(WARNING: Spoilers for Power Book II: Ghost will be found below.)
So, where did we leave off in episode two of Power Book II: Ghost season four? “To Thine Own Self” concluded with a bit of a reality check for Tariq and Brayden as they realized that a life outside of the drug game is not one for them. Despite Noma’s demands for them to stay out of it, the duo opts to come up with a plan to get back in and make some money for themselves. Monet continues her search for her killer while Dru and Diana hope that she never finds an answer. Cane and Noma seem to be forming a new relationship and Effie made some big moves to keep the operation. Now that you’re up to speed, here’s what to expect for this week’s episode.
When Will Power Book II: Ghost Season 4, Episode 3 Come Out?
The third episode of Power Book II: Ghost season four, titled “Birthright,” will arrive on June 21. The episode will be available on Friday, 6/21 on the STARZ app starting at midnight EST/PST. The episode will later air on the STARZ TV channel at 8 pm ET/PT. A synopsis for “Birthright” can be found below:
Tariq and Brayden must find an in with a vicious new connect. Noma tasks Cane with handling a competitor operating on her turf.
You can also watch a pair of teasers for Power Book II: Ghost season four, episode three below:
New episodes of ‘Power Book II: Ghost’ season four are available on the STARZ app on Fridays at 12:00 am ET/PT and on the STARZ TV channel at 8:00 pm ET/PT.
Kendrick Lamar brought out countless celebrity special guests at his eagerly anticipated “Pop Out” show last night. Dr. Dre, Jay Rock, AB-Soul, Tyler, The Creator, YG, and many more made appearances. Interestingly enough, however, The Game was nowhere to be found despite his LA roots. This prompted social media users to speculate about whether or not he received an invite, and otherwise wonder why he decided not to attend.
Of course, he seemingly backed Drake amid his viral lyrical feud with Kendrick and even got into some beef of his own with Rick Ross, who backed Kendrick. Things reached a peak when The Game unleashed “Freeway’s Revenge,” a scathing Rozay diss track. Rick Ross didn’t bother to respond, and it appears as though The Game took notes. Amid fans demanding answers for his “Pop Out” absence, he’s kept totally quiet about the whole thing. He did hop online recently to share an interesting take on nipple piercings, however.
“Pierced nipples taste like house keys,” he declared on his Instagram Story earlier today. That’s fair enough, but fans still want to know where he was last night. They’re currently flooding Worldstar‘s comments section with questions and theories about why he didn’t show up. “Let’s talk about why he wasn’t on stage last night,” one fan writes. “Sh*t like this is why you couldn’t pop out,” another speculates. Someone else simply claims he’s trying to “laugh his way through the pain.”
What do you think of The Game not showing up to Kendrick Lamar’s “Pop Out” last night? Do you think he got an invite or not? What about him seemingly avoiding questions about it, yet speaking on something completely unrelated? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
“The Pop Out” seemingly brought on the dramatic, spotlit end of the Drake and Kendrick Lamar beef, with the latter performing multiple of his disses multiple times and uniting the West Coast while doing so. However, there is a lot of discussion on whether this really settles things, and whether or not the Juneteenth show will have any tangible impact on either of their careers. For starters, the Toronto superstar’s next show in California will definitely be an interesting one to witness, and there’s a big question mark on how the West Coast will really respond to his continued success and movement. But Baka Not Nice thinks that there won’t be any sweat.
Moreover, the OVO affiliate posted footage of Drake’s sold-out show in Los Angeles on tour last year, which contained a hype crowd singing along to his “SICKO MODE” verse. Whether or not Kendrick Lamar’s united Cali against him, it’s too big of a state and he’s too big of an artist to lose significant success there… or anywhere else, for that matter. While fans are still speculating on what Drizzy’s thoughts and reactions are concerning all this, the likely answer is that he doesn’t have to worry too much. After all, neither MC was ever in a position to stop the other in their tracks.
For those unaware, Baka Not Nice was a key player in the Kendrick Lamar and Drake beef. Kendrick specifically accused him of being a sex trafficker and predator based on accusations that emerged from an assault conviction. K.Dot also held some additional disses for his rival, including an offer for “a little respect” in exchange for Tupac’s ring back. Maybe this post from Baka indicates that there will still be direct tension between all these camps this year that isn’t just avoidant resentment.
