…And the Nominations Are in for the 2024 Academy Awards

...And the Nominations Are in for the 2024 Academy Awards

The nominations just dropped for this year’s Oscars. To much fanfare, Oppenheimer has the most nominations with 13 nods. Poor Things was a close second with 11 nominations. This marks the 96th annual Academy Awards. Last year, when the contending and qualifying films were released, we saw a bounce back to the moviegoing experience. Barbenheimer, a cultural phenomenon where two films, Barbie, from Warner Bros and Universal Picture’s Oppenheimer, invigorated box office numbers with nearly $2 billion combined in worldwide gross.

Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer

Best Director
Justine Triet — “Anatomy of a Fall”
Martin Scorsese — “Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Yorgos Lanthimos — “Poor Things”
Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role
Bradley Cooper — “Maestro”
Colman Domingo — “Rustin”
Paul Giamatti — “The Holdovers”
Cillian Murphy — “Oppenheimer”
Jeffrey Wright — “American Fiction”

Actress in a Leading Role
Annette Bening — “Nyad”
Lily Gladstone — “Killers of the Flower Moon”
Sandra Hüller — “Anatomy of a Fall”
Carey Mulligan — “Maestro”
Emma Stone — “Poor Things”

Actor in a Supporting Role
Sterling K. Brown — “American Fiction”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Mark Ruffalo — “Poor Things”

Actress in a Supporting Role
Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
America Ferrera – “Barbie”
Jodie Foster — “Nyad”
Da’Vine Joy Randolph — “The Holdovers”

Adapted Screenplay
“American Fiction,” written for the screen by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written for the screen by Christopher Nolan
“Poor Things,” screenplay by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay
“Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song

Cinematography
“El Conde” – Edward Lachman
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte van Hoytema
“Poor Things” – Robbie Ryan

Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Costume Design
“Barbie” – Jacqueline Durran
“Killers of the Flower Moon” – Jacqueline West
“Napoleon” – Janty Yates and Dave Crossman
“Oppenheimer” – Ellen Mirojnick
“Poor Things” – Holly Waddington

Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn

Original Score
“American Fiction” – Laura Karpman
“Indiana Jones and the Dial of Destiny” John Williams
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix

Live Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Documentary Feature Film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory”
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Documentary Short Film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Film Editing
“Anatomy of a Fall” – Laurent Sénéchal
“The Holdovers” – Kevin Tent
“Killers of the Flower Moon” – Thelma Schoonmaker
“Oppenheimer” – Jennifer Lame
“Poor Things” – Yorgos Mavropsaridis

Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

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‘Oppenheimer’ Leads Oscar Nominations with 13

'Oppenheimer' Leads Oscar Nominations with 13

The nominations for the 2024 Academy Awards have been released. The nominations are led by Oppenheimer, who earned 13 nominations. Poor Things is second with 11. The 2024 Oscars are set for Sunday, March 10, at 4 p.m. PT at the Dolby Theatre in Los Angeles.

Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer

Best Director
Justine Triet — “Anatomy of a Fall”
Martin Scorsese — “Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Yorgos Lanthimos — “Poor Things”
Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role
Bradley Cooper — “Maestro”
Colman Domingo — “Rustin”
Paul Giamatti — “The Holdovers”
Cillian Murphy — “Oppenheimer”
Jeffrey Wright — “American Fiction”

Actress in a Leading Role
Annette Bening — “Nyad”
Lily Gladstone — “Killers of the Flower Moon”
Sandra Hüller — “Anatomy of a Fall”
Carey Mulligan — “Maestro”
Emma Stone — “Poor Things”

Actor in a Supporting Role
Sterling K. Brown — “American Fiction”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Mark Ruffalo — “Poor Things”

Actress in a Supporting Role
Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
America Ferrera – “Barbie”
Jodie Foster — “Nyad”
Da’Vine Joy Randolph — “The Holdovers”

Adapted Screenplay
“American Fiction,” written for the screen by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written for the screen by Christopher Nolan
“Poor Things,” screenplay by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay
“Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song

