Drake v. UMG/iHeartMedia Case Leaves Court Confused As Hearing Date Suffers Unforeseen Delays

Drake‘s Texas hearing was rescheduled to January 13 after confusion occurred in court on Friday (Dec. 20). Outlets were informed the deposition would be held on Friday by Bexar County Clerks. Reporters were surprised by no announcement of the case number. Clerks revealed a mistake in scheduling announcements. Scheduled for December 18, it was rescheduled to December 20. The December 20 hearing was rescheduled again for December 19. Thursday’s hearing did not occur, with all parties agreeing on a motion to set the hearing delayed to January 13.

Drake’s attorney filed a letter to Judge Gloria Martinez and the District Clerk dropping Thursday’s hearing and requesting the reschedule. It reads: “Please allow this letter to confirm that Plaintiff will pass the hearings on his Rule 202 Petition that are currently docketed on Thursday, December 19, 2024 and Friday, December 20, 2024. Per the Third Amended Notice of Hearing, Plaintiffs Rule. The petition will be heard on January 13, 2025.”

Read more: Drake Teases New Music “From The North” In Moody Instagram Post

Drake, UMG/iHeartMedia Hearing Rescheduled To January 2025

News of the rescheduling follows Spotify’s response to Drake’s petition in federal court filed in November. The streaming giant denied all allegations, claiming they assisted in the possible artificial inflation of Kendrick Lamar’s massive hit, “Not Like Us.” In the response, Spotify told Billboard: “The predicate of Petitioner’s entire request for discovery from Spotify is false,” the company’s lawyers write. “Spotify and UMG have never had any such arrangement.”

Kendrick Lamar and Drake’s feud appeared subliminal for years. In April, Lamar disssed Drake and J. Cole directly on Future/Metro Boomin’s “Like That.” The” “Big 3” insult resulted in diss tracks “Push Ups” and “Family Matters” by Drake and “Euphoria” and “Not Like Us” by Kendrick Lamar. Additionally, “Not Like Us” is a huge success, breaking multiple records. Drake told xQc he is unfazed by the rap battle that peddled “fairytales” claims.

Read more: Drake All Smiles After Receiving Custom Cake With His Face On It In
[Via]

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Drake’s “Not Like Us” Petitions: A Guide To The Rapper’s Allegations Against UMG

Drake remains one of the highest streamed musicians in the world but still, “Not Like Us” allegedly damaged his career, according to two new pre-action petitions. Earlier this week, the rapper’s attorneys filed two separate court documents requesting for UMG to preserve evidence pertaining to the success of Kendrick Lamar’s hit record. The first case targeted UMG and Spotify with claims of violating RICO and manipulating streams through botting and influencers. The second filing calls out UMG and iHeartMedia on claims of defamation. Below, we’ve broken down both filings. 

Read More: Drake’s Alleged Motivations Behind “Not Like Us” Lawsuit Revealed

The Alleged Manipulation Scheme

The petition outlines a strategy by UMG to artificially inflate the popularity of “Not Like Us.” This included using bots to generate fake streams, making undisclosed payments to Spotify for song promotion, and engaging in payola (illegal payments) to radio stations. Additionally, UMG reportedly paid influencers and social media platforms to promote the song without transparency about these financial arrangements.

A core issue is the “strategic partnership” between Spotify and UMG, which the petition describes as an effort to “amplify music discovery and social interaction and enhance fan experiences across the platform.” Moreover, the petition also claims that UMG, which entered a global license agreement with Spotify in 2020, charged the streaming service 30% less to license “Not Like Us” in exchange “for Spotify affirmatively recommending the Song to users who are searching for other unrelated songs and artists” without disclosing this information to the public. 

