OSCARS

Ice Spice Fiercely Clapped Back After A Fan Expressed Their Disapproval Of Her 2024 Oscars After-Party Dress

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Ice Spice 2024 Vanity Fair Oscar Party
Getty Image

Actors Da’Vine Joy Randolph, Robert Downey Jr., and Ryan Gosling (aka our forever Ken) were the breakout stars of the 2024 Oscars.

However, Ice Spice was the talk of the official after-party presented by Vanity Fair. The “Think U The Sh*t (Fart)” rapper’s barely there black sheer lace dress left little to the imagination. Ice Spice’s garment was only rivaled by John Cena’s naked onstage cameo during the ceremony.

After photos from the party began circulating online, users weighed in on Ice Spice’s look. One user expressed disapproval, writing, “I wish her stylist would try harder… same lace bodysuit back to back.” The jab at the musician’s stylist, Timothy Luke Garcia, didn’t sit well with Ice Spice, so she fiercely clapped back, responding directly to the user.

“Let’s see u b*tches in custom Dolce,” she wrote.

This isn’t the first time users have taken issue with Ice Spice’s wardrobe choices. Back on Halloween 2023, her Betty Boop costume caused a stir. However, she isn’t apologizing for her sexy looks. She doubled down on her fiery response to the fan’s remarks on her Oscar look with a sprinkle of sarcasm. “Sorry for being a meanie,” she wrote. “I was only tryna hurt your feelings because you hurt mine :’P.”

Ice Spice Leaves Fans Stunned By Flaunting Her Curves In Lace-Covered See-Through Dress

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Ice Spice has exploded in popularity over the last year and a half. Following the release of her song “Munch,” she went on a massive run. Overall, fans have been enjoying her music quite a bit, and there is a lot to look forward to from her. For instance, she has a new album coming out later this year called Y2K. This will be the rapper’s debut album, and there are quite a few expectations, to say the least. However, with a lot of industry darlings backing her, we’re sure the budget will be high.

Meanwhile, Ice Spice has been stunning fans with her recent run of Instagram and Snapchat posts. In fact, when it comes to Snapchat in particular, she has been getting a bit NSFW. From videos that showcase her more sensitive piercings, to photos that focus on her butt, Spice has been getting provocative. Well, on Sunday for the Oscars, the artist got provocative once again, this time with a gorgeous see-through dress. Below, you can see that it was covered in black lace and you could see through areas such as the back and even around the chest.

Read More: Ice Spice Respects The Opinions Of Music Critics

Ice Spice Is A Head-Turner

For instance, that very same piercing that fans lamented about a few days ago is kind of visible here. As you can see in the comments section, fans were thirsting heavily after the superstar. Some proclaimed that they wanted her to “come home” and others even said they were expecting her to show up on time for a date. It was just yet another example of how Ice Spice has captivated fans. Needless to say, the strategies she’s employing are working.

Let us know what you thought of Ice Spice’s look, in the comments section down below. Are you excited for Y2K? What are your expectations for the album? Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will always be sure to keep you informed on all of your favorite artists and their upcoming projects.

Read More: Ice Spice’s Doppelganger Blows Up On TikTok

The post Ice Spice Leaves Fans Stunned By Flaunting Her Curves In Lace-Covered See-Through Dress appeared first on HotNewHipHop.

Oppenheimer Wins Big Across Major Categories at Oscars

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'Oppenheimer' Leads Oscar Nominations with 13

Oppenheimer reigned supreme at the 2024 Oscars. The Christopher Nolan film took home seven Oscars, including ones for Best Picture and Best Director.

Included in the Oscars haul was Best Actor, going to Cillian Murphy. “We made a film about the man who created the atomic bomb, and for better or for worse, we’re all living in Oppenheimer’s world,” he said on stage.

The post Oppenheimer Wins Big Across Major Categories at Oscars first appeared on The Source.

The post Oppenheimer Wins Big Across Major Categories at Oscars appeared first on The Source.

Ryan Gosling Brought The Kenergy To His Performance Of ‘I’m Just Ken’ At The 2024 Oscars

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ryan margot
abc

Can you feel the Kenergy? You can if you watch Ryan Gosling perform “I’m Just Ken” in a pink suit. The yearning power ballad, written by Mark Ronson and Andrew Wyatt, was a show-stopping number in Barbie, the highest-grossing movie of 2023 — and a highlight of the 2024 Oscars with cameos from Margot Robbie, Greta Gerwig, Emma Stone, and even Slash.

Check out the video below.

