Lil Durk’s 10-year-old son allegedly shot his stepfather during a domestic dispute involving the child’s mother. Footage that surfaced only allegedly captured the moment when the child grabbed the weapon from his stepfather, Joshua Pippens, and fired it. The altercation shown on video displays the intense scene that unfolded. Pippens has already addressed the shooting from his hospital bed, defending his actions and providing additional context of what led up to that moment. Let’s dig into what we know so far about the shooting.
Caught on cameras, the child, dressed in a red t-shirt and shorts, allegedly took the gun from Pippens, who was dressed in orange, and then aimed and fired the weapon. In the video, Pippens attempts to retrain the child’s mother (in purple). But as the altercation continues into the streets, the child points the firearm and a single gunshot is heard. Then, Pippens falls to the ground.
Joshua Pippens has spoken out from his hospital bed, asserting that he was not the aggressor in this situation. He claimed that the young boy acted under the influence of his mother. “As y’all can see, I was not the aggressor,” Pippens stated on social media. He explained that the child grabbed the gun from his hip, following his mother’s lead. Despite the incident, Pippens expressed his continued love for the child, lamenting that the boy was only acting based on his mother’s actions.
Pippens hinted that the confrontation might have stemmed from a custody dispute over a child the couple shares. He defended his position, stating, “That’s why I got custody of my kids and she don’t.” He suggested that if there were any legal repercussions, they would have already been addressed, emphasizing that his actions were motivated by a desire to protect his rights over his children.
Rapper Lil Durk, who is the father of seven children, has not directedly issued a comment on the matter. However, on July 8th, he did share a brief post on X that may have hinted that his album is on the way. “Save that money for them kids kids kids kids kids,” he wrote.
In the music industry, Christian Ward (whose stage name was formerly Yung Berg and currently Hitmaka) has taken on many different roles. Although he first became famous as a rapper during the mid-2000s, his career reached new heights when he started producing and writing songs for others. This career transformation saved his profession and ensured everybody knew he was a hitmaker. Some of these include No. 1 singles in hip-hop and R&B. It further shows his versatility in making catchy melodies and beats.
Additionally, he has worked alongside some of the biggest names in the business over time, contributing to their success, too. This makes him a crucial person in contemporary music because he can adapt to changes in style without losing what makes artists sound like themselves. Here are five tracks that cannot be missed for anyone who wants to understand this artist-producer’s impact on music or how they have changed over time.
1. “Sexy Can I” (Ray J Featuring Yung Berg) (2008)
Released in 2008 under his previous stage name, Yung Berg, featuring Ray J, “Sexy Can I” was Hitmaka’s first thriving song as an artist. It peaked at No. 3 on the Billboard Hot 100 and achieved platinum certification. Known for making catchy songs ready for clubs, this marked the beginning of Hitmaka’s success. He became known for creating these types of tracks. Its irresistible chorus and sleek production attracted many listeners, securing Hitmaka’s place as an up-and-coming figure in hip-hop and R&B.
The success of “Sexy Can I” was pivotal in Hitmaka’s career. It further emphasized his ability to craft hits that resounded with listeners. The song’s party vibe made it a staple on radio stations and clubs, solidifying his presence in the music industry. This track introduced Hitmaka to a broader audience and set the stage for his transition from rapper to a renowned producer and songwriter.
2. “The Business” (Yung Berg Featuring Casha) (2008)
“The Business,” released in 2008, is another major hit from Hitmaka’s early career when he was still performing under the name Yung Berg. Featuring singer Casha, the track is a smooth, melodic tune that further established his reputation for creating memorable tracks. “The Business” performed well on the charts, reaching No. 33 on the Billboard Hot 100, and became a favorite on radio stations. Its win helped to solidify Yung Berg’s status as a hitmaker during the late 2000s.
The production and chorus make this song stand out, as they would later become trademarks for Hitmaka as a producer. “The Business” showed how good he was at mixing hip-hop with R&B so smoothly that it could be enjoyed by anyone listening. This is just one example of his early abilities on display, followed by an even more successful career after he changed roles into being mainly behind-the-scenes talent.
3. “Thot Box” (Featuring Meek Mill, 2 Chainz, YBN Nahmir, A Boogie wit Da Hoodie, & Tyga) (2019)
“Thot Box,” which was released in 2019, is a big collaboration that really demonstrates Hitmaka’s ability as a producer. Meek Mill, 2 Chainz, YBN Nahmir, A Boogie wit da Hoodie, and Tyga all feature on this track. They delivered vigorous performances over its hard-hitting beat, and it quickly picked up steam. The fact that it had such an energetic performance paired with a tremendous instrumental made it do well on streaming services.
On “Thot Box,” Hitmaka shows off his skill for creating current yet impactful instrumentals. He always has strong melody lines and driving rhythms that never lose their catchiness. The connections made between different musicians through this one song prove how well-known Hitmaka is among other artists. He brings together people who may not usually collaborate to make something special.
“Bounce Back,” released in 2016, is one of Big Sean’s most successful tracks, and it prominently features Hitmaka’s production skills. The song reached No. 6 on the Billboard Hot 100 and became a massive hit and an anthem for overcoming challenges. Hitmaka’s production on this track is characterized by its seamless integration of modern hip-hop elements, making it radio-friendly and club-ready.
