Chance the Rapper has released his latest music video, “Buried Alive.” The video delves into themes of self-discovery, resilience, and the relentless pursuit of freedom. The track showcases Chance’s signature blend of introspection and infectious energy, resonating deeply with fans.
In the video, Chance begins trapped inside a box, reminiscent of a scene from the cult classic film Kill Bill: Volume 2, which celebrates its 20th anniversary. As the tension mounts, Chance breaks free from his confines, embarking on a journey of self-actualization and defiance.
Emerging into a surreal environment, surrounded by the vast expanse of space with Earth visible in the distance, Chance approaches a window, gazing out at the cosmic panorama before him. This moment symbolizes freedom from past constraints and a newfound sense of possibility.
“Getting back to directing and shaping the cinematography for the ‘Buried Alive’ music video was really a rewarding return for me,” says Chance the Rapper. “Film provides me a platform to translate my creative vision into a tangible, immersive experience, while also capturing the grandeur of the cosmos.” He continues, “Throughout this project, I’ve been using film as a translator for some of the heavier or more fantastical themes in my lyrics. Auteurs like Wes Anderson, Spike Lee, and now Quentin Tarantino have greatly influenced my eye as a director and DP, while providing me a medium that allows these conversations of liberation and catharsis to speak loudly.”
“Buried Alive” offers a powerful visual narrative that complements Chance’s lyrical exploration of the human spirit’s depths. The video’s release has sparked excitement among fans, eager to engage with its themes of liberation and self-discovery.
With “Buried Alive,” Chance the Rapper continues to captivate audiences with his compelling storytelling and thought-provoking imagery, solidifying his place as one of music’s most innovative and influential artists.
Chance the Rapper releases new music video “Buried Alive.” On this track, Chance explores themes of self-discovery, resilience, and the relentless pursuit of freedom. “Buried Alive” delves into the depths of the human spirit, echoing Chance’s signature blend of introspection and infectious energy. The video opens with Chance trapped inside a box, reminiscent of the iconic scene from the cult classic film Kill Bill: Volume 2 (celebrating its 20th anniversary). As the tension builds, Chance breaks free from his confines, embarking on a journey of self-actualization and defiance. As he emerges, Chance finds himself in a surreal environment, surrounded by the vast expanse of space. With Earth visible in the distance, he approaches a window, gazing out at the cosmic panorama before him. It’s a moment of revelation, symbolizing freedom from the constraints of the past and a newfound sense of possibility.
“Getting back to directing and shaping the cinematography for the ‘Buried Alive’ music video was really a rewarding return for me,” says Chance the Rapper. “Film provides me a platform to translate my creative vision into a tangible, immersive experience, while also capturing the grandeur of the cosmos.” He continues, “Throughout this project, I’ve been using film as a translator for some of the heavier or more fantastical themes in my lyrics. Auteurs like Wes Anderson, Spike Lee, and now Quentin Tarantino have greatly influenced my eye as a director and DP, while providing me a medium that allows these conversations of liberation and catharsis to speak loudly.”
Leave it to Gucci Mane. Big Guwop is back with a new single, taking the “No Diddy” phrase trending online and making it into a new song. After stating that a couple of people were killed and he was in a room full of hoes, Gucci continues to chant “No Diddy” to show the difference between his movements and those of Puff.
Additionally, the video recreates a moment where women surround Diddy in a hot tub. You can see clips, comparisons, and the full video below.
In February, following the success of “Give & Give,” produced by Cool & Dre, Conway officially announced the arrival of Won’t He Do It: Side B with his latest single, “Vertino,” featuring Joey Bada$$. The duo delivers an electrifying performance on “Vertino,” ascending to “God Level” and solidifying their status as “the main suppliers of the fire.” Produced by Camouflage Monk, “Vertino” is now available on all digital streaming platforms.
Rick Ross is keeping the shots toward Drake going. Reigniting the “Champagne Moments” single, Rozay has delivered a video. Representing The Untouchable Maybach Empire, Rozay looks lavish in emerald green with the matching old-school ride.