Cinematography
“El Conde” – Edward Lachman
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte van Hoytema
“Poor Things” – Robbie Ryan

Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Costume Design
“Barbie” – Jacqueline Durran
“Killers of the Flower Moon” – Jacqueline West
“Napoleon” – Janty Yates and Dave Crossman
“Oppenheimer” – Ellen Mirojnick
“Poor Things” – Holly Waddington

Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn

Original Score
“American Fiction” – Laura Karpman
“Indiana Jones and the Dial of Destiny” John Williams
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix

Live Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Documentary Feature Film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory”
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Documentary Short Film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Film Editing
“Anatomy of a Fall” – Laurent Sénéchal
“The Holdovers” – Kevin Tent
“Killers of the Flower Moon” – Thelma Schoonmaker
“Oppenheimer” – Jennifer Lame
“Poor Things” – Yorgos Mavropsaridis

Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

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‘WWE 2K24’ Unveils Cody Rhodes, Bianca Belair, and Rhea Ripley as Cover Stars

'WWE 2K24' Unveils Cody Rhodes, Bianca Belair, and Rhea Ripley as Cover Stars

Today, 2K announced the much-anticipated WWE® 2K24, the latest installment in the flagship WWE video game franchise. Developed by Visual Concepts, the game is set to release on PlayStation® 5, PlayStation®4, Xbox Series X|S, Xbox One, and PC via Steam. The announcement brought a surprise revelation as “The American Nightmare” Cody Rhodes graces the cover of the Standard Edition, while multi-time champions Bianca Belair and Rhea Ripley share the Deluxe Edition cover—a historic first for two women on a dedicated WWE 2K cover. The Forty Years of WrestleMania Edition features original artwork celebrating iconic Superstars and Legends like The Rock, The Undertaker, Hulk Hogan, and “Stone Cold” Steve Austin.

“I’ve been known to keep a checklist of key milestones I want to experience on the path to finishing my story,” said Cody Rhodes. “As an avid gamer, being named WWE 2K cover Superstar is very, very close to the top of that list and I’m very happy to work with the teams at 2K and Visual Concepts to bring that dream to life.”

“This is an incredible milestone in my career and I’m so excited to show the world why WWE 2K24 is a must-have and the EST game for every WWE fan and gamer,” said Bianca Belair.

“I’ve proven myself to be the most dominant competitor to ever hold the WWE Women’s World Championship,” said Rhea Ripley, “Earning the accolade of WWE 2K24 cover Superstar is only fitting, and I’m proud to add it to my list of accomplishments.”

“Fresh off the highest-rated game in franchise history, the WWE 2K development team continues to build on that quality,” said Greg Thomas, President at Visual Concepts. “WWE 2K24 offers more match types, new MyRISE storylines and characters, improvements to gameplay throughout, a 2K Showcase 40 years in the making, and so much more. I’m very proud of the work the team has done to bring this experience to life, and I look forward to seeing players enjoy the game.”

WWE 2K24 promises several franchise advancements, including the 2K Showcase…of the Immortals, a celebration of 40 years of WrestleMania. New match types such as Ambulance and Special Guest Referee, two MyRISE experiences, and a roster of over 200 WWE Superstars and Legends, including Roman Reigns, Becky Lynch, and John Cena, enhance the gaming experience. Improved graphics, animations, and gameplay upgrades contribute to the most visually impressive WWE 2K installment to date.

The Deluxe Edition and Forty Years of WrestleMania Edition are set for worldwide release on March 5, 2024, with the Standard Edition and Standard Cross-Gen Digital Edition following on March 8, 2024.