Meanwhile, Whitney Alford and Dave Free’s respective appearance and production concerning “The Pop Out” caused some more debate around Drake’s claims against Kendrick Lamar. Maybe his disses on “Family Matters” and “The Heart Part 6” are not as true as OVO thought, but there are always murky waters. Either way, debate will likely continue for the rest of hip-hop history. And all the while, Kendrick Stans will ask why Baka’s still around.
Last night, Kendrick Lamar took over the Forum in LA for his eagerly anticipated “Pop Out” show. He graced the stage alongside several of his celebrity friends, including Dr. Dre. The artist even kicked off “Not Like Us,” which fans were waiting to hear all night. Of course, this is the track widely believed to have crowned Kendrick the winner of his viral lyrical battle with Drake. On it, he famously accuses the Toronto hitmaker of being a “certified pedophile,” and more.
As reactions to the explosive performance continue to roll in, many are calling Dr. Dre’s appearance into question. While he’s certainly one of the most successful artists to come out of Compton, he also has a long history of alleged violence against women. Dee Barnes, for example, accuses him of having physically assaulted her at a release party in the early 90s over a Pump It Up segment. His former partner Michel’le also alleges that she was abused throughout their relationship.
Years later, he issued an apology. “I apologize to the women I’ve hurt,” he told the New York Times in 2015. “I deeply regret what I did and know that it has forever impacted all of our lives.” Social media users are now criticizing Kendrick for his decision to invite Dr. Dre onstage, particularly since he calls Drake an alleged abuser on “Not Like Us.” Many think this was counterproductive, and are sounding off online.
“Why did Kendrick even bother to call Drake out for being a pedophile who surrounds himself with abusers on ‘Not Like Us’ if he was just going to call Dr. Dre—King of the Abusers—to introduce it?” one Twitter user wonders. “DR DRE GOT A WEIRD CASE, WHY IS HE AROUND?”” another asks.
Social Media Users Call Out Kendrick Lamar For Bringing Out Dr. Dre
What do you think of Kendrick Lamar facing backlash for his decision to bring out Dr. Dre at his “Pop Out” show in LA? Do you agree that it was a counterproductive move? Share your thoughts in the comments section, and keep an eye on HNHH for more updates. Check out some social media users’ reactions to his appearance down below.
Why did Kendrick even bother to call Drake out for being a pedophile who surrounds himself with abusers on Not Like Us if he was just going to call Dr. Dre—King of the Abusers—to introduce it?
No matter what Dr. Dre does or who uplifts him, many of us won’t ignore the grave accusations and witnessed acts of violence against women at his hands, including journalist Dee Barnes, who I spoke with last year https://t.co/NnkAUnWHVRpic.twitter.com/XpvJQbzQEd
That abuser talk goes right out the window anytime Dr Dre is present. Sending love to Dee Barnes who he brutally beat, both of his wives that he assaulted, one being stomped and thrown down the stairs, oh and Miche’le who he shot at and caused her jaw to be reconstructed.
So Kendrick brought out Dr. Dre, the man who beat women to a pulp, but I thought we didn’t like abusers??? What happened to that. This why I can’t take these niggas serious
— untamed Black Jezebel (@Fiyasohollywood) June 20, 2024
Live shows aren’t often a part of hip-hop’s GOAT conversation, but then again, not many live shows are as meaningful as Kendrick Lamar’s “The Pop Out” in Los Angeles on Juneteenth. Moreover, media outlets, critics, and fans alike all rejoiced in reacting to the West Coast spectacle, with The Breakfast Club reopening a conversation on K.Dot’s dominance and skill level in the game. Specifically for Charlamagne Tha God, he believes that the Compton lyricist fully claimed the crown with this concert. Not only did he attribute this to his talent, catalog, and overall artistic impact, but also for making this performance a victory lap of sorts that continued to pressure the competition.
