digital streaming platforms

Kendrick Lamar Leaks Resurface Under pgLang Name On Streaming App

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For pretty obvious reasons, fans are always foaming at the mouth for new Kendrick Lamar music, but the Drake beef has really amped that sentiment up to peak levels. While we’re still waiting on a response to “Push Ups” and “Taylor Made Freestyle,” it seems like die-hards have found something else to build hype around. Moreover, 15 unreleased leaks from him have apparently appeared on the [untitled] streaming app under the pgLang name. For those unaware, [untitled] markets itself as “a sacred place for your work-in-progress music,” and it’s unclear at press time whether this was legitimately posted by pgLang or if these tracks were uploaded by a fan.

Either way, there’s a lot of conversation around this on social media right now, as accounts are quickly clarifying that this is not new Kendrick Lamar music. In fact, many online have pointed out how a lot of this material had previously leaked in the past couple of years, so this technically isn’t anything new at this point. Still, to see these songs compiled in this way, under this name, and with all the context surrounding K.Dot right now is a pretty exciting moment. After all, there are rumors that we might actually get an album soon, although fans are pretty split on what that represents.

Read More: Snoop Dogg Apparently Co-Signs Drake’s Kendrick Lamar Diss With His A.I. Voice

Kendrick Lamar Leaks Appear On [untitled] App Under pgLang Name

Yes, new music from Kendrick Lamar will likely be something special, but does it mean that “Like That” was just a promo move to get the conversation rolling? Or to incentivize fans even further to tune in by teasing a response to Drake, who’s already taken down one of his two diss tracks against him? It’s something that a lot of folks on both sides are doing mental gymnastics with, and something so shrouded in mystery that we’ll never really know until we know. That’s a big part of the reason as to why leaks like this impacted audiences in the way that they have.

Regardless, if you want to check out some of this unreleased material, then we’d recommend you look into [untitled] or dig for the OG leaks. Do you think they will ever officially come out, and what are your other predictions for the Compton lyricist’s next moves? Whatever the case, drop your thoughts down in the comments section below. Also, come back to HNHH for more news and the latest updates on Kendrick Lamar.

Read More: Who Is CJ Francis IV? The Rapper Accused Of Allegedly Ghostwriting For Kendrick Lamar

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JT Delivers Detailed Instructions On How To Stream New Single And Some Fans Aren’t Having It

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JT is currently embarking on a solo career that will certainly be interesting to watch play out. Overall, fans know her from her work with the City Girls. However, she is now on her own and is slowly but surely dropping off some new singles. For instance, she recently came through with the track “OKAY,” which has been getting mixed reviews so far. That said, JT seems to be catching a bit of a flack for a completely different reason.

In the Instagram below, you can see that JT delivered full-on instructions for how to stream her new single. These instructions extend to both Spotify and Apple Music. They speak to the different rules on each platform, and how to maximize her success on the charts. In many ways, this is what Justin Bieber tried to do with “Yummy” all of those years ago. At the time, Bieber got clowned for it, and now, the same thing is happening to JT.

Read More: JT Unleashes Fiery Solo Anthem “Sideways”

JT Goes The Justin Bieber Route

In the comments section over at 2Cool2Blog, there were quite a few detractors to what JT is doing here. Although some did note that they understand why she might feel like this is absolutely necessary. “This shit make u appreciate ur 9-5 sometimes,” one person wrote.”Not following instructions on how to make a stream count. N***a ima listen to what I want how I want. Take that shit up with Spotify,” said another. It can be tough to get your music heard these days, and this whole situation is a perfect example.

Let us know what you think of this practice, in the comments section down below. Do you believe that it is weird for an artist to do this? Do you believe that streaming platforms have ultimately ruined the game for a lot of artists? Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.

