BRS Kash And Mulatto Pay A Few Bills Via ‘Kash App’ And A Wild House Party In Their New Video

When BRS Kash released his debut project Kash Only at the top of the year, one of the standout joints turned out to be the Mulatto-featuring, Cash Money Records-aping “Kash App.” The track was so popular that fans of the “Throat Baby” rapper wondered why he didn’t put the controversial XXL Freshman on the remix of his biggest hit to date.

Judging from the video for “Kash App” that BRS Kash put out today, it was so his and Mulatto’s collaboration could get its proper due. Rather than simply remixing an existing hit, this gives him a chance to promote his second potential hit, and given the video’s replay value, he’s off to a great start.

The video’s plot, such as it is, is simple and familiar: Kash is in town to promote a wild house party and offers to pay a few fans’ bills in the interim — which he does, naturally, via that instantly recognizable green screen (which displays some frankly unrealistic totals). It all culminates in a homebound twerk-fest that cops show up to shut down before being inevitably pulled in by the gratuitous booty on display.

Meanwhile, this may well be one of the last times Mulatto is listed as a guest feature on another rapper’s record. The Atlanta star isn’t going anywhere, she’s just been hard at work changing her stage name after drawing fire for promoting colorism with her controversial moniker.

Watch the “Kash App” video above.

Nas Shares His Opinion On Today’s Rappers: ‘There’s No One Keeping Me Up At Night’

Despite working with a more modern crop of collaborators recently, it seems Nas hasn’t completely shaken his old-head views. Nas recently collaborated with some of today’s rappers, including Big Sean, Don Toliver, and Lil Durk, on his 2020 album King’s Disease, but that didn’t stop him from sharing his frankly unsurprising opinion with Financial Times during an interview discussing his impressive investment portfolio.

“I appreciate what’s out there, but there’s no one keeping me up at night,” he told the magazine. “I hear a new rap record and think it’s great, but I don’t listen to it the next week.” I guess Hit-Boy was the one making sure Nas stayed up-to-date on his new album.

Hip-hop’s generation gap is a well-worn topic for the Queensbridge veteran. While his outlook today is a far cry from “hip-hop is dead,” the sentiment after which he titled his eighth album in 2016, it seems that this attitude is born more of low awareness than an actual problem with hip-hop. For instance, it seems his attention seems pretty focused on New York — he name-checks Pop Smoke as one rapper who impressed him.

“We were happy to see that young king come up,” he says of the slain Brooklyn rapper, who will make his posthumous acting debut this Friday in Eddie Huang’s basketball movie Boogie. “He was a breath of fresh air.”

You can read the full interview here and learn more about modern hip-hop — of which there is plenty of great, memorable stuff being done — here.

Rucci’s Heartfelt ‘UPROXX Sessions’ Performance Implores You To ‘Believe In Me’

Inglewood native Rucci sums up his relatable mission statement on this week’s installment of UPROXX Sessions, imploring listeners to “Believe In Me” with a performance of his M*dget track sans guest rapper Mozzy. Rucci, a mainstay of LA’s post-G-funk circuit for years now, experienced his first taste of national recognition with the confessional Tako’s Son in 2019, following up with two projects in 2020: an EP, I’m Still Me, and M*dget, a full-length featuring all sorts of California rappers from AllBlack to AzChike to White John.

Rucci joins AzChike, Drakeo The Ruler, and Almighty Suspect as the latest member of this bubbling underground fraternity to grace the UPROXX Sessions stage. He’s also in prime position to receive just as much — if not more — attention, thanks to recent collaborations with well-known West Coast standouts like Mozzy and Vince Staples. With his honest, heartfelt style and plainspoken witticisms, he’s the perfect rep for the latest wave of Los Angeles artists lining up to take the city’s hip-hop into the next decade.

Watch Rucci’s heartfelt performance of “Believe In Me” above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

Wu-Tang Clan Is Releasing A Rare Photobook Enclosed In A 400-Pound Bronze Chamber

It’s been nearly three decades since Wu-Tang Clan formed their iconic group in NYC. To celebrate the group’s legacy, Wu-Tang are releasing a photobook featuring never-before-scene pictures spanning their entire career. But it’s not just any photobook. Rather, the book comes enclosed in a specially-made, 400-pound chamber.

Titled Wu-Tang Clan: Legacy, the 300-page commemorative book is the “biggest and rarest book in the history of Hip Hop,” according to Wu-Tang’s website. Each copy is signed by Wu-Tang members, dated, numbered, and accompanied by certificates of authenticity.