“Kendrick set the tone,” Charlamagne Tha God remarked during his virtual hosting of The Breakfast Club. “He let us know that this was a victory lap, and he came there to blood and crip-walk on his enemy’s head-top. And to me, the show wasn’t about Drake as much it was about Kendrick Lamar becoming the undisputed heavyweight champion of hip-hop. Like, when it comes to this new generation we’ve been watching over the last 15 years, Kendrick is the king of hip-hop, and it’s not even close. And I’m not talking about charts, I’m not talking about streaming records, I’m not talking about, you know, pop songs, singing on songs. I’m talking about bars, rap, hip-hop, culture. Kendrick wears that crown, and it’s not even close.”
The Breakfast Club Speaks On Kendrick Lamar’s “Pop Out”
after Kendrick Lamar’s performance lastnight in LA, Charlamagne Tha God declares him the “King of Hip Hop”
‘Kendrick set the tone… this was a victory lap… he came there to blood & crip walk on his enemy’s headtop… bars, rap, culture, Kendrick wears that crown and its not… pic.twitter.com/qxHO71yNGE
“I agree,” DJ Envy chimed in after Charlamagne Tha God’s Kendrick Lamar comments. “It was bigger than the Drake beef and all of that. Just what he did for L.A. and the fact that he unified so many different hoods, so many different communities, so many different gangs. Had them all on one stage and what he did for hip-hop last night was simply amazing.”
Meanwhile, a lot of folks wonder how other rappers must be feeling amid all this, especially those that involved themselves in the Kendrick Lamar and Drake beef. Drizzy himself is the subject of much fan speculation, and there’s also The Game’s absence to consider. Is J. Cole feeling survivor’s guilt right now? Perhaps time will tell…
The Drake and Kendrick Lamar beef has been heavy on our minds this year. Perhaps, it’s largely because everyone is being forced to pick a side. Impassioned fans are glued to Instagram and YouTube comments where they attempt to discredit the other artist for one reason or another. Mind you, this battle was only about numbers because one of the participants happened to be the most streamed artist in the world. At its core, it boiled down to the music.
We’re at an interesting crossroads in the music industry where streaming numbers don’t translate to ticket sales. Several reports emerged recently about some of the top streaming artists struggling to sell tour tickets, raising concerns surrounding the authenticity of streaming numbers. Earlier this week, an individual appeared on DJ Akademiks’ stream where he alleged that Anthony Saleh, Kendrick Lamar’s manager, hired him to inflate the number of views on “Not Like Us,” the rapper’s chart-topping song that disses Drake, using bots. Joe Budden stated that he was aware (and doesn’t care) of the alleged bot scandal. Meanwhile, several fans attempted to debunk the claim. But, with Kendrick Lamar’s The Pop Out – Ken & Friends concert, it became apparent that the hype was far from fabricated.
The incredible event hosted by pgLang and Free Lunch unified the West Coast. Kendrick reunited Black Hippy on stage for the first time in years and shared the stage with dozens of L.A. rappers. While the majority of viewers didn’t get the opportunity to witness history made inside of the Kia Forum in person, we all tuned in from the comfort of our homes to find out exactly what Kendrick Lamar and co. had up their sleeves. So, without further ado, we’re diving into our five favorite moments from last night’s event.
5. Tommy The Clown
The fact that Kendrick had Tommy the Clown at his Juneteenth show. For the culture pic.twitter.com/HQYtkidiPk
If the point of Kendrick Lamar’s The Pop Out was to honor the legacy of the West Coast, it wouldn’t have been complete without a staple in the city: Tommy The Clown. DJ Hed introduced the pioneer of clowning to the stage where Tommy brought along his dance crew for an electrifying performance.
The Los Angeles-based dancer played a key role in the evolution of hip-hop dance. More importantly, he established a dance crew titled Hip Hop Clowns which offered an outlet for kids in the city. “No gangs, No drugs, Do well in school (grades, attendance, and behavior), and be a role model by living a positive lifestyle at all times” are the rules that Tommy established. Decades later, his legacy as a community leader became as important as his impact on dance. During his performance last night, he empowered the youth and allowed them on one of the biggest stages to get a glimpse of where hard work can lead. It was a perfect performance that underlined the significance of the event; yes, it was a victory lap for Kendrick Lamar but it was also a showcase of the raw talent in Los Angeles.
