Gearing up to make a career-defining statement, multiplatinum Detroit rapper TeeGrizzley announced the arrival of his anxiously awaited next full-length album, Post Traumatic, which will be released on October 11.
Tee Grizzley also unleashes a new single entitled “Blow For Blow” featuring J. Cole, out now via Grizzley Gang/300 Entertainment. It notably marks his first collaboration with the two-time GRAMMY® Award-winning chart-dominating North Carolina rap superstar.
Produced by powerhouse Pi’erre Bourne [Drake, Playboi Carti], the track’s synth loop wraps around tense 808s. J. Cole sets the tempo by bodying the beat with raz0r-sharp rhymes. He urges to “proceed with throat-cut procedures,” going on to dispense wisdom, “Don’t trust rappers, ho, trust in Jesus.” An interpolation of a classic hook by The Notorious B.I.G. effectively passes the ball to Tee, who delivers a showstopping series of bars. He goes on to coronate himself, “I’m a king. You won’t see me drop no tears,” and steel his position as untouchable, “If this shit goes left, I’m pulling bread out the floor.” The music video seamlessly projects this spirit on-screen. This dynamic duo rap on top of a building against the New York skyline.
Meanwhile, Post Traumatic sees Tee open up like never before. Thematically, he addresses the effect of past traumas upon the present. Once again, he draws on real-life experiences from a place of wisdom and experience, presenting a blueprint for reform and new beginnings. Getting vulnerable, he also delivers the ultimate homage to Detroit and the Midwest.
Back to kickstart another winning season, Grammy-winning, chart-topping hip-hop superstar Lil Durk serves up a brand-new single + video, “Turn Up A Notch”out now via Alamo Records.
Over a skittering hi-hat and 808-driven beat, “Turn Up A Notch” finds Durk in the fast lane again, deftly alternating the pace of his instantly recognizable, melodic flow. Between reflective rhymes chronicling his early struggles and rise to greatness, he boldly proclaims “I had to turn up a notch.” Directed by frequent collaborator Jerry Production, the grainy, reportage-style visual depicts a day in the life of Lil Durk. High-profile friends such as Sexyy Red and HUNXHO make cameos as Lil Durk invites fans into his world.
Having celebrated his first Grammy Award in February of this year, taking home “Best Melodic Rap Performance” for his double-platinum smash “All My Life” feat. J. Cole, Durk has remained in the spotlight. His recent appearance on stage with Sexxy Red at her sold-out show in St. Louis made headlines, as did his collaboration with STARRY®, offering $333,000 in scholarships and prizes for four HBCUs. Covering the brand initiative, Forbes declared “When it comes to influential voices in the realm of hip-hop, it’s hard to deny Lil Durk’s impact.”
Tommy Richman has officially released his highly anticipated debut album, COYOTE, via ISO Supremacy / PULSE Records
The new project was two years in the making and comes at the culmination of a breakthrough summer for Richman, following his record breaking success with dance-rooted viral hits “MILLION DOLLAR BABY” and “DEVIL IS A LIE,” along with a late-night TV debut performance of “MILLION DOLLAR BABY” on Jimmy Kimmel Live! and a run of sold-out live shows in D.C., New York, Chicago, and Los Angeles.
ommy gave fans their first glimpse into the world that inspired this monumental album with the release of his downtempo heartstring-pulling alt-R&B ballad, “THOUGHT YOU WERE THE ONE,” followed by last week’s release of the irresistibly funky and soulful pop anthem “WHITNEY.”
“COYOTE was a concept that I came up with about two years ago while I was making ALLIGATOR. This is the 2nd installment of the animal trilogy. It’s a story that tells the tale of mental illness, representing itself in the form of a wild coyote in the outskirts of Beatty, Nevada,” says Tommy.
COYOTE comes as Tommy Richman’s debut album following the record-breaking star being signed to fellow DMV-native Brent Faiyaz’s label, ISO Supremacy/PULSE Records. The LP contains songs that began years ago when Tommy was broke and lonely but confident in his art. In early 2024, he finalized these sketches and ideas in the desert. The rugged terrain and big skies inspired Tommy, who sees COYOTE as a thematic follow-up to his 2022 E.P., ALLIGATOR, and the second installment of his ANIMAL Trilogy.
Ahead of Netflix and Most Valuable Promotion’s Paul vs Tyson on Friday, November 15th, COUNTDOWN: PAUL VS. TYSON, a three-part follow-up doc leading up to the mega-event, is set to premiere November 7th.
The much-anticipated July 20 heavyweight fight between Jake Paul and Mike Tyson was rescheduled for Friday, Nov. 15 after Tyson had to pause his training on doctor’s orders after an ulcer flare-up. On Sept. 26, Netflix announced Countdown: Paul vs. Tyson, a three-part follow doc chronicling the journey to the fight, which will take viewers behind the scenes of Paul and Tyson’s respective training. The doc will also follow the lead-up to the Taylor vs. Serrano rematch, one of the most anticipated women’s fights in history.