Moreover, the success of “Bounce Back” was a significant milestone in Hitmaka’s career as a producer. It showcased his ability to create a sound that perfectly complements the artist’s style and message. The track’s motivational vibe and Big Sean’s confident delivery made it a standout hit. “Bounce Back” emphasized Hitmaka’s production skills and cemented his status as a key player in shaping contemporary hip-hop sounds. This track is a prime example of his skill in producing chart-topping hits that echo with a broad audience.
5. “Sorry Not Sorry” (Bryson Tiller) (2015)
“Sorry Not Sorry” is one of the best songs from T R A P S O U L, Bryson Tiller’s debut album, released in 2015. It was produced by Hitmaka, who has been proven versatile enough to create R&B hits. The beat of this song is smooth and sultry, and it goes well with Tiller’s unique blend of trap music and soul. What stands out about Hitmaka’s work on this track is that he always polishes it up until everything sounds exemplary, then adds an emotional layer through lush production, adding depth to Bryson’s voice.
This became a fan favorite and contributed greatly towards critical acclaim and commercial success for the album, establishing him as one notable figure in contemporary R&B. Through “Sorry Not Sorry,” Hitmaka showed us just how good at making such different types of music sound great together, thus cementing himself as being not only adaptable but influential across various areas within the industry, too.
Emerging from St. Louis, Missouri, in the early 2000s, Nelly (born Cornell Iral Haynes Jr.) crafted a distinctive sound that merged hip-hop with pop-friendly hooks. His debut album, Country Grammar, released in 2000, combines Southern edge and universal mainstream appeal. The album sold over 8.4 million copies in America alone and earned diamond certification. In this crowded hip-hop landscape where catchy beats and sing-along choruses reign supreme is what Nelly was all about.
Further, Nelly has often been responsible for producing hit single after hit single that appeals to millions worldwide. He has always stayed relevant by making music that could be played on the radio but still has its roots deeply planted in hip-hop culture. For over two decades now, Nelly has been commercially successful and influenced a whole generation of artists who want seamless genre mixing in their music. Here are five essential songs that will give you an idea about what kind of influence Nelly had on music and how he developed as an artist himself.
1. “Country Grammar” (Hot Sh*t) (2000)
The song “Country Grammar (Hot Sh*t)” put Nelly on the map, making it his entry into the mainstream. It was released as the first single from his debut album in 2000 and quickly climbed the charts. The single went to No. 7 on Billboard Hot 100. The song’s catchy hook and confident delivery summed up his unique style. Its production laid down a template for Nelly’s signature sound with its trademark beat and infectious chorus.
“Country Grammar” also successfully positioned Nelly after selling millions of copies while establishing himself as a solo artist. This song became an anthem of summer and a staple in radio stations across America. Its funny yet streetwise lyrics and ear-catching melody were enjoyed by all walks of life and made it a massive hit amongst them all. This track demonstrated Nelly’s skill at crafting commercially viable hip-hop songs without losing their essence. It was this track where he revealed his knack for creating tunes that appealed to both mass audiences and rap’s roots.
2. “Hot in Herre” (2002)
In his second album, Nellyville, the hit “Hot in Herre” is probably Nelly’s most identifiable song. In 2002, this single became a cultural institution as it swept over the airwaves. Due to the song’s irresistible vibe and hard-to-forget lyrics, it gained the No. 1 spot on the Billboard Hot 100 charts for seven uninterrupted weeks, making Nelly an important figure in rap.
Its production was vital to its success, with The Neptunes producing “Hot In Herre.” As much as this funky rhythmic beat by The Neptunes was all about the fun mood of the early 2000s, Nelly’s charismatic delivery made it an anthem. It is worth noting that these playful and suggestive words boosted its popularity. This made Nelly a diverse artist who could compose chart-topping songs across genres appreciated by different walks of life.
A single from Nelly’s second album, “Dilemma” was released in 2002 and featured Kelly Rowland. It is also his most popular and long-lasting hit song. This track is a sad departure from the rapper’s normal party anthems. The duet displays Nelly’s vulnerability by combining rap with R&B into a classic love ballad. Spending ten weeks at No. 1 on the Billboard Hot 100, it was among the year’s best-selling singles and earned him his first Grammy Award for Best Rap/Sung Collaboration.
The success of this song can be mainly attributed to Nelly and Kelly Rowland’s undeniable chemistry. Their voices blend so well that they sound like they were made for each other. It tells a story about complicated love and longing through lyrics full of genuine emotion that reverberate. Therefore, we can say without any doubt that “Dillema” will always be considered among the most significant hits from Nelly. It proves how versatile he is when it comes to creating music that cuts across different genres.
4. “Ride Wit Me” (2001)
Also from Country Grammar, “Ride Wit Me” is one of Nelly’s most popular songs. It quickly became an anthem for driving around aimlessly and having fun. It once again showed that Nelly was good at making happy music that everyone could enjoy. The chorus of this track features the unforgettable line “Hey, must be the money!” It wasn’t surprising when the song reached No. 3 on the Billboard Hot 100 and established Nelly as a significant figure in early 2000s rap.
The smoothness of its production gives “Ride wit Me” a relaxed vibe to go with Nelly’s flow and down-to-earth lyrics about enjoying oneself. It’s also bright and summery, which made it perfect for radio airplay or party playlists. This also helped it contribute even further towards achieving multi-platinum status for Country Grammar. This record represents what can happen when you mix catchy melodies with elements from hip-hop because it attracted both hardcore rap fans as well as mainstream listenership. So many people still love this track – it just goes to show how much influence Nelly had on music during that time!
