On Friday, February 2nd, actor Michael B. Jordan kicked off the Invesco QQQ Legacy Classic Basketball Showcase with a vibrant celebration in his hometown of Newark, New Jersey.
The event, sponsored by Grand Marnier, drew notable guests including Terrance Jenkins. Attendees enjoyed specialty Grand Marnier cocktails while being treated to live performances, delicious food, and lively celebrations. The evening marked the beginning of an exciting basketball showcase, showcasing both talent on the court and festive spirits off the court.
Last year Canadian rapper Drake allegedly dissed Rihanna on the track, “Fear of Heights. Fans at his recent show claim Drake is still upset over that break-up. Over the weekend he performed at his show in Tampa, FL, and when his hit single with Rihanna played in the background, Drake told the crowd, “I don’t sing this song anymore. Y’all can sing it for me.”
On the controversial song released via his eighth studio album, “For All the Dogs,” on Friday, “Why they make it sound like I’m still hung up on you? / That could never be / Gyal can’t ruin me / Better him than me / Better it’s not me.”
He continues, apparently referencing Rihanna’s “Anti” album and its “Sex With Me” song, “I’m anti, I’m anti / Yeah, and the sex was average with you / Yeah, I’m anti ’cause I had it with you … / And I had way badder b***hes than you, TBH.”
Kevin Hunter, the ex-husband of talk show host Wendy Williams, is in a legal battle with Essentia Insurance Company after alleging that they refused to honor his claim following damage to his Ferrari, reportedly due to waterlogging. The latest development in this ongoing saga sees Hunter being ordered by a Florida judge to turn over financial documents, including his divorce papers, as part of the lawsuit against the insurance company.
Court documents obtained by Radar Online reveal that Essentia Insurance Company filed a motion to compel, seeking various financial records from Hunter to aid in the preparation for the upcoming trial. Among the documents demanded were all credit card statements from 2020 onwards, copies of bank statements, details of loans taken out in the past four years, and crucially, a copy of Hunter’s divorce settlement with Wendy Williams.
In addition to the demands made by Essentia, the insurance company also issued a subpoena to Verizon, requesting access to Hunter’s phone records. Specifically, they sought all text messages sent and received by Hunter during a specified time frame in November 2021.
The legal battle escalated further when Essentia alleged that Hunter had failed to comply with their requests for documentation. Consequently, at a recent hearing, a judge ruled in favor of Essentia’s motion to compel, ordering Hunter to produce the requested records, including his divorce settlement.
A recent report from Luminate has revealed that Lil Uzi Vert is leading the pack in total global streams among the 2024 Grammy nominees for “Best Rap Song.” Uzi’s track “Just Wanna Rock” has amassed an impressive 1.84 billion total global streams to date, outshining competitors such as Nicki Minaj & Ice Spice’s “Barbie World” with 1.7 billion global streams and Drake & 21 Savage’s “Rich Flex” with 1.29 billion global streams.
The Philadelphia native continues his dominance in U.S. total streams, securing over 810.7 million streams to date. The closest contender in this category is Drake & 21 Savage’s “Rich Flex,” which garnered approximately 697.9 million U.S. total streams.
Lil Uzi Vert’s success extends beyond streaming numbers. In 2023, his album The Pink Tape debuted at No. 1 on the Billboard 200, marking his third No. 1 album. Notably, the album became the first rap album to claim the No. 1 spot on the Billboard chart in 2023.
Uzi’s influence transcended the music industry in 2023, as he performed on prestigious platforms ranging from the Grammys to Wrestlemania 39 and The Tonight Show Starring Jimmy Fallon. As the Grammy Awards approach, Lil Uzi Vert is a formidable force in the Best Rap Song category, backed by his chart-topping success and undeniable global appeal.
Today marks a significant milestone for JT of the acclaimed hip-hop duo City Girls, as she drops the record and accompanying video for her latest solo track, “Sideways” (Quality Control Music/Motown). Following the triumph of her previous solo single, “No Bars,” which achieved over 100,000 sales and 30.2 million streams, “Sideways” sets the stage for JT’s upcoming solo EP.
“I’m excited about dropping solo music because I can focus more on my creativity. I love everything about being an artist!” she says. “I just wanna chill, look good and drop pretty cocky bitch music. I’m the City Cinderella!”
As one-half of City Girls alongside Yung Miami, JT’s venture into solo work signals a bold new chapter in her career as she asserts her individuality and artistic prowess. Fans can expect “Sideways” to be a dynamic glimpse into JT’s evolving musical journey and a teaser for what’s to come in her promising solo career.
“Sideways is a mood! Sometimes women are forced to be friends with everyone and if we decide to stay to our self they call us mean,” she says. “Most of these b*tches nosey & phony! I love my b*tches though, the real ones. Shout out to the real b*tches!”
In anticipation of the upcoming release of the EP BOB MARLEY: ONE LOVE (MUSIC INSPIRED BY THE FILM), Daniel Caesar, the multi-platinum, GRAMMY Award-winning artist, has shared his rendition of the iconic song “Waiting In Vain.” The EP, set to drop on Feb. 14th via Tuff Gong/Island Records, is part of the celebration surrounding the release of the highly anticipated film Bob Marley: One Love from Paramount Pictures.