— Ahmed/The Ears/IG: BigBizTheGod (@big_business_) June 20, 2024
Nearly thirteen years ago, Dr. Dre sat in the crowd of the Music Box Theatre in Los Angeles as The Game, Snoop Dogg, Kurupt, Daz, and Warren G passed the West Coast torch to Kendrick Lamar. It’s a moment that lived on in history together, and felt even more important when they joined the stage at Coachella in 2012 to perform “The Recipe.” However, after over a decade of working together closely, Dr. Dre’s appearance at the Kia Forum for The Pop Out felt like an even more significant milestone in Kendrick Lamar’s career.
Performing “Still D.R.E.” felt appropriate for the venue but the inclusion of “California Love” in the setlist was a direct message to Kendrick’s opponent, who he told, “Give me 2Pac ring back and I might give you a little respect” in a lyric change on “Euphoria” at the beginning of the set. Drake might be flaunting a piece of American history on his finger, but the collective West Coast resentment toward “Taylor Made Freestyle” felt palpable at that moment. So, when Dr. Dre helped introduce “Not Like Us,” it became clear that the West Coast is unified, from the OGs who broke down the doors to the young L.A. artists who are carrying on the tradition.
DJ Hed and DJ Mustard set the tone for Kendrick Lamar’s The Pop Out show but the latter truly gave us a history lesson on the last decade-plus of Los Angeles’ sound. Mustard has undoubtedly been an architect evolving the West Coast and his set certainly reflected his impact. Collaborators like YG and Roddy Ricch turned out the Kia Forum with the intensity of hit records like “BPT” and “The Box,” respectively, while understated Los Angeles legends, JasonMartin (F.K.A. Problem) and Dom Kennedy glided through the stage in a cool-and-calm fashion while igniting the crowd with L.A. Pride. However, the versatility of Mustard’s set with the inclusion of Tyler, The Creator, Ty Dolla $ign, and Steve Lacy further embodied the West Coast’s impact outside of California, too.
— Ahmed/The Ears/IG: BigBizTheGod (@big_business_) June 20, 2024
Listen, we’ve basically been left hanging on the possibility of a Black Hippy album. Plus, Kendrick’s departure from Top Dawg Entertainment left little hope of the project ever happening. In the past few years of Kendrick launching pgLang and embarking on a journey outside of the label that he launched his career with, many wondered where exactly he stands with Jay Rock, ScHoolboy Q, and Ab-Soul. It’s been a minute since we’ve seen them together.
For the sake of the evening, Jay Rock, ScHoolboy, and Soulo appeared on stage one-by-one to reunite Black Hippy for the first time in a long time. Though Kendrick performed songs like “Money Tree” with Jay Rock and “Collard Greens” with ScHoolboy Q, it felt a tad disappointing that he limited Ab-Soul’s appearance ad-libs on “6:16 In L.A.” Regardless, it was an important moment, one that we’ve been waiting on for years but what could’ve elevated it even further was if they performed “Vice City,” “Black Lip Bastard,” or even “THat Part (Remix)” together.
The most important part of the evening came at the end of the show after Kendrick had already performed “Not Like Us” three times in a row. Yes, it was a spectacular moment to hear the song live for the first time, whether in the venue or at home. However, it became a critical piece to Kendrick’s thesis for the night: bringing Los Angeles together.
When “Not Like Us” first came out, rumors emerged that its infectious production and chorus had practically created an unspoken ceasefire in the city – members of all gangs unified to celebrate a victory on the West Coast. However, it became true as all the performers, hailing from different sections of the city and claiming various sets, emerged on stage together to celebrate the success of the event. From Bloods to Crips, Kendrick stood alongside each as equals, shaking hands as he performed his hit single and grinning from ear-to-ear.