Read More: JT’s Nip Slip On Instagram Live Is Her Latest Wardrobe Malfunction

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Kendrick Lamar & Drake Beef: “Like That” & “Push Ups” Disses Locked In Streaming War

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There are a lot of different ways and metrics of “winning” by which you could look at the Drake and Kendrick Lamar beef. While many would say that it’s all about the quality of the diss tracks themselves, we are among too large (and divided) of a hip-hop fanbase to not consider that folks care about numbers more as arguments. Moreover, now that “Push Ups” is finally on streaming, many folks are curious as to how it will perform against “Like That” commercially dominating the game to this day. Although K.Dot can’t touch Drizzy numbers-wise in general, this would be a curious showdown to witness because we might not expect the results.

Furthermore, DJ Akademiks spoke to the close nature of this race, albeit in a dismissive way, on Twitter yesterday (Sunday, April 21). “Drake ‘Push Ups’ expected to out stream Metro Boomin, Future and Kendrick Lamar ‘Like That’ for this week,” he wrote on the social media platform, later posting screenshots of his tweets on Instagram. “‘Like That’ might still chart higher on the final billboard chart however because of radio play which heavily affects the charts.” “Hollyyyy,” Ak captioned the IG post. “Might be a chart show down as well for this next week.” Keep in mind that “Like That” has been the No. 1 song on the Billboard charts for three weeks straight.

Read More: 50 Cent Shares Surprising Thoughts On Drake’s Newest Kendrick Lamar Diss

DJ Akademiks Reports On Drake & Kendrick Lamar Streaming Showdown

As far as other diss tracks or ways in which Drake and Kendrick Lamar could go head-to-head commercially, this is really the only thing they have to consider specifically related to their beef. The “Taylor Made Freestyle” probably won’t make it onto streaming thanks to the Tupac and Snoop Dogg A.I. verses, but anything’s possible at this point. Of course, fans are still comparing them commercially and artistically in other areas, which they’ve vaguely spoken on in their disses. They recently had blockbuster tours, albums in the 2020s decade, wildly different label deals, etc.

Meanwhile, everyone is very curious to see how the Compton lyricist manages a response… if at all. Does he want to wait the exact same time his opponent waited to clap back at “Like That” or is his follow-up track really taking this long to craft? Let us know your predictions on that, and thoughts on all of this, down in the comments section below. As always, come back to HNHH for the latest news and more updates on Drake and Kendrick Lamar.

Read More: Kanye West Claims To Reveal Drake’s “Rich Baby Daddy”

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Drake Officially Makes “Push Ups” Available To Stream

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After “Push Ups (Drop & Give Me Fifty)” by Drake was teased online, it was only a matter of time before it would hit streaming. Well, today is the day as just minutes ago, The Boy delivered the final polished version. The “twenty-v-one” diss response sees Drizzy respond to his numerous foes. The Weeknd, Future, Metro Boomin, and the main target, Kendrick Lamar are all “in a scope.”

The massive number of bars directed right at the “Like That” rapper make that clear. But to double down, the cover art hilariously shows that further. It shows the foot measurements that you will find inside of most shoe tongues. It is a reference to Drake saying, “You won’t ever take no chain off of us / How the f*** you big steppin’ with a size-seven men’s on?”

Read More: New Kendrick Lamar Leak Seemingly Makes Reference To Drake’s Mom

Listen To “Push Ups” By Drake

As we mentioned earlier, “Push Ups” getting a wide release was essentially imminent, but there was a sign some may have missed. According to Genius, a teaser billboard and digital banner from Spotify might have given it away. It read, “Hip-Hop is a competitive sport. Drake is on the way.” Will this be his biggest diss song of all time? We think it has a pretty good shot at that mark.

What are your thoughts on Drake releasing “Push Ups” to streaming services? Out of all the diss tracks revolving around him, is this the best one, why or why not? Does this outdo Kendrick Lamar’s “Like That” verse? Will this song be as big as “Back To Back?” We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Drake, his beefs, and “Push Ups.” Finally, stay with us for everything else going on around the music world.

