Common Thought His Ice Cube Beef Was Going To End In Violence

Common may have a reputation for being a conscious rapper, but he had no problem going at those who question his pen. He spent years going back and forth with Ice Cube over a perceived diss in his classic single “I Used to Love H.E.R.” Cube fired at Com with the seminal Westside Connection heater “Westside Slaughterhouse,” and then Common responded with the Pete Rock-produced “The B*tch In Yoo.” Great songs across the board, but things reached such a fever pitch by the late 90s that Com was concerned about the next step.

The Chicago rapper recalled his feelings on the matter during a recent appearance on 7PM In Brooklyn. He revealed that something went down between him and Cube in-person in 1995, which pushed things in an unexpected direction. “We had a little confrontation in Atlanta and this was like ’95,” he recalled. “At that point we had a little confrontation. And I was like, ‘Man, this might get ugly.’” Common credited three things with helping to close the book on the beef by 1997. The first two things were the deaths of Biggie and 2Pac following their battle. The third was the encouragement from the Nation of Islam leader, Louis Farrakhan.”

Read More: Common Reveals Whether Drake & Kendrick Lamar’s Feud Went “Too Far,” Recalls His Own Drizzy Diss

Common And Ice Cube Have Become Close Friends

The truce between Common and Ice Cube took place at the Nation of Islam headquarters in Chicago. The event was attended by rappers from all coasts, many of whom were involved in beef at one time. Snoop Dogg, Fat Joe, Mack 10, and Tha Dogg Pound were some of the most notable names. Common told the hosts that he remains grateful for Minister Farrakhan, and Ice Cube’s willingness to bury things. He assured listeners that him and Cube are close to this day. They even co-starred in Barbershop: The Next Cut together.

Common, who’s working on his next album with the man who produced his Cube diss, Pete Rock, is proud of the fact that he avoided violence. “Ultimately, I felt good that we kept it on wax,” he noted. “It was getting to that point with me and Cube. Because they was looking at me like, ‘Oh, Common’s just the backpack dude.’”

Read More: Common Reveals Which Iconic Kanye West Beats He Turned Down

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Fat Joe Teams Up with Food For The Poor to Aid Haiti’s Humanitarian Crisis

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Grammy-nominated artist, philanthropist, and entrepreneur Fat Joe has embarked on a noble mission to aid families affected by Haiti’s recent humanitarian crisis. Partnering with Food For The Poor, Fat Joe announced establishing a relief fund to offer support and essential supplies to those enduring hardship in Haiti.

The initiative, launched during Haitian Heritage Month in May, comes in response to the surge of violence that engulfed Haiti in early March. Armed gangs perpetrated acts of violence, including burning police stations, raiding prisons, and facilitating prison breaks, leading to mass displacement and a dire humanitarian situation.

As a result, nearly half of Haiti’s population faces critical levels of food and water insecurity, along with limited access to basic hygiene necessities. In light of these tragic circumstances, Fat Joe and Food For The Poor initiated the “Fat Joe & Friends Relief For Haiti” campaign, inviting Joe’s celebrity acquaintances and supporters to contribute in three ways:

– Purchase critical items on the Amazon list HERE that will be sent directly to Food For The Poor

– Anyone in Miami can purchase those essential items and drop them off at Food For The Poor’s South Florida Distribution (6401 Lyons Rd. Coconut Creek, Florida 33073) on May 4 between 8 am ET to 5 pm ET.

– Donate directly to the relief fund HERE

“My heart goes out to all the Haitians that are suffering because of this humanitarian crisis,” Joe said. “Many of my close friends are Haitian, so we’ve been watching this tragedy unfold and exploring the most efficient and effective ways to provide meaningful support. All relief items and financial contributions will go directly to Food For The Poor, so they can safely distribute the donations directly to the families in need.”

The crisis in Haiti, compounded by recent events and ongoing challenges, demands urgent attention and concerted action. Since early March, over 53,000 people have fled Haiti’s capital to escape escalating gang violence, while thousands have lost their lives, and millions face acute food insecurity.

