Nothing Can Faze Lil Yachty’s Confidence

Lil Yachty
McDonald’s All-American Game

Lil Yachty has come full circle. Before music, Yachty worked as a McDonald’s crew member, during which time, he crafted one of his artistic hallmarks — the signature vibrant red hair that made him stand out when he first stepped onto the scene.

Dropping tracks on Soundcloud in between shifts at Mickey D’s, Yachty maintained his momentum before deciding to move to New York to pursue music full-time. Nearly a decade later, Yachty delivered an energetic halftime performance at the 2024 McDonald’s All-American Games this past Tuesday (April 2). Additionally, he starred in a commercial for McDonald’s Canada, which featured him delivering a trippy rendition of the Menu Song.

Yachty’s most recent solo album Let’s Start Here showed us that his name is no longer synonymous with the Soundcloud era. Inspired by psychedelic sounds, Let’s Start Here proved to listeners that Yachty is serious about his artistry and is no flash-in-the-pan. And since its release over a year ago, Yachty has not taken his foot off the gas.

Last month, Yachty announced the launch of Concrete Recordz, as part of a partnership with Quality Control and HYBE. On the roster is his new rap collective, Concrete Boys, comprised of rappers Camo!, DC2TRILL, Draft Day, Karrahbooo, and Yachty himself.

Uproxx chatted with Yachty ahead of his halftime performance, as well as the release of Concrete Boys’ compilation album, It’s Us Vol., 1, which is set to drop Friday (April 5). With 10 years in the game, Yachty isn’t letting up anytime soon — not before pushing more bounds with his own artistry, and cultivating a new generation of movers and shakers.

Hey Yachty, how are you?

I’m blessed, man. Happy that we are having nice sunny days. I had a milkshake. And I’m lactose [intolerant], but I took my lactose pills. I took two of them. And they’re working, so we’re good. It’s always a plus when you’re lactose, and you drink milk, and you’re good. That might be too much information, but you asked, and I’m truthful.

[Laughs] I’m not tripping. How are you feeling, leading up to your performance?

It’s always a good feeling to have a full-circle moment in life. I worked for McDonald’s, and it was the first job I ever had when I was 15 or 16 years old. My McDonald’s commercial also just came out for McDonald’s Canada.

I love your commercial. It’s really trippy! How did that collaboration come together?

Separate from this, actually, McDonald’s reached out. And they wanted to redo the classic song, and I thought that was awesome. And very few artists get the opportunity to do these types of things, so it was actually a no-brainer.

What are some of your fondest memories as a McDonald’s crew member?

My mom was a very business-savvy woman. I had long, black braids back then. When I was about to go in for my interview, my mom was like “Oh, you can’t have braids, you have to look professional if you want to get hired.” She took me to the barbershop, and she made me cut off my hair.

I went to the interview, got hired, and on my first day working, everyone had long hair. I remember coming home to my mom crying and being like “You made me cut my hair! I would’ve still gotten the job.”

She felt so bad, and she was like “Okay, well let’s do something different.”

And I was like “I don’t have hair,” and then she said “dye it red.”

That’s the origin of my red hair.

And you’ve never shared that before?

You honestly just unlocked that memory in my brain. I forgot all about that.

So you’ve got It’s Us Vol. 1, dropping Friday. It’s the first album with the Concrete Boys crew. What was the process like assembling talent for this collective?

These are my friends. So it wasn’t like I was looking high and low for talent. These were friends that I’ve made along the way. The most important thing to me is my friendships — and trying to bring everyone up to a level of success so they can provide for their families is the goal. Plus, I’ve always just loved the idea of groups and crews.

How do you envision your label Concrete Rekordz growing, say five or 10 years from now?

Man, that’s more than enough time. You could say one year from now. But five or 10 years from now? That’s much more time than any artist needs to become successful. I want to make sure I say that. With today’s time, and internet [platforms], six months is all you need. But in five years, I plan to have four moguls, doing their own things, starting their own labels.

Your last album, Let’s Start Here was a sonic risk, as you experimented with psychedelic sounds. What kind of sounds are you exploring for your next project?

I can’t tell you, my guy. But what I will tell you is that I’m definitely not done taking risks. I can’t say what I’m doing next, but I can say that I’m not done taking risks. That wasn’t a one-and-done.

