Andre 3000 Says His ‘New Blue Sun’ Album Doesn’t Count Towards His Contract With Epic Records

Andre 3000 Reveals He Auditioned for 'Fast & Furious' Film

Andre 3000 Reveals He Auditioned for 'Fast & Furious' Film

André 3000 recently revealed a surprising detail about his long-awaited debut solo album, New Blue Sun. Despite its critical acclaim and a nomination for Album of the Year at the 2025 Grammys, the project doesn’t count toward fulfilling his contract with Epic Records. In an interview with journalist Touré, the OutKast icon shared his initial confusion and eventual understanding of this contractual stipulation.

“They congratulated me on the process, they congratulated me on what the work was, but contractually, it’s very interesting. My label will not count this album against my contract — this is as a solo artist,” André said, referencing his unconventional flute-based project.

After consulting his lawyer, André learned that the stipulation dates back to the 1970s, when some artists tried to fulfill their record deals by submitting low-effort or unconventional material. Labels countered this by requiring new works to align with the artist’s previous output.

“I didn’t understand it at first and we tried to find ways around it,” he admitted. “But my attorney explained it in this way: it was invented in the ’70s maybe, when artists were trying to get out of their deals so they were just pretty much turning in anything. It says, ‘The next recording has to be 90 percent like the recording before it.’”

He added, “It stops you from turning in 10 tracks of handclaps and saying, ‘This is my album.’ And I get it! But Sylvia [Rhone] and the team have been so supportive. They know I’m not turning in a handclap album — they get it. But as a business, this is the stance they took.”

Despite the setback, André isn’t rushing to leave Epic Records. He remains focused on creating music and has confirmed that he’s already working on another album. While keeping details under wraps, he shared that the new project is well underway.

“Oh, for sure,” he said when asked about a follow-up to New Blue Sun. “At this point, I’m just trying to keep the momentum. There’s such a thing as creative momentum. The next stuff is very interesting, too. We’re almost a third — or halfway — into it.” However, he noted there’s no set release date. “I don’t know when it will be ready. Who knows.”

For now, fans can continue to celebrate André 3000’s latest artistic evolution while eagerly awaiting the next chapter in his legendary career.

The post Andre 3000 Says His ‘New Blue Sun’ Album Doesn’t Count Towards His Contract With Epic Records appeared first on .

J. Cole Launches Season 1 of “Inevitable” Audio Series, Releases ‘The Come Up’ Mixtape

unnamed 37

unnamed 36

Together with longtime business and creative partners Ibrahim Hamad (who also serves as Cole’s manager and cofounder of Dreamville) and Scott Lazer (Filmmaker, Creative Director), J. Cole released a new limited audio series titled “Inevitable.” It will take listeners on an unfiltered voyage through his life, career, and personal evolution, using both released and unreleased music to guide the story.

Check out the first episode of Season 1 and purchase the full series HERE

Titled “The Come Up” after J. Cole’s debut mixtape, the first episode dropped yesterday evening followed by the project’s release on official streaming platforms. This is the first time the mixtape has been made available on DSPs since its debut in 2007.

unnamed 35

Tracklisting:

Intro

Simba

I’m The Man

School Daze

Dollar And A Dream

Quote Me

College Boy

Split You Up

Plain

The Come Up

Dead Presidents

Lil Ghetto Nigga

Homecoming

Carolina On My Mind (feat. Deacon)

Can’t Cry

Goin’ Off

Rags To Riches (At The Beep)

The post J. Cole Launches Season 1 of “Inevitable” Audio Series, Releases ‘The Come Up’ Mixtape appeared first on .

Today In Hip Hop History: Foxy Brown Dropped Her Debut Album ‘Ill Na Na’ 28 Years Ago

tumblr 05733ba8fa5a389356619978f963224f 90c34b04 2048

tumblr 05733ba8fa5a389356619978f963224f 90c34b04 2048

Today In Hip Hop History,  Foxy Brown released Ill Na Na 28 years ago and changed the way women sounded in hiphop. Introduced to the world by a Brooklyn rapperJay-Z on the classic Ain’t No Nigga, Def Jam pulled out all the stops for the queen of the label who released her album one week after her former friend Lil Kim.