Fat Joe’s initiative seeks to alleviate the suffering of the Haitian people by addressing immediate needs and offering hope for a brighter future. By leveraging his platform and partnering with Food For The Poor, Fat Joe underscores the power of collective action and compassion in times of crisis, demonstrating that together, we

can make a meaningful difference in the lives of those in need. As Haiti grapples with multiple crises, including natural disasters, civil unrest, and economic challenges, the “Fat Joe & Friends Relief For Haiti” campaign stands as a beacon of hope and solidarity, embodying the spirit of community and resilience in the face of adversity. Through this partnership, Fat Joe and Food For The Poor exemplify the transformative impact of compassion, empathy, and collective action, inspiring others to join the cause and support the people of Haiti during their time of greatest need.

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Fat Joe Sparks Controversy with Remarks on Changing Dynamics of Hip Hop: Challenges Perception of ‘Femininity’ in the Genre

Fat Joe is Being Sued by Former NYC Shoe Store Business Partner

Hip-hop has always been a dynamic and evolving genre, reflecting the cultural shifts and societal changes of its time. Recently, rapper Fat Joe sparked a conversation within the hip-hop community when he expressed his thoughts on the growing presence of what he termed ‘femininity’ in the genre, suggesting that such expressions were less common during his era in the music industry.

In an interview, Fat Joe remarked on the changing landscape of hip-hop, noting that in his early days in the industry, the portrayal of femininity was not as prevalent as it is today. He felt nostalgic for the gritty, masculine image that characterized hip-hop during his era, contrasting it with what he perceives as a shift toward a more diverse and inclusive representation of gender and sexuality in modern hip-hop.

“In my era, we wouldn’t have seen that,” Fat Joe stated, alluding to the increasing visibility of artists who challenge traditional gender norms and embrace their femininity in their music and image. While acknowledging the importance of diversity and artistic expression, he raised questions about whether these changes depart from hip-hop culture’s roots.

Fat Joe’s comments have sparked reactions from fans and fellow artists alike. Some have applauded his candor and shared his sentiments, echoing a desire to preserve the authenticity and rawness of hip-hop as they remember it. Others have criticized his remarks as being out of touch with the evolving nature of the genre and the broader cultural shifts towards inclusivity and acceptance.

Indeed, hip hop has always reflected the realities and experiences of its creators, and as society continues to evolve, so does the music. Artists today are more vocal about issues of gender identity, sexuality, and self-expression, pushing boundaries and challenging conventional norms in ways that were perhaps less common in the past.

While Fat Joe’s remarks may have stirred controversy, they also serve as a reminder of the ongoing dialogue within the hip-hop community about the genre’s direction and the values it represents. As hip-hop continues to evolve, it is essential to recognize and celebrate the diverse voices and perspectives that contribute to its rich tapestry, whether they conform to traditional notions of masculinity or not.

In conclusion, Fat Joe’s questioning of the growing ‘femininity’ in hip-hop reflects a broader conversation within the genre about identity, representation, and authenticity. While his remarks may be rooted in nostalgia for the hip-hop of his youth, they also highlight the dynamic and ever-changing nature of the music and its ability to reflect the complexities of the human experience.

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Today In Hip Hop History: Big Pun Dropped His Debut Album ‘Capital Punishment’ 26 Years Ago

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26 years ago, on this date, Christopher Rios, aka Big Punisher, put out his first LP, Capital Punishment, on Loud Records.

Released by Fat Joe and the Terror Squad on Loud Records, Pun’s highly anticipated album showcased Pun’s unequaled lyrical ability, comedic punchlines, and ever-evolving style that his son Chris Rivers has inherited from his pops.

Album highlights include joints like “You Ain’t A Killer,” “Super Lyrical,” featuring The Roots’ Black Thought, and the platinum-selling album that propelled the album to a million sales, “Still Not A Player.”

Salute to Fat Joe, the Rios family, the Terror Squad, and the entire Loud staff for this classic!

The post Today In Hip Hop History: Big Pun Dropped His Debut Album ‘Capital Punishment’ 26 Years Ago first appeared on The Source.