You also have an album with James Blake coming out soon. What can you tell us about that?

I’m really excited about it. It’s really amazing. When [artists] make collab projects, I think a lot of times, they don’t access the full extent of what could be. Me and James really connected and just created a brotherhood. We made a really special project that is far beyond both of us, and I’m super excited for it to come out.

Can you give us a hint as to when it’s going to drop?

It keeps getting pushed back, man. It was it was supposed to come out this month. But I don’t know if it will. But it’s done. Mixed and mastered.

So earlier this week, you said that some rappers are angry because they’re “ugly as f*ck,” and therefore, lack confidence. What would you say is the key to maintaining confidence?

[Laughs] Well, I was just talking sh*t. But, I don’t know, man. I don’t take things too serious. I enjoy the life that I was given and try to stay stress-free. I’m well aware of the blessings and the cards I was dealt, and I’m just grateful. I think I can I can only speak for myself when I say that it’s very easy to be happy.

It’s been about a decade since you moved from Atlanta to New York to pursue music. As an artist, and now, the owner of your own label, what would you say is the biggest thing you’ve learned in your career?

Staying true to yourself and not letting anyone’s negative comments bring you down. The negative side of the internet isn’t real. It’s not a real place. It’s all just trolls and make-believe. It’s not real, it doesn’t translate over into the real world.

James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform

Earlier this month, James Blake went viral for a series of comments on social media about the royalties that artists earn from streaming services and TikTok. In an Instagram story, he criticized TikTok’s effect on songwriting and listeners’ attention spans. He specifically detailed the pressure on artists to prioritize social media marketing over creating music. Blake referenced TikTok’s reduction of songs to short clips, leading to fans only knowing a small portion of them.

James Blake later took to Twitter to elaborate on his comments, opening a dialogue with his fellow artists. “If we want quality music, somebody is gonna have to pay for it. Streaming services don’t pay properly. Labels want a bigger cut than ever and just sit and wait for you to go viral. TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists,” he wrote. Blake also stated that streaming encourages artists to produce and release music quickly, diminishing the creative process. Such little pay prepares consumers for “AI-generated music that pays musicians nothing at all.” Tyler, The Creator, Blood Orange, Shay Lia, and others supported his comments.

Further expressing his frustrations with the exploitation of artists from labels, digital streaming platforms, and the industry at large, he called out the financial and artistic struggles faced by artists as a result of these business practices. Since then, James Blake has been campaigning for his fellow artists. His tweets and behind-the-scenes conversations have culminated in the announcement of Vault, a brand-new direct-to-consumer platform specializing in unreleased music. Here is what we know about James Blake’s latest venture.

Read More: James Blake Net Worth 2023: What Is The Singer Worth?

Vault Is a Direct-To-Consumer Platform

Yesterday (March 20th), James Blake took to social media, once again, to share some statistics about how “one million plays equals $3,000. If you are signed to a label, then that number’s cut by at least 50%.” After breaking down the splits of streaming royalties and the cost of creating, he revealed a possible solution for this issue. James Blake revealed that quickly after his viral social media posts, he was contacted by the creators of Vault. The service is primarily geared towards unreleased music, which does not always see the light of day due to not meeting “certain requirements or trends,” according to Blake. The British musician is assisting the platform’s launch in a major way. He is Vault’s first artist to share their unreleased songs, which can be unlocked for a $5-per-month subscription.

Pros & Cons Of Vault

Vault presents itself as a logical solution to the frequently expressed frustrations of artists with streaming companies and record labels. With James Blake backing the recently launched platform, it clearly offers a way to combat the current system of streaming payouts. Based on the current available information, it raises some pros and cons for both artists and fans. For artists, Vault cuts out the middleman, allowing them to receive fair compensation for their work at a direct-to-consumer rate. It also connects artists with their audience. Some perks include the chance for fans to chat with artists and priority offers including presale access to upcoming tours. Vault allows artists to share their unreleased music as frequently as they want.

So far, some cons of Vault include the fact that it is still being worked on. As explained by James Blake, he is the first artist to be a part of “this experiment,” specifying that the platform will add features or updates as necessary. But, as a paid service, it becomes just another subscription for fans. Many consumers already pay a monthly fee for one or multiple music and video streaming platforms. Vault seems to be most beneficial for artists like James Blake with established fanbases, not those aiming to develop their audience. 

