controversial topic these days.
UMG alleges that “TikTok proposed paying our artists and songwriters at a rate that is a fraction of the rate that similarly situated major social platforms pay” and that it “demanded a contractual right which would allow [AI] content to massively dilute the royalty pool for human artists.” This is while TikTok itself is developing AI tools that’d make it easier to do so.
Labels under UMG include Interscope and its subsidiaries, the Capitol Music Group umbrella, Republic Records, Island Records, Def Jam, and more. UMG artists include some of the biggest in the world: Ariana Grande, Bad Bunny, Billie Eilish, Drake, Elton John, Kendrick Lamar, Post Malone, SZA, Taylor Swift, and more.
However, pulling these acts from TikTok could be risky for the label as well; the app has increasingly become one of the biggest drivers for new singles and artists to gain popularity. For example, JID, who is signed to Dreamville under Interscope, has experienced a massive surge of interest in his song “Surround Sound” due to a TikTok trend in which creators tape their phones to their ceilings and dance under them (it’s sillly, but hey, it works). Meanwhile, older songs often find second lives on the app, such as The Weeknd’s “Die For You” and Miguel’s “Sure Thing.”
TikTok itself pointed this out in its response, telling Billboard, “It is sad and disappointing that Universal Music Group has put their own greed above the interests of their artists and songwriters. Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent. TikTok has been able to reach ‘artist-first’ agreements with every other label and publisher. Clearly, Universal’s self-serving actions are not in the best interests of artists, songwriters and fans.”
TikTok recently agreed to a licensing deal with Warner Music Group (of which Uproxx is an independent subsidiary) last July, allowing TikTok to use its catalog on the TikTok Music platform, saying that the deal would benefit artists. It remains to be seen how UMG pulling out will affect its business and artists, but TikTok wouldn’t be getting away unscathed, as a huge part of the appeal for its users is supporting their videos with popular music.
Anybody who thought the vinyl resurgence was just a fad was mistaken: The industry has experienced a legitimate revival. As a result, music fans are interested in physical media in ways they may not have if the decades-old medium hasn’t made a comeback. That doesn’t mean everybody is listening to just their parents’ old music, though. That’s part of it, sure, thanks to rereleases that present classic albums in new ways. A vital part of the renewed vinyl wave, though, is new projects being released as records, of which there are plenty.
Whatever you might be into, each month brings a new slew of vinyl releases that has something for everybody. Some stand out above the rest, naturally, so check out some of our favorite vinyl releases of January below.
Kali Uchis — Orquídeas
Geffen
Kali Uchis had a huge January: Not only did she reveal that she’s pregnant, but she also dropped a terrific new album, Orquídeas. She’s released it in a few vinyl variants, too, including standard black, milky clear vinyl (pictured above), and a picture disc.
Scottish ethereal rockers Cocteau Twins wrapped up their esteemed run with two final albums, Four-Calendar Café in 1993 and Milk & Kisses in 1996. Now, these two albums have gotten a new vinyl release that’s significant for American fans of the group, as this is the first time these two albums have been released on vinyl in the US.
Coleman is literally the father of free jazz: the term itself comes from his 1961 album Free Jazz: A Collective Improvisation. A year before that project, though, he dropped Change Of The Century, which is the subject of a new Rhino Hi-Fi reissue. This edition was given a detailed manufacturing treatment, so the album sounds as good as it ever has, and most relevantly, it’s limited to just 5,000 individually number copies.
Uproxx’s Steven Hyden wrote of the new album from the Radiohead offshoot, “Thom and Jonny’s forthcoming sophomore effort isn’t as groovy as the first. On A Light For Attracting Attention, they strutted like a British art-rock redux of Booker T. And The MG’s, with Thom and Jonny clearly vibing on Tom Skinner’s relentless syncopations. Wall Of Eyes is rockier and, well, more Radiohead-esque.”
Tune-Yards — I’m A Virgo — Prime Video Original Series Soundtrack
Lakeshore Records
If you watched the Prime Video series I’m A Virgo from the great Boots Riley and found yourself liking the music, that’s not surprising since it came courtesy of Tune-Yards. A vinyl release of the soundtrack was announced today and will be available on April 5 via Lakeshore Records. It comes pressed on lovely limited-edition yellow vinyl and accompanied by a color insert.
It’s been five years since Maggie Rogers broke out with her well-received debut album, Heart It In A Past Life. To mark the occasion, this new anniversary reissue comes with the album pressed on cobalt vinyl, a “Love You For A Long Time” 7-inch, and a 12-inch by 20-inch poster.
