It appeared yesterday that a cryptic video Paul McCartney shared was teasing upcoming collaborations with Anderson .Paak, Phoebe Bridgers, Idris Elba, EOB (Ed O’Brien), Dominic Fike, St. Vincent, Damon Albarn, Beck, Khruangbin, Josh Homme, 3D RDN (of Massive Attack), and Blood Orange. Today, he has confirmed that to be the case: He is releasing a reworked version of his 2020 album, McCartney III, titled McCartney III Imagined, which features contributions from the aforementioned artists.
Tracks from the original album have been covered and/or otherwise reimagined by the guest artists and McCartney kicked things off today by sharing Fike’s rendition of “The Kiss Of Venus,” which he transformed from an acoustic ballad to an R&B jam.
During a Reddit AMA from December, McCartney cited Fike and other artists involved in McCartney III Imagined as modern performers he listens to, writing, “I’m lucky, I have a friend who sends me new music which helps me keep in touch with the modern scene. So I listen to people like Dominic Fike, Beck, St Vincent and Khruangbin. I also listen to a lot of classic oldies coming through, from rock n’ roll to 60’s to soul to R’n’B, with a sprinkling of classical music now and then.”
Listen to Fike’s “The Kiss Of Venus” cover above and check out the McCartney III Imagined art and tracklist below.
1. “Find My Way (feat. Beck)”
2. “The Kiss Of Venus (Dominic Fike)”
3. “Pretty Boys (feat. Khruangbin)”
4. “Women And Wives (St. Vincent Remix)”
5. “Deep Down (Blood Orange Remix)”
6. “Seize The Day (feat. Phoebe Bridgers)”
7. “Slidin’ (EOB Remix)”
8. “Long Tailed Winter Bird (Damon Albarn Remix)”
9. “Lavatory Lil (Josh Homme)”
10. “When Winter Comes (Anderson .Paak Remix)”
11. “Deep Deep Feeling (3D RDN Remix)”
12. “Long Tailed Winter Bird (Idris Elba Remix)”*
* physical release exclusive track
McCartney III Imagined is out 4/16 via Capitol Records. Pre-order it here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
In late 2008, when word broke that The Roots, the hip-hop group led by longtime friends Amir “Questlove” Thompson and Tariq “Black Thought” Trotter, were hired as the house band for Late Night With Jimmy Fallon, the news was met with bewilderment and bemusement. The reactions online tended to be some variation of, “Wow, that is huge for Fallon,” or, as one Gawker writer put it at the time, “The Illadelph generals opening up for that stuttering mop-headed ball of suck, Jimmy Fallon? It’s kind of tragic.”
There was definite logic to the hiring. The Roots remain one of the most versatile ensembles in all of music, comfortable and talented enough to both cover U2 classics at an NAACP event honoring Bono and serve as Jay-Z’s backing band for his legendary MTV Unplugged appearance. And they helped add a whiff of cool to Fallon as he brought his wide-eyed, constantly stoked brand of comedy to late-night TV.
But even the most ardent fan of The Roots had to wonder how this was going to work in reality. The band was coming to NBC after releasing the two darkest and most politically-minded albums of their career — 2006’s Game Theory and 2008’s Rising Down — that raged against school shootings, poverty, and institutional racism. The group was also a consistent concert draw, known for marathon-length performances and welcoming guests from every corner and era of the music world.
Underlying all of this was simple curiosity. How could one of the best hip-hop groups in the game translate their attitude and their sound for network TV, and appeal to middle-of-the-road viewers tuning in for toothless political humor, fawning celebrity interviews, and viral video-ready stunts?
The answer: by The Roots proving just how versatile they could be. For the past 13 years, even as they moved with Fallon from 12:30 am to 11:30 pm after the host was hired to replace Jay Leno as the host of The Tonight Show, the band has been game for anything.