The Debunked Theories

An interesting part about this document is that it points out several viral headlines since the song’s release. In one part, it alleged that Apple’s Siri redirected listeners who wanted to listen to Certified Lover Boy to Kendrick Lamar’s “Not Like Us,” in which Kendrick uses Drake’s album title as a lyric, based on reporting by Jeremy Hecht and an article from Vibe Magazine

“On information and believe, UMG paid, or approved payments to, Apple Inc. to have its voice-activated digital assistant ‘Siri’ purposely misdirect users to ‘Not Like Us.’ Online sources reported that when users asked Siri to play the album ‘Certified Loverboy’ by recording artist Aubrey Drake Graham d/b/a Drake, Siri instead played ‘Not Like Us,’ which contains the lyric ‘certified pedophile,’ an allegation against Drake,” the filing reads. While a hefty allegation, Hecht later clarified that Siri used lyric recognition.

Read More: Drake Alleges “NFR Podcast” Was Paid To Cover Kendrick Lamar’s “Not Like Us”

Impact On Drake’s Career & Frozen Moments

Drake, through Frozen Moments, claims economic harm from UMG’s actions. The aggressive promotion of “Not Like Us” created a zero-sum scenario in the music industry, where one song’s success can hinder another artist’s opportunities. UMG’s alleged favoritism toward Kendrick Lamar directly impacted the visibility and profitability of Drake’s own music.

Frozen Moments also highlights UMG’s attempts to deflect blame. Instead of addressing Drake’s grievances, UMG suggested legal action against Lamar and threatened counterclaims if Drake pursued them. Moreover, the filing alleges that “UMG has been taking steps in an apparent effort to conceal its schemes, including, but not limited to, by terminating employees associated with or perceived as having loyalty to Drake.”

What Exactly Does Drake Want?

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Mar 4, 2016; Toronto, Ontario, CAN; Rap artist Drake celebrates a basket by the Toronto Raptors against the Portland Trail Blazers at Air Canada Centre. The Raptors beat the Trail Blazers 117-115. Mandatory Credit: Tom Szczerbowski-USA TODAY Sports via Imagn

The petition is filed under New York law to request pre-action discovery, a process that allows evidence gathering before filing a formal lawsuit. Frozen Moments seeks to substantiate claims under the Racketeer Influenced and Corrupt Organizations Act (RICO), alleging wire fraud and bribery, and under New York’s Deceptive Business Practices and False Advertising Acts. To build the case, the petition asks the court to compel UMG and Spotify to release documents, including records of payments to third parties for song promotion, information about bot usage for fake streams, and details of licensing agreements and financial arrangements between UMG and Spotify. Frozen Moments also seeks a court order requiring UMG and Spotify to preserve all related communications and documents. The concern is that critical evidence, such as social media messages and text communications, may be lost if not safeguarded during the legal process.

Read More: Meek Mill Suggests That Drake Is Off His Rocker Amid His Kendrick Lamar Lawsuits

UMG’s Response

After news broke, UMG issued a statement to Variety regarding the “absurb” claims. “The suggestion that UMG would do anything to undermine any of its artists is offensive and untrue,” a rep said. “We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”

Drake Vs. UMG & iHeartMedia

The day after filing the petition in New York, Drake filed another legal petition against Universal Music Group in Texas, along with iHeartMedia, in Texas. This time, the Canadian star is accusing UMG of orchestrating a deceptive promotional campaign for Kendrick’s “Not Like Us” while simultaneously causing damages to Drake’s reputation and career. Under Texas Rule 202, Drake is attempting to, once again, gather substantial evidence before filing a formal lawsuit against the aforementioned parties. Let’s break down the second petition that Drake filed this week.

Defamation & Botting Claims

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Nov 2, 2024; Toronto, Ontario, CAN; Canadian recording artist Drake (center, black outfit) watches the action between the Sacramento Kings and Toronto Raptors at Scotiabank Arena. Mandatory Credit: John E. Sokolowski-Imagn Images

The second filing echoes similar sentiments of streaming manipulation and payola. However, at the core of this petition is accusations of defamation. “Not Like Us,” which Drake claims includes defamatory language such as “certified pedophile” and labeling him a “predator,” was released under UMG’s watch. However, Drake believes that the label had the authority to either refuse the song’s release or at the very least, demand changes to the lyrics. The rapper claims that UMG, instead, chose to exploit the controversy for financial gain which, in turn, caused harm to his business. Drake’s petition also accuses UMG of manipulating platforms like Spotify and radio airwaves to falsely inflate the song’s popularity. This alleged manipulation includes the use of bots, undisclosed payments to influencers and platforms, and “payola”—a term referring to secret payments to radio stations to play certain songs, which is illegal under U.S. law.