M. Ward — Duet for Guitars #2 (Reissue) and Transfiguration Of Vincent (Reissue)
Merge
Duet For Guitars No. 2 was M. Ward’s first album, while Transfiguration Of Vincent was his first with Merge Records. Now, the label has pressed both of those albums onto vinyl for the first time, making these editions must-haves for Ward completionists.
Get Duet for Guitars #2here. Get Transfiguration Of Vincenthere.
Spiritualized — Amazing Grace (20 Year Anniversary Edition)
Fat Possum
As the title suggests, Spiritualized folded a profound gospel influence into the mix of Amazing Grace. Now, it’s the latest album to get remastered as part of The Spaceman Reissue Program: Curated by J Spaceman. This edition comes in a standard black vinyl pressing and a limited dove grey vinyl.
Fleetwood Mac — Fleetwood Mac (Vinyl Me, Please Reissue)
Vinyl Me, Please
Fleetwood Mac has been consistently popular for decades, but they had a big revival in 2020 when “Dreams” went viral online. Well, for new fans who listened to Rumours and dug it, the album that preceded it, 1975’s Fleetwood Mac, is one of the Vinyl Me, Please albums of the month, pressed on 180g Black & White Quad vinyl.
Kid Cudi had one of the year’s first major hip-hop releases with Insano. Just like he went hard on the album, he also went all in on the vinyl, as he has a few different cover art options for different editions. (He even had some signed LPs, but those are currently sold out.)
Per Billboard, the list includes Christina Aguilera, Samara Joy, Lenny Kravitz, Maluma, Lionel Richie, Mark Ronson, Meryl Streep, Taylor Tomlinson, and Oprah Winfrey.
Ronson has a big night ahead of him, as aside from presenting, he has five nominations for his work on the Barbie movie soundtrack. Joy has a couple nods as well, for Best Jazz Performance and Best Arrangement, Instruments And Vocals. Maluma’s Don Juan is also up for Best Latin Pop Album and Streep has a nomination in Best Audio Book, Narration, And Storytelling Recording for Big Tree.
The 2024 Grammys broadcast will air live on CBS from 8 p.m. to 11:30 p.m ET (5 p.m. to 8:30 p.m. PT). Learn more about how to watch the show, via the CBS broadcast or alternative methods, here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Boise’s Treefort Music Festival has unveiled the third and final wave of artists that are joining their lineup. Alongside the fest’s headliners Channel Tres, Briston Maroney, Neko Case, and more, several new global performers have been added to the stacked list.
In the final lineup reveal, Treefort’s picks span a range of genres. There’s the Grammy-nominated Cimafunk, the LA-based folk-pop performer Kate Bollinger, an “an eight-piece psychedelic cumbia band” called Los Chapillacs, the Aussie pop group Blusher, and many more, according to a press release.
There will also be a comedy section running at the fest, with Janeane Garofalo being among the one-night-only headliners.
Given that the festival will run from March 20 to 24, it allows attendees more than enough time to catch all of their favorite acts. Tickets are currently on sale, with prices expected to raise on March 1. Right now, a five-day General Admission ticket is $295.
Treefort also offers options ZIPLINE (front-of-line access) and U21 (under 21) pass options for different prices. And, if you only want to go one day, those tickets are available, too.
For more information about Treefort Music Festival, visit their official website.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Today (January 30), SZA played a game of rapid fire, answering quick questions from fans for Apple Music on TikTok. She answered a question from a fan, who asked if she’d collaborate with Paramore.
She then confirmed that fans can indeed look forward to a collaboration between the two of them.
“Yeah. Soon, soon,” SZA said in response to the question. “It’s in the works.”
SZA did not indicate if the collab would appear on her upcoming album, Lana, however, she did share that “the era” of her sophomore album SOS is “over.”
“The era, for me, is before the album comes out,” says SZA. “That era of my life is over. This version — I don’t know. That story is still writing itself.”
As fans know, SZA’s pen game never disappoints. So what ever other stories she has in the works, we can’t wait to hear.
The 2024 Grammy Awards are just around the corner, and much like previous iterations of the annual ceremony, there likely won’t be a shortage of show-stopping performances. But above all, fans are hoping to see if their favorite artists’ hard work will pay off with a win, and the chance to take home their own golden gramophone trophies as they secure their spot in music history.
When it comes to the Grammys in particular, half of the fun is trying to understand the voting criteria, which remains elusive from year to year. While music journalists are just as in the dark as average music fans about who gets to win a Grammy, nerding out over this stuff is what we do best. (Though we’re aware that we may end up dropping some potentially controversial viewpoints, thus testing the pressure cooker that is the internet in the process.)
