Month: February 2024

How Much Are Tickets For Mad Cool Fest 2024?

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Dua Lipa Argylle premiere January 2024
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Mad Cool Festival has taken the slow burn approach to its 2024 announcements. The lineup was initially revealed in December, with Dua Lipa, Pearl Jam, and Bring Me The Horizon among the headliners. Tickets became available days later, and anybody who hopped on tickets in December are being doubly rewarded this morning, February 1, when Mad Cool announced the final names for its 2024 lineup, including additional headliners Måneskin and The Killers.

Mad Cool is scheduled to run from July 10-13, 2024, in Villaverde, Madrid, Spain.

How Much Are Tickets For Mad Cool Fest 2024?

Tickets are still available here. According to the official website, there are several options:

  • 4-Day Tickets, beginning at €210 ($227.75)
  • 1-Day Tickets, beginning at €89 ($96.52)
  • VIP 4-Day Pass, beginning at €482 ($522.73)
  • VIP 1-Day Pass, beginning at €187 ($202.80)

What Is The Full Mad Cool Festival Lineup?

Dua Lipa will headline on Wednesday, July 10, and other featured artists on that day will be The Smashing Pumpkins, Janelle Monáe, Garbage, Sexyy Red, Rels B, Nothing But Thieves, Tom Odell, James Arthur, Kenya Grace, Soccer Mommy, and more.

On Thursday, July 11, Pearl Jam will headline. The day’s other featured artists are Motxila 21 and Greta Van Fleet. Fans attending on Friday, July 12, will be treated to Måneskin as the headliner, while Rema, Sum 41, Jessie Ware, Black Pumas, Tom Morello, The Breeders, Unknown Mortal Orchestra, and Alec Benjamin will also perform (as will many others).

The festival will wrap on Saturday, July 13, with the newly announced The Killers as headliners — joining Bring Me The Horizon, Avril Lavigne, The Gaslight Anthem, Arlo Parks, and former Uproxx cover star Ashnikko.

Along with Benjamin, Måneskin, The Killers, Rema, and Sexyy Red, the newly announced artists are Tyla, Nia Archives, 2ManyDJs, Claudia León, Dead Posey, Depresión Sonora, Lord Huron, Bar Italia, Andres Campo, Picture Parlour, Sea Girls, Nadye, Comandante Twin, Julia Sabaté, Choses Sauvages, and Slix.

See the updated poster below.

Mad Cool Fest poster
Mad Cool Festival

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Cleared Up A Rumor That He Was Once Beyoncé’s Nanny: ‘I Looked Over Them’

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In a new interview, Usher cleared up a longstanding rumor that he was once Beyoncé’s nanny. Appearing on Shannon Sharpe’s YouTube show Club Shay Shay ahead of his upcoming Super Bowl Halftime Show performance, Usher downplayed the caregiving role he played for his fellow pop-R&B star.

Torward the end of the interview (about 53:00 above), Sharpe asks directly, “I read that you were Beyoncé’s nanny. Is that true? Were you Beyoncé’s nanny?”

“First of all, I’d be a ‘manny,’” Usher jokes (look, he grew up in a different era). “Nah, I wasn’t Beyoncé’s nanny. Daryl Simmons had a group by the name of The Dolls, and they came to Atlanta for the first time. This is before Destiny’s Child became Destiny’s Child. I think I looked over them while they was doing something in the house; I had to watch over them ’cause I was like the, you know, the authority — ’cause I guess I was the teenager at the time.”

Sharpe then wonders if Usher could foresee Beyoncé’s future success, using his discovery of Justin Bieber as evidence of his eye for talent. Usher plays it humbly, pointing out that Destiny’s Child, as a group, is still successful collectively. But he does note that even those around him would say they could see that Beyoncé was special.

There’s a lot of insight in the interview, from Usher detailing the preparation it takes to remain at the top of his game for so long to revealing tidbits about alternative timelines within the music industry where he and Jay-Z were in a supergroup. Check out the full interview up top.

Dua Lipa, The Killers, Pearl Jam, And Måneskin Are The Headliners For The 2024 Mad Cool Festival

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Dua Lipa Argylle premiere 2024
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Back in December 2023, Madrid, Spain’s Mad Cool Festival unveiled the initial lineup for its 2024 festival. Now, the final names have been revealed today (February 1) and the poster is set in stone ahead of the fest, which runs from July 10 to 13.