5. “Just A Dream” (2010)
“Just a Dream,” released in 2010 as the lead single from Nelly’s sixth studio album, 5.0, marked a significant comeback for the artist. This introspective track diverges from Nelly’s typical party anthems, exploring themes of love and regret. The song became a commercial success, reaching No. 3 on the Billboard Hot 100 and earning platinum certification, reaffirming Nelly’s relevance in the evolving music terrain.
The song’s reflective lyrics also resonated with a broad audience, showcasing Nelly’s versatility and depth. Combining melodic piano and driving beats, the production provided a poignant backdrop for Nelly’s lost love and longing narrative. “Just a Dream” highlighted Nelly’s ability to evolve with changing musical trends while staying true to his unique style. This track is a testament to his enduring talent and ability to connect with listeners personally.
With his sharp and unashamed look at street life, Pusha T, born Terrence Thornton, has left an unforgettable legacy in hip hop. From his earlier days as half of Clipse up to his celebrated solo career, Pusha T provides a guide on how to tell stories through music. He is the epitome of authentic rap. For those who have been following his journey and are interested in knowing more about him, these are the five most essential songs that best portray what Pusha T is all about.
Further, he has maintained a remarkable industry identity over time by being flexible but still sticking to his true self. Pusha T’s path represents both himself and the broader story of street life, showing its complexities, struggles, and glory. These tracks offer insight into Pusha T’s life, illustrating how much he has grown as an artist.
1. Grindin’ (With Clipse) (2002)
Pusha T and Malice, known together as Clipse, shot to the upper echelons of hip-hop stardom with their hit single “Grindin’.” Coming out in 2002, this breakout song from their first album, entitled Lord Willin’, became a classic thanks to its unmistakable beat. The song’s stripped-down production by The Neptunes perfectly complements Pusha T’s grimy rhymes about the daily hustle.
“Grindin’” also had an instant impact that was felt across the board, and it only served to cement Clipse’s position within rap. Pusha T’s bold delivery, along with his ability to tell stories, connected powerfully with his listeners. To date, this remains one of his trademark songs. It captures who he was when he just started out rapping, telling us more about how talented he is lyrically speaking.
2. “Numbers On The Boards” (2013)
In his debut album, My Name Is My Name, Pusha T demonstrated through the track “Numbers on the Boards” that he is a highly skilled solo rap artist. The 2013 song served as an introductory single for My Name Is My Name. To be more precise, it was marked by an unconventional rhythm and a very simple approach to the production. This was also represented a perfect background for Pusha T’s clever wordplay.
Here, Pusha T showed more of his potential as a solo artist amidst a crowded field. He rapped confidently, which signaled his preparedness to face adversities in the music industry without assistance from anyone else. Fans still love “Numbers on the Boards” because it shows what Pusha T intended to achieve with his art while also showcasing how good he is lyrically, even though you cannot see him.
Pusha T’s and Kendrick Lamar’s “Nosetalgia” is an autobiographical jam that takes minds deep into the recesses of their souls. It was released in 2013 as a part of My Name Is My Name, with both artists taking turns to describe what they went through on the streets during childhood. The verses from Pusha T have an unfiltered quality that stands out against the equally graphical narration from Lamar.
Moreover, Push and Lamar’s collaboration on “Nosetalgia” demonstrates the meaning of being a lyricist who paints vivid pictures. Both rappers’ experiences interweave this track, providing a thought-provoking piece that touches people’s hearts. With songs like this, Pusha T has proved his skill at telling excellent stories in music. It further makes him one of hip-hop’s most respected rappers.
4. “If You Know You Know” (2018)
“If You Know You Know” opens Pusha T’s 2018 album DAYTONA with a bold declaration of self-assurance. Kanye West’s minimalist production provides a stark yet powerful backdrop for Pusha T’s incisive lyrics. This track also sets the tone for the rest of the album, showcasing his ability to deliver concise, impactful storytelling with every bar.
The song quickly became a fan favorite, celebrated for its clever wordplay and unapologetic swagger. “If You Know You Know” encapsulates Pusha T’s mastery of his craft, reaffirming his status as one of hip hop’s elite. This track is a powerful introduction to DAYTONA, highlighting Pusha T’s lyrical dexterity and unwavering self-belief.
5. “The Story Of Adidon” (2018)
“The Story of Adidon” is one of the most talked-about tracks in Pusha T’s career. It was aimed squarely at his long-time rival, Drake. Released in 2018, this diss track features Pusha T delivering unflinching lyrics that delve into Drake’s personal life and career. The song’s impact was immediate and widespread, reigniting their feud and capturing hip-hop’s attention.
The intensity and boldness of “The Story of Adidon” highlight Pusha T’s fearless approach to his craft. The track’s confrontation and unfiltered bars demonstrate his willingness to tackle controversial subjects head-on. This song remains significant in Pusha T’s discography, showcasing his lyrical prowess and uncompromising attitude.
At the BET Awards last week, Killer Mike delivered a poignant speech as he accepted the award for Best Rap Album – another triumphant award show night for the Atlanta rapper in 2024. “Technically, I was not supposed to be here,” Killer Mike said about his infamous arrest outside the Grammy Awards earlier this year. That same night, he took home three Grammy Awards for Michael. “I was put in handcuffs, and I was marched out of this building. But I wanna tell you, look at God because I’m back, baby. I’m back.”