With a bottle of Bumbu and Bel-Air next to his side, Rozay gets his bars off while iced out in an airplane hanger. You can see it below.
Meanwhile, on Friday, April 19th, fellow rapper Rick Ross graced the LIV stage, delivering an energetic performance of his newest single, “Champagne Moments.” The track has stirred controversy, as it’s perceived as a diss aimed at Drake amidst their ongoing public feud.
Rick Ross’s retaliation comes in response to Drake’s alleged diss track “Push Ups (Drop & Give Me 50).” As tensions between the two artists escalate, fans eagerly await the next move in this rap saga.
Renni Ruccireturns alongsideBig Lex for South Coast Music Group rosteredartist, Blacc Zacc, latest offering, “Nola“. The South Carolina natives have had an important influence on the trap music scene, and have once again showcased how visuals can not only amplify but also redefine lyrical abilities in the recent release.
Featuring famous femcee Renni Rucci, and lyrical powerhouse Big Lex,the triple threat trio, create a soundtrack that resonates with a wide variety of fans, pulling them into a universe where the bass is as booming as the message. The hot new hit appears on the arrival of Blacc Zacc’s popular project, 48 Hours, featuring Neeko Baby, available on all DSPs. With the release of “Nola,” it’s more than the music; it’s a vibrant and uncut tapestry expressing the essence of trap. From the enticing yet high energy beats that set the scene for the appealing stories that promise to take listeners through the rugged sounds of the genre, the single serves as a complete experience.
Additionally with the drop of the Man Films-directed visual, Blacc Zacc and the ladies bring his trap dreams to life delivering the same rawness that defines the artists’ appeal. Delivering the same energy expressed on the record to the visual, the collaborators’ unapologetic confidence, powerful presence, and bold attitude are not just for show; they are the tools of trade in a cutthroat and highly competitive industry.
Nonetheless, through the collaborative efforts of Blacc Zacc, Renni Rucci, and Big Lex, “NOLA” breaks through the sound barriers, bringing with it a burst of authenticity and raw talent. This isn’t single isn’t just to be spun; it’s a vibe to be witnessed, participated in, and celebrated. Take a trip to the trap with Blacc Zacc, Renni Rucci and Big Lex by pressing play on their catchy collaboration “Nola”. Lastly, let us know your thoughts in the comments!
Emerging R&B artist Ryan Trey doubled down in March with the release of the deluxe version of his stellar November 2023 album, STREETS SAY YOU MISS ME. The expanded edition features new tracks that delve into the unexpected twists and turns of Ryan’s early twenties, offering a lyrical narrative of his personal journey.
The deluxe version of “STREETS SAY YOU MISS ME” showcases Ryan Trey’s growth as an artist and his ability to connect with listeners through his music. The new tracks add depth to the album’s themes, exploring themes of love, loss, and self-discovery.
In an exclusive conversation with The Source, Ryan Trey opened up about the success of the album and his creative process. He shared insights into how he feels about releasing his work to the world and the impact it has had on him personally.
Congratulations on releasing the deluxe edition of your debut album, Streets Say You Still Miss Me! How does it feel to have this project out in the world, especially with the bonus tracks?
Ryan Trey: It feels really good! That was a project that I really worked hard on. I think it’s my most complete body of work. It’s a project I came to Atlanta to do to really incorporate that collaborative effort that Atlanta has as far as producers working together and artists working together. I feel like that’s something you don’t get anywhere else. This is the most features I’ve ever had on my project, so it’s dope. In terms of the Deluxe, there were two long-awaited songs that were leaked: “Reset” and “Ridin 4 U,” so I feel like my fans were super excited about hearing the actual mixed versions of those records in full.
The trailer for Streets Say You Still Miss Megave fans a glimpse into the emotional journey of the album. Can you tell us more about the inspiration behind the visuals and the message you wanted to convey?