In his video announcement, James Blake said that only “19% of artists on Spotify have over 1,000 monthly listeners.” It seems that Vault would positively affect this percentage of artists significantly more than other creators. Fans are more than likely going to pay subscriptions for their established favorites, excluding up-and-coming artists looking to build their careers. There is also the fact that this business model already exists with platforms like Patreon, but Vault positions itself as a personable service that specializes in unreleased content. 

Read More: James Blake Gets Experimental With “Playing Robots Into Heaven”

“Drop Music On Your Own Terms”

Vault’s slogan is a promising sentiment to artists fed up with how their music is valued by streaming and social media platforms. It offers a way for them to connect with their fans on their own accord, providing access to unreleased material and exclusive content. Most importantly, it cuts out extra expenses and allows them to release music at their desired frequency. With James Blake leading the charge, we will see how Vault fares in the current landscape of the music industry. 

[via]

The post James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform appeared first on HotNewHipHop.

James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform

Earlier this month, James Blake went viral for a series of comments on social media about the royalties that artists earn from streaming services and TikTok. In an Instagram story, he criticized TikTok’s effect on songwriting and listeners’ attention spans. He specifically detailed the pressure on artists to prioritize social media marketing over creating music. Blake referenced TikTok’s reduction of songs to short clips, leading to fans only knowing a small portion of them.

James Blake later took to Twitter to elaborate on his comments, opening a dialogue with his fellow artists. “If we want quality music, somebody is gonna have to pay for it. Streaming services don’t pay properly. Labels want a bigger cut than ever and just sit and wait for you to go viral. TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists,” he wrote. Blake also stated that streaming encourages artists to produce and release music quickly, diminishing the creative process. Such little pay prepares consumers for “AI-generated music that pays musicians nothing at all.” Tyler, The Creator, Blood Orange, Shay Lia, and others supported his comments.

Further expressing his frustrations with the exploitation of artists from labels, digital streaming platforms, and the industry at large, he called out the financial and artistic struggles faced by artists as a result of these business practices. Since then, James Blake has been campaigning for his fellow artists. His tweets and behind-the-scenes conversations have culminated in the announcement of Vault, a brand-new direct-to-consumer platform specializing in unreleased music. Here is what we know about James Blake’s latest venture.

Read More: James Blake Net Worth 2023: What Is The Singer Worth?

Vault Is a Direct-To-Consumer Platform

Yesterday (March 20th), James Blake took to social media, once again, to share some statistics about how “one million plays equals $3,000. If you are signed to a label, then that number’s cut by at least 50%.” After breaking down the splits of streaming royalties and the cost of creating, he revealed a possible solution for this issue. James Blake revealed that quickly after his viral social media posts, he was contacted by the creators of Vault. The service is primarily geared towards unreleased music, which does not always see the light of day due to not meeting “certain requirements or trends,” according to Blake. The British musician is assisting the platform’s launch in a major way. He is Vault’s first artist to share their unreleased songs, which can be unlocked for a $5-per-month subscription.

Pros & Cons Of Vault

Vault presents itself as a logical solution to the frequently expressed frustrations of artists with streaming companies and record labels. With James Blake backing the recently launched platform, it clearly offers a way to combat the current system of streaming payouts. Based on the current available information, it raises some pros and cons for both artists and fans. For artists, Vault cuts out the middleman, allowing them to receive fair compensation for their work at a direct-to-consumer rate. It also connects artists with their audience. Some perks include the chance for fans to chat with artists and priority offers including presale access to upcoming tours. Vault allows artists to share their unreleased music as frequently as they want.

So far, some cons of Vault include the fact that it is still being worked on. As explained by James Blake, he is the first artist to be a part of “this experiment,” specifying that the platform will add features or updates as necessary. But, as a paid service, it becomes just another subscription for fans. Many consumers already pay a monthly fee for one or multiple music and video streaming platforms. Vault seems to be most beneficial for artists like James Blake with established fanbases, not those aiming to develop their audience. 

In his video announcement, James Blake said that only “19% of artists on Spotify have over 1,000 monthly listeners.” It seems that Vault would positively affect this percentage of artists significantly more than other creators. Fans are more than likely going to pay subscriptions for their established favorites, excluding up-and-coming artists looking to build their careers. There is also the fact that this business model already exists with platforms like Patreon, but Vault positions itself as a personable service that specializes in unreleased content. 