His faith in God is at the forefront of his efforts, naturally sprinkling references to his faith across his catalog, whether alongside El-P as Run The Jewels or in his solo catalog. His latest album Michael is an autobiographical body of work that explores his Atlanta roots, both through vigorous levels of rhyming over soulful backdrops and a deep dive into how God brought him through hardships to glory. These Grammy wins and accolades symbolize how he overcame trials and tribulations throughout his life and still surpassed the circumstances that could’ve led him astray. But this message becomes more urgent during his live shows. Accompanied by the Mighty Revival and DJ Trackstar, Killer Mike brought the good folks of Quebec City to a church sermon (albeit, with a bit more cussing and weed smoke).
As part of his summer 2024 tour dates, he made his way through several Canadian cities in support of his excellent 2023 album, Michael. His performance at Festival D’Été Quebec on Friday night (July 6th) felt like another victory lap in a storied career that has seen him reach incredible heights without compromising his artistic integrity. His stage show brought a distinctly Southern feel that embodied his resilience, tenacity, and faith in a Higher Power. The jewels he dropped weren’t those of solely a rapper but one who delivers his words with the conviction of a pastor.
He admittedly tried to stray from religious reference, though stories about Solomon prefaced the emotionally charged “MAMA” and his mini-speeches in between songs felt like notes of inspiration for those who’ve also felt like their back were against the wall. Still, this was a rap show after all, and songs like “RUN” and “DOWN BY LAW” got the energy right for the remainder of the evening. But, at the core of Killer Mike’s performance was bringing Atlanta to the Canadians. The album cuts got the audience excited, for sure, but hard-hitting bangers including Big Boi’s “Kill Jill” and Bone Crusher’s “Never Scared,” alongside cuts from Run The Jewels and R.A.P Music, kept the crowd’s vibrancy at an all-time high.
Following such a triumphant year so far – even with a few mishaps – Killer Mike’s performance felt like a victory lap for an artist who never played the industry game yet exceeded every expectation set against him. But with a breath of gratitude to his tone, his recent feats and festival performances are a testament to his grind and reaping the fruits of his labor.
The Final Lap Tour Makes Its Way To Quebec City
via Etienne Dionne/FEQ
The greatest measure of an artist’s hit-making prowess is how it translates to crowds outside of their prime demographic, specifically those that don’t even really speak the same language. At le Festival D’Été Quebec in Quebec City (a primarily non-English city), 50 Cent served up a platter of bangers for an hour-and-a-half that affirms his presence as one of hip-hop’s greatest showmen. Following 50 Cent’s epic Final Lap tour in 2023, which saw him celebrate the 20th anniversary of Get Rich Or Die Tryin’, he’s clearly in high demand for the summer festival circuit across the world. As we covered in 2023, the Final Lap tour was undoubtedly the tour of the summer, one that brought hip-hop fans, both old and new together, to witness one of rap’s greats perform his biggest hits; timeless classics that have become a staple in hip-hop and pop catalogs.
50 Cent initially stated the Final Lap tour would be his final haul on the road before focusing on his television and film productions. But, after surpassing over $100M in ticket sales last year (making it one of the highest-grossing hip-hop tours of all time), there are plenty of markets that ha highly sought after in plenty of markets that he didn’t hit last year. Joined by his hypemen, Tony Yayo and Uncle Murda, the G-Unit trifecta delivered a more toned-down version of what they brought across North America last year, likely due to the venue change. Festivals provide ample room for pyrotechnics but the setup didn’t necessarily welcome some of the more theatrical elements, such as the wild t-shirt change that went viral last year and even the complex transitions throughout the set (i.e. popping out from under the stage).
The People Love 50
via Etienne Dionne/FEQ
Nonetheless, his performance in Quebec City is a microcosm of 50 Cent’s global appeal. Though the audience might not be entirely tuned into Power (“Big Rich Town” certainly wasn’t even close to being the highlight of the evening), the epic run as a solo artist and with G-Unit throughout the 2000s formed the baseline of his set that transcended language barriers, further emphasizing the grip he’s had on the world since the release of Get Rich Or Die Tryin’.
“I’m On Some Sh*t” may have felt like a bit of a lackluster opener for this audience, especially since the majority seemed unfamiliar with his mixtape run. But, you could imagine that records like “What Up Gangsta,” “Just A Lil Bit,” and “If I Can’t” had the nearly 80,000+ in attendance singing along word-for-word. But once he started going into the real hit records, from his collaborations with The Game to songs like “Candy Shop,” “In Da Club,” and other definitive songs of the mid-2000s, it further affirmed Fif as one of the culture’s pivotal figure who contributed to hip-hop’s global appeal, from his days bullying his peers on his early mixtapes to outshining each of them once he formally entered the game.
SZA is one of the most riveting voices in contemporary R&B today as the music industry is filled with temporal fads and transient sounds. Solána Imani Rowe, hailing from Maplewood, New Jersey, but known as SZA, has transformed this genre through her unprocessed rawness. A manifesto, Ctrl (2017), her first album, was not an introduction but a personal awakening to modern womanhood. It addressed the issues of love, insecurity, and self-determination with the painful truth that spoke eloquently to a generation seeking the real.