“Get Me Home” was released on September 15, 1996. It peaked at number 42 on the Billboard Hot 100. The second single, “I’ll Be”, released on March 4, 1997, also noted a commercial success. It peaked at number seven on the Billboard Hot 100, becoming Brown’s highest charting single.

The album featured guest appearances by Blackstreet, Havoc, Method Man, Kid Capri, and Jay-Z with a majority of the production by the Trackmasters. Ill Na Na produced two hit singles, “Get Me Home” featuring Blackstreet, and “I’ll Be” featuring Jay-Z. Ill Na Na was re-released in 1997.

Salute to the Brooklyn Bombshell who influenced so many girls in hip hop. Never forget.

The post Today In Hip Hop History: Foxy Brown Dropped Her Debut Album ‘Ill Na Na’ 28 Years Ago appeared first on .

Iconic Flows: Scarface’s Verse – “Mind Playing Tricks on Me”

Mindplayingtricksonme

Mindplayingtricksonme

Ya’ll remember back in the early ’90s when Geto Boys dropped “Mind Playing Tricks on Me”? Scarface’s verse on that track was raw, honest, and haunting. It was one of those songs that tapped into something real. From the beat to Scarface’s chilling lines, everything just hit. The vibe was undeniable whether you heard it on the radio or from a friend’s stereo.

This verse? It’s pure Scarface—dark, paranoid, unforgettable. He brings you straight into his world, where shadows lurk, sleep is elusive, and trust is shaky. This track didn’t just climb the charts; it peaked at 23 on the US Billboard Hot 100, 10 on the US Hot R&B/Hip-Hop Songs, and 5 on the US Rap chart, cementing it as a classic.

And this verse? It’s all about that iconic flow. Scarface’s voice, delivery, and raw honesty are why this verse is the one we’re highlighting. It’s subjective, but in terms of Iconic Flows, this one’s got it.

Check out Scarface’s unforgettable verse below:

The post Iconic Flows: Scarface’s Verse – “Mind Playing Tricks on Me” appeared first on .

Uncle Luke: Jay-Z, Diddy And Kanye West Work With The System To Make Black People Villains

b1b057db3f2fdeb99989ffa233b91e2a

b1b057db3f2fdeb99989ffa233b91e2a

Outspoken hip-hop legend Uncle Luke recently took to social media to share his thoughts on the ongoing villainization of the Black community. In a passionate rant, he argued that systemic forces are at play, painting successful Black figures as villains within the culture. He specifically named Jay-Z, Kanye West, and Diddy as examples of stars who, in his view, have both benefitted from and contributed to this dynamic.

“LeBron James is a villain,” Uncle Luke said. “Why? Because he has all-Black representation. […] You guys don’t know, that’s how America works. I, Luther Campbell, I am a villain. I’m a bad guy. That’s why when you look at my profile, ‘bad boy of hip-hop.’ I will never get into the Rock and Roll Hall of Fame. Puff Daddy was not a villain, he was one of them. Kanye West was one of them. Jay-Z was one of them. Biggie Smalls, a villain. Tupac, a villain. We all are villains. And until you people realize that as Black people in America, you are the villain. It’s black and white. You are the opposite of white. We will always be in competition with them. Y’all don’t hear me.”

This isn’t the first time Uncle Luke has voiced strong opinions on such matters. Recently, he commented on Sean “Diddy” Combs’ legal troubles, alleging that Diddy’s behavior was heavily influenced by substance abuse. As with his latest remarks, his perspective sparked significant debate among followers, with many taking to the comments section to both support and challenge his claims.

Beyond social critique, Uncle Luke also calls out industry figures when he feels overlooked. Earlier this year, he publicly urged female rappers to acknowledge and compensate him for pioneering the provocative, party-focused style that has become a hallmark of their success. As always, the Miami rap icon keeps his commentary raw, leaving fans wondering what bold statement he’ll make next.