The trailer represented me being at odds with my best friend in my life. It starts off with me being with a girl next to me, and then me being in that same place without her. That’s kind of how Atlanta was for both of us. We were both in Atlanta, and we went through some things, and I ended up having to finish that project in a place we both came to damn near together. The symbolism of a female figure starting off in the trailer and disappearing signifies that situation. That’s where that trailer comes from.
Could you share with us the creative process behind the project and the themes of the album?
The album’s theme was about my experience going through a breakup with someone I was super close with, and it was all about us being at odds for the first time. It almost felt like we were just going to war with each other about internal things within the relationship as far as my loyalty and her being anxious about certain environments I’m in as an artist and all those types of things, so we ended up breaking up. We were going through a rough patch, hearing things about each other while we were both outside trying to get over each other. That’s where the title ‘Streets Say You Miss Me’ comes from, because even though we were both trying to move on, everyone else was saying we still miss each other. I always also say that to me, this project was a bunch of excuses because I still feel like, as the guy, I was wrong in a lot of areas, but that kind of goes into my next project. The next project is more mature. But all in all, it was just an emotional battle with someone close to me, and that’s where the title draws inspiration from.
Since its release in November 2023, Streets Say You Still Miss Me has garnered over 9.8 million total streams. What has been the most rewarding aspect of seeing your music resonate with listeners on such a large scale?
It’s two things! When people DM me and message me saying that certain records helped them understand certain situations, whether it’s about me as an artist or their personal relationship. When guys see me and they’re like, “This is exactly how I was feeling,” or girls see me and say, “You were actually honest about this on this record,“ I like those responses. Also the live performances. Hearing people sing your songs back to you live means they feel them emotionally more than just listening to them. I think that’s dope.
The album features collaborations with other artists, such as Mariah The Scientist on “Ain’t Even Friends.” How do these collaborations enhance the overall narrative and sound of the album?
I felt, specifically with Mariah, that this album wouldn’t have been complete without a woman’s perspective. I didn’t want to masculate it too much to the point where it’s just my side of things, so I felt like having a woman on the song who’s probably also been through heartbreak and has the best perspective on how women go about those situations made the song what it is. It certainly wouldn’t have been complete without her, and she did the track justice for sure.
Your singles “More Than Sorry” and “30 Floors Up” have been particularly well-received. Can you walk us through the creative process behind these tracks and what they mean to you personally?
“MORE THAN SORRY” is probably the most apologetic record I’ve done next to “REDWING DRIVE” that’s on the album. “MORE THAN SORRY” is me really just venting about not being the best boyfriend at the time but trying to be now. “30 Floors Up” is more of a record about turning your girl up, exploring the sexual side of things as far as feeling that type of way towards the person you like, and spending that quality time with them. Those are two emotions I was able to hit on the album that I felt like were needed.
Streets Say You Still Miss Me touches on themes of love, heartbreak, and self-discovery. How much of your own experiences and emotions did you pour into this album?
I poured all my own experiences and emotions into the album. I think an important lesson I’ve learned is to not take advice from other people who’ve been through heartbreak because everyone’s situation is unique. For example, If you are trying to get your girl back or something, you can’t go ask your guy friends for advice that have never had a serious relationship or are currently enjoying their single life. They’re ultimately going to give you their perspective based on that. You also have girls that will maybe tell you that you’ll never be able to mend a relationship due to their own experiences with heartbreak. When I was getting both of those sides, neither of those things happened. I ended up getting a girl back, working it out and even going through more stuff, so it’s just so unique to my own experiences. I always tell people, you just have to go through it.
Looking ahead, what can fans expect from you in terms of future projects or collaborations? Are there any new directions you’re excited to explore in your music?