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Fat Joe Doesn’t Think Kendrick Lamar Will Respond To Drake: “That’s Over”

Fat Joe is an industry legend. He’s been around for decades, beefed with some of the best rappers of all time, and lived to tell the tale. He knows a thing or two about beef protocol, which makes his remarks on the Drake versus Kendrick Lamar battle all the more insightful. The “Lean Back” rapper got on IG Live to discuss Drake’s AI-generated diss, and determine whether Lamar still has a fighting chance to win the battle. He had a mixed opinion on the former, but he made his stance clear on the latter. As far as he’s concerned, K. Dot has already lost.

Fat Joe made it clear that he doesn’t prefer one artist over the over in the battle. “I got no horse in this game,” he asserted. “I wish they would all get along.” He did, however, make it clear that he feels Drake came out on top. He pointed to the fact that Drake rattled off two diss tracks in the span of two weeks, while Lamar has failed to put out a proper response. “I don’t think Kendrick’s cooking up,” he admitted. “It didn’t take him three-four weeks. I think that’s over.” Joe’s comments are not unique among hip-hop insiders. Many are waiting on Lamar to come back, and fear that he won’t complete the battle that he effectively started with “Like That.”

Read More: Fat Joe Believes Diddy Is “The King Of Deception”

Fat Joe Believes That K. Dot Waited Too Long

Drake’s second diss, “Taylor Made Freestyle,” has been another major talking point. The rapper was forced to take the song down after 2Pac’s estate threatened legal action. The estate claimed that the 6 God’s antics were a “blatant abuse” of the late rapper’s legacy. Fat Joe was much more complimentive of what Drake did, and even went as far as to say it pushed the boundaries for rap beef. “I thought it was creative,” he noted. “Using the AI 2Pac, pushing the envelope.” Joe may be displaying a bit of bias in this instance, however.

The New York rapper bumped heads with 2Pac at the height of the West Coast-East Coast beef in the 1990s. During an interview with Cam Capone News, Joe went as far as to claim that he made a collab “diss” album with The Notorious B.I.G. The latter died before it could be completed. “We made a bunch of songs,” he recalled. “But it was like really disrespectful and hateful and so [Biggie] died and ‘Pac died. They might have burnt them sh*ts, to be honest with you, ’cause you know, it was distasteful after the fact.” Joe’s experience lends credence to his desire to see Drake and Lamar smooth things over.

Read More: Fat Joe Net Worth 2024: Updated Wealth Of The Rap Icon

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Kevin Durant Blasts Fat Joe For Claiming NBA Star “Almost Got Jumped” After Iconic Rucker Park Game

When you think of legendary moments in professional sports, let alone the NBA, what comes to mind? For many fans of the game, Kevin Durant’s unreal performance at the hallowed Rucker Park near Harlem, New York is one of them. The story goes that he dropped 66 points, which led his team to an unforgettable 99-93 victory. It went down during the 2011 lockout season and it will forever go down as one of the most unstoppable games that a professional has ever put on. The reason it is making waves nearly 13 years later is due to a retelling of the story by New York rap legend Fat Joe.

The longtime New York Knicks fan was a guest on Jalen Brunson and Josh Hart’s podcast, Roomates Show, according to HipHopDX. The current Knicks’ stars let him have the floor and Fat Joe wound up revealing a never before heard part of that game. “Kevin Durant scored like 82 points in the third quarter. He don’t like me telling this story. They chased him out the Rucker, like they wanted to beat him up. He whipped their a** so bad that they wanted to literally beat him up out there,” Joe said.

Read More: Boosie Badazz Issues Warning About Rap Beef: “The Truth Hurts”

Kevin Durant Tells Fat Joe To Check His “Facts”

However, KD almost immediately called out his supposed bluff on X, replying to the clip, “Another podcast lie. It was nothing but respect and love out there that night, didn’t feel unsafe for one second.” Joe stood his ground though, hilariously taunting him back, “I was there he knows I’m not lying 62 points in 3 quarters why was the game stopped it’s all love all i did was big him up ‘GREATEST STORY TELLER IN THE GAME.’” Whoever’s side you believe, we are just happy this moment exists in basketball lore.

What are your thoughts on Kevin Durant saying Fat Joe lied about the fight at Rucker Park? Who do you believe more and why? Is this one of the greatest basketball moments in the history of the sport? NBA game or not, is this one of the best performances ever? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Kevin Durant and Fat Joe. Finally, stay with us for everything else going on around the worlds of music and sports.