The post Uncle Luke: Jay-Z, Diddy And Kanye West Work With The System To Make Black People Villains appeared first on .

SOURCE SPORTS: WWE “Monday Night Raw” Debuts On Netflix Live From Intuit Dome L.A. In 2025, Travis Scott Premieres WWE Theme Song

Screenshot 2024 11 18 at 11.13.50 PM

Screenshot 2024 11 18 at 11.13.50 PM

Netflix and WWE announced that the brand-new Intuit Dome in Los Angeles will be the home of Monday Night RAW’s debut on Netflix, LIVE at 5pm PT/8pm ET on January 6, 2025.
 
The announcement was made by WWE Chief Content Officer Paul “Triple H” Levesque and Travis Scott on stage from his sold-out concert at ComplexCon in Las Vegas. Scott, who will be at the January 6 Netflix debut, also revealed his new music will serve as the theme song for RAW.
 
The premiere episode of Monday Night RAW on Netflix will feature some of the biggest names in WWE such as John Cena, Undisputed WWE Champion “The American Nightmare” Cody Rhodes, Roman Reigns, CM Punk, Bianca Belair, in addition to many other Superstars and surprise guests.
 
This partnership marks a new era for WWE fans, with the much-anticipated debut of live weekly programming with can’t-miss action unfolding 52-weeks a year on Netflix.
 
In addition to Monday Night RAW, Netflix will bring WWE’s electrifying content to audiences outside the United States, including SmackDown, NXT, and Premium Live Events (PLEs) such as WrestleMania, Royal Rumble, and SummerSlam. These events can be seen on Netflix starting January 6, 2025 in most international markets around the world.
 
Many of WWE’s top RAW moments will be available to watch on Netflix, plus select programming and historic PLEs also available outside the United States, from January 1, 2025. 
 
Tickets for the premiere episode of Monday Night RAW on Netflix will go on sale this Friday, November 22 at 10am PT/1pm ET via Ticketmaster.com.

The post SOURCE SPORTS: WWE “Monday Night Raw” Debuts On Netflix Live From Intuit Dome L.A. In 2025, Travis Scott Premieres WWE Theme Song appeared first on .

Diddy Denied Bail as Prosecutors Accuse Him of Manipulation and Obstruction Behind Bars

diddy family

diddy family

Sean “Diddy” Combs, the embattled CEO of Bad Boy Entertainment, faced another legal setback last week as prosecutors filed a scathing opposition to his third request for bail following his arrest on human trafficking charges. The filing accuses Combs of using underhanded tactics to manipulate potential jurors and obstruct justice while incarcerated.

Prosecutors Detail Alleged Misconduct

In court documents obtained by People, prosecutors argued that Combs’ request for bail offers “nothing new and material” to justify his release. Instead, they allege he has engaged in a “relentless course of obstructive conduct” aimed at derailing the case.

Among the accusations, Combs is said to have orchestrated social media campaigns designed to taint the jury pool, leaked materials favorable to his defense, and used third-party intermediaries to contact witnesses.

“While attempting to evade law enforcement monitoring, the defendant has, among other things, orchestrated social media campaigns that are, in his own words, aimed at tainting the jury pool,” the prosecution alleges.

Misuse of Prison Communication Systems

Prosecutors claim Combs has repeatedly circumvented Bureau of Prisons (BOP) regulations by using other inmates’ phone access codes, engaging in unauthorized three-way calls, and employing an illicit messaging system known as ContactMeASAP.

Through these methods, Combs allegedly communicated with individuals not on his approved contact list, including attorneys and potential witnesses. Additionally, the filing accuses Combs of compensating inmates for access to their PAC numbers through cash apps and commissary deposits.

Social Media Campaign Featuring His Children

One of the most damning allegations involves Combs’ use of his children to influence public perception. Prosecutors allege that for his birthday on Nov. 4, Combs coordinated a social media campaign featuring his children.