Quotable Lyrics:

You ain’t in no big three, SZA got you wiped down
Travis got you wiped down, Savage got you wiped down
Like your label, boy, you in a scope right now
And you gon’ feel the aftermath of what I write down
I’m at the top of the mountain, so you tight now
Just to have this talk with your a**, I had to hike down

Read More: Ice Cube Trends As Caitlin Clark’s WNBA Salary Is Exposed

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N3on Surprises Fans With First Stream Back Since Arrest In Dubai

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N3on is easily one of the biggest streamers in the entire world right now. Overall, his come up has been fairly controversial. This is because he has said slurs on his streams, all while trying to manufacture drama. Quite frankly, his streams embody the kind of brain rot that is prevalent on the internet these days. However, people still watch him, and when something big happens to him, you can be sure it will lead to a lot of discourse on social media. Most recently, N3on went through a situation while streaming in Dubai.

At the time of his arrest, N3on appeared to be in big trouble. He has been accused of recording in an unauthorized way, and there were reports that he could very well get hit with a one-year jail sentence in the United Arab Emirates. In the end, however, he was released by authorities, and now here we are. Yesterday, N3on delivered his first stream since the arrest, and fans were pretty surprised to see him, especially given the fact that some thought he was toast.

Read More: N3on Briefly Detained By Police Over Stolen Car

N3on Made His Grand Return

As N3on explains, things took a turn for him in Dubai as he ended up filming a police officer, which is illegal. Admittedly, things were looking bleak, but he was able to get out if it, and now, he should be alright. Overall, it was clearly a scary situation that will make him rethink being so flippant about content in the future. Having connections around the world will certainly help in these situations. If he wasn’t a famous person, who knows what would have gone down?

Let us know what you think about the N3on situation, in the comments section down below. Do you believe that his situation was blown out of proportion? Was this just a way to do some promo for Kick? Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.

Read More: Rubi Rose And N3on Interaction Sparks Rumors

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“COWBOY CARTER” Streaming Numbers Set 2024 Record, Beyonce Glows In Western Garb: Photos

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Beyonce hinted before unleashing COWBOY CARTER that she had much more than just a country album in store for us, and she didn’t disappoint. Throughout the 27-track LP, the Houston native explores genres like bluegrass, Jersey club, pop, rock, hip-hop, and even mixes in some operatic runs just to flex her vocal range. Since she first confirmed that the second act of her RENAISSANCE trilogy would pay homage to her Southern roots there’s been a lot of curiosity – so much so that COWBOY CARTER has already managed to break records on various streaming platforms.

As Billboard reports, Bey’s eighth studio album is Spotify’s most-streamed album in a single day so far this year as of Friday (March 29). One of its first singles, “TEXAS HOLD ‘EM” had already racked up over 200M streams before COWBOY CARTER‘s big debut. Elsewhere, Amazon Music is celebrating some major wins for the mother of three on their platform. “[It has] the biggest debut to date earning more first-day streams on Amazon Music globally than any of her previous albums. The album also marks the most first-day streams for a country album by a female artist in the history of Amazon Music,” the outlet declares.

Read More: Beyonce’s “Cowboy Carter” Headed For No. 1 Debut: First Week Sales Projections

Beyonce’s New Era is Upon Us, and It Looks Damn Good

 
 
 
 
 
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A post shared by Beyoncé (@beyonce)

As the world continues to enjoy act ii, Beyonce has been filling her Instagram feed with all the Western outfit inspiration we’ll need this summer. Her W Magazine cover shoot is particularly eye-catching, with textures like ruffles and leather drawing us in. As of now, the “Baby Boy” songstress doesn’t have any visuals for either RENAISSANCE album. Still, we can’t wait to see what she’s planning for those and the rumoured rock-centric act iii.

If you’re reluctant to listen to COWBOY CARTER but still want to see what all the hype is about, we suggest streaming “SWEET HONEY BUCKIIN.” The infectious song connects Beyonce with Pharrell Williams and Shaboozey to give us a taste of the former’s femcee side that we’ve been craving. If she releases a remix, fans are hoping to hear Megan Thee Stallion jump on the beat. Tap into the new song at the link below, and check back later for more hip-hop/pop culture news updates.

Read More: Beyonce, Shaboozey, & Pharrell Williams Team Up For A Wild, Multi-Layered Cut “SWEET HONEY BUCKIIN’”

[Via] [Via]

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James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform

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Earlier this month, James Blake went viral for a series of comments on social media about the royalties that artists earn from streaming services and TikTok. In an Instagram story, he criticized TikTok’s effect on songwriting and listeners’ attention spans. He specifically detailed the pressure on artists to prioritize social media marketing over creating music. Blake referenced TikTok’s reduction of songs to short clips, leading to fans only knowing a small portion of them.