It’s limited to only 36 copies, hence the “rarest book” description, and will arrive alongside a bronze chamber individually designed by sculptor Gethin Jones. For the chamber, Jones took inspiration from the bronze ritual bowls used in the Zhou Dynasty, whose first ruler was King Wu-Wang.

Speaking about the photobook in a statement, CEO of Wu-Tang Clan Management John ‘Mook’ Gibbons expressed his anticipation about the project. “From conception to the present day, this is the story of the undisputed greatest hip-hop group of all time being unveiled through rare and never before seen photos,” he said.

Watch a teaser video for the Wu-Tang Clan: Legacy book above and find out how to order it here.

Nicki Minaj’s Fans Have Reportedly Been Harassing Her Husband’s Accuser Ahead Of His Trial

In June, Nicki Minaj’s husband Kenneth Petty is due to stand trial on federal charges of failing to register as a sex offender upon moving from New York to California in 2019. Now, the victim of his original sexual assault case says she’s being harassed by both the family and fans of Nicki Minaj as they attempt to bully her into recanting the 26-year-old charges. In a lengthy story in The Daily Beast, the victim speaks out.

The charges stem from a 1995 incident when Petty and his victim were both 16; Petty was convicted of one count of attempted rape in the first degree, assault in the second degree, unlawful imprisonment in the second degree, and criminal possession of a weapon. He served out his sentence — which included a 2006 charge of murder in the second degree that he pleaded down to manslaughter — receiving his release in 2013 and marrying Nicki in 2019. However, he surrendered to US Marshals in LA after a warrant was issued for failing to update his sex offender status after moving.

According to The Daily Beast’s profile the victim — referred to as Jennifer — a campaign of ongoing harassment from people claiming to be associated with the Pettys, from offers of hush money to thinly-veiled threats, prompting her to move no less than three times since Petty’s arrest last year. She says she even received a phone call from Nicki Minaj herself to discuss a non-disclosure agreement, disconnecting the phone number later after Jennifer seemed reluctant to accept the offer.

A man connected to both parties — referred to in the report as “Barry” — continued to reach out to Jennifer to recant her original statements from 1995, offering a $20,000 bribe to sign a letter recanting. The story was mirrored in a post on Facebook from Jennifer’s adult daughter Kenya, who declined to comment for the story. US Marshals eventually reached out to Jennifer after being tipped off by an online acquaintance that she was allegedly being intimidated by the Pettys.

Jennifer moved again after Kenya was approached at a club by another man claiming to be an acquaintance of her mother and Petty’s, making her feel threatened and convincing Jennifer that her daughter was unsafe with her. Others connected with Petty are noted as also making threats on social media, mostly via gossip accounts, which have also been inundated with angry comments from Nicki Minaj fans.

You can read the full story here.

Lil Baby And EST Gee Brag About Their Riches In ‘Real As It Gets’

Lil Baby refuses to take a break after completing the rollout for My Turn, sharing the video for his latest single “Real As It Gets” featuring Louisville rapper EST Gee ahead of his All-Star weekend matchup with their mutual homeboy Jack Harlow. The video is a stripped-down affair, utilizing an empty parking lot, a crowd of people, a few luxury cars, and a whole lot of jewelry to highlight the two rappers’ boastful rhymes.

Despite being an absolute juggernaut through 2020 — even outselling Taylor Swift — Lil Baby has yet to take a break in 2021. Already he’s released a collaboration with Russ, another with collaboration with Lil Durk, and teased a potential joint album with the latter thanks to their working chemistry on songs like “3 Headed Goat.” This is in addition to starring in his first-ever Super Bowl commercial and plotting to open his own restaurant in Atlanta, proving he’s got even bigger plans for the future of his career.

Meanwhile, EST Gee is already looking like he’s about to have a similar year to Lil Baby’s 2018. After appearing on Jack Harlow’s That’s What They All Say single “Route 66” just days ago and now getting a similar co-sign from Lil Baby (who also appeared on Harlow’s debut album), the Kentuckian has been placed in prime position for a big breakout, provided he can capitalize on the additional looks.

Watch Lil Baby’s “Real As It Gets” video above.

Let’s Enjoy Some Of The Most Adorable Pets In The Music Industry

Lady Gaga recently had to endure a pet owner’s worst nightmare: Her dog walker was shot and two of her beloved dogs were kidnapped. Fortunately, in a matter of days, the dogs were recovered and everything was in its right place. Gaga offered a $500,000 reward for whoever brought the dogs back, which just goes to show how much some people care about their pets. That got us thinking about other famous artists and their four-legged friends who we see pop up from time to time on social media and whatnot.

