Jonathan Majors Sued by Ex-GF Grace Jabbari, Citing Defamation and Battery

Jonathan Majors Reflects on Incident Leading to Assault Conviction

Jonathan Majors will be headed to court again. He is being sued by his ex-girlfriend, Grace Jabbari, for battery, assault, intentional infliction of emotional distress, and more.

Additional accusations in the civil suit include malicious prosecution and defamation, stating she alerted Majors’ team of abuse beginning in 2021. Jabbari stated she was subjected to a “pattern of pervasive domestic abuse that began in 2021 and extended through 2023.”

Majors’ attorney, Priya Chaudhry, responded: “This is no surprise. Mr. Majors is preparing counterclaims against Ms. Jabbari.”

According to The Hollywood Reporter, Majors met Jabbari as he filmed Ant-Man & The Wasp: Quantumania, and the first attack happened in 2022 and caused “serious injuries to her body.”

Jabbari stated in Sept. 2022, a verbal altercation led to Majors pushing her, causing bruising to her backside, throwing her on the hood of a car, and placing his hands around her neck with a threat of killing her.

In a separate event, Majors allegedly cornered Jabbari on a bed and raised his fist over her as she cowered. The suit reads, “On this occasion, Majors did not physically strike Grace; he obtained control over himself and left the property as Grace locked herself in a bedroom for safety.”

Additional accusations of domestic violence are available in the full report.

Majors currently await sentencing for misdemeanor third-degree assault and a violation of harassment in the second degree. The hearing is set for April 8, and Majors faces up to one year in prison.

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R. Kelly Suing Over His Confiscated Commissary

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In a legal tangle that continues to unfold, R&B singer R. Kelly finds himself fighting to reclaim $28,000 confiscated from his prison commissary account, a sum that was seized and used as restitution for one of his victims. This development is part of the ongoing saga following Kelly’s high-profile legal troubles and subsequent incarceration.

According to reports from Hip Hop DX, which accessed court documents, a hearing concerning the dispute over the commissary funds was scheduled for Monday, March 18. The proceedings saw Assistant United States Attorney Kayla Bensing representing the interests of the United States against the embattled musician’s claims.

The roots of this financial conflict trace back to a series of court decisions aimed at compensating Kelly’s victims. In March 2023, the Illinois Supreme Court ruled in favor of Heather Williams, granting her access to R. Kelly’s label fund. This fund, reportedly valued at $1.5 million in 2020 according to Billboard, became a source of restitution before Midwest Commercial Funding, a property manager, secured a separate $3.5 million ruling against Kelly over unpaid rent for a Chicago studio.

In a significant move in August of the same year, U.S. District Judge Ann Donnelly ordered that Kelly and his label, Universal Music Group, surrender more than $500,000 in royalties. This order also included the directive for Kelly to hand over the $28,000 in his prison canteen account, emphasizing the legal system’s efforts to ensure Kelly’s victims receive restitution.

The announcement of the livestream link for the hearing noted, “The defendant is appealing his conviction and the government’s seizure of his substantial Bureau of Prisons commissary account to satisfy the financial penalties imposed in the case.” It further stated that each side would be allotted ten minutes to present their arguments, underscoring the limited time frame to address such a complex issue.

The outcome of this legal battle will undoubtedly add another chapter to the already tumultuous legal history of R. Kelly.

Thoughts?

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Angel Reese Addresses AI Created Photos of Her: ‘Creating fake AI Pictures is Crazy’

Angel Reese Wants Obama House Visit After Jill Biden Invites Both Teams to White House

Fake nude images of Angel Reese hit the web on Tuesday (March 19) as a result of AI. With the pictures being passed around, Reese hit X to address the images.

“Creating fake AI pictures of me is crazy and weird AF!” she tweeted. “Like I know I’m fine & seem to have an appeal to some but I’m literally 21 and yall doing this bs when I would neverrrrrr.”