“This shit making me emotional. We been fucked up since Nipsey [Hussle] died. We been fucked up since Kobe [Bryant] died. This is unity at its finest,” Kendrick said on stage as he attempted to gather everyone together for what will certainly be regarded as an iconic photo. “We done lost a lot of homies to this music shit, to this street shit. For all of us to be together on stage, that shit is special. Everybody on this stage got fallen soldiers.”
Kendrick Lamar has earned his place as one of the most influential voices in hip-hop. Since bursting onto the scene with his major label debut, Lamar has continuously pushed the boundaries of the genre, earning critical acclaim. His ability to weave personal experiences with broader societal issues has also garnered him numerous awards. These include multiple Grammys and a Pulitzer Prize, but also established him as a cultural icon. Kendrick’s music resonates deeply with listeners, addressing themes of identity, struggle, and poetry.
Additionally, Kendrick Lamar has delivered a series of essential tracks that showcase his evolution as an artist and his impact on the music industry. From the introspective narratives of good kid, m.A.A.d city to the revolutionary fervor of To Pimp a Butterfly and the introspective yet accessible DAMN., Lamar’s discography emphasizes versatility and depth. In this exploration of Kendrick Lamar’s essential songs, we’ll dive into the tracks that have defined his career, highlighting the lyrical brilliance and cultural significance that make him a standout figure in contemporary music.
1. “A.D.H.D” (2011)
In 2011, Kendrick Lamar released “A.D.H.D,” a track from his critically acclaimed album Section.80. This song delves into the mindset of the millennial generation. It addresses themes of drug use, peer pressure, and societal disillusionment. Lamar’s storytelling ability shines as he paints a vivid picture of young adults navigating a world filled with distractions and temptations. Lamar captures the essence of a generation coping with their realities through substance use.
The production, featuring a haunting beat and minimalist instrumentation, complements the song’s introspective and somber tone. Further, “A.D.H.D” showcases Lamar’s lyrical ability to convey complex themes in a relatable and impactful way. The track quickly became a fan favorite and a defining moment in his early career. It also set the stage for his future explorations of deeper social issues. Through “A.D.H.D,” Kendrick Lamar established himself as a voice of his generation, unafraid to tackle the harsh truths of modern life.
2. “Not Like Us” (2024)
“Not Like Us,” released in 2024, is Kendrick Lamar’s pointed diss track directed at Drake. This song is notable for its intense lyricism and biting commentary, showcasing Lamar’s skill in crafting incisive and impactful verses. Over a hard-hitting beat produced by Mustard, Lamar dissects his rivalry with Drake, addressing issues of authenticity and respect in the rap game. Lines like “They not like us, they not like us, they not like us” repeatedly emphasize the perceived differences between Lamar and his peers.
The song quickly became a viral sensation, breaking records and topping charts. “Not Like Us” not only highlighted Lamar’s lyrical prowess but also reaffirmed his position as a fearless voice in hip-hop, unafraid to confront industry heavyweights. The track’s success and the conversations it sparked underscore Lamar’s influence and the power of his music to shape and challenge narratives. This diss track adds a significant chapter to Lamar’s discography. It further reflects his unwavering commitment to authenticity and artistic integrity.
3. “Swimming Pools (Drank)” (2012)
“Swimming Pools (Drank)” from the album good kid, m.A.A.d city is one of Kendrick Lamar’s most iconic tracks. It offers a deep exploration of alcohol use and its effects. The song delves into the complexities of peer pressure and addiction, with Lamar’s storytelling paints a vivid picture of the temptations and consequences of excessive drinking. The track is both catchy and haunting, illustrating the repetitive cycle of substance abuse.
The production, crafted by T-Minus, features a dark, atmospheric beat that complements the song’s introspective lyrics. “Swimming Pools (Drank)” was a commercial success, peaking at No. 17 on the Billboard Hot 100. It also became a staple at parties, despite the lyrics. However, its popularity didn’t overshadow its serious message. Lamar used the platform to highlight the dangers of alcohol and the pressures faced by young people.
4. “Alright” (2015)
“Alright” is from Kendrick Lamar’s groundbreaking album To Pimp a Butterfly. It stands as one of the most powerful anthems of hope in contemporary hip-hop. Produced by Pharrell Williams, the track combines an uplifting, jazzy beat with Lamar’s introspective and socially charged lyrics. With its infectious chorus, “We gon’ be alright,” the song quickly became a rallying cry for the Black Lives Matter movement and other social justice causes. It symbolized strength and solidarity in the face of adversity.