Read More: Charlamagne Tha God Thinks Drake Is Ducking Kendrick Lamar’s Smoke For This Reason

[Via]

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Fat Joe And Friends: A Night of Legendary Performances at the Apollo Theater

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Harlem’s iconic Apollo Theater shook with excitement last week when Fat Joe, the Bronx native and rap heavyweight, curated an unforgettable showcase titled “Fat Joe And Friends.” The star-studded event brought together an array of Hip-Hop legends, R&B favorites, and legendary performers for an evening of pure musical magic.

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Fat Joe’s long-standing connection with the Apollo Theater added to the anticipation surrounding the event, with fans eager to witness history unfold on the historic stage. And indeed, the night did not disappoint.

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The lineup was nothing short of spectacular, with a roster of friends and collaborators joining Fat Joe on stage to deliver memorable performances. From the fierce presence of Lil Kim to the soulful melodies of Ashanti, each artist brought their unique flair to the stage, captivating the audience with their talent and energy.

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Remy Ma, Beanie Sigel, Freeway, Havoc, Jim Jones, Juelz Santana, The LOX, and more graced the stage alongside Fat Joe, each adding their own distinct flavor to the mix. The Apollo Theater was transformed into a melting pot of musical excellence, with each artist leaving an indelible mark on the audience.

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The star power didn’t end there. Backstage, an impressive array of celebrities and industry heavyweights mingled, soaking in the communal vibes and celebrating the rich tapestry of Hip-Hop culture. Mary J. Blige, Carmelo Anthony, Keith Sweat, Papoose, Melle Mel, and others added to the aura of excitement and camaraderie that permeated the event.

The evening was made possible by D’USSE, who helped commemorate the 20th anniversary of the Terror Squad hit “Lean Back” in grand style. As the beats echoed through the Apollo Theater and the crowd roared with excitement, it was clear that “Fat Joe And Friends” had cemented its place as one of the best concerts of the year.

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The legacy of the Apollo Theater, coupled with the star-studded lineup and the infectious energy of the performers, created a night to remember—one that will undoubtedly be etched in the annals of music history.

For those who missed out on the action, the snapshots from the evening offer a glimpse into the magic that unfolded on stage, capturing the essence of a truly legendary concert experience.

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From Lil Kim’s fierce presence to Ashanti’s soulful melodies, Fat Joe And Friends at the Apollo Theater was a night of pure musical magic. Check out snapshots from the evening below, as Hip-Hop legends and R&B favorites came together to celebrate the 20th anniversary of “Lean Back” in grand style.

photo credit: Fernando Gonzalez/The Apollo

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The post Fat Joe And Friends: A Night of Legendary Performances at the Apollo Theater first appeared on The Source.

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[WATCH] Fat Joe Speaks Out About His Monumental “Fat Joe And Friends” Concert At NYC’s Apollo Theater

Fat Joe Shares That He's 'One Million Percent' Taking The COVID-19 Vaccine

After a week of the internet and attendees alike talking about the Apollo Theater show, “Fat Joe And Friends”, which was a 20th anniversary celebration of Fat Joe and the Terror Squad’s smash hit “Lean Bakc”, Joe Crack took to social media to talk about the once in a lifetime show that took place in what used to be his backyard and all of his friends that showed up and showed out to give fns in NYC a true Hip Hop and R&B show to remember.

Joe didn’t leave anyone out of his shout outs that came out to show love on stage, including Peter Gunz, who performed NYC anthem “Deja Vu”, Lil Kim and Mobb Deeps Havoc, who did their classic “Quiet Storm” remix and of course all of the hits that came from both the Dipset and State Property camps respectively. The Terror Squad made sure that he properly acknowledged one of the kings of R&B, Keith Sweat.

“You know, D-boys when we was in the street in ’88, we was playing Keith Sweat. We wasn’t playin’ nothing else,” stressed Joe. He went on to mention a plethora of notables who graced the show with their presence, “Carmelo Anthony on the right, Mary J. Blige and Lorena(Joe’s wife)and Angie Martinez and Chrssy(Jim Jones’ wife)…they was dumbin’ out up there..”