Read More: James Blake Gets Experimental With “Playing Robots Into Heaven”

“Drop Music On Your Own Terms”

Vault’s slogan is a promising sentiment to artists fed up with how their music is valued by streaming and social media platforms. It offers a way for them to connect with their fans on their own accord, providing access to unreleased material and exclusive content. Most importantly, it cuts out extra expenses and allows them to release music at their desired frequency. With James Blake leading the charge, we will see how Vault fares in the current landscape of the music industry. 

[via]

The post James Blake Launches Vault Amid Streaming Payout Debate: Everything To Know About The Direct-To-Artist Platform appeared first on HotNewHipHop.

Kanye West, Tyler, The Creator, And More Weigh In On James Blake’s Viral Comments About The Music Industry

Earlier this week, British singer and producer James Blake made waves with his comments about the music industry. He took aim at the lack of proper pay for artists and the numerous labels and companies profiting from the work of artists. Now artists like Kanye West and Tyler, The Creator are weighing in. “If we want quality music somebody is gonna have to pay for it. Streaming services don’t pay properly, labels want a bigger cut than ever and just sit and wait for you to go viral, TikTok doesn’t pay properly, and touring is getting prohibitively expensive for most artists. The brainwashing worked and now people think music is free,” his original statement read.

He expanded even further with more comments. “I really love music. I will continue to use my social media but only to connect with you guys. Music is my life’s purpose and I will not have mine destroyed by a bunch of labels and tech companies who don’t even pay us and exploit us relentlessly. Remember when my cover of ‘Godspeed’ went viral? Neither me nor Frank ever made a cent cause it was an ‘original sound’ in every video,” his additional comments read. Both Kanye and Tyler, The Creator shared posts of Blake’s comments to social media with Tyler in particular posting it to his Instagram story with the caption “talk ya sh*t.” Check out Blake’s follow-up Instagram post below.

Read More: Strick Collabs With Young Thug And James Blake In New Single “Kisses Make Sure”

Kanye West And Tyler, The Creator Cosign James Blake Comments

Metro Boomin specifically cosigned Blake’s criticisms of TIkTok and sped up or slowed down versions of songs. Other rap artists and producers like Vic Mensa and The Alchemist as well as R&B singer Blood Orange and jazz group BADBADNOTGOOD agreed with his takes.

James Blake has crossed over into hip hop numerous times before. Most recently, he worked with Erick The Architect on a single from the Flatbush Zombies rapper’s new album. Last year Blake released his 6th studio album Playing Robots Into Heaven. What do you think of James Blake’s comments about who gets money in the music industry? Why do you think so many other prominent musicians agree with his takes? Let us know in the comment section below.

Read More: James Blake Net Worth 2023: What Is The Singer Worth?

[Via]

The post Kanye West, Tyler, The Creator, And More Weigh In On James Blake’s Viral Comments About The Music Industry appeared first on HotNewHipHop.

Detroit’s Movement Festival Adds Ludacris, Channel Tres, And More To Its Final Lineup

ludacris
Getty Image

Back in January Detroit’s Movement Festival announced its initial lineup led by big beat pioneer Fatboy Slim. Today, the long-running EDM fest made some major adjustments, adding two new headliners, Richie Hawtin and Solomun, along with a slew of additional names including Channel Tres, Dom Dolla, Tee Grizzley, and Ludacris. The festival, which now comprises 115 acts on six stages across three days, takes over Hart Plaza on May 25, 26, and 27.

General Admission tickets are already on sale starting at $139 plus fees for a one-day pass ($289 plus fees for the full weekend), while 3-day VIP pass start at $419 + fees. For more information about Movement Festival for 2024, visit their official website.