Most notably, The Killers were added as headliners, as they’ll close out the festival in the 13th. Måneskin locked down a headlining slot as well, on the 12th.

Other names newly added to the lineup include Rema, Tyla, Sexyy Red, Lord Huron, Nia Archives, Alec Benjamin, 2ManyDJs DJ Set, Claudia León, Dead Posey, Depresión Sonora, Bar Italia, Andres Campo, Picture Parlour, Sea Girls, Nadye, Comandante Twin, Julia Sabaté, Choses Sauvages, and Slix.

They join a lineup that already included Dua Lipa, Pearl Jam (the other two headliners), The Smashing Pumpkins, Janelle Monáe, Jessie Ware, Sum 41, Bring Me The Horizon, Avril Lavigne, Arlo Parks, Greta Van Fleet, Kenya Grace, Genesis Owusu, The Gaslight Anthem, and Uproxx’s August 2023 cover star Ashnikko.

Tickets are still available through the Mad Cool website. A 4-day ticket is currently going for 210€ (about $227), while 1-day tickets are €89 (about $96).

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Usher Opens Up On Beyonce Nanny Claim

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Back in August of last year, Usher made a statement in an interview that surprised many fans. He claimed that he knew Beyonce when she was young before Destiny’s Child ever became a reality. “Fun fact, I knew Beyoncé when she was 12 years old, 11 years old. She used to be in a group by the name of The Dolls. I don’t know if I could consider myself their babysitter, but I had a time where I had to watch The Dolls.” Though he didn’t elaborate on the story at the time it clearly stuck in fan’s heads.

During an appearance on Shannon Sharpe’s Club Shay Shay podcast earlier this week, Usher shared the full story. “Daryl Simmons, he had a group by the name of The Dolls, and they came to Atlanta for the first time. This is before Destiny’s Child became Destiny’s Child. I think I looked over them while they [were] doing something in the house; I had to watch over ’cause I was like the, you know, the authority ’cause I guess I was the teenager at the time,” he explains in the interview. Check out the full interview where the R&B legend discussing his experiences with a young Beyonce below.

Read More: Summer Walker Was Downright Giddy At Usher’s Las Vegas Show

Usher’s Full Beyonce Nanny Story

Fans of Usher have quite a bit to look forward to next week. First, the legendary pop and R&B singer will be releasing his new album Coming Home on February 9th. It’s his first project since 2018’s A and his first studio album since 2016’s Hard II Love. Earlier this week he unveiled the tracklist for the album which sports some impressive contributions from artists like Latto, The-Dream, and Burna Boy.

Just a few days after that he’ll take the stage during the Super Bowl Halftime show. Almost nothing is known about exactly what he’s planning for his performance but he’s made it known that he’s aiming for perfection. What do you think of Usher’s full story about a time he had to look after young Beyonce? Let us know in the comment section below.

Read More: What Is Usher’s Best-Selling Album?

[Via]

The post Usher Opens Up On Beyonce Nanny Claim appeared first on HotNewHipHop.

All The New Albums Coming Out In February 2024

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newalbums-tfeat-uproxx.jpg
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Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in February. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, February 2