The thing is, “I’m Just Ken” almost didn’t make it into Barbie. “At that first screening the song wasn’t working. I panicked. The humor wasn’t translating and Greta had to fight,” Ronson told the Times. “The studio asked her how much she really needed it and she said, ‘With every inch of my body.’ And then there was a big swing.”

The song has even become an unlikely inspirational anthem. “I know I’ll sound like David Brent, but the song helped young boys,” Ronson said. “My friend’s eight-year-old got broken up with and he said, ‘It’s OK, because Ken got broken up with by Barbie.’ The song tells boys that it’s OK to be runner-up. The internet’s caused a level of isolation in boys and this idea of male camaraderie and sharing your feelings is a nice and unexpected thing to come out of it.”

You can find the updated list of Oscar winners here.

Who Is Performing At The 2024 Oscars?

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Ryan Gosling Ken Barbie
Warner Bros.

For a little while, there was some uncertainty about whether Ryan Gosling would perform his Barbie movie favorite “I’m Just Ken” at the 2024 Oscars. A few days ago, though, Variety confirmed that he will take the Academy Awards stage to bust out the song, and now the Academy itself has revealed the full list of musical performers set to play their songs at this year’s ceremony, on March 10 at 7 p.m. ET.

Who Is Performing At The 2024 Oscars?

There are five songs nominated for the Best Original Song award this year, and as Variety notes, all of them will be performed during this year’s ceremony. The list of songs and their performers is as follows:

  • “The Fire Inside” from Flamin’ Hot (performed by Becky G, music and lyrics by Diane Warren)
  • “I’m Just Ken” from Barbie (performed by Ryan Gosling and Mark Ronson, music and lyrics by Mark Ronson and Andrew Wyatt)
  • “It Never Went Away” from American Symphony (performed by Jon Batiste, music and lyrics by Jon Batiste and Dan Wilson)
  • “Wahzhazhe (A Song For My People)” from Killers Of The Flower Moon (performed by Scott George and the Osage Singers, music and lyrics by Scott George)
  • “What Was I Made For?” from Barbie (performed by Billie Eilish and Finneas O’Connell, music and lyrics by Billie Eilish and Finneas O’Connell).

…And the Nominations Are in for the 2024 Academy Awards

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...And the Nominations Are in for the 2024 Academy Awards

The nominations just dropped for this year’s Oscars. To much fanfare, Oppenheimer has the most nominations with 13 nods. Poor Things was a close second with 11 nominations. This marks the 96th annual Academy Awards. Last year, when the contending and qualifying films were released, we saw a bounce back to the moviegoing experience. Barbenheimer, a cultural phenomenon where two films, Barbie, from Warner Bros and Universal Picture’s Oppenheimer, invigorated box office numbers with nearly $2 billion combined in worldwide gross.

Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer

Best Director
Justine Triet — “Anatomy of a Fall”
Martin Scorsese — “Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Yorgos Lanthimos — “Poor Things”
Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role
Bradley Cooper — “Maestro”
Colman Domingo — “Rustin”
Paul Giamatti — “The Holdovers”
Cillian Murphy — “Oppenheimer”
Jeffrey Wright — “American Fiction”

Actress in a Leading Role
Annette Bening — “Nyad”
Lily Gladstone — “Killers of the Flower Moon”
Sandra Hüller — “Anatomy of a Fall”
Carey Mulligan — “Maestro”
Emma Stone — “Poor Things”

Actor in a Supporting Role
Sterling K. Brown — “American Fiction”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Mark Ruffalo — “Poor Things”

Actress in a Supporting Role
Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
America Ferrera – “Barbie”
Jodie Foster — “Nyad”
Da’Vine Joy Randolph — “The Holdovers”

Adapted Screenplay
“American Fiction,” written for the screen by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written for the screen by Christopher Nolan
“Poor Things,” screenplay by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay
“Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song

Cinematography
“El Conde” – Edward Lachman
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte van Hoytema
“Poor Things” – Robbie Ryan

Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Costume Design
“Barbie” – Jacqueline Durran
“Killers of the Flower Moon” – Jacqueline West
“Napoleon” – Janty Yates and Dave Crossman
“Oppenheimer” – Ellen Mirojnick
“Poor Things” – Holly Waddington

Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn

Original Score
“American Fiction” – Laura Karpman
“Indiana Jones and the Dial of Destiny” John Williams
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix

Live Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Documentary Feature Film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory”
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Documentary Short Film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Film Editing
“Anatomy of a Fall” – Laurent Sénéchal
“The Holdovers” – Kevin Tent
“Killers of the Flower Moon” – Thelma Schoonmaker
“Oppenheimer” – Jennifer Lame
“Poor Things” – Yorgos Mavropsaridis

Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

The post …And the Nominations Are in for the 2024 Academy Awards first appeared on The Source.

