Tyga and MSCHF Can No Longer Sell Their ‘Wavy Baby’ Sneakers Thanks To A Judge’s Ruling

Earlier this month, Tyga and Brooklyn-based art collective MSCHF teamed up for their Wavy Baby sneakers, which to most consumers, looked awfully similar to a pair of Vans Old Skool sneakers. MSCHF even admitted to the similarities, saying that the Wavy Baby sneakers were a parody of Vans’ classic shoe. To the surprise of no one, Vans filed a lawsuit for trademark infringement against Tyga and MSCHF, and to the duo’s assumed disappointment, they will now have to put a halt on future sales of the Wavy Baby sneakers. It comes after a judge ruled in favor of Vans due to the shoes’ “striking visual similarities.”

According to Billboard, U.S. District Judge William F. Kuntz shared the ruling on Friday and he did not hold back in his statement about the matter. “Despite defendant’s assertions the Wavy Baby shoes belong in museums and galleries for exhibition, the production of 4,306 pairs of shoes places the Wavy Baby shoes on a mobile footing vastly different from one found at the Brooklyn Museum,” Judge Kuntz wrote. MSCHF previously said that their Wavy Baby sneakers were a parody that was meant to comment on “sneakerhead” culture, but Judge Kuntz said that he nor consumers would catch the joke.

“Whatever the actual artistic merits of the Wavy Baby shoes, the shoes do not meet the requirements for a successful parody,” he wrote. “While the manifesto accompanying the shoes may contain protected parodic expression, the Wavy Baby shoes and packaging in and of themselves fail to convey the satirical message.”

Despite this ruling, MSCHF claimed that nearly all orders of the Wavy Baby shoes had already been sold and shipped. As a result, Judge Kuntz also ordered MSCHF to place all profits from the shoe into escrow so that they could potentially be returned to consumers. He also ordered them to cancel or reverse any and all orders that they could.

In response to the ruling, MSCHF’s attorney Megan K. Bannigan said that the company would continue the fight and claimed that the decision entirely omitted key legal precedents. “The court’s decision fails to recognize MSCHF’s First Amendment rights to artistic expression, regardless of the particular medium or form of that expression,” Bannigan said. “MSCHF will continue to litigate this case, including through all available appeals, to secure its and all artists’ freedom to make their art.”

DaBaby Was Charged With Felony Battery For Punching A Man During A Music Video Shoot In 2021

DaBaby has been unable to stay out of legal trouble for an extended period of time. It was just a few months ago that officials announced that he was being investigated for assault with a deadly weapon after his bowling alley altercation with DaniLeigh’s brother. Prior to that, he was detained and questioned about a shooting that took place in Miami. These incidents join DaBaby’s controversial matters like making homophobic remarks during Rolling Loud, punching an artist on his own label, and more. Unfortunately for DaBaby, this displeasing streak of his just got extended.

A felony battery charge is something that DaBaby can now add to his list of things to deal with. The L.A. County District Attorney’s Office applied the charge following an incident that occurred during a music video shoot back in December. According to TMZ, a man named Gary Pagar allowed DaBaby to rent out a massive pad in Los Angeles and it was understood that no more than 12 people could be on the property at the time. Despite this, DaBaby had more than that amount there in order to shoot the video to “Play U Lay” with Stunna 4 Vegas and Jake Paul.

Pagar eventually became aware that DaBaby violated the terms of their agreement and reached out to the rapper and his team who assured him that the crew wouldn’t stay on the property for long. However, on December 2, Pagar decided to make a visit to the property where he discovered a crew of nearly 40 people. He attempted to talk to DaBaby, but that was thwarted when he was attacked by a member of the rapper’s crew, which was caught on camera. As if that wasn’t enough, DaBaby told the individual to back off all to allegedly sucker punch Pagar and knock his tooth out.

DaBaby was sued by Pagar for the incident and it’s unknown if that suit is still active now that charges have been applied.