They’ve taken part in various sketches that sometimes require them to dress in drag or act foolishly. They’ve been the backbone for beloved recurring segments like “Freestylin’ With The Roots,” “Slow Jam The News,” and Fallon and Justin Timberlake’s “History of Hip-Hop” bits. And they’ve proven to be welcome comedic foils, with Questlove and Black Thought bantering with Fallon in the manner of David Letterman and Paul Shaffer.
The Roots’ quick evolution into foils for late-night comedy was, in retrospect, inevitable. In an oft-told anecdote, Questlove remembers that, in 2008 when the band and Late Night’s producers were sizing one another up, he invited Fallon to come see them play at UCLA’s Spring Fling not expecting he’d actually show. But the lanky comedian did and quickly won The Roots over.
“I was doing an interview in a trailer,” Questlove told Brooklyn magazine in 2017, “and when I walked out… the eight of them — Fallon and the seven Roots — were making a human pyramid. He was able to disarm us in seconds… And I’m looking at my manager and we just stared there shaking our heads. I was just like, we’re stuck with this guy, aren’t we? And he just looked like, I’m afraid so.” A baker’s dozen years later and they’re still stuck with each other.
By all accounts, the members of The Roots were ready for something approximating a day job. The rigors of touring were starting to weigh on them as it meant leaving behind families and relationships for long stretches of time. As Questlove commented on Okayplayer.com around the time the news broke of their Late Night deal, “I don’t know if I want to be 40 on the road and single no more… I can’t even start to go on that path ‘til a woman takes me seriously. And ain’t no one taking a man serious who is in his home for only three months out the year.”
They were also students of music history, knowing that, although they were in a good spot financially after two decades of being together, they were potentially looking at a slow slide into obscurity. It was to the point that the group was tempted to sign a deal for a residency at The Borgata in Atlantic City.
The twist is, of course, that their nightly platform on NBC has made The Roots more popular than ever before, and, as a result, they’ve become even busier than ever. When he’s not DJing at various events around the world, Questlove has written a handful of books, directed the Sundance-anointed documentary Summer Of Soul (…Or, When The Revolution Could Not Be Televised), and hosts the popular Questlove Supreme podcast. Black Thought keeps popping up on mixtapes and albums by other artists and last year released his debut solo full-length that includes contributions from Killer Mike and Portugal. The Man. Both men are also likely the only hip-hop artists your grandmother would be able to easily namecheck.
What’s perhaps the most impressive part of The Roots’ move into late-night TV is how true they’ve stayed to themselves and the hip-hop culture they grew out of. As proven by the six albums they’ve released since joining up with Fallon, they’ve not lost an ounce of their fury and power. Or for a more concentrated dose, dial up the blistering 10-minute freestyle that Black Thought performed on Funkmaster Flex’s HOT 97 show back in 2017 and went viral shortly thereafter. It’s a testament to both the vaunted realms of celebrity that he and The Roots have reached and his skills as an MC that the performance was analyzed by writers at NPR and The New Yorker — and earned him a spot on the couch at The Tonight Show to talk about it.
That adherence to their personal politics did come at a cost back in 2011 when the band played on Tonight Show guest, and then-Presidential hopeful, Michelle Bachmann with a portion of Fishbone’s “Lyin’ A** B****.” The blowback was considerable and almost cost The Roots their cushy new job in network TV. But after agreeing to clear all walk-on music choices with the NBC brass ahead of time, the band was allowed to keep their spots.
Probably the most concrete example of how The Roots have moved easily into this strange land of TV celebrity while not losing an ounce of their credibility can be found in another video from the Late Night era. In it, the band is doing the job of helping get the crowd warmed up for taping an episode — playing some upbeat music to hype folks up. But for this moment, they’re joined by one of that night’s guests, rapper and actor Ice Cube, and with him, launch into a version of N.W.A.’s “Straight Outta Compton.” It’s a blast. The Roots drill down to the core of Dr. Dre and DJ Yella’s dense production and the rappers do their best to blur out the coarse language of the original song.