The full lineup, in alphabetical order by day, is below:

Saturday, May 25

Aboudi Issa
Acemoma
Ataxia B2 B Mister Joshooa
Barclay Crenshaw
Blaaqgold *
Carl Craig (live)
Channel Tres (DJ Set)
Colin Benders
Dames Brown
Dj 3000
Dj Etta
Dj Holographic
Dj Psycho
Dom Dolla
Donovan Glover *
Dreamcastmoe
Floorplan
Francois Dillinger
Honeyluv
Huey Mnemonic
J House *
James Ruskin
Jayda G
Julia Govor
Jyot
Loco Dice
Lp Giobbi
Ludacris
Major League Djz
Masquenada *
Mona Black
Paranoid London (live)
Partiboi69 (live)
Reference
Rimarkable
Ryan Elliott
Secrets (live)
Skream
Solomun
Speedy J
Stacey Hotwaxx Hale
Stacey Pullen
Tee Grizzley
Tylr_
Waajeed

Sunday, May 26

999999999
2 Lanes (live)
Adiel
Anané
Avalon Emerson
Blair French ^
Coco & Breezy
Delano Smith
Detroit Bureau of Sound
Dj Godfather
Dream Beach
Eddie Logix ^
Ellen Allien
Fabiola
Fatima Hajji
Floating Points
Héctor Oaks
Heidy P ^
I Hate Models
Jacob Park
James Blake (DJ Set)
Joseph Capriati
K-1
Kevin Saunderson B2 B Idris Elba
Ladymonix
Masters at Work
Moonlighter ^
Mount Kimbie
Musclecars
Nicole Moudaber
Peter Croce ^
Richie Hawtin
Ron Trent
Sama’ Abdulhadi
Sheefy Mcfly B2 B Ak
Sts (live)
T.Linder B2 B DJ Seoul
Tammy Lakkis
Teknono
the Blessed Madonna
the Saunderson Brothers
Tiga
Will Clarke

Monday, May 27

ANT TC1
Armanni Reign
Augustus Williams
Azzecca
Borderland (Juan Atkins, Laurens & Moritz Von Oswald)
Boys Noize B2 B Vtss
British Murder Boys
Bruce Bailey
Channel Badso (vocalist) +
Chris Lake
Dbridge
Dee Diggs
Dj Cent
Dj Minx
Dj Tennis B2 B Gerd Janson
Drs: In Session (ft. Dogger)
Drummer B
Fatboy Slim
Goldie (live band)
Goldie (DJ Set)
Gorgon City
Hiroko Yamamura
Honey Dijon
Horse Meat Disco
Indira Paganotto
Jaguar
Jah T (vocalist) +
John Collins
King Jazzy (vocalist) +
King Mellowman (vocalist) +
Kinky P +
Ltj Bukem
Martyn
Negus Arubis (vocalist) +
Papa Joshua +
Patrick Mason
Patrick Russell
Ranking Gimp +
Seth Troxler
Skarpion Sting (vocalist) +
Skin on Skin
Something Blue
Special Request
Tama Sumo B2 B Lakuti
Terrence Parker
Ti Es

How To Buy Tickets For Gazebo Festival 2024

jack harlow
Getty Image

Jack Harlow announced that he’s giving back to his hometown of Louisville, Kentucky in another very special way. Today (February 28), the rapper announced that he will be hosting the first-ever Gazebo Festival there on May 25 and 26. And for the festival’s debut year, Harlow is bringing a killer lineup of performers along with him.

Harlow and SZA are set as the headliners. They will also be joined by James Blake (DJ set), Omar Apollo, PinkPantheress, Vince Staples, Amaarae, Channel Tres, Majid Jordan, Slum Village, Veeze, Dahi, Jordan Ward, Ravyn Lenae, Rich Homie Quan, BNYX, James Savage, Karrahbooo, and Malcolm Todd.

For those looking to go to Gazebo Festival, here’s what to know about securing tickets.

How To Buy Tickets For Gazebo Festival 2024

Right now, there is a presale sign-up open for Gazebo Festival, with the sale taking place on Wednesday, March 6 at 10 a.m. ET. Passes will then open to the public for the general sale on Friday, March 8 at the same time. The two-day General Admission pass is $255, with a portion of the proceeds from each ticket sale going to the Jack Harlow Foundation.

Additional information about Gazebo Festival 2024, including about the presale registration, can be found on their website.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Jack Harlow Is Launching Gazebo Festival, His Own Fest With An Inaugural Lineup Led By SZA And Himself

Jack Harlow 2024
Getty Image

Some artist-led festivals have made big names for themselves, like Pharrell’s Something In The Water, The Roots’ Roots Picnic, and most notably, Lollapalooza, originally launched by Perry Farrell of Jane’s Addiction. Now, Jack Harlow is getting into the festival game, too: Today (February 28), he announced Gazebo Festival, a two-day event that runs from May 25 to 26 at Louisville, Kentucky’s Waterfront Park.