Further, SZA’s music is an auditory weaving of R&B, hip-hop, and neo-soul using ethereal singing and pointed lyrics. She has received critical acclaim thanks to her ability to transform personal stories into anthems for all people while gaining devoted fans. Every song takes you on a trip inside her mind where she exhibits her deepest emotions without fear or censorship through poetic lines. Here, we go through five essential songs representing SZA’s evolution as an artist. This is in terms of the genre she represents and how well she speaks to the audience deeply.
1. “The Weekend” (2017)
When her 2017 groundbreaking debut album Ctrl dropped, SZA released “The Weekend.” This track presented SZA’s ability to handle intricate emotional territories with subtlety and bravery with its unashamedly honest examination of modern relationships. The song’s ethereal vocals, coupled with the smooth, sultry production of producer ThankGod4Cody, create an intoxicating and reflective environment.
Moreover, its impact was immediate and profound. It rose to No. 29 on the Billboard Hot 100 and brought SZA critical acclaim. This includes a Grammy nomination for Best R&B Performance. For this reason, this track is vital because it captures SZA’s unique combination of weakness and strength. It allows her to talk about the problems with love in a way that feels personal yet universal. She also has an uncanny ability to make music feel intimate while still resonating widely with audiences.
SZA’s debut album, Ctrl, had the standout single “Love Galore,” which showcases her ability to combine vulnerability and unabashed confidence. It is a collaboration with Travis Scott and was released in 2017, immediately hitting the right notes with its themes of longing. SZA’s silky voice is well matched by the atmospheric, hypnotic beat augmented with lush instrumentation. Travis Scott brought about a dynamic element by making them alternate their styles.
The song also enjoyed considerable success, peaking at No. 32 on the Billboard Hot 100 and reaching multi-platinum certification. This song became one of those anthems that define an artist, marking SZA as one of those R&B giants forever. Her writing was again on point, this time addressing issues concerning the complexities relationships go through when people try living independently. The importance lies in how it fuses raw emotions with refined beats, as exhibited by this track, displaying SZA’s flexibility.
3. “Good Days” (2020)
Released as a single in 2020, “Good Days” is a turning point for SZA’s artistry. The song embodies hope and deep thought at a time of uncertainty. Its gentle melody and floating production allow one to escape the hectic world. Over the production, SZA’s voice reflects on growth, healing, and inner peace, touching on issues that are so deeply personal they are universal.
Almost instantly, it hit home with fans, peaking at No. 9 on the Billboard Hot 100 and earning immense praise globally. This indicates SZA’s capacity to rise above R&B conventions through music that combines lonely words with an uplifting message. This track is significant in terms of vocal delivery and thematic exploration because it reveals SZA’s artistic growth.
4. “Broken Clocks” (2017)
One of the songs that stood out from SZA’s critically acclaimed debut album Ctrl is “Broken Clocks.” It deeply explores the themes of time and the constant quest for one’s goals amidst personal challenges. Unveiled in 2017, this track illustrates SZA’s ability as a narrator. It explains her journey and the sacrifices she made. The production is simple but impactful, with a mellow beat allowing for SZA’s resonant voice and serious contemplation.
Its appeal also comes from how much people can relate to it emotionally. In fact, “Broken Clocks” has been a favorite among fans who have seen it being performed live by SZA while others find solace in identifying themselves with her lyrics. This song did extremely well on the charts and with its fan base, showing how deeply SZA could communicate with listeners through her music. For its honest depiction of struggle and grind hustle this song remains vital in displaying SZA’s blend of emotional rawness and lyrical genius. “Broken Clocks” shows she can create very personal yet universally understood music, further asserting her place in the RnB genre.
5. “Drew Barrymore” (2017)
Ctrl was introduced with the lead single “Drew Barrymore,” which illustrates her knack for personal storytelling entwined with universally relatable themes. The title is derived from the name of a popular actress known for her roles in teen movies. In this song, SZA explores her deepest fears such as questioning her self-worth and acceptance.
The song “Drew Barrymore” spoke to people on different levels, prompting many reviews from critics who appreciated its candid words. It touches on so much more than just a breakup song as it helps establish SZA’s unique style—a fusion of introspective lyrics and eclectic musical arrangements, making her an R&B outlier. This track is very important because it best showcases SZA’s talent for transforming adversities into triumphant anthems that define her sound. Also, this track not only exemplifies how deep she can be in lyricism but also sums up his ability to relate with people at a deeper level, thus making it a fundamental piece about his discography and an epoch-making event in his career.
From the streets of Los Angeles to the top of the charts, Mustard has cemented himself as a cornerstone of hip-hop and R&B. Born Dijon McFarlane, Mustard’s rise to fame is a testament to the power of innovation and a deep understanding of the genre’s roots. Emerging in the early 2010s, he brought a fresh, minimalist approach to production that revitalized West Coast hip-hop and influenced the global music scene.
DJ Mustard’s signature sound is instantly recognizable, marked by its infectious basslines, crisp snares, and the iconic “Mustard on the beat, ho!” tag. It’s a sound that captures the essence of L.A.’s vibrant music culture. He mixes the grit and glamour of the city into a sonic experience that is raw and polished. Over the years, he has collaborated with an array of artists. These range from burgeoning talents to established stars, crafting hits that resonate across dance floors and airwaves. His evolution as a producer reflects a keen ability to adapt and innovate while staying true to the foundational elements that first captured our ears. Here, we delve into five essential tracks encapsulating DJ Mustard’s journey.