The key moment, though, comes when The Roots’ guitarist Captain Kirk Douglas puts down his axe and takes a turn on the mic, rapping Eazy E’s verse. Though they knew it was coming, the whole band seems to explode at that moment, watching their buddy step outside his usual role and play the part of a smack-talking, girl-chasing gangsta MC. Even the person holding the smartphone that’s filming the clip seems to shake with excitement at what is going down. But no one is more delighted than Questlove and Black Thought. As Roberts keeps spitting, they look over at each other with wide grins and sparkling eyes, giddy at what they’re witnessing and what they’re getting away with.
Just a week after releasing the charming “Beautiful Mistakes,” Maroon 5 and Megan Thee Stallion take a technicolor tour of LA in the song’s video, which they released today. The video revolves around M5 lead singer Adam Levine driving a pink convertible through a drab CGI cityscape modeled on the streets of Los Angeles. Slowly, the saturation of his surroundings turns up as he cruises, until he finds his car flying over an eye-popping candy-colored coastline, passing historical landmarks like Griffith Observatory and the Theme Building at LAX.
Eventually, Megan flies by in her own floating car to deliver the first half of her verse to the camera before jumping from her convertible into Adam’s to share the rest of their relaxing flight/drive over Randy’s Donuts as the sky fills with multicolored donuts.
The same day as Maroon 5 released “Beautiful Mistakes,” Levine drew attention online for a quote from his interview with Apple Music’s Zane Lowe in which he remarked that he feels like “there aren’t any bands anymore.” Although he quickly acknowledged that “there still are plenty of bands,” he expressed his wish that they got more attention.
That being said, Adam and his band seem to have a pretty good handle on the direction music has taken, collaborating with pop-rap stars who are in the limelight like Megan and Cardi B, with whom the band collaborated on “Girls Like You.”
Justin Bieber’s tracklist for Justice, which he shared on Instagram last night, has fans buzzing with excitement. In part, it’s because the album is just a week and some change away from its March 19 release date, but many fans took note of some of the notable guests, who include R&B singers Daniel Caesar, Giveon, and Khalid, as well as Chance The Rapper. Juice WRLD protege The Kid Laroi appeared on Justin’s corkboard as well, inviting some pretty apt comparisons between the two artists despite their generation gap.
While fans had previously deciphered some of Justin’s collaborators via the synopsis on the Walmart pre-order page for the album, this is the first glimpse we’ve had at who all’s on which tracks — and seeing Daniel Caesar and Giveon’s smooth baritones grouped together on “Peaches” has prompted its share of enthusiastic reactions. Both Caesar and Giveon’s names trended on Twitter as fans expressed their anticipation to hear that particular melange of voices together for the first time.
One fan, however, was skeptical of Caesar’s placement, demanding an “apology” before they’ll grudgingly give the song a listen. Caesar was the subject of some controversy a couple of years ago after he dared fans to “cancel” him for defending influencer YesJulz from accusations of cultural appropriation. However, others seemed sanguine, pointing out his continued popularity in the years since.
I still need an apology from Daniel Caesar before I listen to his little song w Justin Bieber & Giveon pic.twitter.com/6wTndKKpbK
Y’all literally make Daniel Caesar trend every week because of how severely he was cancelled. If he TRENDS every WEEK that defeats the POINT!!! pic.twitter.com/HRaXICbQGG
A new Vogue cover story about Selena Gomez features a disheartening quote from Gomez, in which she suggests that she’s thinking about retiring from music due to a lack of respect. Gomez said, “It’s hard to keep doing music when people don’t necessarily take you seriously. […] I think there are a lot of people who enjoy my music, and for that I’m so thankful, for that I keep going, but I think the next time I do an album it’ll be different. I want to give it one last try before I maybe retire music.”
Given that Gomez has been one of the most successful pop stars of the past decade, there are plenty of people who’d rather she stay in the music game. One of those folks is Cardi B, with whom Gomez collaborated on DJ Snake’s “Taki Taki.” Instead of retiring, Cardi thinks that Gomez should try entering “a bad b*tch era.”