Joe went on to praise all of the artists involved with the celebration and even shouted out the fallen rappers from all eras that we lost in the past including Biggie, Tupac, Freaky Tah, Eazy-E, Big Pun, Big L, Prodigy, Heavy D, ODB and “all the giants in the crew.”

Joe hints that this may become an annual event, however, nothing ever beats the original.

The post [WATCH] Fat Joe Speaks Out About His Monumental “Fat Joe And Friends” Concert At NYC’s Apollo Theater first appeared on The Source.

The post [WATCH] Fat Joe Speaks Out About His Monumental “Fat Joe And Friends” Concert At NYC’s Apollo Theater appeared first on The Source.

Today in Hip Hop History: Big Pun’s Posthumous Sophomore LP ‘Yeeeah Baby’ Dropped 24 Years Ago

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On this day in 2000, the first posthumous L.P. to be released by the first “Latin to go platinum” entitled Yeeeah Baby was released on the Loud/Terror Squad imprint.

Christopher “Big Pun” Rios passed away just shy of two months before his sophomore L.P.’s release and anticipated success, which came on the heels of his debut album, Capital Punishment. With appearances from the entire Terror Squad and executive production by the T.S. general Fat Joe, the 16-track album showed Pun’s acute diversity in his lyricism and approach to song-making, which yielded some of the most memorable songs of his career. The album took longer to record because of Pun’s extreme obesity since his breathing problems couldn’t permit him to spit his custom, rapid-fire flow freely.

Some of the L.P.’s favorites are the Puerto Rican anthem “100%” with Terror Squad crooner Tony Sunshine on the hook, “New York Giants” featuring M.O.P., “Ms. Martin,” an ode to his protege Remy Ma and the touching single “It’s So Hard” featuring Donnell Jones.

Salute to Big Pun, Pun Jr., and the entire Terror Squad for this remarkable piece of Hip Hop History!

The post Today in Hip Hop History: Big Pun’s Posthumous Sophomore LP ‘Yeeeah Baby’ Dropped 24 Years Ago first appeared on The Source.

The post Today in Hip Hop History: Big Pun’s Posthumous Sophomore LP ‘Yeeeah Baby’ Dropped 24 Years Ago appeared first on The Source.

Fat Joe Still Hasn’t Made Money From The Platinum Album He Dropped Two Decades Ago

Fat Joe has had a great career. He’s scored massive hits in multiple decades, and is rightfully seen as an elder statesman of New York hip-hop. Unfortunately, his OG status hasn’t translated to proper payment. During a recent Instagram Live, Joe revealed that he still hasn’t been paid for the release of his seminal 2001 album J.O.S.E. (Jealous Ones Still Envy). It’s one thing if J.O.S.E. did poorly, but with over 2 million copies sold worldwide, the album is Joe’s biggest to date!

Fat Joe blamed the lack of payment on the record label, which he likened to a Ponzi scheme. He detailed how labels like Atlantic, who released J.O.S.E., trick artists by giving them advances and later claiming all of the profits. “They make the profits off the records,” he added. “They charge you whatever they spent on the video. It ain’t like we 50/50 partners, they pay half of the video we pay half of the video.” Fat Joe went as far as to call these industry practices “robbery.”

Read More: Fat Joe’s “Don Cartagena” Turns 25

Fat Joe Likens Record Deals To Ponzi Schemes

The fate of J.O.S.E. supports the rapper’s claims. The album went platinum in 2001 and spawned the hit single “What’s Luv” featuring JA RULE and Ashanti. “What’s Luv” peaked at number 2 on the Billboard Hot 100, and yet, two decades later, Fat Joe hasn’t seen any of the profits. In fact, he still owes the label money! “When I get my statement from the major label 20 years later, I still owe them money,” he said on IG Live.

Fat Joe has shunned label deals in the years since, and prefers to release music independently. He asserted that albums financed by his own Terror Squad label, and distributed through majors, result in much better paydays. “I put out an album independently on Empire and get distribution,” he added. “My album might sell 250 to 300,000 records, I make millions of dollars off of it.” Joe’s recent hits, including 2017’s “All The Way Up,” have been independent releases, which thankfully means he’s made the lion’s share of the profits.

Read More: Fat Joe Doesn’t Want His Kids To Be Rappers

[Via]

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