Avril Lavigne Joined Olivia Rodrigo To Perform ‘Complicated’ At Her Toronto Show

Olivia Rodrigo is currently on tour behind her celebrated debut album, Sour, but one of the best parts of her rather small live shows has been the covers and guests that have featured along the way. For the dates that Gracie Abrams was on the road with them, Olivia and Gracie would often do early 2000s pop songs together, and recently Liv teamed up with fellow pop star friend, Conan Gray, for a great rendition of Katy Perry’s “The One That Got Away.” And, of course, Olivia has been covering her very obvious predecessor and influence, Avril Lavigne, mainly doing the hit “Complicated” during her set. (And no, she hasn’t been covering Paramore, that’s just how similar “Good 4 U” sounds to Hayley Williams’ biggest song, “Misery Business.”)

But during tonight’s tour stop in Toronto, fans got a real treat when Avril herself took a break from her engagement to Mod Sun and and her new Love Sux era, and decided to join Olivia on stage to help her pull off “Complicated.” Needless to say, having the OG performer of the track involved made this the best rendition of the song Olivia has ever done. Check out the clip up above.

Pink Sweat$ And The Woods Elevate Each Other In A New Three-Song Performance Video

Often, when you hear of an artist working on new music, there are stories of them retreating to some off-the-grid destination, experiencing the environment as they pour all their creativity into their craft, and then bringing the results of that process back to society. For his new performance, though, Pink Sweat$ took the opposite approach, bringing his songs off the beaten path for some wooded live renditions.

The performance, which is part of Uproxx and T-Mobile’s “Way Way Out Live” series, sees Sweat$ retreating to Staten Island’s Walker Pond (40.58°N 74.112°W, in case you wanted the exact coordinates). Once there, Sweat$, flanked only by a keyboardist and audio equipment, starts with “Nothing Feels Better,” stripping the track down to its core elements, which has the benefit of creating a simplistic, more organic arrangement, as well as letting Sweat$’ exemplary vocals dominate even more than they typically do.

From there, he busted out “Spiritual” before wrapping with the platinum-certified “Honesty,” both with the same impactful aesthetic as the first performance.

Also included in the video is a bit of Sweat$’ journey to make it out to his earthy venue. During that segment, he dives into what creativity means to him, saying, “Innovating as an artist means to me that you’re being conscious about your creativity, to the point where you leave a mark on someone’s heart, someone’s soul, someone’s journey in their own life. For me, it’s super important to feel life, you know, things moving and happening around you. It’s a part of the journey to the song.”

Check out Pink Sweat$’ performances in the video above.

Pink Sweat$ is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Travis Scott’s Team Refutes Astroworld Documentary As ‘Propaganda Piece’ And A ‘Farce’

Travis Scott has been trying to rebuild his reputation after the tragic events at his Astroworld festival in Houston left ten dead and countless others injured. After recently attempting to launch Project HEAL, which was dismissed as a stunt, Scott has been mostly quiet as of late, except to let Coachella know his feelings about being rescinded from the lineup, via some billboards promoting his upcoming Utopia project.

But news broke this week of a documentary by a filmmaker who thought naming the clip Concert Crush: The Travis Scott Festival Tragedy was a good idea. That filmmaker, named Charlie Minn, did an interview with Page Six claiming Scott is a “criminal” and because of the presence of an ambulance and Travis stopping when he saw people passed out, the rapper should’ve known people had died.

Minn has said his piece, and now Scott’s team has fired back, giving comment to TMZ about Minn’s “propaganda piece.” Here’s further quote given to TMZ, that the film is a “farce financed by and containing content from members of the plaintiff’s legal teams, who, weeks after a tragedy, sought to exploit and benefit financially from it, with the clear goals of making money and swaying future juries and public opinion.”

Further quotes: “It’s a profit play and a publicity stunt, with no support from the film industry, no distribution, and from a director with no respect from his field who has been termed a “trauma pornographer.”

An attorney who is representing several of the plaintiffs from Astroworld in their lawsuits is a producer of the film, which does seem a little strange, and a few plaintiffs decided to be featured in the clip. The film started airing in Texas today. Check out a trailer below.

Megan Thee Stallion Is Working With Netflix On A Comedy Series Loosely Based On Her Life

The Netflix Is A Joke comedy festival is gearing up to launch their ten-day event, and even though massive layoffs in their editorial departments this week might put a damper on the fest, it is still continuing as planned. The massive streamer is well-known, at this point, for launching its own original content, and the platform’s head of comedy, Tracey Pakosta, gave an extensive interview with Deadline about future plans in advance of this year’s festival. Though Pakosta has lots to say in the lengthy feature, what might be most interesting for rap fans is a tidbit about the streamer’s current deal with Megan Thee Stallion, which includes a first look clause.