In 2011, Tyga’s “Rack City” made a considerable impact, signaling a significant change in the hip-hop scene. It also introduces DJ Mustard as a groundbreaking producer. Hailing from the gritty streets of Los Angeles, Mustard’s production style on “Rack City” stood out against the heavily layered beats dominating the charts. The track’s hard-hitting bassline stripped down hip-hop to its pulsating core, reflecting the hustle of LA’s streets.
“Rack City” wasn’t just a hit; it became an anthem that brought the party from LA’s clubs to the global stage. The track reached No. 7 on the Billboard Hot 100. Its simplicity was its brilliance, making it an instant classic that resonated with fans and club-goers. The success of “Rack City” also showcased DJ Mustard’s talent for creating beats that were both innovative and deeply rooted in the West Coast sound. This track not only propelled Tyga into the spotlight but also solidified DJ Mustard as the pioneer of a new era in hip-hop, where less was undeniably more.
2. “Paranoid” By Ty Dolla $ign (Featuring B.o.B) (2013)
“Paranoid” by Ty Dolla $ign and B.o.B was a turning point in Mustard’s career. It showed that he could blend different types of music together seamlessly. This record was about him working with Ty Dolla $ign on something that mixed R&B sensibility with Mustard’s signature minimalistic style. It formed one smooth package from start to finish. What did this sound like? Think clean hi-hats backing a catchy chorus over an unforgettable instrumental.
At the same time though, what did it do for DJ Mustard? Well, it gave him several chart-toppers on Billboard Hot 100 and introduced many people nationwide who otherwise wouldn’t have cared about West Coast anthems. But I guess what I’m trying to say is that if you were ever under the impression that all DJ Mustard can do is make songs for the clubs, then think again. Not only can he create radio-friendly tracks too, but also—this song is that it really shows us how versatile an artist like Dijon McFarlane truly is. “Paranoid” remains such a statement within his discography – it represents so much more than just another banger.
YG’s 2013 track, “My N*gga,” is the perfect example of his ability to produce street bangers that hit hard. The song features Jeezy and Rich Homie Quan and showcases the unpolished intensity often found in Mustard’s beats. A throbbing bass line and sharp claps form a stripped-down yet infectious backdrop for boastful verses from the guest emcees.
Further, the single shot up the charts. It ultimately peaked at No. 19 on the Billboard Hot 100 and earned heavy club rotation. But “My N*gga” was more than just a successful record; it was a cultural moment that embodied the spirit of West Coast rap. The triumph of this song only established DJ Mustard as a hitmaker capable of channeling street energy into chart-toppers. This track served as an important milestone in his career. It represented another step towards building a recognizable sound for modern-day Southern California hip-hop with YG at its forefront. Regarding discography alone, “My N*gga” is one of DJ Mustard’s most impactful songs simply because it shows how less can become more when connecting deeply with listeners’ hearts.
4. “2 On” By Tinashe (Featuring ScHoolboy Q) (2014)
In 2014, DJ Mustard showed his wide-ranging skills and ability to connect different styles by producing Tinashe’s breakout single “2 On.” The song mixed the mellow, seductive qualities of R&B with the high-energy energy of hip-hop. It was a combination that was fresh as well as universally likable. As for the beat itself, it’s classic Mustard: a stripped-down groove built from a deep bass line, snapping snares, and a sing-song hook. Tinashe glides through the track with sultry ease while ScHoolboy Q adds some street-level grit to his guest verse, making for a smooth and savvy record.
“2 On” quickly became an anthem for the summer. It peaked at No. 24 on the Hot 100 and was inescapable on radio and in clubs. But the song also proved that DJ Mustard could cook up hits that lived outside of genre boundaries. He’d become just as much of an asset to R&B singers as he had been to rappers. It’s essential because it showcased his ability to make crossover records. This also emphasizes his status as someone who could easily conquer charts and dance floors. More importantly, though, this track further cemented his reputation as a hit-maker who refuses to color inside of genre lines. DJ Mustard only knows how to create music that is both forward-thinking and commercially successful.
A masterclass in DJ Mustard’s star-making signature style mixed with big-name features, “Post to Be” is the 2014 track that shows how it should be done. With Omarion, Chris Brown, and Jhené Aiko on deck, hooks and vocals are guaranteed; but its production truly sets this song apart from other collabs. It wouldn’t be a Mustard beat without bouncy rhythms accompanied by crisp hi-hats – which still manage to hit hard even though they’re not too heavy themselves. This is all underneath a bassline, demanding that no one can stay still while listening, especially when considering how well each artist plays off one another throughout each verse. Omarion delivers those suave lines only he can pull off so effortlessly, followed by some charismatic bars courtesy of Chris Brown himself before closing things out strong, thanks largely partly to Jhene Aiko’s unforgettable line.
All these elements came together perfectly enough to make “Post To Be” No. 13 on the Billboard Top 100 Chart. This made it both a commercial smash success and a club banger favorite for many years. People are still playing this song every chance they get at parties or just driving around town, blasting their radios with windows rolled down wide open, singing along word-for-word.
Following two months of dominating streaming platforms, Kendrick Lamar finally unveiled the music video for “Not Like Us,” on the 4th of July, no less. Let’s just say it’s a victory lap across the board, especially considering that some of the symbolism and shots aimed to debunk some of Drake’s major talking points across the beef. Nonetheless, the visuals of “Not Like Us” will undoubtedly extend its lifespan throughout the summer.