In anticipation of the big night, this music journalist is taking a look at 10 stacked nomination pools, and will distinguish which artists probably will win, and who probably should win that coveted Grammy gold. (But please, go easy on me if you don’t agree!)
Best Pop Dance Recording
“Baby Don’t Hurt Me,” David Guetta, Anne-Marie and Coi Leray
“Miracle,” Calvin Harris featuring Ellie Goulding
“Padam Padam,” Kylie Minogue
“One in a Million,” Bebe Rexha & David Guetta
“Rush,” Troye Sivan
Will win: “Padam Padam” Should Win: “Padam Padam”
“Padam Padam” is Kylie Minogue’s first single in two years, and with its infectious dance-pop sound, energetic synths, and sweet, sticky chorus, it was almost guaranteed to be a hit. To create a song that penetrates the pop landscape, social media, and the LGBTQ+ community this deep into her decades-long career proves Minogue’s affinity for hit-making. A win in this inaugural category would be justified and incredibly appropriate.
Best African Music Performance
“Amapiano,” Asake and Olamide
“City Boys,” Burna Boy
“Unavailable,” Davido featuring Musa Keys
“Rush,” Ayra Starr
“Water,” Tyla
Will Win: “Water” Should Win: “Unavailable”
A win by any of these artists would be a win for the culture, Africa, and Afrobeats, which continues to be overlooked by the Recording Academy in all-genre categories despite its influence. This is the first time this award will be presented, though few can deny the impact this style has made to the sonic landscape of modern-day music as a whole.
“Unavailable” in particular became the first song by a Nigerian act to hit 100 million streams on Spotify in 2023. This achievement is merely a footnote for Davido when observing the larger picture of his success and musical contributions, achieved through his artistic and cultural integrity. A Davido win would be incredibly overdue, but Afrobeats’ oft-omitted importance places all nominated acts in a deserving light.
Best Rap Song
“Attention,” Doja Cat
“Barbie World,” Nicki Minaj & Ice Spice ft. Aqua
“Just Wanna Rock,” Lil Uzi Vert
“Rich Flex,” Drake & 21 Savage
“Scientists & Engineers,” Killer Mike and André 3000 feat. Future and Eryn Allen Kane
Will win: “Barbie World” Should win: “Scientists & Engineers”
Women have (rightfully) been running the hip-hop game for the better part of the last few years. A win by either the Queen of Rap and the new pop-rap princess—or even rap’s resident chameleon Doja Cat—would be a welcome, tide-shifting moment for the macho genre.
However, in “Scientists & Engineers,” one of rap’s most respected voices Killer Mike shines through conscientious bars, while Future’s undeniable flow showcases why he’s one of the biggest names in contemporary music. Elsewhere in this link-up for the ages, fellow ‘Dungeon Family’ member André 3000 provides what very well could be his final rap verse on wax. “Scientists & Engineers” carries attributes that continue to stand the test of time in hip-hop: authentic rhymes, rhythm, and collaboration.
Best R&B Song
“ICU,” Coco Jones
“Angel,” Halle
“Back to Love,” Robert Glasper ft. SiR & Alex Isley
“Snooze,” SZA
“On My Mama,” Victoria Monét
Will win: “Snooze” Should win: “ICU”
As one of the highlights on an album full of highlights, the smoothness and soothing vibes found in SZA’s “Snooze” would cap off an incredible year for the Jersey girl.
Though in her breakout single “ICU,” Coco Jones’ lower register and unbelievably velvety vocals display that the hallmarks of R&B live on in our newest stars. A win in this category for Jones would solidify her place among one of the brightest lights in the genre today, and would bring a happy ending the former Disney darling’s Cinderella story.
Alternative Music Album
The Car, Arctic Monkeys The Record, Boygenius Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey Cracker Island, Gorillaz I Inside the Old Year Dying, PJ Harvey
Who will win: The Record Who should win: The Record
The debut studio LP from the supergroup (comprised of Julien Baker, Lucy Dacus, and Phoebe Bridgers) is crafted in a way that showcases each member’s individual strengths, but also proves the power of collaboration and teamwork. Their long-awaited link-up remains modern while still evoking the sounds and styles that inspire them, from rock to folk. Christened the best album of 2023 in UPROXX’s Music Critics Poll, this is virtually a no-brainer.