We’ve rounded up a handful of my favorites below, but this is by no means a comprehensive list of celebrity pets, so our sincerest apologies if your preferred artist’s furry/scaly/otherwise textured friend isn’t included. Now, if you’re recently found yourself asking, ‘Who’s a good boy,’ you can find some answers to that question below.

Coco, Toulouse, Cinnamon, Strauss, Lafayette, Pignoli, Myron, Snape, Lily, and Piggy Smallz (owned by Ariana Grande)

Grande’s dogs make social media appearances pretty often, but fans may not realize just how many puppers she actually has: According to Ariana Grande Wiki (which is surely the authoritative source on such matters), she currently owns nine dogs. That’s enough for 5-on-5 basketball if they let Grande’s pig Piggy Smallz play. As if that wasn’t enough, Grande is also working on an animal rescue center in Los Angeles, which indicates that she is perhaps the best friend to animals in the biz.

Lavender (owned by Dylan Baldi of Cloud Nothings and Sadie Dupuis of Speedy Ortiz and Sad13)

Towards the end of last year, indie-rock power couple Baldi and Dupuis decided to adopt Lavender, a pitbull with atypical facial features. In a recent interview with MTV News, Baldi said of Lavender, “She’s a one-of-a-kind dog. People will just stop and be like, ‘Look at this dog,’ and want to be with this dog in a way like no other dog I’ve seen. It’s like having a rare Pokémon.” He doubled down on his admiration of the unique pet with a Twitter follow-up: “if we did a tour, charged $50 for tickets, and all that happened was this dog came out onstage and walked around for a bit? you would still feel like you spent $50 correctly. incredible dog.”

Trappy S. Goyard (owned by 2 Chainz)

Like other famous pets, Trappy S. Goyard (which is easily the best name on this list) has his own Instagram account. Goyard probably also has a SAG card by now based on all the appearances they’d made. In addition to popping up on 2 Chainz’s Most Expensivest, Goyard also co-starred in the “Grey Area” video from earlier this year, in which Goyard and their human swapped heads.

Calippo and Dorito (owned by Ed Sheeran)

Sheeran stayed mostly out of the public eye during 2020 as he decided to take a break. What he didn’t stop doing, though, was posting about his cats on their dedicated Instagram page, which boasts over 300,000 followers. Calippo and Dorito are doing well, although Dorito could apparently stand to lose a bit of weight: In October, Sheeran shared a photo of the cats accompanied by a note that reads, “Don’t feed the cats!!! Even if Dorito gives you ‘the eyes’… She has a bad tum… naughty puss…”

Shark (owned by Billie Eilish)

About a month ago, Eilish celebrated the first birthday of Shark, the rescue dog she adopted in April. She wrote in a now-unavailable Instagram post, “My sweet rescue baby boy was born a year ago today. You have made my life 1000x better happy birfday little shark.” While the two share a special bond, the journey to today wasn’t without (expensive) complications: In August, Eilish shared that Shark left some unwanted presents in and around some pricey sneakers.

Foe Thee Frenchie (owned by Megan Thee Stallion)

Not many pets win awards, but Megan Thee Stallion’s has: Foe Thee Frenchie (who has nearly half a million Instagram followers and is coming after Trappy S. Goyard’s best-name-of-this-feature crown) was Paper‘s Celebrity Pet Of The Year for 2019. Meg recently shared a progress pic showing off how much Foe has grown over the course of five months, and understandably, in the more recent photo, Meg has a hard time carrying her increasingly large pet.

Alf (owned by Hayley Williams)

Hayley Williams’ dog Alf has been an important figure in her life and has helped her through some difficult times. She told EW, “I got Alf when he was, like, 11 weeks old. I raised him, but I feel like he raised me. I was 23 or 24 when I got him. He keeps me present because he’s present all the time: He’s so happy and very in tune with me when I’ve gone through life-altering changes or moments.”

On “Cinnamon,” from the 2020 album Petals For Armor, Williams sings, “On the walls of my home / There are signs that I’m alone / I keep on every light / Talk to my dog, he don’t mind.” She explained that lyric to Pitchfork, saying, “He was my first therapist. And he’s still my favorite therapist.” Around this time last year, she also told Apple Music’s Zane Lowe, “My dog is the reason I’m alive, because he would’ve been waiting on me to get home, no matter what. You know how little sweet little puppies sit and they wait? I couldn’t think about it.”