This first edition of the fest, which shares its name with Harlow’s 2017 mixtape Gazebo and will feature two stages, will be headlined by SZA and Harlow himself. Beyond them, the full lineup features James Blake (doing a DJ set), Omar Apollo, PinkPantheress, Vince Staples, Amaarae, Channel Tres, Majid Jordan, Slum Village, Veeze, Dahi, Jordan Ward, Ravyn Lenae, Rich Homie Quan, BNYX, James Savage, Karrahbooo, and Malcolm Todd.

Tickets go on sale on March 8 at 10 a.m. ET, with general admission tickets starting at $255. There’s also a pre-sale starting March 6 at 10 a.m. ET. More information about tickets can be found on the festival website. A portion of proceeds from every ticket will benefit the Jack Harlow Foundation.

Louisville Mayor Craig Greenberg says of the event, “Jack Harlow is an extraordinary Louisvillian who continues to give back to his hometown. This is yet another way Jack is showing up for our city and I can’t wait to see the excitement this festival creates. I am so grateful for his commitment to making first class things happen for Louisville and our people.”

Gazebo Festival 2024 Lineup Poster

Gazebo Festival 2024 Lineup poster
Gazebo Festival

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Strick Collabs With Young Thug And James Blake In New Single “Kisses Make Sure”

Young Stoner Life artist Strick has silently carved his niche in the music industry. He has boasted credits on hit songs with the likes of Travis Scott, Wiz Khalifa, and Juicy J. His collaborative efforts have extended to working with artists such as Swae Lee and A$AP Rocky, solidifying his presence as a behind-the-scenes force. Now, Strick steps into the spotlight with his new single, “KISSES MAKE SURE” featuring none other than label head Young Thug and the acclaimed James Blake. This mellow and entrancing cut is a testament to Strick’s artistry and is poised to captivate audiences with its unique blend of talent.

However, the collaboration with Young Thug and James Blake elevates “KISSES MAKE SURE” to a whole new level. Combining Strick’s behind-the-scenes expertise with the star power of his featured guests. The track unfolds as a mesmerizing composition, offering a dreamy and immersive sonic experience that deserves attention. Moreover, Strick’s ability to seamlessly collaborate with heavyweights in the industry speaks to his versatility and skill as an artist. “KISSES MAKE SURE” is not just a song; it’s a showcase of his from the shadows into the limelight.

Read More: YSL’s Strick Links With A$AP Rocky On “For Sale”

Stream “KISSES MAKE SURE” By Strick

Furthermore, the mellow vibes, coupled with the distinct styles of Young Thug and James Blake, create a musical synergy that is bound to resonate with fans across genres. The track’s title, “KISSES MAKE SURE,” suggests a certain assurance and intentionality, and indeed, the song delivers on those promises. From the production to the vocals, every element of the single is carefully crafted, resulting in a piece of music that stands out in its own right.

Moreover, as Strick takes center stage with this release, it’s evident that his artistry is not confined to the background. “KISSES MAKE SURE” marks a defining moment for Strick, introducing him as an artist to be watched closely. The collaboration with Young Thug and James Blake further underscores the respect and recognition he has gained within the industry. For fans of Strick, “KISSES MAKE SURE” is a treat that showcases his evolution as an artist and his ability to curate a sound that is both captivating and soulful. What do you think of the new single?

Quoteable Lyrics:

[Chorus: Strick & Young Thug]
This mornin’ I woke up, didn’t smell no coffee
You wasn’t makin’ breakfast downstairs (No)
Fell asleep, I had a nightmare I was lonely (Oh)
I think losing your love got me scared (Yeah)

Read More: YSL Artist Strick Pays Tribute To A Canadian Icon On New Single, “Nelly Furtado”

The post Strick Collabs With Young Thug And James Blake In New Single “Kisses Make Sure” appeared first on HotNewHipHop.