Last night, Cardi tweeted, “I don’t think Selena should retire .She makes good music & her fans love her .I think she needs one more Era. A edgy one that no one ever seen her as .I would love to give her some ideas.” She continued, “I like Selena tho .I defend her cause she is such a sweetheart in person.Us celebs get picked apart all the time but she is just to sweet to go thru that.If she wants to leave ,leave cause you want too not cause of these f*ckers.” Cardi then concluded, “A bad b*tch era is needed tho ‘A b*tch I’m nice sweet girl but I’m a rich bad b*tch too.’”
I don’t think Selena should retire .She makes good music & her fans love her .I think she needs one more Era. A edgy one that no one ever seen her as .I would love to give her some ideas
I like Selena tho .I defend her cause she is such a sweetheart in https://t.co/uO2HtW45mX celebs get picked apart all the time but she is just to sweet to go thru that.If she wants to leave ,leave cause you want too not cause of these fuckers .
The 2021 Grammys are just a few days away, and as with every year, conversations about the show are alive on social media. In a now-deleted tweet, one person looked back at the 2019 ceremony, calling out the Recording Academy for inviting Mac Miller’s family to the award show, where his Swimming album was nominated in the Best Rap Album category, only to give the trophy to Cardi B’sInvasion Of Privacy. Cardi caught wind of the comment and questioned their inconsistent defense of the rapper, particularly after his DUI car crash.
His family didn’t have no mean energy so why you? I hate when ya make hate tweets like this to go viral but where was the love when ya bullied him for months on this app & he was crying out for help? Makin fun of him when he crash his car? Ya don’t care till somebody is gone. https://t.co/lDOAImucRqpic.twitter.com/saMBpcz9Vo
“His family didn’t have no mean energy so why you?” she replied. “I hate when ya make hate tweets like this go viral but where was the love when ya bullied him for months on this app & he was crying out for help? Making fun of him when he crash his car?” She posted the tweet with a screenshot of a US Magazine article about the late rapper’s family “rooting for Cardi B” ahead of the 2019 show and added, “Ya don’t care till somebody is gone.”
This is why I express myself whether is on live, twitter or curse people out cause some artist got soo much hurt inside from bullyin on these apps & they afraid to speak & turn to other thing to numb the pain Ya forgot real quick how when he drop the album ya was like “flop””NBC” https://t.co/x3XdErLS0H
In another tweet, Cardi wrote, “This is why I express myself whether is on live, twitter or curse people out cause some artist got soo much hurt inside from bullyin on these apps & they afraid to speak & turn to other thing to numb the pain.” She added, “Ya forgot real quick how when he drop the album ya was like ‘flop”NBC.’”
Its not only about me .It’s every celeb…Then when they gone they bring up one lil issue but don’t bring the REAL ISSUE UP which is cyber bullying that brings mental health & depression. Now it’s quit . https://t.co/xTjjzAzujn
She also discussed how cyberbullying gives artists mental health issues, such as depression. Cardi then shared a video of her honoring Mac after her Best Rap Album, where she said, “I’m sharing this Grammy with you motherf*cker. Rest in peace.”