Georgia (owned by Tegan Quin of Tegan And Sara)

Dogs dominated Tegan And Sara’s “100x” video from 2016, and recently, Tegan got a pup of her own, named Georgia. Since then, she has documented the joys and struggles of raising a dog and there have been plenty of both. In November 2020, she tweeted, “Is there an umbrella for people who have a new puppy and have to take it out to pee 700 times a day and need both hands to pick up poo? *must cover human and dog.” While a lot of her Georgia tweets are scatological, there’s clearly a ton of love there and Georgia has essentially become Tegan’s everything. She tweeted in December, “All I dream about is my dog. She’s literally taken over every inch of my life including all dream real estate. It will make ZERO sense that she is in a dream situation, but inevitably she appears regardless. Is this normal?”

Kane Songz (owned by Trey Songz)

Trey Songz goes full method while running his dog’s Instagram account, which is presented entirely from the Frenchton’s perspective. On Father’s Day in 2018, for example, “Kane” posted a photo of him and his father playing basketball and “wrote,” “Happy Father’s day Pops!! Thanks for showing me how to break canine ankles out here in these streets!!” He even did what many others have failed to do when he saw John Cena one time.

Meredith Grey, Olivia Benson, and Benjamin Button (owned by Taylor Swift)

Yes, of course Taylor Swift is on this list. After all, Swift has proven to be perhaps the biggest cat person out there (heck, she portrayed a literal cat person in Cats). Thousands of words could be written about Swift’s cats and her love for them, so for this space, let’s just focus on Benjamin Button, the latest addition to the Swift family. Swift actually decided to adopt the cat on the set of her “Me!” video and described how that came to be, saying on Instagram Live in 2019, “[A cat handler handed me this tiny cat and he just starts purring and […] he looks at me like, ‘You’re my mom, and we’re going to live together.’ I fell in love. I looked at Brendon [Urie] and he’s like, ‘You’re going to get the cat aren’t you?’”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

D Smoke Helps Fireboy DML Plant His Flag In The Inspiring ‘Champion’ Video

In the video for Fireboy DML’s “Champion,” the 25-year-old Abeokuta, Ogun, Nigeria native recruits burgeoning Inglewood-born superstar D Smoke as the two recite defiant, self-confident lyrics over an uptempo Afropop beat. The two indie labelmates stage an international link-up to deliver a fist-pumping anthem amid sweeping backdrops, declaring themselves legends in the making as a choir sings the refrain.

Fireboy DML is half a year removed from his latest full-length release, the Headie-winning Apollo. The project obtained Best R&B Album honors earlier this year, while Fireboy himself earned a Viewer’s Choice award. The album single “Tattoo” also won Best R&B Single. Last month, Fireboy told DJ Booth of “Champion,” “I want to go down a legend. I want my music to live forever and continue to change people’s lives long after I’m gone. I also want to be remembered not just as a good musician but as a good person.”

D Smoke will seek to follow-up on his collaborator’s success at this year’s Grammy Awards later this month. His album Black Habits is up for Best Rap Album while the Netflix Rhythm + Flow winner also contends for Best New Artist.

Watch Fireboy DML’s “Champion” video featuring D Smoke above.

‘Biggie: I Got A Story To Tell’ Shows How The Notorious B.I.G. Epitomized Hip-Hop

To be perfectly honest — following the example set by the late, great Christopher Wallace himself — the world didn’t need another Biggie Smalls documentary. The details of The Notorious B.I.G’s life and death have been thoroughly picked over by now, nearly 23 years later, with dozens of works from books and films to podcasts and television series providing reams of conjecture, speculation, and solemn reflection on the gritty self-styled King Of New York who rose from the streets of Bed-Stuy, Brooklyn to become the epitome of the “ashy to classy” archetype established by hip-hop in the decades since.

That didn’t stop Netflix from releasing yet another entry to the growing canon of works about the Brooklyn big man this week, the hyperfocused and touchingly graceful Biggie: I Got A Story To Tell. But where this more down-to-earth production differs from those that came before it is its intent attention to Christopher, the person at the center of the mythos, rather than on the lurid details of his beef with Tupac or his violent, unsolved death in Los Angeles on March 9, 1997.

Nearly an hour of the film’s 90-minute runtime is devoted to Wallace’s life before he released his game-changing debut album, Ready To Die, in 1994. Through interviews with his mother, Voletta Wallace, and unseen archival footage provided by Big’s right-hand man, Damion “D-Roc” Butler, a clearer picture of Christopher Wallace is developed throughout. From his trips to visit his mother’s family in her native Jamaica to the early musical education he received from a neighbor, jazz musician Donald Harrison, we can see the foundation of his unique, seismic flow and outsized stage persona.