Erick The Architect & James Blake Are The “Wonder Twins” On “2-3 Zone”

Erick the Architect has us buzzing about his upcoming debut album, I’ve Never Been Here Before. It is due to release on February 23 and all of the singles have been interesting and extremely worthwhile listens. About a fourth of the 16 tracks have been released ahead of the LP to be exact. Erick is back to share the now sixth teaser with “2-3 Zone.”

On almost all of the samplers, Erick has brought on some incredible guests to add extra hype. Joey Bada$$, WESTSIDE BOOGIE, and George Clinton are just a few to name. For “2-3 Zone” though, the Flatbush Zombies member might have just recruited the biggest one of them all. James Blake is the credited producer for the last single.

Read More: Tyler, The Creator Unveils His New Collaboration With Louis Vuitton

Listen To “2-3 Zone” By Erick The Architect & James Blake

Believe it or not, this is the second time we have seen both artists on one production. The first effort with James and Erick came all the way back in 2020 for “I Keep Calling.” It was a track for the frequent hip-hop crossover specialist’s four track EP. Erick was in the production seat for that one, so this is a bit of a role reversal moment. Erick brings perhaps his stickiest melody to “2-3 Zone” and it looks like it could be the best in a plethora of standout tracks.

What are your thoughts on this brand-new single, “2-3 Zone,” by Erick the Architect and James Blake? Is this the best single from I’ve Never Been Here Before, why or why not? Does this have a chance to be an album of the year candidate? Is Erick the best Flatbush Zombies member? Do you need to hear more from these two? We would like to hear what you have to say, so be sure to leave your takes in the comments section. Additionally, always keep it locked in with HNHH for all of the latest news surrounding Erick the Architect and James Blake. Finally, stay with us for the most informative song posts throughout the week.

Quotable Lyrics:

Me and James like the Wonder Twins
Hit the stage with the gun in hip
Hit a lick, hit or miss, let me guess, this’ll get, this’ll get ignorant
Dividends spend when the mini-van land
First time out on tour, never give a got damn
Always put on my mans

Read More: Tia Kemp Tells Boosie Badazz He’s Too Old For Kodak Black Beef, Boosie Responds

The post Erick The Architect & James Blake Are The “Wonder Twins” On “2-3 Zone” appeared first on HotNewHipHop.

Lil Yachty Reveals His Next Album, “Bad Cameo,” Is A Collaboration With James Blake

Lil Yachty’s resurgence is one that “needs to be studied.” That is the current theme surrounding the Georgia rapper and singer’s career over the past year or so. But, he rightfully deserves the praise he has been receiving. His last album Let’s Start Here. was a foray into psychedelic rock and one that was immensely loved by fans and critics alike. But Yachty has not slowed down one bit since then, delving back into his hip-hop roots as well. Now, he has even more exciting news. According to HipHopNMore, Lil Yachty and James Blake will be dropping an album together.

This announcement comes from Lil Boat himself on his Instagram page. He shared a short video talking about how James Blake has been doing amazing things with hip-hop artists. However, he feels that their upcoming LP is going to be something totally unique. “I think James has worked with a quite substantial amount of hip hop artists. But this project is so left for both of us.”

Read More: Kevin Durant Raps With Stalley Amid Lil Wayne Collab Uncertainty

Lil Yachty Continues To Evolve

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

A post shared by CONCRETE BOY BOAT^ (@lilyachty)

The album will be called Bad Cameo, but that is all the information we have on it for now. This will be the first time Lil Yachty and James Blake have worked together in their respective careers. However, according to Uproxx, the duo posted a picture making music in the studio about a year ago. If anything new comes up on Bad Cameo, check back with us for all of the updates.

What are your thoughts on Lil Yachty and James Blake’s upcoming album Bad Cameo? Does this have the chance to be a the album of the year if it drops in 2024? What type of sounds do you think we are going to get? What would you like to see them do? Who should ne featured on the project and why? We would like to hear what you have to say, so be sure to tell us in the comments below. Additionally, keep it locked in with HNHH for all of the latest news surrounding Lil Yachty and James Blake. Finally, stay with us for everything else going on around the world of music.

Read More: Lalisa LManobal Net Worth 2024: What Is Lisa From Blackpink Icon Worth?

[Via] [Via]

The post Lil Yachty Reveals His Next Album, “Bad Cameo,” Is A Collaboration With James Blake appeared first on HotNewHipHop.