Naaa re read it again! Why mention me ? And secondly why they don’t bring the fact that for months People picked on him and put him down on these apps now they only talk about the Grammy incident but don’t bring awareness to the bullying he went thru that affected him https://t.co/wkgxEm615E
He got bullied for months but want to make viral tweets about him loosing a Grammy to get me drag but don’t want to make viral tweets of mental health and how these apps can literally destroy a person mind & spirit. https://t.co/ZgtKvWX8fd
And it’s funny right because the people that sit here preaching about mental health are kids that get picked and bullied in school yet be the ones that get brave on the Internet to pick on others and celebs all day .Mental health only matters when they can’t make no friends . https://t.co/hhExR9Uoae
Naaaa don’t gaslight me like I’m crazy cause if he would have lost to another rapper they wouldn’t mention their name but noo let’s mention cardi to make people hate her over & over again.Also why only bring up the Grammy incident? Why they don’t bring up how they bullied him ? https://t.co/fiGFOCVENu
EXACTLY MY POINT RIGHT THERE .Let me make it clear if is a Mac Miller fan upset I get it go hard for who you love.I understand if you mad at the Grammy situation but don’t bring his name up for a viral tweet when ya was the same one bullying him for MONTHS ! https://t.co/vt3GQUofOn
People wanna act like they don’t know but they know .The goal is to make someone hurt themselves to have more topics to talk about.Did you saw that pap on Brit documentary?He was like she never told us to stop even tho she ain’t need to cause wat they were doing to her was wrong https://t.co/Pjwiu6rlyI
Fat Joe’s time in hip-hop goes back to the early 1990s, and over the decades the Bronx native has worked with a number of notable names, including Diddy, Busta Rhymes, Lil Wayne, and many more. Alas, he narrowly missed being on an album by Notorious B.I.G. During a conversation with Verzuz founders Swizz Beatz and Timbaland, Fat Joe revealed that he and the late rapper had begun recording an album before his tragic death.
“We cut about five songs together,’ he said. “He was like, ‘You the Latino don, I’m the Black don.’ And we was in that studio going crazy. It’s verified by Puff Daddy and everybody. I’ma keep it real – at the time, we were dissing Tupac a lot and all that and so that should have never seen the light of day. Which is respectfully so, because you know they both passed on. But yeah, I worked with the B.I.G. for real.”
The discussion came a little over a week after Biggie: I Got A Story To Tell, a documentary that reflected on the late rapper’s life, was released on Netflix. Prior to that, Swizz and Timbaland shared plans to do a Biggie vs. Tupac Verzuz battle.
You can listen to a clip from the interview above.
The 2021 Grammys are just a few days away, and as with every year, conversations about the show are alive on social media. In a now-deleted tweet, one person looked back at the 2019 ceremony, calling out the Recording Academy for inviting Mac Miller’s family to the award show, where his Swimming album was nominated in the Best Rap Album category, only to give the trophy to Cardi B’sInvasion Of Privacy. Cardi caught wind of the comment and questioned their inconsistent defense of the rapper, particularly after his DUI car crash.
His family didn’t have no mean energy so why you? I hate when ya make hate tweets like this to go viral but where was the love when ya bullied him for months on this app & he was crying out for help? Makin fun of him when he crash his car? Ya don’t care till somebody is gone. https://t.co/lDOAImucRqpic.twitter.com/saMBpcz9Vo
“His family didn’t have no mean energy so why you?” she replied. “I hate when ya make hate tweets like this go viral but where was the love when ya bullied him for months on this app & he was crying out for help? Making fun of him when he crash his car?” She posted the tweet with a screenshot of a US Magazine article about the late rapper’s family “rooting for Cardi B” ahead of the 2019 show and added, “Ya don’t care till somebody is gone.”
This is why I express myself whether is on live, twitter or curse people out cause some artist got soo much hurt inside from bullyin on these apps & they afraid to speak & turn to other thing to numb the pain Ya forgot real quick how when he drop the album ya was like “flop””NBC” https://t.co/x3XdErLS0H
In another tweet, Cardi wrote, “This is why I express myself whether is on live, twitter or curse people out cause some artist got soo much hurt inside from bullyin on these apps & they afraid to speak & turn to other thing to numb the pain.” She added, “Ya forgot real quick how when he drop the album ya was like ‘flop”NBC.’”
Its not only about me .It’s every celeb…Then when they gone they bring up one lil issue but don’t bring the REAL ISSUE UP which is cyber bullying that brings mental health & depression. Now it’s quit . https://t.co/xTjjzAzujn
She also discussed how cyberbullying gives artists mental health issues, such as depression. Cardi then shared a video of her honoring Mac after her Best Rap Album, where she said, “I’m sharing this Grammy with you motherf*cker. Rest in peace.”