In one particularly engaging scene, Harrison breaks down how Big’s flow imitated the rat-a-tat tapping of a bebop drummer, his percussive delivery playing invisible notes as he freestyled on corners. Scenes like this one offer new lenses through which to view iconic moments like Big’s sidewalk battle with Supreme; while familiarity can breed contempt, Harrison’s quick jazz lesson gives viewers new context and deeper understanding of not just the battle, but Big’s songwriting approach as a whole.

The film also touches on Big’s time spent dealing drugs around the corner from the apartment he shared with his mother, this time with the added texture of commentary from the men who stood out there with him. One, an elder ex-hustler named Chico Del Vec, spends much of his intro fussing at the cameraman that he doesn’t want to get into details of “the game” before crisply detailing the mentality that drove young boys like Big and his friends into it with a veteran’s well-weathered perspective. “If you wasn’t into hustling, good in sports, or going to school, you was a nobody,” he summarizes.

But Big’s cohort is also clear-eyed about their bad decisions as well. Here, just 30 minutes in, the film crystallizes the core concepts of hip-hop, its artifice and artfulness, its originality and creativity, and its universality. These 14-year-old kids had no clue of the world beyond their borough; as Big explains in an interview clip of his breakout hit “Juicy,” he didn’t know that there was money in rap. He only knew what he saw on the covers of magazines, that his favorite rappers wore gold chains and posed with flashy new cars. It never occurred to him that his hazy childhood vision of becoming an art dealer could be every bit as lucrative (and, in truth, probably more so, the way contracts were structured in those days).

It’s what makes Big — and his story — the perfect avatar of hip-hop, from its artists to its fans. He could have been any one of them. By focusing on his humble beginnings, I Got A Story To Tell finally humanizes him in a way few of the biopics or mini-series ever could because the focus shifts away from the big, pivotal moments of a hip-hop legend’s life to tell a simpler story about a boy with a dream, who hung out with his friends, got into trouble, got scared straight by a tragic loss, and persevered through normal, relatable doubts to remain as close to still being the person he always was when fame finally found him.

Of course, staying away from the more familiar notes of his greater life story allows the film to polish his rough edges, such as his alleged abuse of his romantic partners — which again, reflects a broader tendency in hip-hop and pop culture of flattening and simplifying complicated people. At one point early on, Sean Combs — you know he had to make an appearance here, although the film wisely minimizes his presence — notes, “You always were able to hear some remnants of previous rap artists. This guy, I don’t know where he came from with his cadence, with his rhythms, with his sound…” From Compton rapper King Tee, Puff.

But, then again, those rough edges are plain to see in other places. The point of Netflix’s documentary is to add another layer of context and humanity to the legend. It explains a little more of the hows and whys surrounding Big. When the film ends — as the 2009 biopic Notorious did — just after Big’s celebratory 1997 memorial in his hometown, it does so with a better understanding of the person who actually died, beyond the loss of his musical potential. So, did the world need another Biggie Smalls documentary? The answer is still “no,” but we’re all better for this one’s existence.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

A Spanish Rapper Is Being Accused Of Amputating His Roommate’s Penis For A YouTube Video

Offset was right — they do anything for clout. “They” in this case is a Spanish rapper named Aaron Beltran, who is being accused of cutting off his roommate’s penis with a kitchen knife for a YouTube video. The Independent reports that the two men apparently had a mutual arrangement for the gruesome task in which Beltran would pay Andrew Breach, a British teacher staying with him in Zaragosa, Spain, between $240 and $3,000 depending on the video’s performance.

The two men were discovered when Breach went to the hospital for treatment. The doctors were able to reattach the member, then reported both men to the authorities. However, Breach later claimed that he was the one responsible for the amputation, claiming he was “unwell” at the time. However, authorities don’t believe the updated version of the story, and prosecutors are pursuing charges against Beltran despite the apparently consensual arrangement. Beltran denies the charges but is facing up to four years in prison as the case goes to trial.

An anonymous officer who spoke to The Independent is quoted, “When interviewing the victim in hospital he told us the accused cut off his penis. Andrew said he did not feel 100 percent a man and wanted to get rid of his penis. He agreed a deal with the accused to pay him €200 which would depend on how many views the video of the amputation received on YouTube. It was done on the basis of hits.”

If that’s truly the case, it was a bad plan; YouTube’s terms of service would see to it that such a video would be instantly demonetized and deleted.