In addition to the cover stars, WWE 2K24 introduces:

  • 2K Showcase…of the Immortals: Relive iconic moments from 40 years of WrestleMania, playing through monumental events with the distinctive Slingshot Tech for an immersive experience.
  • Iconic Roster: Featuring WWE Legends like “Stone Cold” Steve Austin and Undertaker alongside current Superstars such as Cody Rhodes, Bianca Belair, and Roman Reigns.
  • New Match Types and Gameplay Upgrades: Four new match types, including Special Guest Referee and Ambulance Match, along with improved animations and gameplay features.
  • MyRISE: A unique career mode experience with new storylines, Undisputed (men’s) and Unleashed (women’s), putting players in control of custom-created Superstars.
  • Universe and Creation Suite: Expanded features in WWE Universe mode and the renowned Creation Suite, providing players with detailed customization options.
  • MyFACTION: The team-building mode returns with new features, including a direct purchase card market and updated multiplayer experience.

The WWE 2K24 Deluxe Edition and Forty Years of WrestleMania Edition include exclusive bonus content and a Season Pass for post-launch DLC content packs.

Fans can pre-order the game to receive the Nightmare Family Pack, featuring playable Superstars like Cody Rhodes and Dusty Rhodes, among others. Digital pre-orders also include the Standard Edition of WWE 2K23.

Prepare for an immersive WWE gaming experience as 2K delivers its latest installment, promising excitement for fans and gamers alike.

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BET+ Scripted Series Releases Trailer for ‘Perimeter’ From Director of ‘Maxine’s Baby: The Tyler Perry Story’

PERIMETER 0137 scaled

Armani Ortiz, co-director of Maxine’s Baby: The Tyler Perry Story is behind Perimeter, the new original series from BET+ taking viewers on a unique journey of intertwining stories in the 1990s. On deck to star on the series is Ava Mone’t, Tatyana Ali, Donovan Christie Jr., Malcolm Xavier and Wes Montez. Ortiz is writing and directing and with Perimeter set to premiere on the streamer on Feb. 29.

The four episode order set in Atlanta during the 1990s follows the interwoven stories of a Spelman sophomore, a bad boy, a mayoral candidate and others in stories that include Freaknik and the Atlanta Olympics as the major backdrop of the era.

Here’s official description from BET+:

In Atlanta, in the 1990’s a complex web of personal stories unfolds. Paige, a promising Spelman sophomore, veers off her path to success when she falls for a “bad boy” just before the pivotal “Freaknik” event. Adulthood disrupts their lives, pulling Paige, her long-term boyfriend Malcolm, and newcomer Romeo into a series of challenges. Amidst Atlanta’s global Olympic spotlight, eventual mayor Robert Dawn’s rise to power comes at the price of personal sacrifices and moral dilemmas. These interconnected stories set off a transformative chain reaction in the city, echoing Dante’s words: “The road to hell is paved with good intentions.”

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WATCH: Jennifer Lopez Unveils ‘This Is Me…Now: A Love Story’

Jennifer Lopez Unveils 'This Is Me…Now: A Love Story'

Jennifer Lopez is set to embark on an unprecedented musical journey with her latest project, This Is Me…Now: A Love Story.

Unlike anything she has done before, the album and love story delve into Lopez’s evolution, emphasizing the themes of love and self-love.

Directed by Grammy-winner Dave Meyers, known for his work with top artists like Ariana Grande, Taylor Swift, and Kendrick Lamar, the project boasts an all-star cast featuring Fat Joe, Trevor Noah, Post Malone, Sofia Vergara, and more.

The first single from the upcoming album, “Can’t Get Enough,” dropped on Jan. 10th, accompanied by a captivating music video on YouTube. Fans can mark Feb. 16th on their calendars, as both the album This is Me…Now and the cinematic love story will be globally streamed on Prime Video, promising an immersive and unique experience for Lopez enthusiasts.

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Hollywood Editor Arrested for Child Cruelty After Vicious Video Goes Viral

Screenshot 2024 01 12 at 6.30.16 AM

News reports have confirmed that a Hollywood editor is under fire following his arrest for child cruelty charges. The recent charges have already gotten the well-known editor kicked off of a significant Amazon Prime show with more repercussions eminent for the troubled man behind the cam.