The post …And the Nominations Are in for the 2024 Academy Awards appeared first on The Source.

‘Oppenheimer’ Leads Oscar Nominations with 13

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'Oppenheimer' Leads Oscar Nominations with 13

The nominations for the 2024 Academy Awards have been released. The nominations are led by Oppenheimer, who earned 13 nominations. Poor Things is second with 11. The 2024 Oscars are set for Sunday, March 10, at 4 p.m. PT at the Dolby Theatre in Los Angeles.

Best Picture
“American Fiction,” Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, producers
“Anatomy of a Fall,” Marie-Ange Luciani and David Thion, producers
“Barbie,” David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, producers
“The Holdovers,” Mark Johnson, producer
“Killers of the Flower Moon,” Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, producers
“Maestro,” Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, producers
“Oppenheimer,” Emma Thomas, Charles Roven and Christopher Nolan, producers
“Past Lives,” David Hinojosa, Christine Vachon and Pamela Koffler, producers
“Poor Things,” Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, producers
“The Zone of Interest,” James Wilson, producer

Best Director
Justine Triet — “Anatomy of a Fall”
Martin Scorsese — “Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Yorgos Lanthimos — “Poor Things”
Jonathan Glazer — “The Zone of Interest”

Actor in a Leading Role
Bradley Cooper — “Maestro”
Colman Domingo — “Rustin”
Paul Giamatti — “The Holdovers”
Cillian Murphy — “Oppenheimer”
Jeffrey Wright — “American Fiction”

Actress in a Leading Role
Annette Bening — “Nyad”
Lily Gladstone — “Killers of the Flower Moon”
Sandra Hüller — “Anatomy of a Fall”
Carey Mulligan — “Maestro”
Emma Stone — “Poor Things”

Actor in a Supporting Role
Sterling K. Brown — “American Fiction”
Robert De Niro – “Killers of the Flower Moon”
Robert Downey Jr. — “Oppenheimer”
Ryan Gosling — “Barbie”
Mark Ruffalo — “Poor Things”

Actress in a Supporting Role
Emily Blunt — “Oppenheimer”
Danielle Brooks — “The Color Purple”
America Ferrera – “Barbie”
Jodie Foster — “Nyad”
Da’Vine Joy Randolph — “The Holdovers”

Adapted Screenplay
“American Fiction,” written for the screen by Cord Jefferson
“Barbie,” written by Greta Gerwig and Noah Baumbach
“Oppenheimer,” written for the screen by Christopher Nolan
“Poor Things,” screenplay by Tony McNamara
“The Zone of Interest,” written by Jonathan Glazer

Original Screenplay
“Anatomy of a Fall,” screenplay by Justine Triet and Arthur Harari
“The Holdovers,” written by David Hemingson
“Maestro,” written by Bradley Cooper and Josh Singer
“May December,” screenplay by Samy Burch; story by Samy Burch and Alex Mechanik
“Past Lives,” written by Celine Song

Cinematography
“El Conde” – Edward Lachman
“Killers of the Flower Moon” – Rodrigo Prieto
“Maestro” – Matthew Libatique
“Oppenheimer” – Hoyte van Hoytema
“Poor Things” – Robbie Ryan

Original Song
“The Fire Inside” from “Flamin’ Hot,” music and lyric by Diane Warren
“I’m Just Ken” from “Barbie,” music and lyric by Mark Ronson and Andrew Wyatt
“It Never Went Away” from “American Symphony,” music and lyric by Jon Batiste and Dan Wilson
“Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon,” music and lyric by Scott George
“What Was I Made For?” from “Barbie,” music and lyric by Billie Eilish and Finneas O’Connell

Costume Design
“Barbie” – Jacqueline Durran
“Killers of the Flower Moon” – Jacqueline West
“Napoleon” – Janty Yates and Dave Crossman
“Oppenheimer” – Ellen Mirojnick
“Poor Things” – Holly Waddington

Sound
“The Creator,” Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
“Maestro,” Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
“Mission: Impossible – Dead Reckoning Part One,” Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
“Oppenheimer,” Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
“The Zone of Interest,” Tarn Willers and Johnnie Burn