James Blake later took to Twitter to elaborate on his comments, opening a dialogue with his fellow artists. “If we want quality music, somebody is gonna have to pay for it. Streaming services don’t pay properly. Labels want a bigger cut than ever and just sit and wait for you to go viral. TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists,” he wrote. Blake also stated that streaming encourages artists to produce and release music quickly, diminishing the creative process. Such little pay prepares consumers for “AI-generated music that pays musicians nothing at all.” Tyler, The Creator, Blood Orange, Shay Lia, and others supported his comments.

Further expressing his frustrations with the exploitation of artists from labels, digital streaming platforms, and the industry at large, he called out the financial and artistic struggles faced by artists as a result of these business practices. Since then, James Blake has been campaigning for his fellow artists. His tweets and behind-the-scenes conversations have culminated in the announcement of Vault, a brand-new direct-to-consumer platform specializing in unreleased music. Here is what we know about James Blake’s latest venture.

Read More: James Blake Net Worth 2023: What Is The Singer Worth?

Vault Is a Direct-To-Consumer Platform

Yesterday (March 20th), James Blake took to social media, once again, to share some statistics about how “one million plays equals $3,000. If you are signed to a label, then that number’s cut by at least 50%.” After breaking down the splits of streaming royalties and the cost of creating, he revealed a possible solution for this issue. James Blake revealed that quickly after his viral social media posts, he was contacted by the creators of Vault. The service is primarily geared towards unreleased music, which does not always see the light of day due to not meeting “certain requirements or trends,” according to Blake. The British musician is assisting the platform’s launch in a major way. He is Vault’s first artist to share their unreleased songs, which can be unlocked for a $5-per-month subscription.

Pros & Cons Of Vault

Vault presents itself as a logical solution to the frequently expressed frustrations of artists with streaming companies and record labels. With James Blake backing the recently launched platform, it clearly offers a way to combat the current system of streaming payouts. Based on the current available information, it raises some pros and cons for both artists and fans. For artists, Vault cuts out the middleman, allowing them to receive fair compensation for their work at a direct-to-consumer rate. It also connects artists with their audience. Some perks include the chance for fans to chat with artists and priority offers including presale access to upcoming tours. Vault allows artists to share their unreleased music as frequently as they want.

So far, some cons of Vault include the fact that it is still being worked on. As explained by James Blake, he is the first artist to be a part of “this experiment,” specifying that the platform will add features or updates as necessary. But, as a paid service, it becomes just another subscription for fans. Many consumers already pay a monthly fee for one or multiple music and video streaming platforms. Vault seems to be most beneficial for artists like James Blake with established fanbases, not those aiming to develop their audience. 

In his video announcement, James Blake said that only “19% of artists on Spotify have over 1,000 monthly listeners.” It seems that Vault would positively affect this percentage of artists significantly more than other creators. Fans are more than likely going to pay subscriptions for their established favorites, excluding up-and-coming artists looking to build their careers. There is also the fact that this business model already exists with platforms like Patreon, but Vault positions itself as a personable service that specializes in unreleased content. 

Read More: James Blake Gets Experimental With “Playing Robots Into Heaven”

“Drop Music On Your Own Terms”

Vault’s slogan is a promising sentiment to artists fed up with how their music is valued by streaming and social media platforms. It offers a way for them to connect with their fans on their own accord, providing access to unreleased material and exclusive content. Most importantly, it cuts out extra expenses and allows them to release music at their desired frequency. With James Blake leading the charge, we will see how Vault fares in the current landscape of the music industry. 

[via]

The post James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform appeared first on HotNewHipHop.

James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform

by

Earlier this month, James Blake went viral for a series of comments on social media about the royalties that artists earn from streaming services and TikTok. In an Instagram story, he criticized TikTok’s effect on songwriting and listeners’ attention spans. He specifically detailed the pressure on artists to prioritize social media marketing over creating music. Blake referenced TikTok’s reduction of songs to short clips, leading to fans only knowing a small portion of them.