Naaa re read it again! Why mention me ? And secondly why they don’t bring the fact that for months People picked on him and put him down on these apps now they only talk about the Grammy incident but don’t bring awareness to the bullying he went thru that affected him https://t.co/wkgxEm615E
He got bullied for months but want to make viral tweets about him loosing a Grammy to get me drag but don’t want to make viral tweets of mental health and how these apps can literally destroy a person mind & spirit. https://t.co/ZgtKvWX8fd
And it’s funny right because the people that sit here preaching about mental health are kids that get picked and bullied in school yet be the ones that get brave on the Internet to pick on others and celebs all day .Mental health only matters when they can’t make no friends . https://t.co/hhExR9Uoae
Naaaa don’t gaslight me like I’m crazy cause if he would have lost to another rapper they wouldn’t mention their name but noo let’s mention cardi to make people hate her over & over again.Also why only bring up the Grammy incident? Why they don’t bring up how they bullied him ? https://t.co/fiGFOCVENu
EXACTLY MY POINT RIGHT THERE .Let me make it clear if is a Mac Miller fan upset I get it go hard for who you love.I understand if you mad at the Grammy situation but don’t bring his name up for a viral tweet when ya was the same one bullying him for MONTHS ! https://t.co/vt3GQUofOn
People wanna act like they don’t know but they know .The goal is to make someone hurt themselves to have more topics to talk about.Did you saw that pap on Brit documentary?He was like she never told us to stop even tho she ain’t need to cause wat they were doing to her was wrong https://t.co/Pjwiu6rlyI
It’s been nearly two and a half months since the world learned about the death of MF DOOM. The legendary rapper passed away on Halloween last year, but the news was withheld by his family until New Year’s Eve. The rapper’s legacy became quickly clear, as a number of artists took a moment to share their condolences and thank him for his work. In a recent interview with Inked Magazine, Playboi Carti shared what DOOM’s unique influence on him was, after he referenced him on “Stop Breathing” from his album Whole Lotta Red.
“I had to tell my boy, my best friend, my engineer. He’s the person recording the song, and he didn’t know who MF DOOM was,” he said. “I’m like, you don’t know MF DOOM? You don’t know who this dude is? I had to play songs for him, because he didn’t know who he inspired. The mask! I’m anonymous myself, but he’s king of that.”
Carti added that while their respective sounds are completely different, their refusal to conform to society’s standards was fairly similar. “I don’t have to sound like MF DOOM to be inspired by him,” Carti said. “Nobody can keep a leash on him. Nobody can keep a leash on me. That’s definitely his impact. Even if I didn’t know that at first, I had to look up and think about this sh*t right here—it had already been done.”
Over the past month or so, NFTs — aka, non-fungible tokens — have been all the rave across the art and tech worlds. Grimes and Twitter’s Jack Dorsey are just some of the big names that have taken it up, and it looks like Post Malone will join them. The Hollywood’s Bleeding singer is teaming up with cryptocurrency group, Fyooz, to launch a new NFT experience that will allow select fans to compete with him in a game of beer pong.
The announcement is part of a larger experience from Fyooz that aims to allow token holders to get up close and personal with their favorite celebrities. The experience will allow for a direct and personal interaction that can be “one-off, multiple interactions, or indeed a ticket for ongoing events with the artists,” according to a press release. The beer pong with Post Malone is their maiden effort.
In case you’re new to the whole NFT thing, it’s essentially a one-of-a-kind digital collectible that’s created using blockchain technology. Jack Dorsey recently minted an NFT of the first tweet ever sent on Twitter. According to CNN, the CEO of Bridge Oracle, Sina Estavi, offered $2.5 million for said tweet. Elsewhere, Grimes made $6 million by selling her art collection WarNymph Collection Vol 1 as an NFT. Each digital art piece was accompanied by exclusive audio that could only be obtained by purchasing an NFT.