According to Pakosta, Megan came into meetings with Netflix with a concept already in place. “It’s very early stages,” Pakosta cautioned, before letting fans know the scoop anyway: “She came in and she pitched something loosely based on her life growing up, and we got very excited about it. We think she’s special.” Based on what we know about what Megan has already gone through in her life, losing her mom right when her rap career was blowing up, a little humor injected into the story will be necessary. But there’s almost no one funnier than the “Plan B” rapper at the moment, and she could easily carry a series. And maybe Netflix could hire back some of those writers to help work on it? Just a thought.

Let These Photos From The Framework After Party At Coachella Inspire You For The Weekend

All-night ragers are fun. Yes, there are some consequences, but also… YOLO. And what better place and time to release your inhibitions than at Coachella? While the actual festival only lasts until about 11 p.m. each night, the slew of after-parties in the desert have all the stimulants you need to keep the good vibes rolling — flashing neon lights, good booze, epic performances.

One standout after-hours extravaganza is hosted by Framework, a trailblazing underground electronic music promotions company. Framework’s large-scale events combine iconic locations, world-class production, and well-renowned dance music talent. Having been integral to Coachella’s Yuma Tent since the stage’s inception in 2013, Framework has now built a second home in the desert. During Coachella’s opening weekend (April 15 – April 17), Framework unveiled a never before used venue at Thermal Airport.

The event, held across all three nights of the festival, featured performances by legendary electronic artists including Purple Disco Machine, SG Lewis, Jayda G, The Martinez Brothers, Black Coffee, with special guest from Ninja Tune’s much-buzzed-about Korean breakout, Peggy Gou, Damian Lazarus, Michael Bibi, Dixon, and Leyla Benitez.

Between the heavy beats, unique airport backdrop, and non-stop dancing, Framework transformed Thermal Airport into a post-festival desert oasis. Scroll through the photos below to lift your spirits for the weekend ahead and inspire you to find the next big all-night party.

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Baby Tate Battles It Out In A Dark, Deserted Warehouse For Her ‘Dancing Queen’ Video

Baby Tate has been slowly but steadily rising, and her latest single “Dancing Queen” is another brick in that wall. No, it’s not an Abba cover or reference, for those who might be wondering, this is a different kind of dancing. Tate and her crew make their way into a dark, deserted warehouse, where they have lots of room for gravity-defying moves and Tate’s unstoppable flow. The Harlem Shake gets brought up, but mostly Tate and her crew are happy to engage in regionless moves that run the gamut from ballet to twerking, to everything in between. There’s also a bit of drama between dance crews that’s played out in the end of the clip, so make sure to watch until the end to get your fill of rap skit vibes.

Of course, it wouldn’t be an ominous rap video if there wasn’t also a kidnapping involved, and a run-in with the police, who are completely floored by what they walk into in this warehouse. Check out that clip up top, and if you’re looking for more from Tate, check out her recent appearance on Uproxx Sessions, where she performs her “S.H.O.” track, an explicit song that you just might want to get your headphones out to listen to — it’s that raunchy.

Anderson Paak Debuted A New Song, ‘Yours To Take,’ In A Budweiser Ad

Anderson Paak is coming off a really big year due to his collaboration with Bruno Mars as Silk Sonic. The duo embraced throwback R&B, soul, and funk vibes with such full throated joy, that they even picked up the Grammy for Record Of The Year at this year’s ceremony, honored for the project’s kickoff single “Leave The Door Open.” Since the track also picked up Song Of The Year, you can imagine that Anderson is riding on cloud nine energy at the moment, and knows it’s the perfect time to strike while the iron is hot and release some new music of his own.

And what better way to cut through the noise of constant releases than by skipping a step and heading straight to the advertising world? Paak partnered with Budweiser to debut his latest track, “Yours To Take,” by featuring it in an ad for the beer company. In the clip, which runs just over ninety seconds, a bunch of different artists and creatives are featured doing their thing — including a female drummer, which is cool, and a nice nod to Paak’s on tenure behind the kit — before eventually gathering at clubs and different events. And what do they drink there? You guessed it — the king of beers. It’s not a terribly heavy-handed commercial though, as those goes, and the song sounds very much in line with classic Paak. Check it out up top.