ELVIS

Austin Butler Net Worth 2024: What Is The “Elvis” Star Worth?

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Austin Butler’s foray into the entertainment industry is a narrative interweaving raw talent. His transition from teen roles to more complex characters placed him in the limelight. Further, Butler has made a significant impact in Hollywood. His noteworthy performances in film and television, combined with strategic career choices, have also led to a net worth of $4 million by 2024, as reported by Gemtracks. It shows his evolving prominence in the acting world.

Spotlight Evolution: Butler’s Career Unfolds

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LONDON, ENGLAND – MAY 31: Austin Butler attends “Elvis” UK Special Screening at BFI Southbank on May 31, 2022 in London, England. (Photo by Neil Mockford/FilmMagic)

Butler’s journey in the industry began with roles in popular television shows, capturing the attention of audiences with his charm and skill. His breakthrough came with his portrayal of significant characters in critically acclaimed films and television series. Notably, his role in Elvis demonstrated his ability to embody a character and captivate audiences, earning him critical acclaim. Butler’s versatility and dedication to his roles have established him as a rising star with a promising future in Hollywood.

Accolades & Acclaim: Recognizing Butler’s Artistic Merit

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TOPSHOT – US actor Austin Butler poses with the award for Best Actor – Motion Picture – Drama for “Elvis” in the press room during the 80th annual Golden Globe Awards at The Beverly Hilton hotel in Beverly Hills, California, on January 10, 2023. (Photo by Frederic J. Brown / AFP) (Photo by FREDERIC J. BROWN/AFP via Getty Images)

Austin Butler’s contributions to cinema have been marked by industry recognition and praise for his performances. His portrayal of complex characters has not only garnered award nominations but also respect from peers and critics alike. Beyond the accolades, Butler’s influence in the industry is evident in his choice of roles that challenge and expand his artistic range.

Beyond The Limelight: Butler’s Personal Journey

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HOLLYWOOD, CALIFORNIA – JUNE 21: (Top L-R) Steve Binder, Baz Luhrmann, Austin Butler. (Bottom L-R) Harper Vivienne Ann Lockwood, Lisa Marie Presley, Priscilla Presley, Riley Keough, and. Finley Aaron Love Lockwood attend the Handprint Ceremony honoring Priscilla Presley. Lisa Marie Presley And Riley Keough at TCL Chinese Theatre on June 21, 2022 in Hollywood, California. (Photo by Jon Kopaloff/Getty Images)Baz Luhrmann, Austin Butler. (Bottom L-R) Harper Vivienne Ann Lockwood, Lisa Marie Presley, Priscilla Presley, Riley Keough,

Off-screen, Austin Butler’s life reflects his passion for the arts and personal growth. His engagement in various artistic pursuits and his thoughtful approach to his career choices paint a picture of an actor dedicated to continuous development. Butler’s journey, marked by perseverance and a deep commitment to his craft, showcases his multifaceted personality and dedication to his art.

Austin Butler’s journey from a teen actor to a respected figure in Hollywood has been fascinating. His career is characterized by a series of transformative roles and a dedication to evolving as an actor. It is also complemented by his dedication to the arts. Overall, this established him as a prominent and influential figure in the entertainment industry.

The post Austin Butler Net Worth 2024: What Is The “Elvis” Star Worth? appeared first on HotNewHipHop.

Doja Cat’s ‘Vegas’ Is Not Eligible For An 2023 Oscars Nomination And An Academy Awards Rule Seems To Indicate Why

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Doja Cat December 2022
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Doja Cat cracked the top 10 of Billboard‘s Hot 100 chart and hit No. 3 on the Radio Songs chart with “Vegas,” her contribution to the Elvis soundtrack, but the song unfortunately will not earn her an Oscar, according to Variety.

“The lead single from the soundtrack to Baz Luhrmann’s Presley biopic, it was written by Doja Cat and producers Roget Chahayed and Yeti Beats, but its interpolation of the Presley classic “Hound Dog” (by Mike Stoller and the late Jerry Lieber) apparently doomed it for consideration,” the publication reported. “Oscar rules demand that both words and music must be ‘original, and written specifically for the motion picture’ and must be the result of ‘creative interaction between the filmmakers and the songwriters who have been engaged to work directly on the motion picture.’”

The same report published today (December 12) relayed that the Tár score has also been disqualified from Oscar contention: “While some sources claimed that the dramatic score exceeded the minimum 35% of total music in the film, as called for by Academy rules, it may have run afoul of another rule that states ‘a score shall not be eligible if it has been diluted by the use of pre-existing music.’”

The full nomination field for the 95th Academy Awards will be unveiled January 24, and the ceremony is slated for March 12. See the full 2023 Oscars timeline here.