  • Ariel Kalma, Jeremiah Chiu, and Marta Sofia Honer — The Closest Thing (!K7)
  • Artimus Pyle — Anthems — Honoring the Music of Lynyrd Skynyrd (Bfd)
  • Big Scenic Nowhere — The Waydown (Heavy Psych Sounds)
  • Brittany Howard — What Now (Island Records)
  • Britti — Hello, I’m Britti. (Easy Eye Sound)
  • Dylan John Thomas — Dylan John Thomas (Ignition Records)
  • Flight Mode — The Three Times EP (Tiny Engines)
  • Giant Rooks — How Have You Been? (Mercury)
  • Good Cop Bad Cop — Welcome to the Marble Zone (Count To Ten Records)
  • Grazia — In Poor Taste EP (Feel It Records)
  • J Mascis — What Do We Do Now (Sub Pop)
  • J. Robbins — Basilisk (Dischord Records)
  • Jamie Webster — 10 For the People (Virgin Music)
  • Joe Wong — Mere Survival (self-released)
  • Kim Krans — MIRRORMIRROR (Echo Magic Records)
  • Kirin J Callinan — If I Could Sing (Worse Records)
  • The Last Dinner Party — Prelude to Ecstasy (Island)
  • Lee “Scratch” Perry — King Perry (False Idols)
  • LUCI — They Say They Love You (Don’t Sleep)
  • Matisyahu — Hold the Fire EP (Fallen Sparks Records)
  • Meanstreak — Blood Moon EP (Step Off Records)
  • Mindchatter — This Is A Reminder That You Are Not Behind Your Face EP (Foreign Family Collective)
  • The Miserable Rich — Overcome (Rags to Ruin)
  • MORGXN — BEACON (Nettwerk)
  • The Paranoid Style — The Interrogator (Bar/None Records)
  • Rick Rude — Laverne (Midnight Werewolf Records)
  • Ronnie Stone — Ride Again (Feeltrip Records)
  • Teejay — I Am Chippy EP (Warner Music)
  • Vera Sola — Peacemaker (City Slang)

Friday, February 9

  • aldrch — would you like to go out? EP (Epitaph)
  • Astral Bakers — The Whole Story (Sage Music)
  • Chelsea Wolfe — She Reaches Out To She Reaches Out To She (Loma Vista Recordings)
  • David Nance & Mowed Sound — David Nance & Mowed Sound (Third Man Records)
  • Declan McKenna — What Happened to the Beach? (Tomplicated)
  • The Dream Syndicate — Live Through the Past, Darkly (51 Recordings)
  • Ducks Ltd. — Harm’s Way (Carpark)
  • Haystack — Doomsday Goes Away (Sound Pollution)
  • Helado Negro — PHASOR (4AD)
  • Joel Ross — nublues (Blue Note Records)
  • Kali Malone — All Life Long (Ideologic Organ)
  • Katelyn Tarver — Quitter (Nettwerk)
  • Kelela — RAVE:N, The Remixes (Warp)
  • Loving — Any Light (Last Gang Records/MNRK)
  • Madi Diaz — Weird Faith (Anti-)
  • MICHELLE — GLOW EP (Transgressive Records)
  • Mk.gee — Two Star and the Dream Police (Danger Collective)
  • My Life Story — Loving You Is Killing Me (Exilophone Records)
  • Nils Hoffmann — Running in a Dream (Anjunadeep)
  • Orgōne — Chimera (3 Palm Records)
  • Pouty — Forgot About Me (Get Better Records)
  • Royel Otis — Pratts & Pain (Ourness)
  • Shygirl — Club Shy EP (Because Music)
  • Split System — Vol. 2 (Goner)
  • The Strumbellas — Time Believer (Glassnote)
  • Tyler Ramsey — New Lost Ages (Soundly Music)
  • Usher — Coming Home (Mega/Gamma)
  • Yellowcard + Hammock — A Hopeful Sign (Equal Vision)
  • Zara Larsson — Venus (Sommer House/Epic)