Record of the Year (awarded to the song itself)
“Worship,” Jon Batiste
“Not Strong Enough,” Boygenius
“Flowers,” Miley Cyrus
“What Was I Made For?” from “Barbie,” Billie Eilish
“On My Mama,” Victoria Monét
“Vampire,” Olivia Rodrigo
“Anti-Hero,” Taylor Swift
“Kill Bill,” SZA
Who will win: “Kill Bill” Who should win: “Flowers”
“Kill Bill” spins the idea of breakup anthems on its head through thematics and sonics that slay. However, what gives “Flowers” the edge is the commercial and personal triumphs on top of its thematics. The funky, rockin’ self-love anthem feels like a cathartic return to form for the musical shapeshifter, whose personal life has undergone as many changes as her sonic identity.
Unlike her previous pop efforts like “Malibu” and “Prisoner,” which felt forced in some respects, “Flowers” found the superstar and the audience meeting at the right place and time. The song brings a sophisticated, confident maturity, and for the first time in a long time, it truly felt like Miley was just being Miley.
Song of the Year (awarded to the songwriter/songwriters)
“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Dance the Night” (From “Barbie the Album”) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
“Vampire” — Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
“What Was I Made For?” [From the Motion Picture “Barbie”] — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
Who will win: “Anti-Hero” Who should win: “What Was I Made For?”
“Anti-Hero” marks the seventh time Taylor Swift has been nominated in this category, now a Grammy record. The single serves as the pulse of her LP, has been virtually inescapable for over a year, and shows the depth of her pen and personal glossary. A T.S. win in this category would amplify the Grammy’s love of “making moments” at the ceremony.
However, the perfect, tear-jerking placement of “What Was I Made For?” in Barbie solidifies the power of Billie Eilish and brother Finneas’ lyrical simplicity. The (future Oscar-winning) song showcases what we love about Billie’s more subdued tracks: the palpable optimism underneath surface-level melancholia — which is befitting of the film’s underlying theme — as well as the general feelings of modern-day womanhood.
Best New Artist
Gracie Abrams
Fred Again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét
Who will win: Ice Spice Who should win: Victoria Monét
High-profile friendships, a masterful social media pull, and even a Chia Pet made in her likeness — it would seem as though Ice Spice would be the clear-cut favorite to win. High honors here would crown the Bronx artist as the third woman rapper in history to win Best New Artist, which could be a controversial bestowment amongst rap purists who deem Ice to be “too pop.”
But when was the last time we had a true blue triple threat in our midst? Victoria Monét has been under our noses the entire time. Her incredible stage presence, deeply quotable lyrics, and overall star power make her the full package, and a win of this magnitude would be worth the wait. Noah Kahan would also be a great choice, as his musicianship has steadily earned a following amongst both fans and artists alike.
Album of the Year
World Music Radio, Jon Batiste The Record, Boygenius Endless Summer Vacation, Miley Cyrus Did You Know That There’s a Tunnel Under Ocean Blvd, Lana Del Rey The Age of Pleasure, Janelle Monáe Guts, Olivia Rodrigo Midnights, Taylor Swift SOS, SZA
Who will win:Midnights Who should:SOS
As mentioned earlier, the Grammys love “making moments.” Taylor Swift is far and away the biggest name in contemporary music, and a win in this category will provide the moment. If honored with the biggest award of the night, Taylor could surpass Stevie Wonder, Paul Simon, and Frank Sinatra for the most Album of the Year wins by any artist in history. However, some could argue that — though thematically sound — Midnights is not a career high. Although a win would be the cherry on top of her banner year, star power and fanfare don’t always warrant an automatic win.
SOS on the other hand, is a true career high for SZA, solidifying her status as thee reigning R&B superstar. It was her first No. 1 album, it nabbed the biggest streaming figures for an R&B album in U.S. history, and it’s the longest-running No. 1 album by a woman in this decade. A much-deserved win in this category would also create a “moment”: SZA would be the first Black woman since Lauryn Hill in 1999 to win Album of the Year, and only the fourth ever after Natalie Cole, Whitney Houston, and Hill. The personal triumphs, coupled with the album’s successes, will feel like a win for all.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Spotify rolled out its “Daylist” feature back in September 2023, but apparently, interest in it has skyrocketed lately: Today (January 25), Spotify CEO Daniel Ek tweeted, “You guys have been really loving daylist! (searches last week went up 20,000%).”
You guys have been really loving daylist! (searches last week went up 20,000%). Lesser known fact – the idea for daylist actually came out of a hack week (a thing we do to let teams innovate outside their day job). Here’s a few of mine from the last few days … it seems daylist… pic.twitter.com/IOvMZrc5Sp
“Throughout the day, your mood changes, and so does the music you listen to. Last night might have been a windows down, thrillwave monday evening, while this moment is more of a ’90s rave rainforest late night. The point is, you’re ever-changing, and your playlists should be too.