Original Score
“American Fiction” – Laura Karpman
“Indiana Jones and the Dial of Destiny” John Williams
“Killers of the Flower Moon” – Robbie Robertson
“Oppenheimer” – Ludwig Göransson
“Poor Things” – Jerskin Fendrix

Live Action Short Film
“The After,” Misan Harriman and Nicky Bentham
“Invincible,” Vincent René-Lortie and Samuel Caron
“Knight of Fortune,” Lasse Lyskjær Noer and Christian Norlyk
“Red, White and Blue,” Nazrin Choudhury and Sara McFarlane
“The Wonderful Story of Henry Sugar,” Wes Anderson and Steven Rales

Animated Short Film
“Letter to a Pig,” Tal Kantor and Amit R. Gicelter
“Ninety-Five Senses,” Jerusha Hess and Jared Hess
“Our Uniform,” Yegane Moghaddam
“Pachyderme,” Stéphanie Clément and Marc Rius
“War Is Over! Inspired by the Music of John & Yoko,” Dave Mullins and Brad Booker

Documentary Feature Film
“Bobi Wine: The People’s President,” Moses Bwayo, Christopher Sharp and John Battsek
“The Eternal Memory”
“Four Daughters,” Kaouther Ben Hania and Nadim Cheikhrouha
“To Kill a Tiger,” Nisha Pahuja, Cornelia Principe and David Oppenheim
“20 Days in Mariupol,” Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

Documentary Short Film
“The ABCs of Book Banning,” Sheila Nevins and Trish Adlesic
“The Barber of Little Rock,” John Hoffman and Christine Turner
“Island in Between,” S. Leo Chiang and Jean Tsien
“The Last Repair Shop,” Ben Proudfoot and Kris Bowers
“Nǎi Nai & Wài Pó,” Sean Wang and Sam Davis

International Feature Film
“Io Capitano” (Italy)
“Perfect Days” (Japan)
“Society of the Snow” (Spain)
“The Teachers’ Lounge” (Germany)
“The Zone of Interest” (United Kingdom)

Animated Feature Film
“The Boy and the Heron,” Hayao Miyazaki and Toshio Suzuki
“Elemental,” Peter Sohn and Denise Ream
“Nimona,” Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
“Robot Dreams,” Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
“Spider-Man: Across the Spider-Verse,” Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal

Makeup and Hairstyling
“Golda,” Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
“Maestro,” Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
“Oppenheimer,” Luisa Abel
“Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston
“Society of the Snow,” Ana López-Puigcerver, David Martí and Montse Ribé

Production Design
“Barbie,” production design: Sarah Greenwood; set decoration: Katie Spencer
“Killers of the Flower Moon,” production design: Jack Fisk; set decoration: Adam Willis
“Napoleon,” production design: Arthur Max; set decoration: Elli Griff
“Oppenheimer,” production design: Ruth De Jong; set decoration: Claire Kaufman
“Poor Things,” production design: James Price and Shona Heath; set decoration: Zsuzsa Mihalek

Film Editing
“Anatomy of a Fall” – Laurent Sénéchal
“The Holdovers” – Kevin Tent
“Killers of the Flower Moon” – Thelma Schoonmaker
“Oppenheimer” – Jennifer Lame
“Poor Things” – Yorgos Mavropsaridis

Visual Effects
“The Creator,” Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
“Godzilla Minus One,” Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
“Guardians of the Galaxy Vol. 3,” Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
“Mission: Impossible – Dead Reckoning Part One,” Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
“Napoleon,” Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould

The post ‘Oppenheimer’ Leads Oscar Nominations with 13 first appeared on The Source.

The post ‘Oppenheimer’ Leads Oscar Nominations with 13 appeared first on The Source.

Jada Pinkett Smith Says She Appreciated Will Smith Standing Up To Chris Rock

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Jada Pinkett Smith says that Will Smith helped repair their marriage when he slapped Chris Rock at the Academy Awards in 2022. She made the comments while discussing her relationship with Will during an event in New York on Monday as caught by Variety. Despite recently revealing that they have been separated for years, Jada says that when Will stood up for her at the ceremony, she decided to ride with him.

“When I was sitting at the Oscars, it clicked in. As soon as I was like, ‘Oh snap, you hit Chris?’” she recalled. “I was like, I’m riding with you. I didn’t come into this place as your wife, but I’m leaving here as your wife because we got a storm we’re going to have to deal with together. I am not gonna leave your side.”