Jake “El Gallo” Paul (10-1, 7 KOs) and the Baddest Man on the Planet, Mike Tyson (50-6, 44 KOs) as they prepare for Netflix and Most Valuable Promotions’ (MVP) highly-anticipated Jake Paul vs. Mike Tyson heavyweight boxing mega-event, airing live on Friday, November 15, 2024 at 8pm ET / 5pm PT from AT&T Stadium in Arlington, TX.
The documentary series will take viewers behind-the-scenes of Paul and Tyson’s respective training camps to capture the incredible grit, determination and physical demands needed to prepare for what will be an explosive, can’t miss professional boxing mega-event.
COUNTDOWN will also follow the lead up to one of the most anticipated women’s fights in history, the rematch between undisputed super lightweight champion Katie Taylor (23-1, 6 KOs) and unified featherweight champion Amanda “The Real Deal” Serrano (47-2-1, 31 KOs), as the two train to face off for the undisputed super lightweight championship title in the co-main event.
Episodes 1 + 2 will premiere on November 7; Episode 3 will premiere on November 12.
GRAMMY winning, multi-platinum selling superstar Ciara has released her latest single “Wassup” featuring GRAMMY nominated rapper Busta Rhymes via her very own label, Beauty Marks Entertainment. Written by Ciara, Busta Rhymes and Courtlin Jabrae, and produced by J.R. Rotem, the energetic record taps into Ciara’s ATL roots with a current day Y2K sound.
“’Wassup’ is a fun flex record. It started with a play on words on what we would say when I came up in ATL. “What’s up, what’s happenin?” It’s somewhat of a Y2K moment. I’m tapping into my ATL roots! It’s a song that’s meant for you to have the ultimate fun,” says Ciara. “Busta ‘slaughtered’ the track with his classic, undeniable, and unstoppable flow. He brought pure edge and the perfect energy to the record to take it all the way to a special place!”
Busta Rhymes remarks, “Y’all are in trouble because The Queen CiCi and The Dragon got a Banger!! That’s Wassup!!”
Busta and Ciara reunited on the road this summer for the critically acclaimed OUT OF THIS WORLD Tour alongside Missy Elliott. The tour left both fans and critics raving, Variety praised “Ciara was all sweat and allure,” while Atlanta Journal Constitution lauded, “[Ciara] captivated the crowd with her sultry dance moves and signature soprano.”
Additionally, today celebrates the 20th anniversary of Ciara’s 4x platinum debut album Goodies. A limited edition hot pink colored vinyl, which includes the original album and two bonus tracks, “Crazy” and “Represent Me,” is available now.
Once word was out that a new documentary series, “Tupac: Cover Up,” was released for the late rapper’s death anniversary on September 13, 2024, a panicked group of individuals began to call major platforms, making false claims about the show in an attempt to have it taken off the air.
In fact, the docuseries’ producers were contacted about the matter, and one of the platforms made an unprecedented request: ” Remove certain content, or we will remove the documentary.”
One need only look at the docuseries as a whole- NOW AVAILABLE ON XUMO PLAY to understand why certain groups are creating pressure on these platforms to silence the filmmakers: the documentary focuses on the life and death of the Grammy-winning artist Tupac Shakur, but also focuses on the moments following the unsolved shooting. The series makes the claim that from five minutes after the shooting until charges were returned from a Las Vegas Nevada Grand Jury last year, a group of self-interested individuals, some of which were alleged to be informants for the Federal Government, have carefully planted and cultivated a 27-year narrative that in truth has not one shred of physical evidence attached to it—just “hood lore” which they have perpetuated.
“Tupac: Coverup” features new and unheard interviews with celebrities (Mykelti Williamson, of Heat and Forrest Gump fame) Death Row Insiders (Kevin Black, Mike Nixon), Industry Insiders (Billy Johnson, Jr., Cynthia Horner, Janie Jennings), Law Enforcement (FBI Special Agent Phil Carson, who lead the Tupac/Biggie investigations for the FBI) as well as unheard and unreleased material from former Tupac bodyguards, friends and family. Athena Bond is the Executive producer, and Edna Sims is the film’s producer.
“We have had documented communications with the platforms showing that individuals with- shall we say- clear conflicts of interest didn’t follow the platform procedures for making claims against a show,” says Producer Richard “RJ” Bond, known for his previous works on the matter: 2020’s “Last Man Standing” and the beloved “Tupac Assassination” trilogy of movies.
“They did stupid stunts like calling the platform customer service departments and screaming at the poor representative on the phone. In our current “squeaky wheel” culture, extreme acts and rhetoric get moved to the front of the line. The platforms don’t always want to support Freedom of Expression and Freedom of Speech. This form of “consumer terrorism”- and resulting censorship- is a big problem for everyone.”
The “Tupac: Cover Up” producers took last week to decide: Do they leave the story out—which has received incredible reviews from fans who viewed an estimated 400,000 minutes of the show for its premiere date—untouched? Or do they make politically correct changes to cave to trouble with radical individuals?
“Well, let’s take a look at how Tupac viewed pressure; he went after C Delores Tucker and the entire government over trying to suppress his message. How would we honor him by silencing voices to serve a convenient and popular narrative?” added Bond.