Directed by Dave Free and Kendrick Lamar, the music video comes on the heels of the Juneteenth concert at the Kia Forum where practically every Los Angeles rapper joined forces on stage for a moment of unity. The music video is another moment that exemplifies this effort. Plus, some of the symbolism across the visual will have you doubling back to catch some of the cryptic messages that you didn’t pick up on the first time around.
We were blessed enough to receive four new songs from Kendrick Lamar in the span of a few days. However, it seems like we might be fortunate enough to get even more music in the near future. Kicking off the “Not Like Us” video is a snippet of new music that we hope will be released soon.
“Beat Your Ass & Hide The Bible If God Watchin’”
Via YouTube
Just a slick interpretation of the bar.
Tommy The Clown & The General Choreography
Via YouTube
Tommy The Clown’s appearance embodied Los Angeles in a major way. A staple in West Coast culture as a whole, Tommy’s segment at the Pop Out was undoubtedly one of the biggest highlights. To have him basically help lead the music video felt like a nod to Los Angeles’ history, both in music and dance. Plus, the choreography and shots in that final verse added an lighthearted touch to such a vicious song.
Kendrick Playing Hop-Scotch
Via YouTube
Considering the nature of the song and the allegations Kendrick made against Drake, the hop-scotch scene that aligns with the “A-Minor” line certainly isn’t a coincidence by any stretch.
Push Ups
Via YouTube
Between the viral clip of Kendrick doing push-ups in Compton randomly with soul music playing in the background and Drake’s “Push Ups,” Kendrick has really been driving home the importance of calisthenic exercises. Plus, on “meet the grahams,” Kendrick also tells Adonis to “do some push-ups” instead of using Ozempic. Seems like the DAMN. rapper is trying to lead by example. However, considering the amount of Easter eggs we’re still uncovering from the beef two months later, this particular image could be referencing this TikTok that Drake did with a young fan last year. That’s just a guess.
Kendrick Lamar and Mustard bust a move in front of Compton staple, the legendary Tam’s Burger.
Demar Derozan Makes A Cameo
Via YouTube
The former Raptors star also makes a cameo in the music video after joining Kendrick Lamar on stage at the Pop-Out. Clearly, his Compton pride takes center stage on this one but I would imagine that Raps fans are feeling a bit betrayed today.
Black Hippy reunites along with the Top Dawg Entertainment executives. Jay Rock, Ab-Soul and ScHoolboy Q appeared on stage with Kendrick during the Pop Out concert in June.
Each summer, we anticipate the biggest tours to come to our city. However, it seems that for a few artists, the demand isn’t high enough. Apparently, that’s the case for Future and Metro Boomin, who are coming off of the release of two joint projects, We Don’t Trust You and We Still Don’t Trust You. The first boasts the hit single, “Like That” ft. Kendrick Lamar and sparked a wild feud between Drake and basically, everyone else who appeared on either of the projects.
Both Metro and Future have strong collaborators within trap music for the better part of the decade. Their combined stardom would’ve presumably been a shoo-in for sold-out crowds worldwide. Unfortunately, that’s not the case. According to Journal Sentinal, the two have officially nixed their August 2nd show in Milwaukee, along with several other dates, from the We Trust You tour. Here’s what we know so far.
Fiserv Forum released a statement late Wednesday afternoon confirming the cancellation of the Milwaukee concert. “Future’s concert scheduled for August 2 at Fiserv Forum has been canceled. If you purchased your ticket from the Fiserv Forum box office or online via Ticketmaster, refunds will be automatically processed and returned within 30 days,” the statement read. Unfortunately, no additional information was provided regarding the reasons behind this decision.
Impact On Upcoming Performances
NEWARK, NEW JERSEY – SEPTEMBER 12: Metro Boomin and Future perform onstage during the 2023 MTV Video Music Awards at Prudential Center on September 12, 2023 in Newark, New Jersey. (Photo by Theo Wargo/Getty Images for MTV)
Interestingly, the canceled Milwaukee concert was scheduled for the night before Future and Metro Boomin’s planned performance at Lollapalooza, the mega music festival in Chicago. According to the tour’s website, the Lollapalooza show is still on. This suggests that the artists are selective about which performances to cancel. If this were a one-off cancellation, perhaps, we’d be able to chalk it up to some sort of prior engagement or travel conflicts related to the two shows. However, Milwaukee isn’t the only city impacted by the recent decisions.
Several other tour dates have been reportedly marked as canceled. These include an August 6 concert in Nashville and an August 10 show in Columbus, Ohio. Moreover, it appears that the two were also expected to perform at New Orleans’ Smoothie King Center (Aug. 20), but the show no longer appears on Ticketmaster, Live Nation, and the venue’s website. Other dates that have reportedly been canceled are Tulsa, OK (Aug. 25). The tour, initially announced in April, was set to cover 26 stops across North America, starting in Kansas City, Missouri, on July 30.
Why Are They Canceling Shows?
WE TRUST YOU, @1future & @MetroBoomin 177,318 Tickets Available (North America) 43.13% Percentage Sold (23/26 shows) 13.5K Estimated Average Capacity 04/19/2024 General Sales Date
Thus far, there isn’t any particular reason that’s been provided to the public. In recent weeks, there have been some rumors that they haven’t been able to move enough tickets in certain markets. There have been a few whispers that both Canadian dates in Toronto and Vancouver may have been impacted by initially gained steam surrounding the pair of Canadian dates in Toronto and Vancouver – largely connected to their ongoing feud with Drake. However, both of these shows seem to be still on their itinerary for this summer.