Read More: Drake’s Manager Quotes “Red Button” Lyrics Amid “Not Like Us” Petitions And The Trolls Can’t Help But Laugh

The Specifics Against UMG

The petition outlines several allegations against UMG and their alleged partnership with iHeartRadio. Similar to the New York filing, this petition details claims of an alleged manipulation scheme to enhance the popularity and streams of “Not Like Us” in an attempt to boost profits for UMG. These include using bots to artificially boost “Not Like Us” streaming numbers and citing an alleged whistleblower who they claimed received thousands of dollars to help the song garner over 30 million streams on Spotify in the days after its release. Moreover, Drake claims that UMG also paid influencers to promote the song without disclosing the financial relationship–a violation of advertising transparency laws. 

Then, there are the claims of payola. Drake believes that UMG funneled payments to radio stations, specifically those under iHeartRadio, to make sure “Not Like Us” gained heavy radio play in the months after the feud. Legally speaking, this is an alleged violation of the Communications Act of 1934. This also goes hand-in-hand with the claims that UMG orchestrated an elaborate marketing campaign to use discretionary funds to pay unknown third parties to promote the song, inflate its metrics, and as a result, drive media attention.

As mentioned above, a primary focus point in this article is defamation. The filing suggests that UMG greenlit the song to streaming services and radio. Considering the language used in the song, Drake claims UMG did little to prevent the accusations of pedophilia from proliferating across official streaming services and radio. Even more, he believes it was done in an attempt to profit off of the controversy. 

iHeartMedia’s Alleged Role

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LONDON, ENGLAND – JULY 10: Rapper Drake attends day eight of the Wimbledon Lawn Tennis Championships at All England Lawn Tennis and Croquet Club on July 10, 2018 in London, England. (Photo by Michael Steele/Getty Images)

In regards to iHeartMedia, the largest audio media company in the U.S. that owns hundreds of radio stations, Drake’s petition hopes to put the company’s alleged role under the microscope. The petition suggests that iHeartMedia played a significant role in UMG’s campaign by promoting “Not Like Us” across their platforms. Because of this, Drake is hoping to uncover whether iHeartMedia accepted undisclosed payments from UMG in exchange for prioritizing the song on the airwaves.

Due to the song’s popularity and constant rotation, Drake’s legal team argues that iHeartMedia cooperated in amplifying the harm caused to his career. This petition also highlights the financial relationship between UMG and iHeartRadio. According to the court documents, iHeartMedia pays UMG licensing fees to play its artists’ songs. This allegedly gives UMG leverage in what music gets airtime. Because of this, Drake’s legal team wants to explore whether the financial dynamic allowed UMG to manipulate radio play for “Not Like Us.” 

What Drake Hopes to Uncover

Drake’s petition asks the court to authorize depositions from representatives of UMG and iHeartMedia. He wants access to evidence of financial transactions, communications, and internal documents that could confirm the use of bots, payola, and undisclosed promotional payments. This includes records of payments made to influencers, radio stations, and social media platforms, evidence of bot usage to inflate streaming numbers; and details of licensing agreements and financial benefits exchanged between UMG and iHeartMedia. Additionally, Drake is requesting that UMG preserve all related communications and data out of concern that evidence might otherwise be destroyed or concealed.

Read More: Kevin Durant Shows Love To Drake On Instagram Amid UMG Lawsuits

The Implications

This pre-action filing could put a spotlight on the transparency and fairness in the music industry, or the lack thereof. However, it all depends on whether the court determines that there is substance to these allegations. If the evidence supports Drake’s claims, Drake could pursue lawsuits against UMG, iHeartMedia, and Spotify. Still, this could also expose possible tactics that Drake used in his career, too. Whether or not Drake has also used bots and payola in his career remains unclear, though if it turns out to be the case, then there might be some sort of reevaluation of the streaming records that he’s broken. At the same time, this could effectively expose the alleged malpractices of the music industry as a whole. For better or for worse, Drake might be the catalyst to change industry practices indefinitely. 