A video posted by his son Justin showed the family calling Combs in prison to wish him a happy birthday. Prosecutors claim Combs carefully monitored the analytics of the video and explicitly discussed with his family how to ensure it impacted potential jurors.

The filing states that Combs’ efforts extended to anonymously leaking “favorable video” to further shape public opinion.

Prosecution’s Arguments Against Bail

Prosecutors maintain that Combs remains a “danger to others” and has both the resources and incentive to flee. They argue that his continued attempts to contact potential witnesses—some of whom are alleged victims—demonstrate a pattern of intimidation and manipulation.

His latest proposed bail package, according to the opposition, is insufficient to address these concerns.

As the legal proceedings continue, the case against Diddy has only intensified. With his bail requests repeatedly denied and prosecutors painting a picture of ongoing obstruction, the music mogul’s future remains uncertain.

While his legal team has yet to respond to these latest allegations, the developments highlight the increasing scrutiny surrounding Combs’ actions both inside and outside prison walls. For now, his fate rests in the hands of the court, with prosecutors pushing for the case to proceed without further delays or distractions.

The post Diddy Denied Bail as Prosecutors Accuse Him of Manipulation and Obstruction Behind Bars appeared first on .

Young Thug Reportedly Defaulted On Loan After Making $16M From Pub Deal

Screen Shot 2024 11 18 at 12.19.08 PM

It’s not all sunny for Young Thug post jail release. The recently freed rapper is facing serious legal trouble over an alleged breach of contract with entertainment giant AEG. The company claims that Williams unlawfully sold the rights to over 400 of his songs for $16 million, violating an agreement to use those music copyrights as collateral for an outstanding loan.

So what we know is the dispute dates back to 2017 when AEG extended a $5.25 million loan to Young Thug’s label, YSL (Young Stoner Life), in exchange for exclusive rights to promote his live shows. In return, YSL and Williams agreed to repay the loan with interest, along with sharing a portion of their concert profits with AEG.

What’s more, by 2019, AEG alleges that YSL and Williams defaulted on the loan, leaving a balance of $5 million still owed. AEG also claims that Williams misrepresented his financial situation during the repayment process, further complicating the matter.

ICYMI, back in 2021, while still grappling with legal issues, Young Thug began selling off portions of his music publishing rights—reportedly without informing AEG. Despite his ongoing legal battles, including charges unrelated to this case, Williams allegedly sold over $16 million worth of his song catalog. This sale made the ownership of the copyrights “particularly fluid,” according to court documents, raising doubts about who ultimately owns the rights to these songs.

Get this, AEG insists that these actions violated the terms of their agreement and were “false and misleading” to the buyers regarding the legal status of the works. The company is now seeking to recover both the original loan amount and all profits generated from the sale of the music rights.

When tracing the financial path of the sale, AEG has begun issuing subpoenas to those involved in the transaction and is investigating public records to follow the money trail. The company plans to determine within the next six months whether it will pursue further legal action or other avenues to reclaim the collateral tied to Young Thug’s music catalog.

The post Young Thug Reportedly Defaulted On Loan After Making $16M From Pub Deal appeared first on .

LeBron James’ SpringHill Reportedly Merging With Fulwell 73 – Producer of ‘The Kardashians’

Screen Shot 2024 11 18 at 11.20.11 AM

Big moves only for LeBron James’ and his entertainment company, SpringHill Co. Reports are coming in that the entertainment powerhouse is merging with Fulwell 73, the British production company behind huge hits like The Kardashians and Carpool Karaoke. Sheesh.

So they way it goes, this merger brings together two powerful forces in the entertainment industry, with SpringHill co-founder Maverick Carter and Fulwell’s managing partner Leo Pearlman set to serve as co-CEOs of the newly combined company.

If you’re unaware, SpringHill was founded by James and Carter, and has primarily focused on sports-related content but they have most definitely branched out.