Austin Butler ‘Danced And Danced And Danced’ At A Janelle Monáe Concert, He Admits

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The 17th season of Variety‘s “Actors On Actors” series has already included the likes of Viola Davis and Jennifer Lawrence and has fans impatiently awaiting the episode with Joe Alwyn and Paul Mescal. The latest installment dropped on Sunday, featuring Austin Butler with Janelle Monáe. The crux of the conversation was Butler’s leading man turn in Elvis and Monáe’s standout performance in Glass Onion: A Knives Out Mystery. But there was room for Butler to make an endearing admission.

At one point Butler asked Monáe about their upbringing in the Baptist church, and Monáe noted they appreciated that Elvis made clear that its titular icon borrowed heavily from Black artists. Butler then shared that he went with director Baz Luhrmann to a Nashville church after he was cast to observe gospel singers, which taught him about “what movement means in music when you can’t help but move because your spirit is being moved.”

“I’ve only had a couple moments before filming Elvis where I danced in public because I was very, very shy. I’d always be a wallflower at party,” Butler told Monáe. “One of them was at that gospel church, and another was at one of your shows. You moved me in such a way that I couldn’t help but move. [I was with] some of my friends, they said, ‘Austin, I didn’t know you could dance.’”

He continued, “But you were up on stage and I was in the audience, and I just couldn’t help but dance. It was so beautiful.”

Monáe was visibly flattered and asked which of their shows Butler had attended. After coyly calling Coachella “the music festival that shan’t be named,” Butler said it was Coachella and recalled, “I danced and danced and danced. I couldn’t stop.”

Monáe played Coachella’s main stage in 2019 as part of their Dirty Computer Tour. The acclaimed set featured a twerk-off with Lizzo.

Watch Butler and Monáe’s full “Actors On Actors” above and see outtakes below.

‘Elvis’ Has Become The Rare Non-Franchise Movie To Cross The $100 Million Mark At The American Box Office

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Austin Butler Elvis
Warner Bros.

Time was that box office hits were more diverse. Before franchise movies ruled the multiplex, a year’s biggest grosser could be a comedy (Three Men and Baby, 1987), a drama (Rain Man, 1988), or a ghostly romance (Ghost, 1990). Even high-concept extravaganzas could be one-offs (E.T., Titanic, Armageddon). This is a roundabout way of saying that everyone should break out the champagne, because a non-franchise movie just crossed the $100 million mark, and in only four weeks of release.

As per Variety, this weekend, Elvis — Baz Luhrmann’s over-the-top biopic about the King — crossed a benchmark, bringing its cume to a whopping $106.2 million. It’s still in the top five (albeit in the fifth slot), behind a three franchise movies (Thor: Love and Thunder, Minions: The Rise of Gru, and Top Gun: Maverick), as well as another non-franchise entry: Where the Crawdads Sing, which chalked up a respectable $17 million for third place.

Elvis stars Once Upon a Time in Hollywood’s Austin Butler (who did not — we repeat not — punch Ezra Miller in the face at a Tokyo bar) as the one born Elvis Aaron Presley, whose life and career are both made and derailed by his manager, Colonel Tom Parker (Tom Hanks, in a fat suit and with an unplaceable European-Southern accent). It’s clearly bewitched audiences, though it is a bit strange that none of Presley’s songs have suddenly creeped back into the Billboard 100, as Stranger Things help do to ‘80s tunes by Kate Bush and Metallica. In a just world, “Polk Salad Annie” would crack the Top 10.

(Via Variety)

Eminem Packs A Ton Of Elvis Presley References Into ‘The King And I,’ His New ‘Elvis’ Biopic Song

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The soundtrack for the upcoming Baz Luhrmann biopic Elvis is packed, with the most notable participant perhaps being Eminem. Now, he has shared his contribution to the movie, a new CeeLo Green collaboration called “The King And I.”

The track, naturally, is filled with references to Presley. Most obviously, the instrumental is based on the iconic “Jailhouse Rock” riff. Eminem also plays off of the classic “Blue Suede Shoes” lyric with the line, “It goes: one for the trailer park, two for my baby-ma /
Three for the tater tots, four if you ate a lot / Five if you came to rock, straight up while I’m sh*ttin’ on my comp’.”

Elsewhere, Em makes comparisons between Presley and himself, rapping, “Now I’m about to explain to you all the parallels / Between Elvis and me, myself / It seem obvious: one, he’s pale as me / Second, we both been hailed as kings.”

In an interview from earlier this month, Green said of working with Eminem on the song, “Me and Eminem have been friends for years. I’ve longed for an opportunity to work with him. He said, ‘Hey man, can you do this for me? I need it really quickly, I need it tonight.’ So when Eminem says he needs something tonight, you deliver.”

Listen to “The King And I” above.