The song’s impact extends far beyond its musical composition. “Alright” resonated deeply with listeners as a message of perseverance amid systemic oppression and personal struggles. Lamar’s verses weave through themes of police brutality, racial injustice, and personal redemption, capturing the collective consciousness of a generation demanding change. Moreover, critically acclaimed and widely celebrated, “Alright” earned multiple awards and nominations. These include four Grammy nominations. It became more than just a song; it became an anthem for a movement. “Alright” solidified Kendrick Lamar’s role as a voice for the voiceless, using his platform to inspire and mobilize.
5. “HUMBLE.” (2017)
“HUMBLE.,” released as the lead single from Kendrick Lamar’s critically acclaimed album DAMN., is a hard-hitting track. Produced by Mike Will Made It, the song features a minimalist beat with a booming bass line and sharp piano riff. “HUMBLE.” is both a boastful anthem and a critique of superficiality in the music industry. Lamar urged listeners to “sit down, be humble” while asserting his dominance in the rap game.
The track quickly ascended the charts, becoming Lamar’s first solo No. 1 single on the Billboard Hot 100. Its success was bolstered by a visually striking music video directed by Dave Meyers and the Little Homies. It also includes powerful imagery and symbolic references, from religious iconography to scenes challenging beauty standards. The video’s creativity and boldness matched the intensity of the song, making it a standout visual experience.
6. “DNA.” (2017)
“DNA.,” from Kendrick Lamar’s DAMN., is a powerful exploration of identity and heritage. Produced by Mike Will Made It, the opening lines, “I got loyalty, got royalty inside my DNA,” set the tone for a song that delves into the intrinsic strength and pride Lamar derives from his cultural background. Further, the song is divided into two parts. The dramatic beat switch halfway through that amplifies the track’s energy. This shift showcases Lamar’s versatility, allowing him to seamlessly adapt his flow to different musical styles. “DNA.” highlights his lyrical brilliance and ability to weave personal and collective narratives, examining how history and identity intertwine.
7. “The Heart Part 4” (2017)
“The Heart Part 4” was released as a promotional single in 2017. This song is part of his ongoing “The Heart” series, where Lamar often addresses personal, social, and political themes. In “The Heart Part 4,” he delivers a scathing critique of the current state of affairs in both the music industry and society at large. Additionally, the track’s production is dynamic, shifting between various beats and moods that highlight Lamar’s versatility and command over his craft. He opens with a reflective tone, gradually building intensity and culminating in a powerful call to action. “The Heart Part 4” also stirred excitement among fans. The song is celebrated for its lyrical complexity, intricate wordplay, and Lamar’s unapologetic delivery. This further reinforced his position as one of the most influential and thought-provoking artists in contemporary hip-hop.
Lil Uzi Vert and Floyd Mayweather may not be in the headlines together often, other than a car purchase five years ago, but they allegedly found themselves in a sticky situation. Moreover, a man by the name of Abdullah Ali sued them and multiple Money Team employees for alleged assault in June of 2023 in New York City. He filed suit in New York as well, and the story goes that they allegedly beat Ali up when he approached a Mayweather-owned trailer across the street from a hotel, per what his attorneys Matthew Blit and Michael Rose relayed to TMZ Sports. Supposedly, when he began filming, a Rolls-Royce emerged from the trailer, and Uzi and the Money crew noticed him and told him to stop recording.
Furthermore, Ali alleges that a fight broke out after a verbal argument, and that a group of at least ten individuals, including Lil Uzi Vert, kicked and punched him down to the ground and took turns attacking him for over a minute. “Lil Uzi Vert doesn’t know Floyd Mayweather or have any form of affiliation with Mayweather’s Money Team, and was not at the site of the alleged incident,” a reported representative of the rapper’s team allegedly told TMZ. Ali’s team maintains that it’s unclear whether or not the YoungBoy rival was there at the scene of the alleged crime.