Friday, February 16

  • Bingo Fury — Bats Feet for a Widow (The state51 Conspiracy)
  • Blackberry Smoke — Be Right Here (Legged Records/Thirty Tigers)
  • Bloom — Maybe in Another Life (Pure Noise Records)
  • Cast — Love is the Call (Cast Recordings)
  • Chromeo — Adult Contemporary (BMG)
  • Crawlers — The Mess We Seem to Make (Interscope)
  • Daniel Ellsworth & The Great Lakes — High Life (Curation Records)
  • Daniel Noah Miller — Disintegration (FADER Label)
  • Dekker — Future Ghosts (Rude Records)
  • Devon Ross — Oxford Gardens EP (Daydream Library Series)
  • El Perro del Mar — Big Anonymous (City Slang)
  • Elliot Moss — How I Fell (Nettwerk)
  • Frances Chang — Psychedelic Anxiety (Ramp Local Records)
  • Friko — Where we’ve been, Where we go (ATO Records)
  • Frontier Ruckus — On the Northline (Loose Music)
  • Gaby Moreno — Dusk (Cosmica Artists)
  • Grandaddy — Blu Wav (Dangerbird Records)
  • Heems — LAFANDAR (Veena Sounds)
  • Idles — Tangk (Partisan Records)
  • IHSAHN — IHSAHN (Candlelight)
  • The Immediate Family — Skin in the Game (Quarto Valley Records)
  • The Jack Rubies — Clocks Are Out of Time (Big Stir Records)
  • Jason Derulo — Nu King (Atlantic)
  • Jennifer Lopez — This Is Me…Now (Nuyorican/BMG)
  • Karen Vogt — Waterlog (Nite Hive)
  • Kid Bloom — Inner Light Part 1 EP (Position Music)
  • late night drive home — i’ll remember you for the same feeling you gave me as i slept EP (Epitaph)
  • Laura Jane Grace — Hole in My Head (Big Scary Monsters Recording Company)
  • Les Amazones d’Afrique — Musow Danse (Real World)
  • Lime Garden — One More Thing (So Young Records)
  • Lola Kirke — Country Curious EP (One Riot Records)
  • Matthew Logan Vasquez — Frank’s Full Moon Saloon (Dine Alone Records)
  • MAX — LOVE IN STEREO (Warner Records)
  • Middle Child — Faith Crisis Pt 1 (Lucky Number)
  • Molly Lewis — On the Lips (Jagjaguwar)
  • Mother Mother — Grief Chapter (Warner Records)
  • Omni — Souvenir (Sub Pop)
  • Paloma Faith — The Glorification of Sadness (RCA Records)
  • Prize Horse — Under Sound (New Morality Zine)
  • The Requiem — A Cure to Poison (Fearless Records)
  • San Fermin — Arms (Better Company Records)
  • serpentwithfeed — GRIP (Secretly Canadian)
  • Shadow Show — Fantasy Now! (Little Cloud Records)
  • Shambolics — Dreams, Schemes & Young Teams (Scruff of the Neck Records)
  • Solar Eyes — Solar Eyes (Fierce Panda Records)
  • Tinlicker — Cold Enough For Snow ([PIAS] Électronique)
  • TisaKorean — MUMU 8818 EP (Ultra Records)
  • William Doyle — Springs Eternal (Tough Love Records)

Friday, February 23

  • Ace Frehley — 10,000 Volts (MNRK Music Group)
  • Allie X — Girl with No Face (Twin Music Inc)
  • Blaze Bayley — Circle of Stone (Autoproduction)
  • Bombay Bicycle Club — Fantasies EP (Arts & Crafts)
  • Cavetown — little vice EP (Sire Records)
  • The Children’s Hour — Going Home (Sea Note)
  • Church Chords — elvis, he was Schlager (Otherly Love Records)
  • Colouring — Love to You, Mate (Bella Union)
  • Corb Lund — El Viejo EP (New West Records)
  • Elephant Stone — Back Into the Dream (Elephants On Parade)
  • Emahoy Tsege Mariam Gebru — Souvenirs (Mississippi Records)
  • Eric Hilton — Sound Vagabond (Montserrat House Music)
  • Erick the Architect — I’ve Never Been Here Before (Architect Recording)
  • Essence Martins — Dear in the Headlights EP (MNRK Music)
  • Geographer — A Mirror Brightly (Nettwerk)
  • Glitterer — Rationale (ANTI‐)
  • Hurray for the Riff Raff — The Past Is Still Alive (Nonesuch)
  • iDKHOW — Gloom Division (Concord Records)
  • Jazmin Bean — Traumatic Livelihood (Island)
  • JJ Grey — Olustee (Alligator Records)
  • Job for a Cowboy — Moon Healer (Metal Blade Records)
  • John Bramwell — The Light Fantastic (Townsend)
  • Laetitia Sadier — Rooting For Love (Drag City)
  • Liam Bailey — Zero Grace (Big Crown)
  • Mama Zu — Quilt Floor (Cosmic Twin Records)
  • Mary Timony — Untame the Tiger (Merge)
  • MGMT — Loss of Life (Mom + Pop)
  • Mick Mars — The Other Side of Mars (1313, LLC)
  • Modern English — 1 2 3 4 (Inkind Music)
  • Morgan Harper-Jones — Up to the Glass (PIAS Recordings)
  • Nadine Shah — Filthy Underneath (EMI North)
  • Persher — Sleep Well (Voam)
  • Real Estate — Daniel (Domino)
  • Remo Drive — Mercy (Epitaph)
  • Revival Season — Golden Age of Self Snitching (Heavenly Recordings)
  • Rod Stewart with Jools Holland — Swing Fever (Warner Records)
  • Royal Tusk — Altruistic (MNRK Heavy)
  • Shaina Hayes — Kindergarten Heart (Bonsound)
  • Sleepytime Gorilla Museum — Sleepytime Gorilla Museum of the Last Human Being (Avant Night)
  • The Snuts — Millennials (Happy Artist Records)
  • William Brittelle — Alive in the Electric Snow Dream (New Amsterdam Records)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Is TikTok Removing Music?