Ultimately, there hasn’t been any concrete data available that would suggest either Metro Boomin or Future aren’t selling tickets. Still, that wouldn’t necessarily be shocking as it’s been difficult for plenty of major-name artists to book full-blown tours as of late. Even outside of hip-hop, bands like Black Keys and even superstars like Jennifer Lopez have pulled out of cross-country treks. Though J. Lo’s team said she wanted to spend more time with the family, the announcement arrived on the heels of reports of poor sales. Black Keys, on the other hand, canceled their arena tour with promises to reschedule dates in smaller venues.
Conclusion
Despite having two consecutive albums reach the top of the Billboard 200 within a month and a half of each other – not to mention a chart-topping single – Future and Metro Boomin’s recent cancellations put a spotlight on the conversation surrounding the disconnect between the streaming world and hard ticket sales. This conversation has become more prominent, especially as we witness streaming giants fail to fill out arenas. Still, Future and Metro are much more than two artists who’ve grown popular on Spotify and Apple Music; they are pivotal forces who’ve transcended hip-hop in many ways. However, with inflation hitting hard and the cost of concert tickets running deep, the canceled tour dates probably aren’t related to a shift in cultural relevance but rather, the financial crisis impact millions of people. We’ll keep you posted on anymore updates surrounding their upcoming tour.
In a shocking and disturbing lawsuit, music mogul Sean “Diddy” Combs faces allegations of sex trafficking and coercion by former adult entertainer Adria English, known by her stage name Omunique, TMZ reports. English’s claims, spanning from alleged grooming to forced sexual encounters, have sent ripples through the entertainment industry. The lawsuit also implicates several other individuals, including Jacob “the Jeweler” Arabov and Tamiko Thomas. Here is a detailed breakdown of the allegations and the lawsuit.
ATLANTA, GEORGIA – JUNE 03: Sean “Diddy” Combs attends Black Tie Affair For Quality Control’s CEO Pierre “Pee” Thomas at Fox Theater on June 02, 2021 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images)
Adria English alleges that she first met Diddy around 2004 when her boyfriend was auditioning for a modeling job with Diddy’s Sean John fashion line. According to the lawsuit, things took a dark turn almost immediately. English claims that Diddy asked her boyfriend and another model to perform oral sex on him to secure the job. Though her boyfriend refused, he was later offered the job on the condition that Adria work as a “go-go dancer” at Diddy’s famous white party in the Hamptons.
Participation In Diddy’s Parties
Sean “Diddy” Combs during Sean “Diddy” Combs White Party – Arrivals – August 1, 2006 at St Tropez in St Tropez, France. (Photo by Stuart Morton/WireImage for MAC Cosmetics)
English agreed to work at Diddy’s party during Labor Day weekend in 2004, and photos included in the lawsuit show her presence there. She claims that she subsequently worked at multiple Diddy-hosted events, where she was often encouraged to consume alcohol laced with narcotics like ecstasy and flirt with guests. Initially, she did not engage in sexual activities with the guests, but English alleges that Diddy groomed her over time to become involved in sex trafficking.
NEW YORK – DECEMBER 13: Designer Jacob “The Jeweler” Arabou and Hip Hop Artist Sean “P Diddy” Combs attend the opening party for Jacob & Co. Flagship Boutique on December 13, 2004 in New York City. (Photo by Thos Robinson/Getty Images)
The lawsuit details a particularly harrowing incident involving Jacob Arabov, known as “Jacob the Jeweler,” the owner of Jacob & Co. English claims that Diddy coerced her into having forced sexual intercourse with Arabov during one of his parties. After the alleged assault, Diddy reportedly paid her an additional $1,000 beyond her usual compensation. English states that Diddy personally congratulated her for complying with his demands, reinforcing the coercive environment she describes.
Following the incident with Jacob Arabov, English alleges that the situation worsened. She claims she was “passed off” to other guests at Diddy’s parties, leading to repeated sexual assaults. The lawsuit also names Tamiko Thomas, accusing her of facilitating Diddy’s sex trafficking operation, comparing her role to that of Ghislaine Maxwell in Jeffrey Epstein’s notorious trafficking network. English asserts that Thomas played a crucial part in her exploitation.
Broken Promises & Threats
In addition to the physical and emotional abuse, English alleges that Diddy made empty promises to advance her career. She claims he offered to help her join a girl group and enter the music industry, but these promises were accompanied by threats to blackball her and her boyfriend from the industry if they did not comply with his demands. English eventually managed to escape and return to California in 2009, but she believes Diddy retaliated by blackballing her and her boyfriend, hindering their careers.
Adria English’s lawsuit highlights the severe emotional trauma she has endured due to the alleged sex trafficking. She cites intimacy issues and painful memories as ongoing consequences of the abuse. The lawsuit seeks unspecified damages and names several defendants, including Diddy, Bad Boy Entertainment, Tamiko Thomas, and Jacob the Jeweler.
As these allegations come to light, they underscore the need for accountability and justice within the entertainment industry. The accusations against Diddy and his associates are serious and demand thorough investigation. The outcome of this lawsuit will be closely watched, as it could have significant implications for the individuals involved and the broader fight against exploitation and abuse in celebrity circles.
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