The EP features seven essential compositions from the Jamaican reggae icon, including covers by contemporary artists like Kacey Musgraves, Wizkid, Leon Bridges, Jessie Reyez, Bloody Civilian, and Skip Marley, grandson of Bob Marley. The Marley family handpicked and approved all song selections, emphasizing the enduring relationship between Island Records, the Marley family, and Jamaica.
“My dad used to sing around the house a lot and play the guitar and one of his favorite songs to play was ‘Redemption Song’ – That was one of the first songs I remember learning how to play as well,” said Caesar.
Caesar also cites Bob Marley as an inspiration to his own artistry: “I love the idea of music where…if you’re going to say something, say something. It’s not all about aesthetic, he had something to say. Similarly, I have things to say – a lot of my music centers around expressing my emotions, but I have moments where I like to say something that is important and take a stance.”
The film Bob Marley: One Love delves into the life and music of the legendary musician, highlighting his message of love and unity. Starring Kingsley Ben-Adir as Bob Marley and Lashana Lynch as his wife Rita, the movie hits theaters on Feb.14, 2024.
An Ohio artist has revealed the world’s very first wax figure of Takeoff, the slain member of ATL-based rap trio Migos.
Mr. Officials, an Ohio native, exhibited the making of the Takeoff wax figure including stitching Takeoff’s hair strand-by-strand, spray painting and adding accessories to emulate his appearance on the group’s Culture LP cover. Officials stated that even after his business closed three years ago and he faced homelessness.
“This young man I’ve been working on is deceased, and yet I still feel a sense to pray for him. Praying for his soul, praying for his family, friends, and band members. That’s when it hit me: this will be the year that I take off,” he said in the video.
Creative trailblazer Lil Yachty has officially released his first single of the year, “A Cold Sunday” via Quality Control Music/Motown Records.Produced by Aris Tatalovich, the new single follows Yachty’s recent streak of genre-bending psychedelic collaborations, including a verse on Faye Webster’s“Lego Ring” and a time melting feature on YUNGBLUD’S“When We Die.” Lil Yachty also reminded fans about his undeniable prowess as a rapper last week with his verse on “Say Ya Grace” off Lyrical Lemonade’s All Is Yellowalbum featuring fellow megastar Chief Keef. Directed by AMD Visuals, “A Cold Sunday’s” new music video finds Yachty reflecting on heartbreak and living the life of a rolling stone as he masterfully flows through the song’s soulful jazz sample and boom-bap drum break.
Today in 1993, Brand Nubian released their sophomore album, In God We Trust on Elektra Records as a follow up to their five mic classic All For One.
With Grand Puba embarking on a solo career and a year into the success of his Reel to Reel album, Sadat X and Lord Jamar kept it all mathematical, dropping the science taught by the 5% Nation, which was the original objective of the four-man squad from New Rochelle, New York. Whether they were proudly saluting the 5% by singing their rendition of the Nation’s anthem”The Enlightener”, police brutality “Black and Blue” or just beating down punks “Punks Jump Up”, the Native Tongues affiliates always bring their lyrical A-game to the table when it’s time to go in the booth.
Salute to Sadat and Lord J for this timeless classic!
Dijon “DJ Mustard” McFarlane, the renowned music producer behind chart-topping hits for artists like Tyga, 2Chains, Young Jeezy, and YG, is embroiled in a bitter divorce battle with his estranged wife Chanel. Amidst the legal drama, Mustard is now seeking sole legal custody of their 11-year-old son, sparking heated debate over parental rights and responsibilities.
According to reports from Radar Online, Mustard recently appeared in court to demand sole legal custody of his oldest son, challenging the existing joint legal custody arrangement shared with Chanel. In his motion, Mustard argued that he should have the authority to make all decisions regarding their son’s education, citing concerns about the current schooling situation.
Mustard expressed dissatisfaction with Chanel’s decision to enroll their son in a public school, citing its low rating as a primary concern. He proposed an alternative public school and eventually a transition to a private school, emphasizing the importance of securing the best educational opportunities for their child.
However, Mustard claimed that Chanel was uncooperative and resistant to considering alternative options, dismissing professional recommendations and failing to prioritize their son’s academic welfare. Accusing Chanel of treating their son’s education as a competition and prioritizing her own interests over their child’s well-being, Mustard appealed to the court for sole legal custody to ensure that he could make educational decisions without interference.
In his motion, Mustard’s lawyer highlighted Chanel’s alleged opposition to professional advice and her reluctance to cooperate in co-parenting efforts. The motion painted a picture of Mustard’s proactive approach to securing a better educational environment for their son, contrasting with Chanel’s perceived obstructionism and lack of cooperation.
As the legal battle unfolds, the case raises important questions about parental roles and responsibilities in divorce proceedings. The dispute between Mustard and Chanel underscores the challenges of co-parenting and the complexities of navigating custody arrangements, particularly when it comes to critical decisions regarding a child’s education and well-being.