I’m just chasing the 18-year-old me again in this next on this next album. I feel like ‘STREETS SAY YOU STILL MISS ME’ is a great album, but it narrates the peak of guys making excuses. It was an album that spoke to me taking accountability for messing up but also acknowledging the mistakes of the other person. The direction I’m working on now is taking full responsibility, and it’s just a really sweet album. I keep telling people I’m in my Justin Bieber, Selena Gomez era, like my ‘Journals’ era where I’m just trying to reset and get my inner child back — that middle school, high school type of love. Not pointing a finger or anything but just straight boyfriend mode, releasing that toxic energy. I feel like that’s what’s missing in the game right now, so that’s the lane I’m about to go down.
Chief Keef and Mike WiLL Made-It have joined forces with Sexyy Red for the release of the video for “DAMN SHORTY.” The track, propelled by Mike WiLL’s signature production featuring monster movie horns and crisp percussion, highlights the chemistry between Sosa and Sexyy.
Directed by NSTY, the video follows Sosa, Sexyy, and Mike WiLL as they sit down for a formal dinner before heading to the gas station for a night of turning up. “DAMN SHORTY” showcases the artists’ signature styles over a swelling trap symphony, with drops from the Trap-A-Holics adding to the track’s energy.
The collaboration between Chief Keef, Mike WiLL Made-It, and Sexyy Red promises to be a hit among fans. The video adds a visual dimension to the already infectious track.
Sexyy Red celebrated her birthday and went out twerking. The issue in certain social media sectors is her son, who is looking on in the moment. Red’s butt is in full view of the child, and another woman would playfully interact with him.
The reaction is split as some supported Sexyy Red, with one social media user writing: “So yall don’t dance in front of yall kids?? Yall just 2 step ok.”
You can see the moment below. What’s your take on it?
Returning down memory lane to the MySpace and Juicy Couture era, Sexyy Red has unveiled the video for her latest Billboard-charting single, “Get It Sexyy.” Produced by Tay Keith, the track has already amassed millions of streams and debuted impressively at #23 on the Billboard Hot 100.
Directed by Des Gray, the video captures the essence of the early 2000s, reminiscent of BET’s “106 & Park” playlist. Sexyy Red channels the era’s vibes, sporting tall tees and putting her spin on classic internet dance challenges. Notably, internet sensation Soulja Boy makes a cameo, contributing to a catchy dance routine akin to “Crank Dat.”
The star-studded video features appearances from Drake, humorously portrayed as Sexyy Red’s roller-skating rink date, along with cameos from Adin Ross, Rob49, Wizz Havinn, Fabo, Tay Keith, and more. “Get It Sexyy” marks Sexyy Red’s highest-charting solo single, surpassing her previous hit “SkeeYee.”
Will Smith unexpectedly appeared onstage at Coachella with Latin star J Balvin on Sunday night. The performance was themed around UFOs, and Smith was dressed full on “Men in Black,” channeling his iconic character’s signature sunglasses no less as they performed the title track of the 1997 sci-fi action film.
The Bad Boy actor’s appearance was not long, but Smith, who is no stranger to rocking a moment on stage, made a memorable performance, ending the set which concluded with Balvin dragged off stage by black-suit-clad dancers while Smith pulled out a “Neuralyzer,” which was the famous memory-eraser device from the film. Balvin actually returned for another song, for a version of his hit “In Da Ghetto” with his dancers, costumed in alien garb, with big green and black eyes.
Balvin, who likes big outlandish stages arose on what Variety described as “a platform from beneath the stage, underneath a giant mock-UFO that looked like a cross between the evil spaceship” from the Jordan Peele film “Nope.”
This isn’t Balvin’s first Coachella performance. In 2019, his set memorably jumpstarted the huge presence of Latin music at the festival that year. That year was a big one for the music festival in the desert as it featured performances from at the time rising stars Bad Bunny and Rosalía. At the end of his set, Balvin, who is Colombian, professed how proud he was to see and hear so many artists performing in Spanish at the world’s biggest music festival. Nowadays, it is more so expected, and much of that credit goes to J Balvin and his peers, who continue to electrify Coachella every year.