Reese also addressed the images in the video below.

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Future and Metro Boomin Unveil Artwork for Highly Anticipated Album ‘We Don’t Trust You’

Future and Metro Boomin Announces Two New Albums in 'We Don't Trust You' Trailer

Grammy-winning rapper Future and acclaimed producer Metro Boomin have revealed the official artwork for their upcoming collaborative album, We Don’t Trust You. The cover, shot by Matt Adam, showcases the duo dressed in high-end fashion, Future in Lanvin and Metro in Celine, ahead of the album’s arrival this Friday, March 22.

Fresh off a dynamic performance at Rolling Loud California, the album marks a milestone in the legendary partnership between the two rap icons. Fans can anticipate not just one but two joint LPs, with the second set on April 12.

Listeners worldwide await the impact of Metro’s cinematic soundscapes and Future’s distinctive musicality. Their collaboration, rooted in years of studio work and mutual mastery, promises to deliver engrossing anthems resonating from the streets to pop culture.

Future, a staple in Atlanta hip-hop, and Metro Boomin, known for his versatility, have crafted numerous hits together, solidifying their status as one of hip-hop’s most dynamic duos. We Don’t Trust You is poised to continue their legacy and redefine the rap landscape.

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Bryson Tiller Unveils Self-Titled Album and North American Tour

Bryson Tiller Unveils Self-Titled Album and North American Tour

Grammy-nominated artist Bryson Tiller has ignited excitement among fans with the announcement of his upcoming album, Bryson Tiller, which will be released on April 5 via Trapsoul/RCA Records.

Accompanying this reveal is the album’s lead single, “Calypso,” which offers a preview of Tiller’s blend of trap, R&B, rap, and pop elements.

The album promises to be a deeply personal narrative, reflecting Tiller’s artistic evolution and authenticity. With the release of “Calypso” and the unveiling of the album cover art, fans are eager to embark on this new chapter with Tiller.

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Adding to the anticipation, Tiller will embark on a North American tour featuring over 30 performances this spring and summer, presented by Live Nation. Tickets for The Bryson Tiller Tour will go on sale starting March 22, with pre-sales beginning March 20.

Pre-orders for Bryson Tiller are currently available, offering fans early access to what promises to be a landmark project in Tiller’s career. With its release on the horizon, anticipation is building for one of the most significant album drops of the year.

You can see the dates below.

THE BRYSON TILLER TOUR DATES:

Sat May 11 – Portland, OR – Alaska Airlines’ Theater of the Clouds

Sun May 12 – Vancouver, BC – UBC – Doug Mitchell Thunderbird Sports Centre

Tue May 14 – San Francisco, CA – Bill Graham Civic Auditorium

Wed May 15 – Wheatland, CA – Hard Rock Live Sacramento

Thu May 16 – San Diego, CA – Gallagher Square at Petco Park

Fri May 17 – Inglewood, CA – YouTube Theater

Mon May 20 – Phoenix, AZ – Arizona Financial Theatre

Wed May 22 – Denver, CO – Mission Ballroom*

Fri May 24 – Chicago, IL – Huntington Bank Pavilion at Northerly Island

Sun May 26 – Toronto, ON – Budweiser Stage

Tue May 28 – Laval, QC – Place Bell

Thu May 30 – Boston, MA – MGM Music Hall at Fenway

Sat Jun 01 – Bridgeport, CT – Hartford HealthCare Amphitheater

Mon Jun 03 – New York, NY – The Theater at MSG

Thu Jun 06 – Washington, DC – The Anthem

Fri Jun 07 – Philadelphia, PA – Skyline Stage at the Mann

Sun Jun 09 – Raleigh, NC – Red Hat Amphitheater

Tue Jun 11 – Charlotte, NC – Skyla Credit Union Amphitheatre

Wed Jun 12 – Atlanta, GA – Coca-Cola Roxy

Sat Jun 15 – Hollywood, FL – Hard Rock Live

Sun Jun 16 – Tampa, FL – Yuengling Center

Tue Jun 18 – Houston, TX – 713 Music Hall

Wed Jun 19 – Irving, TX – The Pavilion at Toyota Music Factory

Sat Jun 22 – Cincinnati, OH – The Andrew J Brady Music Center

Sun Jun 23 – Nashville, TN – Ascend Amphitheater

Tue Jun 25 – Indianapolis, IN – Everwise Amphitheater at White River State Park

Wed Jun 26 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill

Fri Jun 28 – Minneapolis, MN – Armory

Fri Jul 5 – Milwaukee, WI – Milwaukee Summerfest*

Thu Jul 11 – Calgary, AB – Calgary Stampede*

Sat Sep 21 – Puyallup, WA – Washington State Fair*

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[WATCH] Dave Chappelle Connects Hip Hop And Comedy On A.O.I Radio With De La Soul

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Art Official Intelligence Radio with De La Soul on Apple Music 1 concludes with Dave Chappelle in an expansive conversation that connects hip-hop and comedy.

The special five-episode series hosted by Posdnuos and Maseo arrived just in time to celebrate the release of the 35th anniversary deluxe edition of the hip-hop group’s debut album 3 Feet High and Rising, available in Spatial Audio.

Throughout the series, Posdnuos, Maseo, and special guests retrace and reflect on the history, legacy, and impact of De La Soul, while honoring the memory of their late bandmate Dave, aka Trugoy the Dove

Check out the full episode of “Dave On Dave” HERE

You can also see the clip of Da ve Chappelle explaining in depth how Hip Hop soundtracked his life even before becoming a comedian HERE

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“Freaknik: The Wildest Party Never Told” Director P. Frank Williams Launches Multimedia Venture ‘For The Culture By The Culture’

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P. Frank Williams, a recipient of Emmy and eight NAACP Image Awards for his work in television and film production, has launched his multimedia production company, For The Culture By The Culture Media Inc. (@FXCXC). This venture comes on the heels of his recent success directing and executive producing the highly-anticipated “Freaknik: The Wildest Party Never Told,” set to premiere on HULU this Thursday, March 21. 

Williams has produced and directed several acclaimed projects centered around Black culture and music. These include TV One’s renowned documentary series “Unsung” and “Unsung Hollywood,” BET’s award-winning series “American Gangster,” “Hip Hop Homicides” executive produced by 50 Cent and Mona Scott-Young and films such as “Wu: The Story of the Wu-Tang Clan,” “A Hustler’s Ambition” by Universal/Def Jam Records, and award shows such as BET Awards and BET Hip-Hop Awards.

Williams explains, “After working in newspapers, magazines, TV, and film for over 25 years, producing content for major networks and streamers, I noticed a recurring issue: stories about people of color were often not being produced by people of color themselves. For The Culture By The Culture aims to fill that void by ensuring representation both in front of and behind the camera. Specializing in Black culture, hip-hop, sports, true crime, and music, @FXCXC is a unique one-stop content studio that handles everything from idea generation to production, editing, and delivery. @FXCXC stands out as one of the first global culture content companies led by individuals who are deeply rooted in the culture they represent.”

The launch of the new multi-media venture follows Williams’ latest project, directing and executive producing the eagerly awaited documentary “Freaknik: The Wildest Party Never Told,” in partnership with Swirl Films & Mass Appeal and co-executive produced by Jermaine Dupri, Luke Campbell, and 21 Savage. The documentary is a celebratory exploration of the boisterous times of Freaknik, the iconic Atlanta street party that drew hundreds of thousands of people in the 80s and 90s, helping put Atlanta on the map culturally. It takes a close look at the rise and fall of the event that began as a Black college cookout, impacting culture, race, politics, and the 1996 Olympics.