INDIO, CALIFORNIA – APRIL 19: (FOR EDITORIAL USE ONLY) Lil Uzi Vert performs at the Coachella Stage during the 2024 Coachella Valley Music and Arts Festival at Empire Polo Club on April 19, 2024 in Indio, California. (Photo by Theo Wargo/Getty Images for Coachella)
In addition, lawyers Blit and Rose claim that their client Ali sustained multiple injuries as a result of this alleged attack, including lost teeth and a necessary hospital trip to heal. His lawsuit seeks unspecified damages and he reported the incident to law enforcement, although they haven’t arrested anyone at press time. Lil Uzi Vert hasn’t spoken on this publicly at press time, although they’ve got bigger fish to fry these days. They might be celebrating the release of a new collab with Don Toliver as part of his expanded HARDSTONE PSYCHO album.
Meanwhile, Floyd Mayweather currently finds himself embroiled in beef with not just Gervonta Davis, but also 50 Cent’s tendency of relentless online trolling. We’re sure that all parties will handle the issue in kind, and we’re not expecting a reconciliation anytime soon. Still, it will be interesting to see how this legal situation develops, especially as Lil Uzi Vert’s team denied any and all involvement. Perhaps this will emerge as a big misunderstanding… or a major downplay.
It’s no secret that Boosie Badazz has a long history of upsetting people with his controversial stance on the LGBTQ+ community. Now, however, it appears as though he’s trying to make a mends- kind of. Earlier this week, he took to Twitter/X to preview a new track he has on the way, which he’s dubbed “Letter To The Gays.” It’s expected to drop on June 25 as part of his new album, Russia.
In the short snippet, he tells listeners that he’s not looking to offend anyone. He then proceeds to double down on his take on transgender people. He references gender reassignment surgery, transgender women participating in competitive sports, and more. Boosie goes on to insist he has no “hate” in his heart and to claim that he hopes others don’t either. With that being said, the song is sure to ruffle plenty of feathers, and may not exactly be the olive branch he thinks it is.
This is far from the first time Boosie stirred the pot with his controversial comments, however. In fact, it’s not even the first time this month. Last week, photos from Lil Uzi Vert’s new Marc Jacobs campaign surfaced online, prompting a serious debate among social media users. In the photos, they’re seen posing with the brand’s bright green limited edition 40th-anniversary tote bag. This resulted in a ton of clowning online, though most fans can agree that it wasn’t deserved.
Of course, Boosie had to chime in, making his stance crystal clear. “OMG WTF,” he wrote simply, suggesting he was shocked by the fashion campaign. What do you think of Boosie Badazz gearing up to drop a new track called “Letter To The Gays”? Do you think he should just stop weighing in on these kinds of issues altogether? Share your thoughts in the comments section down below, and keep an eye on HNHH for more updates.
Megan Thee Stallion talked her talk when Charlamagne Tha God claimed (and then retracted) that she was “not an arena artist,” and her Hot Girl Summer Tour speaks for itself. Hot Girl Meg will perform a sold-out show at Crypto.com Arena in Los Angeles on Friday, June 21, but first, she brought the Hot Girl Summer Tour to Footprint Center in Phoenix, Arizona on Juneteenth.
WNBA guard Natasha Cloud and her Phoenix Mercury teammates, including Brittney Griner, were seated in the pit. Cloud held up her phone toward the stage with her screen reading, “COME TO OUR GAME.” Megan Thee Stallion saw it and her mouth was agape in flattery. “I’m invited to y’all game?” she said into the microphone. “‘Cause I seen y’all video. […] I’m so happy y’all came to the show! Can y’all come up on stage? I wanna see y’all.”
Last month, Megan Thee Stallion bonded with Chicago Sky star rookie Angel Reese when the Hot Girl Summer Tour hit the United Center. Similarly, GloRilla welcomed Reese and her Sky teammates on stage, and Megan Thee Stallion twerked on Reese.
There are two more opportunities for Meg to platform the WNBA during the Hot Girl Summer Tour. Let’s hope to see the Los Angeles Sparks and Las Vegas Aces join her over the weekend.
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