Read More: Will Smith Says He “Understands” People Not Being Ready For His New Film Due To Oscars Slap

Will Smith Confronts Chris Rock

HOLLYWOOD, CA – March 27, 2022. Chris Rock and Will Smith onstage during the show at the 94th Academy Awards at the Dolby Theatre at Ovation Hollywood on Sunday, March 27, 2022. (Myung Chun / Los Angeles Times via Getty Images)

Despite telling NBC News that they haven’t “called each other husband and wife in a long time,” Jada says they’re still “life partners.” Appearing on The Late Show with Stephen Colbert, she clarified:  “That’s still my man. That’s still my man.” She further referred to Will as her “dude” and “right hand” while describing them as “life partners.”

Jada has been discussing her relationship with Will Smith in various interviews while promoting her new memoir, Worthy. Will eventually responded to the various revelations over the weekend in an email to the New York Times. “When you’ve been with someone for more than half your life, a sort of emotional blindness sets in,” Smith wrote. “And you can all too easily lose your sensitivity to their hidden nuances and subtle beauties.” Be on the lookout for further updates on Will and Jada’s relationship on HotNewHipHop.

Read More: Jada Pinkett Smith Expresses Shock At Will Smith Calling Her His “Wife” At Oscars

[Via]

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Jada Pinkett Smith Expresses Shock At Will Smith Calling Her His “Wife” At Oscars

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Jada Pinkett Smith’s recent press interviews have pop culture media in a chokehold right now. A lot of that revolves around her relationship status with Will Smith, the infamous Oscars slap to Chris Rock, and her bond with Tupac Shakur. However, a recent confession from the actress has fans very intrigued, especially with the added context of the Smith family’s dynamic. Apparently, she was very surprised that the Fresh Prince called her his “wife” during his rant against Rock at the ceremony. While speaking to NBC‘s Hoda Kotb, the Baltimore native revealed why it was such a shocking moment to her.

“I did that eye-roll [in response to Chris Rock’s joke about her alopecia at the Oscars] not so much for me,” Jada Pinkett Smith remarked. “And I think this is really important. But [rather] the fact that there could be a jab at alopecia.” Then, she went into detail about her reaction to Will Smith’s defense of her. “What is going on? Now, first of all, I’m really shocked. ‘Cause, mind you, I’m not there. We haven’t called each other husband or wife in a long time.

Read More: Jada Pinkett Smith Opens Up About Her Drug Dealing Past

Jada Pinkett Smith Revisits Her Shock At Will Smith Calling Her His “Wife”

“I’m like, ‘What is going on right now?’” Jada Pinkett Smith continued. “‘Keep my wife’s name out of your mouth,’ right? And now I’m really worried for Will, because I don’t know what’s going on.” Another recent piece of info to emerge from this press onslaught is that the talk show host thought that the whole thing was a skit. Of course, it didn’t take long for her and the rest of the world to find out that it wasn’t. Still, this gave an oddly reconciliatory context to an event that many thought was out of line.

As such, now the fact that Will and Jada were living separately gives a whole new angle to view “The Slap” from. It’s unclear, though, how the actor feels about all this dirty laundry emerging when it comes to his relationships. We’ll have to wait and see if there are multiple sides to this story. For more news and the latest updates on Will Smith and Jada Pinkett Smith, check back in with HNHH.

Read More: Will Smith & Jada Pinkett’s Marriage Timeline: Life Partners, Entanglements & Separation

[via]

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Can Beyoncé & Taylor Swift’s Concert Films Be Nominated At The Oscars?

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taylor swift
Getty Image

Beyoncé and Taylor Swift are bringing both of their fans to theaters this year as the two stars gear up to release concert films tied to their massive respective tours. (Bey for the Renaissance Tour; Swift for The Eras Tour.) Given both artists have also been nominated for their past work at the Oscars, fans might be wondering if their films will be considered for nominations. Here’s what to know.

Can Beyoncé and Taylor Swift’s concert films be nominated at the Oscars?

Unfortunately, neither film will be eligible under the current Oscars guidelines to be nominated as a documentary feature, according to Variety. The rules state that this is because: “Works that are essentially promotional or instructional are not eligible, nor are works that are essentially unfiltered records of performances.”

The publication also noted that Beyoncé and Swift missed the October 2 deadline that would have been required for consideration.

While they might not be getting a nod at the Oscars, fans could still see their faves getting acknowledgment at the Grammys in 2025 — when it comes to the Best Music Film category. It is still quite a long time away based on the current eligibility period.

Swift’s Eras Tour movie opens on October 13, later this week. Beyoncé’s Renaissance Tour concert film will follow, airing in theaters on December 1.