“Freaknik left an undeniable mark on American and Black culture. Its legacy is timeless. With ‘90s nostalgia everywhere and millennials fascinated with their parents’ fun times, it has reemerged into the pop culture consciousness,” describes Williams. “Executive produced by Black music icons like Jermaine Dupri and Luther Campbell, ‘Freaknik: The Wildest Party Never Told’ also breaks down how Atlanta became the capital of Black culture that it is today. It laid the foundation for the explosion of Black southern music and style that dominates the world today.” 

“For many of us golden era twenty-somethings coming of age in the late ‘80s and early ‘90s, Freaknik was our Woodstock, a street festival rooted in the energy of American classic films like ‘American Pie’ and ‘School Daze’. At its height in the mid ‘90s, Freaknik was a traffic-stopping, city-shuttering juggernaut cult classic non-stop party. Us Gen Xers created this weekend long rebellion against our parents and authority that still continues to resonate with audiences and people all over the world decades later.”

For The Culture By The Culture has production offices both in Burbank, CA, and Atlanta, GA. Stay tuned for official announcements regarding upcoming productions with Tube, TV One, BET, and other partners.

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Beyoncé Shares Heartfelt Message About Cowboy Carter: ‘This Ain’t a Country Album’

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Beyoncé provides an update on her forthcoming album, COWBOY CARTER.

Queen Bey reveals that the album was five years in the making and was inspired by a moment in which she did not feel welcome. She also notes that she is honored “to be the first Black woman with the number one single on the Hot Country Songs chart.”

“I have a few surprises on the album, and have collaborated with some brilliant artists who I deeply respect,” Beyoncé wrote. I hope that you can hear my heart and soul, and all the love and passion that I poured into every detail and every sound.”

In the message, Beyoncé closes with an important statement: “This ain’t a Country album. This is a “Beyoncé” album. This is act ii COWBOYS CARTER, and I am proud to share it with y’all!”

You can see the message in full below.

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Police Investigating Ray J’s Two Maybach Trucks That Went ‘Missing’

Police Investigating Ray J’s Two Maybach Trucks That Went 'Missing'

Ray J, an avid car collector, is missing two of his prized Maybach SUVs—yes, TWO. And get this: sources close to Ray J, who know what’s up but not where they are, said they vanished after being placed on a closed carrier en route to New York. Hmm, what?

It gets better: the supercars were due to land in New York City Monday, and when they didn’t, the sources who tipped TMZ said they were tracked to, well, Reno, Nevada. It’s an interesting pit stop. 

The mystery gets more iffy because Ray has reportedly contacted the shipping carrier charged with moving the vehicles, and they can’t give him a straight answer on where the cars are right now. 

Now, the cops are involved after Ray J rightfully put them on the case, even though for now, they are not considered stolen; they are just missing. Nevertheless, the police are investigating.

Ray J is in NYC launching The Tronix Network, a new original content streaming platform. He’ll hit all his pre-planned events while he wrestles with the next steps with his SUVs, which he probably wanted out there for his busy schedule. Good luck bringing his cars back to his fleet. 

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WATCH: Drake Surprise Guests During Bun B’s Set In Houston

Young Thug Delivers "Oh U Went" Video Featuring Drake

Drake is arguably the world’s most prominent artist, but he still shows loves when he can.

Throughout his career, in particular, he’s always shown love to the city of Houston.

Just a few days ago, Drizzy popped out at NRG Stadium in Houston, Texas, for the 2024 RodeoHouston show. The show boasted an all-star lineup of iconic acts such as Lil JonRick RossNellyYing-Yang TwinsE-40Too $hort, and more. Of course, you can’t have a show in the city without the legends performing.

When it was time for Bun B to take the stage, a bunch of black SUVs pulled up to the venue… gifting fans with a show for the books.

The UGK rapper begins, “And to thank you for all that you’ve done for me and my family, I present to you, The Boy.” At this point, Drake getes out of one of the vehicles.

Bun B continues, “This is our newest resident, please make some noise for Drizzy Drake.”

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