James Blake later took to Twitter to elaborate on his comments, opening a dialogue with his fellow artists. “If we want quality music, somebody is gonna have to pay for it. Streaming services don’t pay properly. Labels want a bigger cut than ever and just sit and wait for you to go viral. TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists,” he wrote. Blake also stated that streaming encourages artists to produce and release music quickly, diminishing the creative process. Such little pay prepares consumers for “AI-generated music that pays musicians nothing at all.” Tyler, The Creator, Blood Orange, Shay Lia, and others supported his comments.

Further expressing his frustrations with the exploitation of artists from labels, digital streaming platforms, and the industry at large, he called out the financial and artistic struggles faced by artists as a result of these business practices. Since then, James Blake has been campaigning for his fellow artists. His tweets and behind-the-scenes conversations have culminated in the announcement of Vault, a brand-new direct-to-consumer platform specializing in unreleased music. Here is what we know about James Blake’s latest venture.

Read More: James Blake Net Worth 2023: What Is The Singer Worth?

Vault Is a Direct-To-Consumer Platform

Yesterday (March 20th), James Blake took to social media, once again, to share some statistics about how “one million plays equals $3,000. If you are signed to a label, then that number’s cut by at least 50%.” After breaking down the splits of streaming royalties and the cost of creating, he revealed a possible solution for this issue. James Blake revealed that quickly after his viral social media posts, he was contacted by the creators of Vault. The service is primarily geared towards unreleased music, which does not always see the light of day due to not meeting “certain requirements or trends,” according to Blake. The British musician is assisting the platform’s launch in a major way. He is Vault’s first artist to share their unreleased songs, which can be unlocked for a $5-per-month subscription.

Pros & Cons Of Vault

Vault presents itself as a logical solution to the frequently expressed frustrations of artists with streaming companies and record labels. With James Blake backing the recently launched platform, it clearly offers a way to combat the current system of streaming payouts. Based on the current available information, it raises some pros and cons for both artists and fans. For artists, Vault cuts out the middleman, allowing them to receive fair compensation for their work at a direct-to-consumer rate. It also connects artists with their audience. Some perks include the chance for fans to chat with artists and priority offers including presale access to upcoming tours. Vault allows artists to share their unreleased music as frequently as they want.

So far, some cons of Vault include the fact that it is still being worked on. As explained by James Blake, he is the first artist to be a part of “this experiment,” specifying that the platform will add features or updates as necessary. But, as a paid service, it becomes just another subscription for fans. Many consumers already pay a monthly fee for one or multiple music and video streaming platforms. Vault seems to be most beneficial for artists like James Blake with established fanbases, not those aiming to develop their audience. 

In his video announcement, James Blake said that only “19% of artists on Spotify have over 1,000 monthly listeners.” It seems that Vault would positively affect this percentage of artists significantly more than other creators. Fans are more than likely going to pay subscriptions for their established favorites, excluding up-and-coming artists looking to build their careers. There is also the fact that this business model already exists with platforms like Patreon, but Vault positions itself as a personable service that specializes in unreleased content. 

Read More: James Blake Gets Experimental With “Playing Robots Into Heaven”

“Drop Music On Your Own Terms”

Vault’s slogan is a promising sentiment to artists fed up with how their music is valued by streaming and social media platforms. It offers a way for them to connect with their fans on their own accord, providing access to unreleased material and exclusive content. Most importantly, it cuts out extra expenses and allows them to release music at their desired frequency. With James Blake leading the charge, we will see how Vault fares in the current landscape of the music industry. 

[via]

The post James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform appeared first on HotNewHipHop.

ScHoolboy Q Delivers Bold Prediction About The Decline Of Music Streaming

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Due to a few recent controversies from major artists, the way music is sold and consumed by fans has been under a microscope recently. And now one person throwing his thoughts into the ring is ScHoolboy Q. Those incidents include French Montana’s streaming controversy. He released 8 versions of his new album in an attempt to inflate the sales numbers of the project. Most egregiously, he dropped a 126-song “Versions” edition of the album. Despite the tactics the album still debuted beneath its initially speculated sales numbers.