39-year-old Christopher Charkowski was arrested in Los Angeles County last week on a felony charge of willful cruelty to a child causing possible injury or death after a video that allegedly shows Charkowski brutalizing a child inside of a home, which allegedly occurred in June 2022.

The video shows who is presumably Charkowski punching a young toddler boy before throwing him down onto the couch. While the relationship between the adult and child is unclear, law enforcement deemed there was sufficient reason to connect Charkowski to the incident.

Charkowski has a background in post-production for major TV shows, including his recent work on “Jury Duty,” which gained attention and was nominated at the Golden Globes. Charkowski also previously worked on Bravo’s “Below Deck Mediterranean” before production for that show ended almost two years ago.

Charkowski has been since released on bail, but is due back in court i na little more than a month.

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Pete Davidson Says He Was High and Cracked a Bad Joke to Aretha Franklin’s Family at Her Funeral

Screen Shot 2018 10 07 at 8.35.53 AM

Pete Davidson revealed that he was extremely high at Aretha Franklin’s funeral and made a bad joke to her family.

Speaking in a trailer for his Netflix special, Davidson recalled the moment he went to the funeral with his then-fiancée, Ariana Grande.

“I’m so high, I thought it’d be a good idea to go up to her family and go, ‘Hey! I’m just here to pay my R-E-S-P-E-C-Ts,’” Davidson said.

“It’s embarrassing when you’re not on ketamine anymore, though,” Davidson said. “I’m embarrassed. I was out and about like that. That’s not cool, you know?”

Ketamine, as classified by the U.S. Drug Enforcement Administration, is a dissociative anesthetic exhibiting hallucinogenic properties.

The trailer for his upcoming special, Turbo Fonzarelli, is below.

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[WATCH]Shannon Sharpe Responds To Criticism Over Katt Williams Interview

Katt Williams Says Harvey Weinstein Offered Him Oral Sex

Shannon Sharpe recently admitted he was offended over criticism that he was starstruck during his interview with Katt Williams instead of asking important follow-up questions.

Katt’s infamous interview on the Club Shay Shay podcast went viral last week, but social media users criticized Shannon’s interviewing skills.

One viewer tweeted (then deleted):

“Shannon Sharpe’s poor interview skills make me feel like he is just not an active listener at all because he left soooooo much on the table with Katt. Interviewing (like journalism) is a skill and it sucks how we’ve minimized its importance over time.”

“I never said I was a journalist,” Shannon told former NFL star Chad Johnson during the “Nightcap” podcast on Thursday. “Follow up question with what?”

Shannon claimed Katt’s appearance was simply a “conversation” between friends.

“If you listened in my intro, I said… the person that’s coming by for conversation and a drink. I’m a conversationalist.”

Shannon continued: “I never professed to be a journalist. I’m an entertainer. If you want hard-hitting questions, ’60 Minutes’ is the platform for you. ‘Dateline.’ ’48 Hours.’ Go to Lester Holt.”

However, social media users argued a good conversationalist requires listening skills and Shannon struggled.

The Club Shay Shay episode racked up over 36 million views in 4 days.

Thoughts?

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Joey Bada$$ Reacts To Surprising Demise in ‘Power Book III: Raising Kanan’

Joey Bada$$ Reacts To Surprising Demise in ‘Power Book III: Raising Kanan’

As reported on Shadow and Act … Oh, wait SPOILER ALERT … Cool? Carrying on. So basically, a body was rolling unceremoniously down a hill on Friday’s episode of Power Book III: Raising Kanan. And if that’s what we think it is, then rapper turned-actor Joey Bada$$ is done for in the series.

This past weekend, the artist who plays the role of Kadeem “Unique” Mathis posted a caption that read “Unique Forever.” Whelp, take that for what you will.

ICYMI, on the last episode of Power Book III: Raising Kanan, it got tense between Bada$$’s character and his bro, Ronnie, played by Grantham Coleman. This seemingly led to Unique’s demise.