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WATCH: Jess Hilarious Announces She Is Pregnant on ‘The Breakfast Club’

Jess Hilarious Says Master P Owes Her $15K for Work in a Movie: ‘That Man Will Talk a Good Game'

Jess Hilarious has revealed that she is pregnant. During a segment on The Breakfast Club, the show’s newest host took a birthday call from her boyfriend to make the reveal.

“I know it’s a special day for you,” Chris, Hilarious’s boyfriend, said. “I can’t wait to see you. I’m so proud of you. I love that you’re staying divine all the time, and you’re such an amazing woman. I can’t wait to see you later, and I’m so excited for our little bundle of joy, babe.”

Jess Hilarious would confirm that she is 13 weeks along. You can see it below.

Last month, iHeartMedia, America’s leading audio company, has announced that comedian and actress Jess Hilarious will join the nationally syndicated radio show The Breakfast Club as its new co-host, starting Feb. 5, 2024. The show, airing on New York Power 105.1 and syndicated by Premiere Networks, broadcasts weekday mornings from 6 a.m. to 10 a.m. ET.

Jess Hilarious, a Baltimore native, will join DJ Envy and Charlamagne Tha God on the popular morning show known for engaging interviews, discussions with celebrities and hip-hop artists, entertainment news, and music mixes. The Breakfast Club is syndicated on nearly 100 radio stations, reaching millions of listeners nationwide. The show’s content is also available on various platforms, including The Breakfast Club Channel on TheBreakfastClub.iheart.com and the iHeartRadio app.

“I’m very excited to have Jess Hilarious join The Breakfast Club. She is a force in her own right, an actress, comedian, podcaster, and now, the co-host of The Breakfast Club,” said Thea Mitchem, iHeartMedia Executive Vice President of Programming. “Jess was the standout choice to join Charlamagne and DJ Envy to build upon The Breakfast Club’s legacy of entertaining, informing and enlightening the community.”

Known for her witty one-liners and infectious humor, Jess Hilarious has gained prominence through her work as a comedian and actress. With a significant following on Instagram and successful shows nationwide, her addition to “The Breakfast Club” is expected to bring a fresh dynamic to the show’s blend of honesty and humor.

“I’m looking forward to joining forces with one of the largest media platforms,” said Jess Hilarious. “I’m confident that taking the third seat at The Breakfast Club will show people that Jess Hilarious is not just comedy, but culture.”

The post WATCH: Jess Hilarious Announces She Is Pregnant on ‘The Breakfast Club’ first appeared on The Source.

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iHeartMedia Announces Jess Hilarious as New Co-Host of ‘The Breakfast Club’

iHeartMedia Announces Jess Hilarious as New Co-Host of 'The Breakfast Club'

iHeartMedia, America’s leading audio company, has announced that comedian and actress Jess Hilarious will join the nationally syndicated radio show The Breakfast Club as its new co-host, starting Feb. 5, 2024. The show, airing on New York Power 105.1 and syndicated by Premiere Networks, broadcasts weekday mornings from 6 a.m. to 10 a.m. ET.

Jess Hilarious, a Baltimore native, will join DJ Envy and Charlamagne Tha God on the popular morning show known for engaging interviews, discussions with celebrities and hip-hop artists, entertainment news, and music mixes. The Breakfast Club is syndicated on nearly 100 radio stations, reaching millions of listeners nationwide. The show’s content is also available on various platforms, including The Breakfast Club Channel on TheBreakfastClub.iheart.com and the iHeartRadio app.

“I’m very excited to have Jess Hilarious join The Breakfast Club. She is a force in her own right, an actress, comedian, podcaster, and now, the co-host of The Breakfast Club,” said Thea Mitchem, iHeartMedia Executive Vice President of Programming. “Jess was the standout choice to join Charlamagne and DJ Envy to build upon The Breakfast Club’s legacy of entertaining, informing and enlightening the community.”