A bigger and more recent story has to do with one of ScHoolboy Q’s collaborators, Kanye West. He started teasing his second new album of the year VULTURES 2 with Ty Dolla $ign last week. But he revealed on social media that he’s considering not dropping the project on streaming platforms. It’s a tactic he’s explored before with The Life Of Pablo not initially dropping on Spotify or Apple Music and Donda 2 remaining unavailable on all streaming services. With fans from across the rap spectrum sharing their thoughts on the matter, Q took to Twitter to give his own take. Check out what he had to say below.

Read More: ScHoolboy Q Stands With Kanye West

ScHoolboy Q’s Thoughts On Streaming Services

Q’s new tweet bounces between a variety of subjects. “THe rap industry firing everybody… god lee…. THey bout to fire all deez cats at tHese streaming sites next.. radio bye .. sum How sum way tHo US RAPPERS gone fuck it up and give sumbody else power once again” it reads in its entirety. The post has already racked up more than a thousand likes in just a few hours.

It’s no surprise that Q is thinking about sales right now given that he just released his new album. Blue Lips was his first new project since 2019 and dropped earlier this month. What do you think of ScHoolboy Q’s new tweet about streaming services, radio, and the future of how fans will consume rap music? Do you agree with his takes and projections? Let us know in the comment section below.

Read More: ScHoolboy Q & Rico Nasty Go Ballistic On “Pop”

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Kanye West Might Not Drop “VULTURES” 2 On Streaming Amid “Final Tweaks”

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Ye and Ty Dolla $ign have yet to drop VULTURES 2 as promised, but now there’s a new pipeline of info that the first installment didn’t have. Moreover, a Twitter (now X) account by the name of @yefanatics has apparently been in contact with the Chicago artist and his team, and through this account, he’s been able to provide updates on the project. In some of the most recent message screenshots posted on social media by the fan page, the “BURN” MC said that he and Ty will play both VULTURES 1 and 2 at their Phoenix listening event tonight (March 10), plus what seems to be another track called “Slide,” presumably for the final part of the trilogy.

Furthermore, Ye had a pretty interesting question to ask @yefanatics (and by extension, the fans) about his and Ty Dolla Sign’s next two VULTURES albums. “Was talking with the team about how to release the next album,” he apparently wrote via direct message. “Like James Blake said streaming devalues our music. We sell albums on Yeezy.com. I got 20 million Instagram followers. When 5% of my followers buy an album. That’s 1 million albums sold. That’s 300k more than the biggest album last year. We sold 1 million items on Yeezy.com on Super Bowl Sunday so we know it’s possible. How do you feel about us not streaming and only selling the album digitally.”

Read More: Ty Dolla Sign Clarifies “Vultures 2” Album Cover

Ye’s Newest Updates On VULTURES 2

With this in mind, it’s at least great to see that James Blake’s recent statements on the music industry have really resonated. The English creative brought up a lot of great points in terms of artist exploitation, the adverse effects of a streaming-dominated economy on artistry, algorithmic engagement like TikTok being a hindrance to creativity, and much more. While Ye has his own legal, distribution, and politically sensitive reasons to see pushback from streaming platforms, it doesn’t change the fact that the issues with streaming apply across all artists, for the most part. Perhaps VULTURES 2 will join the likes of Willie Nelson as some of the first huge and prominent musical moments against streaming.

Meanwhile, we know that this is history repeating itself, because Donda 2 only released via the Yeezy Stem Player. But VULTURES 1 is still seeing a lot of streaming success, so maybe that’s another reason for them to switch things up for this one. After all, it seems like casuals won’t stop playing “CARNIVAL” anytime soon, and the next installment can focus more on the core fans. For more news and the latest updates on Ye and Ty Dolla Sign, keep checking in with HNHH.

Read More: Quavo Pleads For Kanye West & Ty Dolla $ign To “GIVE Em What They Want” By Dropping His Version Of “FUK SUMN”

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