“Unique is the younger brother of Ronnie, so I feel like this is the first time that people can see Unique [excited about something],” Joey Bada$$ told Shadow and Act in an interview (which you can view in full above) ahead of the season’s premiere. “You see the excitement in Unique. You almost see his inner child a little bit, like, ‘Wow, Ronnie’s home. My big brother.’ And you get to see a little more vulnerability from Unique this season, which I think adds a very interesting layer.”

To Power fans, Unique was a big-time drug lord but had a softer side as the love interest of Patina Miller’s character Raquel Thomas.

“Despite these two characters having moments of wanting to tear each other’s heads off, I think there was always an undeniable chemistry between them,” Joey Bada$$ recalled. “Viewers can definitely expect to see that chemistry explored a little bit and I think it plays on this new layer of Unique’s vulnerability. I think it’ll be interesting to see what happens between Unique and Raq.”

To give you a refresher, Power Book III: Raising Kanan was created by Sascha Penn. This marks the third spinoff series in the Power franchise. Played by MeKai Curtis, it tells the story of Kanan Stark’s younger years rising in the illicit drug business during the 90s. What a time to be alive. Joey Bada$$ has been in the series as Unique since the beginning of 2021 and was one of the original cast members … Damn. RIP, Unique. 

The post Joey Bada$$ Reacts To Surprising Demise in ‘Power Book III: Raising Kanan’ first appeared on The Source.

The post Joey Bada$$ Reacts To Surprising Demise in ‘Power Book III: Raising Kanan’ appeared first on The Source.

‘The Color Purple’ Remake Triumphs at the Christmas Day Box Office

Taraji P. Henson, H.E.R. Fantasia, Halle Bailey & More to Star in 'Bold New Tape' of 'The Color Purple'

In a heartwarming twist, the remake of “The Color Purple” emerged as the holiday season’s cinematic darling, claiming the top spot at the box office on Christmas Day. Starring the dynamic trio of Danielle Brooks, Fantasia Barrino, and Taraji P. Henson, the movie seamlessly blended the cherished storyline with the enchanting elements of song and dance, leaving audiences captivated and emotionally moved.

According to The Hollywood Reporter, the musical adaptation, produced by the formidable duo Oprah Winfrey and Steven Spielberg, raked in an impressive $18.1 million from 3,142 theaters on Monday. This remarkable performance marks the second-best showing ever for a movie opening on Christmas Day and the best since 2009.

The stellar cast, featuring Fantasia Barrino, Taraji P. Henson, Danielle Brooks, and Colman Domingo, brought Blitz Bazawule’s visionary retelling of Alice Walker’s beloved novel to life. The narrative, originally adapted from the Tony-winning Broadway show, retained its integrity while introducing the powerful dimensions of music and choreography, creating a truly brilliant cinematic experience.

The Hollywood Reporter notes that the record for the biggest Christmas Day opening still belongs to 2009’s “Sherlock Holmes,” which earned $24.6 million (not adjusted for inflation). However, “The Color Purple” remake’s triumphant performance underscores its undeniable impact on audiences during the festive season.

The blend of nostalgia, exceptional performances, and the infusion of musical elements contributed to the film’s success. The enchanting retelling of this timeless story serves as a testament to the enduring power of Alice Walker’s narrative and the creative prowess of the team behind this modern cinematic masterpiece.

As viewers flocked to theaters on Christmas Day, “The Color Purple” remake not only captivated the hearts of those familiar with the classic but also introduced a new generation to the beauty and resilience embedded in the narrative. The movie’s success serves as a heartening conclusion to the year, bringing much-needed cheer to the holiday box office.

For those who haven’t yet experienced the magic of this musical adaptation, “The Color Purple” promises an emotional and visually stunning journey, ensuring that Alice Walker’s timeless tale continues to resonate and inspire audiences across generations.

The post ‘The Color Purple’ Remake Triumphs at the Christmas Day Box Office first appeared on The Source.

The post ‘The Color Purple’ Remake Triumphs at the Christmas Day Box Office appeared first on The Source.