The media company has produced projects like Starting 5, a 10-part Netflix docuseries following James and other NBA stars during the 2023-2024 season, and the 2022 sports comedy-drama Hustle, starring Adam Sandler. Fulwell 73, on the other hand, has a broader entertainment portfolio, producing shows like The Kardashians and Carpool Karaoke. The merger is expected to give SpringHill greater scale and the ability to make larger deals with media companies and streaming platforms, according to Carter.

Get this, in an interview with CNBC, Carter explained that the collaboration with Fulwell will allow SpringHill to expand its capabilities, especially in the realm of unscripted productions. “Fulwell makes shows we always wished we could do, and we just did not have that capability, in terms of unscripted productions around the world, fully scaled,” Carter said. “Now that jealousy goes away.”

Here’s where the idea of merging came about. Roughly 13 months ago, it all went down following a conversation between Carter and Fulwell co-founder Ben Winston in a parking lot after dinner. Winston shared his admiration for SpringHill’s ability to blend branding with content, noting that the merger will allow the companies to work more efficiently in today’s competitive entertainment landscape. “It’s just a smart way of running an entertainment company in 2024,” Winston said, highlighting SpringHill’s unique approach to combining commerce with content.

Here’s where big business gets bigger. The merger is also supported by a group of high-profile investors, including Fenway Sports Group, RedBird Capital Partners, UC Investments, Nike, Epic Games, Main Street Advisors, and Eldridge Industries. As part of the deal, existing shareholders will invest an additional $40 million to fund growth initiatives for the combined company.

With this merger, the two companies are set to create a more dynamic entertainment entity that blends sports, pop culture, and business in new and exciting ways.

The post LeBron James’ SpringHill Reportedly Merging With Fulwell 73 – Producer of ‘The Kardashians’ appeared first on .

Katt Williams Take On SNL: “At this point, I take it as a badge of honor that they don’t f**k with me”

Screen Shot 2024 11 18 at 11.06.54 AM

Here we go. Katt Williams recently shared his thoughts on Saturday Night Live‘s portrayal of him, revealing that he believes the show’s writers and cast members see him as a “b**ch.”

This is deep. But it’s interesting how he’s being so open about what he thinks THEY think.

The polarizing comedian was speaking at New York Magazine’s Vulture Festival, where he discussed his viral Club Shay Shay interview, which was parodied multiple times on SNL over the years. Despite being the subject of these skits on nine different occasions, Williams pointed out that he’s never been invited to host the show.

During the straight forward but entertaining conversation, the 53-year-old comic reflected on his feelings about the show’s parodies, particularly one featuring SNL cast member Ego Nwodim impersonating him. “A lot of times when people are doing an impression of you, they’re really showing you how they feel about you,” Williams explained. “So, for Saturday Night Live to have an impression of me and have a woman do that? It means they think I’m a b**ch, and I understand that that’s what they’re saying when they do that.” Williams didn’t mince words, implying that the choice to have a female cast member portray him was a deliberate decision by SNL to project a particular image of him.

Williams, also made it clear that he doesn’t take the snubs personally. “At this point, I take it as a badge of honor that they don’t f**k with me,” he added, indicating that he’s not bothered by the absence of an invitation to host. Instead, he seems to wear it as a sort of badge, a sign that he’s not the typical figure they want on the show.

Now get this, the conversation with Vulture also ventured into other areas of Williams’ career, including his infamous interview with FS1’s Club Shay Shay, hosted by Shannon Sharpe. In that interview, Williams took aim at several of his fellow comedians, including Cedric the Entertainer, Steve Harvey, Kevin Hart, Faizon Love, and Michael Blackson.

What’s more, he explained that his intent during the interview was to “kill the careers” of those he called out, believing that he had figured out the “algorithm” of how to do so. However, after rethinking his approach, he admitted to toning down the impact, saying, “When I wrote it out, I wrote it out to kill the careers of the people that I was talking about. But it was so vicious that I erased all of the knockout blows and just left the jabs so that the comic I’m talking about knows that ‘I know your real story, motherf**ker. Imma tell this, but you know what else I know.’”

The post Katt Williams Take On SNL: “At this point, I take it as a badge of honor that they don’t f**k with me” appeared first on .