Say hello to daylist, your day in a playlist. This new, one-of-a-kind playlist on Spotify ebbs and flows with unique vibes, bringing together the niche music and microgenres you usually listen to during particular moments in the day or on specific days of the week. It updates frequently between sunup and sundown with a series of highly specific playlists made for every version of you. It’s hyper-personalized, dynamic, and playful as it reflects what you want to be listening to right now.
You’ll get new tracks at every update, plus a new title that sets the mood of your daylist. With relatable titles including thrillwave, happy dance, pumpkin spice, and more, the playlist helps you understand more about your taste in music—and express your unique audio identity.”
How To See Your Spotify ‘Daylist’ Playlist
As the aforementioned blog post notes, the feature is available to use for both free and Premium users in the US, Canada, the UK, Australia, New Zealand, and Ireland. To use the feature, you can visit spotify.com/daylist or find it on the mobile app in the Made For You hub. On Spotify’s desktop or web apps, you can also search for “daylist” and it’ll come up.
The playlist updates multiple times per day, but if you don’t want to lose a mix that you’re really feeling, you can save and make a copy of the playlist by tapping the three-dot menu, scrolling to “Add to playlist,” then selecting “New playlist.”
There are also a few options for sharing a “Daylist” mix you get: “A ready-made screenshot of your daylist,” “A social media sticker that captures the essence of your daylist,” and “A changing sharecard with up to four different background graphics depending on the time of day you post your daylist.”
The 2024 BRIT Awards are only a little over a month away, and today, the nominees were announced, with one making history.
RAYE was nominated for seven awards, making her the most-nominated artist in a single year since 1977 — the year the BRITs were founded.
She is up for artist of the year, best new artist, pop act, R&B act, album of the year for her debut 21st Century Blues, and two songs of the year: “Escapism” with 070 Shake, and “Prada” with with cassö and D-Block Europe.
The 2024 BRIT Awards nominations have been announced. R&B-pop chanteuse RAYE, whose album My 21st Century Blues was included on many publications’ “Best Of 2023” lists — including Uproxx’s Best Pop Albums Of 2023 — is not only the leading nominee but also makes history with seven nominations. That’s the most nominations for a single artist in a single year since the first BRIT Awards in 1977.
Raye is nominated for artist of the year, best new artist, pop act, R&B act, album of the year, and two songs of the year: “Escapism” with 070 Shake, and “Prada” with with cassö and D-Block Europe. Meanwhile, other nominees include Dua Lipa, with three nominations, Central Cee with four, and J Hus, also with four. The Rolling Stones also won their first nomination since 2013 — more than a decade — for alternative/rock act.
When Are The BRIT Awards 2024?
The BRIT Awards are set for Saturday, March 2, at the O2 Arena in London. The show will be broadcast live on ITV1 and ITVX.
Here’s The Complete List Of 2024 BRIT Awards Nominees
Mastercard Album Of The Year
Blur — The Ballad Of Darren
J Hus — Beautiful And Brutal Yard
Little Simz — No Thank You
RAYE — My 21st Century Blues
Young Fathers — Heavy Heavy
Artist Of The Year
Arlo Parks
Central Cee
Dave
Dua Lipa
Fred Again..
J Hus
Jessie Ware
Little Simz
Olivia Dean
RAYE
Group Of The Year
Blur
Chase & Status
Headie One & K-Trap
Jungle
Young Fathers
Best New Artist
Mahalia
Olivia Dean
PinkPantheress
RAYE
Yussef Dayes
Song Of The Year
Calvin Harris/Ellie Goulding — “Miracle”
cassö/RAYE/D-Block Europe — “Prada”
Central Cee — “Let Go”
Dave & Central Cee — “Sprinter,” Dave & Central Cee
Dua Lipa — “Dance the Night”
Ed Sheeran — “Eyes Closed”
J Hus — “Who Told You” Feat. Drake
Kenya Grace — “Strangers”
Lewis Capaldi — “Wish You the Best”
PinkPantheress — “Boy’s A Liar”
RAYE — “Escapism.” Feat. 070 Shake
Rudimental/Charlotte Plank/Vibe Chemistry — “Dancing Is Healing”
Stormzy — “Firebabe” Feat. Debbie
Switch Disco & Ella Henderson — “REACT”
Venbee & Goddard — “Messy in Heaven”
International artist of the year
Asake
Burna Boy
Caroline Polachek
CMAT
Kylie Minogue
Lana Del Rey
Olivia Rodrigo
SZA
Taylor Swift
Don’t miss 