Known for her witty one-liners and infectious humor, Jess Hilarious has gained prominence through her work as a comedian and actress. With a significant following on Instagram and successful shows nationwide, her addition to “The Breakfast Club” is expected to bring a fresh dynamic to the show’s blend of honesty and humor.

“I’m looking forward to joining forces with one of the largest media platforms,” said Jess Hilarious. “I’m confident that taking the third seat at The Breakfast Club will show people that Jess Hilarious is not just comedy, but culture.”

The post iHeartMedia Announces Jess Hilarious as New Co-Host of ‘The Breakfast Club’ first appeared on The Source.

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Charlamagne Tha God and iHeartMedia Announce 2023 ‘Black Effect’ Podcast Festival

Charlamagne

The 2023 Black Impact Podcast Festival has been launched by Charlamagne Tha God and iHeartMedia to honor, elevate, and amplify Black voices in the podcasting community. The event will be held at Atlanta, Georgia’s Pullman Yards, on Saturday, April 22, from noon to 8 p.m. EST. Charlamagne Tha God will attend the festival together with some of the most well-known figures from the Black Effect for a day packed with enlightening panel talks and live podcast tapings geared for budding podcasters in the Black community. Charlamagne Tha God and comedian Jess Hilarious, host of Carefully Reckless, will serve as the festival’s hosts.

The Black Effect’s most popular shows, such as The 85 South Show, WHOREible Decisions, Big Facts, and a unique joint taping of Reasonably Shady and Checking In With Michelle Williams, will all have live podcast tapings at the festival. The Business of Podcasting Panel and Women in Podcasting Panel, both of which are part of the event, will feature Black Effect Podcast Network hosts Chad Oubre (“85 South Show”), Coline Witt (“Eating While Broke”), Jess Hilarious (“Carefully Reckless” and event co-host), Tamika Mallory (“Street Politicians”), Tezlyn Figaro (“Straight Shot No Chaser”), and others, will also feature thought-provoking and educational discussions.

“In 2023, Black creators are at the forefront of a movement reverberating across today’s cultural landscape, and we’re excited to bring this to life for the community at The Black Effect Podcast Festival in Atlanta this spring,” said Charlamagne Tha God. “With this festival we want to inspire and uplift new and aspiring podcasters while also showcasing the incredible voices on The Black Effect Podcast Network.” 

For Black creators looking to have their voices heard in the podcast industry, the Black Effect Podcast Network is the go-to venue. The most powerful and dependable voices in black culture are brought together for illuminating discussions on topics such as social justice, pop culture, sports, mental health, news, comedy, and more. Founded in September 2020, the Charlamagne Tha God-curated Black Impact Podcast Network has since premiered 29 shows with a stellar lineup of marquee talent and culture-changing voices dedicated to illuminating, educating, and entertaining viewers.

Sponsors of the Black Impact Podcast Festival will be present at the occasion with entertaining activations for guests. The festival will also have DJ Loui Vee from iHeartMedia Atlanta as well as a number of other activities like a pop-up market displaying goods from Black-owned businesses, a family game room and gaming tournament sponsored by The Trap Nerds, a picture booth, a career area, and more.

Black Effect Podcast Festival partners include AT&T, Molson Coors, Nissan and State Farm. Fans can visit blackeffect.com/podcastfestival beginning Wednesday, March 1 at 12 p.m. EST to purchase tickets.

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Jamie Foxx Talks History With Tank, Brian McKnight & More In Debut Episode of R& B Money Podcast

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Award-winning entertainer Jamie Foxx talks about music and acting history as the first guest on the premiere episode of the Tank and J. Valentine hosted podcast, R&B Money. Premiering at number-one upon release last Wednesday (June 1), the new R&B podcast is brought to you by iHeartRadio and Charlamagne Tha God’s Black Effect.