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Let’s cut to the chase: Yes, TikTok has removed a ton of music from its platform. If you haven’t heard, the licensing agreement between TikTok and Universal Music Group expired yesterday, and as a result, all UMG artists‘ music must be removed or TikTok could face legal action for copyright infringement. That means artists like Taylor Swift, Drake, The Weeknd, Ariana Grande, Kendrick Lamar, J. Cole, and many, many, MANY more have been nixed, and no one is quite sure when or if they’ll be back, because UMG is adamant that TikTok hasn’t been negotiating in good faith.

Why Did UMG Remove Its Artists From TikTok?

Long story short, UMG’s leadership doesn’t feel that TikTok is offering fair market value for its artists. UMG also argues that while TikTok is building its own music platform, TikTok Music, and working on AI tools that may help users imitate real-life artists, it’s also undermining the value of any new licensing agreement, since the app could soon be flooded with more songs like AI-generated Drake song “Heart On My Sleeve.” This has been a pain point for the entire recording industry as these tools proliferate and possibly endanger fans’ interest in waiting for (and buying) the real artists’ actual songs.

In an open letter published on the company’s website on Tuesday (January 30), UMG wrote:

TikTok is trying to build a music-based business, without paying fair value for the music.

On AI, TikTok is allowing the platform to be flooded with AI-generated recordings—as well as developing tools to enable, promote and encourage AI music creation on the platform itself – and then demanding a contractual right which would allow this content to massively dilute the royalty pool for human artists, in a move that is nothing short of sponsoring artist replacement by AI.

Further, TikTok makes little effort to deal with the vast amounts of content on its platform that infringe our artists’ music and it has offered no meaningful solutions to the rising tide of content adjacency issues, let alone the tidal wave of hate speech, bigotry, bullying and harassment on the platform. The only means available to seek the removal of infringing or problematic content (such as pornographic deepfakes of artists) is through the monumentally cumbersome and inefficient process which equates to the digital equivalent of “Whack-a-Mole.”

While TikTok denied these accusations in a statement sent to Billboard, it also doesn’t appear that either company has any intentions to budge for the foreseeable future.

Why Aren’t Drake’s Songs On TikTok?

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Millions of people have developed the subconscious habit to open TikTok first thing in the morning, and if that’s you, you might notice that TikTok sounds different today, February 1: Drake is among many artists whose catalogs are no longer available under the “Sounds” tab to soundtrack a TikTok.

Here’s why.

Why Aren’t Drake’s Songs On TikTok?

In short, Universal Music Group (UMG) wasn’t bluffing. On Tuesday, January 30, UMG posted an open letter to address its expiring contract with TikTok.

“In our contract renewal discussions, we have been pressing them on three critical issues — appropriate compensation for our artists and songwriters, protecting human artists from the harmful effects of AI, and online safety for TikTok’s users,” it reads, in part. UMG additionally relayed that “TikTok attempted to bully us into accepting a deal worth less than the previous deal” during negotiations, leading to UMG no longer licensing UMG artists’ catalogs to TikTok.

UMG is one of the most vast label umbrellas in music. So, while Drake is signed to Republic Records, Republic falls under the UMG umbrella. Therefore, Drake’s music was stripped from TikTok.