Bond has put together a block-busting list of Former FBI agents, former Vegas law enforcement, Death Row “insiders” and music industry leaders that give credible and damning information regarding the motives behind the “False Narrative”. “Tupac: Cover Up” uses Vegas’ police files, grand jury testimony, and impeachable statements to demonstrate how flimsy the Vegas case is. This is a problem for those with less-than-clean agendas.
“After the documentary dropped, I was contacted by the family of Mr. Davis, the man charged in the murder of Shakur. They are understandably interested in the show’s talking points and feel we adequately addressed the situation. I hope to be in better contact with his defense team, whom I intentionally did not speak to until the show’s release.”
Today, G.O.A.T. Fuel has announced that New York Giants outside linebacker, Kayvon Thibodeaux, has joined the G.O.A.T. Fuel team as a brand investor and ambassador. This news follows the brand’s announcement unveiled earlier this month of fellow NFL stars Breece Hall (New York Jets), Will Anderson Jr. (Houston Texans), and Terrion Arnold (Detroit Lions) joining the brand as G.O.A.T. Fuel’s newest lineup of brand ambassadors.
“Bringing Kayvon on as an investor is a continuation of our brand’s commitment to offering investment opportunities to young athletes,” said Co-Founder and Pro Football Hall of Famer, Jerry Rice. “Kayvon exhibits a desire to be the best both on and off the field which aligns with our core values here at G.O.A.T. Fuel and is going to help us reach new heights along with our NFL brand ambassadors.”
The move marks a pivotal moment for G.O.A.T. Fuel as it continues to not only expand its roster of athlete ambassadors but forge new pathways for professional athletes to grow their economic autonomy beyond sports. The dual ambassador and investor nature of today’s deal challenges the industry’s status quo of one-dimensional representation deals. Thibodeaux’s investment also underscores G.O.A.T. Fuel’s goals to expand its athletic investor pool in the coming years and become a leading entity supporting players looking to diversify their entrepreneurial portfolios.
“I am honored to join the G.O.A.T. Fuel family as an investor,” said Kayvon Thibodeaux, New York Giants OLB. “Jerry’s incredible legacy and Jaqui’s sharp entrepreneurial mind have shaped the success of their business and were standout qualities that inspired me to invest in the brand.”
During Game 2 of the WNBA Playoffs, the New York Liberty soared to a win against the Atlanta Dream while Breanna Stewart debuted an all-new PUMA Hoops PE of her popular Stewie 3 signature sneaker. The “Stewie 30” celebrates her Stewie 30 Elite Camp that took place earlier this year.
At Stewie 30 Elite Camp, Stewart and PUMA Hoops brought together 30 of the best high school women’s basketball players to participate in elite training and workshops to improve their game. Inspired by the mood boards that the athletes created during camp, the Stewie 30 PE includes the initials of each member of the inaugural Stewie 30 Elite Camp class.
At the intersection of sport and lifestyle, Oakley unveils its futuristic Born to Rewild collection. The collection features Plantaris eyewear, a nature-inspired style that has been seen on the likes of rap superstar Travis Scott and NBA Champion Jaylen Brown.
Born to Rewild celebrates Oakley’s connection to nature and represents a dedication to preserving the spirit of adventure, and move away from the ordinary to embrace the wild side.
Inspired by biomimicry and the organic shapes found in nature, Plantaris eyewear is designed with a Matte Trans Fern/Matte Dark Brush finish and Prizm Tungsten lenses. Its high-wrap dual lens design is an evolution of early Aughts eyewear adapted for maximum function and comfort. The uniquely shaped frames and silicone wire core temple tips mimic frog legs, allowing the frame to hold onto the head with a long-lasting grip with an almost weightless feel. A detachable nose guard adds versatility, instantly transforming the eyewear’s look and making it both unexpected and highly functional. Additional colorways of the frames include Matte Stonewash, Matte Black, and Matte Sand.
Plantaris eyewear launches as part of the Born to Rewild collection on Oakley.com and select Oakley retail locations on September 19.
The Model Experience(TME) hosted another spectacular fashion and music festival in New York on September 13th and 14th at the Armory Arena. A major highlight of this year’s NYFW event was a performance by chart-topping phenom GloRilla.
GloRilla took the stage on the first day, alongside YouTube star Ar’mon Warren. The second day featured rising star Lola Brooke and up-and-coming artist Keno, with MTV’s Margie Plus as the host. TME also showcased a series of fashion shows featuring designers like IFlyUniverse, SpiritHoods, By A Guy, and Street Dream Apparel, with special guests such as Maino, Lyrica Anderson, and more.
One of the most anticipated moments of this year’s Fashion Week Festival was TME’s presentation of the inaugural “Key to Fashion Week” to GloRilla, symbolizing her influence at the intersection of music and fashion. This ceremonial honor celebrates artists who have not only dominated their fields but have become style icons in their own right. GloRilla’s fearless sense of style, blending streetwear with high fashion, had inspired fans worldwide, making her a natural choice for this prestigious recognition. The “Key to Fashion Week” served as a symbolic entryway into the world of fashion’s elite, recognizing her role in shaping trends and setting the tone for future generations of creatives.