MORE: Jamie Foxx Says A “Very Prominent Actress” Thought He Was Rick Fox After She Did Cocaine

“FIRST EPISODE OF THE @rnbmoneypodcast is UP on the @blackeffect ! Of course, we kicked it off with THE GREATEST ENTERTAINER OF ALL TIMES JAMIE “MUTHUFIKIN” FOXX!!! @iamjamiefoxx It’s LIT!!..🔥🔥
R&B MONEY!!,” captioned Tank on an Instagram post previewing the podcast starring Jamie Foxx.

A clip from the podcast of Foxx, 54, discussing a time he was with an unrevealed intoxicated high-profile actress mistaking him for NBA champion Rick Foxx went viral on social media last week. Along with telling the mistaken identity story, Foxx, Tank and Valentine discussed their longtime friendship, Foxx’s music and film career, legendary party stories, and adventures including legendary stars, ranging from R&B legend Brian McKnight to boxing icon Mike Tyson.

In music, Jamie Foxx and Tank collaborated on Foxx’s 2x platinum-selling debut album, Unpredictable (2005), and the platinum-selling follow-up album, Intuition (2008). Tank has released seven albums in his solo career.

MORE: [WATCH] Jamie Foxx Nails Three-Pointers with Luka Doncic

Outside the new podcast, Tank is in album mode with the release of his “final” album coming soon. Currently promoting the upcoming album’s lead single “I Deserve,” Tank will be releasing the album’s second single in the J. Valentine-featured “Slow” this Friday (June 10). For daily updates on Tank, follow the hit-making singer/songwriter on social media.

For all things R&B related, follow the R&B Money Podcast on social media.

Watch the premiere episode of the R&B Money Podcast featuring Jamie Foxx below. 

The post Jamie Foxx Talks History With Tank, Brian McKnight & More In Debut Episode of R& B Money Podcast appeared first on The Source.

SOURCE SPORTS: Brooklyn Nets Team with iHeartMedia for New Podcast Network

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The Brooklyn Nets and iHeartMedia launched a podcast relationship today, building on the NBA’s leaguewide pact that gives clubs access to iHeartMedia’s huge reach across numerous audio platforms. With excellent original audio content about the team and beyond, the Nets will serve existing fans and welcome new ones with a range of programming.

The first two episodes will be presented by Chris Carrino, the Nets’ radio play-by-play announcer, and Ally Love, the team’s in-arena emcee, and will feature voices from across the sports and entertainment spectrum. In addition, the Nets will release limited-run narrative podcasts that delve into a variety of topics, providing listeners a variety of ways to participate.

Voice of the Nets with Chris Carrino,” the first show, will premiere on May 31 and air new episodes every Tuesday. Carrino will chat with sports industry professionals and personalities each week to bring you the latest news on the Nets and the NBA, as well as off-the-court stories involving the organization. The first episode features an interview with Jason Collins, a former Nets player who led the team to back-to-back NBA Finals in 2002 and 2003 and later broke barriers as the NBA’s first active openly homosexual player.

“For over two decades I’ve been telling the story of the Nets through radio play-by-play and Voice of the Nets podcast is a chance to tell that story in long form,” Carrino said. “I’m looking forward to sharing these stories and insights in conversations with a variety of guests. In addition to my role with the Nets, I have a somewhat unique life experience and a natural curiosity and while the show will revolve around the team, we will cast a wide net in covering a myriad of topics. I’m so excited to connect with fans in this way and grow a new audience as well.”

A second podcast, “Courtside Conversation with Ally Love,” sponsored by SeatGeek, will debut in June and will be hosted by Love, who is also the CEO of Love Squad, a Peloton teacher, and an inspirational speaker in addition to her position with the Nets. In this series, Love will speak with a rotating set of powerful and notable guests about basketball and all things cultural — whether fashion, music, food, art, or current affairs – while also highlighting significant events in New York.

“Courtside Conversation is going to be the place for all our guests to get personal, get inspired, and be inspiring,” Love said. “I regularly say that conversation is the catalyst for change and I’m looking forward to connecting with athletes, artists, and all our favorite people on a platform where we can share strategies and tips for success – our winning game – with others.”

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