TikTok released its own (much shorter) statement on Tuesday, as seen below:

“It is sad and disappointing that Universal Music Group has put their own greed above the interests of their artists and songwriters.

Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent.

TikTok has been able to reach ‘artist-first’ agreements with every other label and publisher. Clearly, Universal’s self-serving actions are not in the best interests of artists, songwriters and fans.”

Schoolboy Q Is Finally Back As He Announced His New Album ‘Blue Lips’ And Shared Its Release Date And Tracklist

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It’s been a minute since a new Schoolboy Q project, as his latest album, Crash Talk, was released in April 2019. That was nearly five years ago now, but Schoolboy is ready to end the drought soon: Today (February 1), he shared the tracklist for Blue Lips, his upcoming sixth album that’s set for release on March 1.

He made the reveal with a simple video that shows the tracklist written out on a giant tarp. The clip also highlights multiple dictionary definitions of the term “blue lips”: “speechless, especially as the temporary result of shock or some strong emotion,” “(of a person or mood) shocked, speechless, or embarrassed,” “a particular attitude toward or way of regarding something,” and, “become fully aware of (something) as a fact; understand clearly.”

Fans have been looking forward to the album (in a concrete way, anyway) since this past summer, when the Back On Figg podcast hosts declared, “We been in the mixing process of Schoolboy Q’s album. That sh*t is coming very, very soon.’

Check out the video above and find the Blue Lips tracklist below.

Schoolboy Q’s Blue Lips Tracklist

1. “Funny Guy”
2. “Pop”
3. “Thank God 4 Me”
4. “Time Killers”
5. “Yeern 101”
6. “Cooties”
7. “Movie”
8. “Ohio”
9. “Nu Nu”
10. “Blue Slides”
11. “Love Birds”
12. “Lost Times”
13. “First”
14. “Germany ’86”
15. “Faux”
16. “Pig Feet”
17. “Smile”

Blue Lips is out 3/1 via Top Dawg Entertainment/Interscope. Find more information here.

Opening Arguments Unveil Startling Testimony in Jam Master Jay Murder Trial

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jam master jay

This week marked a pivotal moment in the long-awaited trial of the murder of hip-hop pioneer Jam Master Jay, as opening arguments shed light on the harrowing events that transpired nearly 20 years ago. The RUN-DMC DJ was tragically gunned down inside his recording studio in Jamaica, Queens, sending shockwaves through the music industry and the community at large.

According to chilling testimony reported by The Daily Mail, an eyewitness to the murder, Uriel ‘Tony’ Rincon, recounted the moment when Jay’s godson, Karl Jordan Jr., allegedly walked up to the superstar and gave a half handshake before fatally shooting him. Rincon tearfully described how he witnessed the shooter nonchalantly shrug off Jay’s limp body after the fatal shots were fired, leaving a haunting image etched in his memory.

The accused killer, Karl Jordan Jr., along with Ronald Washington, is now on trial in federal court for the October 2002 killing of the beloved Run-DMC star. The case remained unsolved for years, with witnesses unwilling to come forward, leaving the investigation at a standstill. Rincon, who was himself shot during the encounter, admitted to feeling scared to name names, despite seeing the killer’s tattoo as he fled the scene.

Rincon’s testimony revealed the fear and intimidation he faced in the aftermath of the murder, including an unsettling encounter with Jordan at Jay’s funeral. Despite the risks, Rincon ultimately came forward in 2017, driven by a sense of responsibility to provide closure to Jay’s family and ensure that justice was served.

Throughout his emotional testimony, Rincon painted a vivid picture of the tragic events that unfolded on that fateful night, providing crucial insight into the circumstances surrounding Jay’s murder. Prosecutors have alleged that the killing was the result of a drug deal gone wrong, further underscoring the complexities of the case.

As Rincon took the stand as the prosecution’s star witness, his courageous decision to testify serves as a testament to the enduring quest for justice in Jay’s case. With the trial now underway, the proceedings offer hope for closure and accountability, not only for Jay’s family but for the entire hip-hop community.

Thoughts?

The post Opening Arguments Unveil Startling Testimony in Jam Master Jay Murder Trial first appeared on The Source.

The post Opening Arguments Unveil Startling Testimony in Jam Master Jay Murder Trial appeared first on The Source.