Kanye West Has Been Suspended From Instagram For Attacking Trevor Noah….For 24 Hours

Welp, it finally happened: Kanye West has lost his Instagram privileges. The rapper has been suspended from the app and while the suspension is set to last only 24 hours, it sets a precedent that the social media service says could lead to them taking additional steps if he keeps violating their terms of service. While Kanye has been repeatedly using his Instagram feed to air out his dirty laundry and general grievances towards his ex-wife Kim Kardashian and her new boyfriend Pete Davidson, it seems the proverbial straw that broke the camel’s back were racist slurs directed at The Daily Show host Trevor Noah.

Yesterday, Noah used a segment on The Daily Show to express a cautionary tale regarding West’s repeated harassment of Kardashian. He cited how this type of behavior directed towards women is incredibly problematic and can lead to far worse things down the road. Noah got personal in describing how his mother was told she was “overreacting” when she complained about her abusive partner. She was later shot in the back of the head. While Noah presents an extreme example, it’s the pattern of behavior that he finds concerning with Kanye — and let’s be honest, everyone else sees it too.

Following the segment, Kanye took to Instagram to post photos of Noah. He captioned the post with the lyrics to “Kumbaya, my lord,” but swapped out one word for a racial slur. An Instagram spokesperson told TMZ that this post and others “violated Instagram’s policies on hate speech, harassment and bullying.” So for the next 24 hours, the world will finally get a break from the veritable train wreck that has been @kanywest on Instagram. Here’s hoping he comes back a different person, or at the very least, a more respectful Instagrammer.

Kanye West Has Been Suspended From Instagram….For 24 Hours

Welp, it finally happened: Kanye West has lost his Instagram privileges. The rapper has been suspended from the app and while the suspension is set to last only 24 hours, it sets a precedent that the social media service says could lead to them taking additional steps if he keeps violating their terms of service. While Kanye has been repeatedly using his Instagram feed to air out his dirty laundry and general grievances towards his ex-wife Kim Kardashian and her new boyfriend Pete Davidson, it seems the proverbial straw that broke the camel’s back were racist slurs directed at The Daily Show host Trevor Noah.

Yesterday, Noah used a segment on The Daily Show to express a cautionary tale regarding West’s repeated harassment of Kardashian. He cited how this type of behavior directed towards women is incredibly problematic and can lead to far worse things down the road. Noah got personal in describing how his mother was told she was “overreacting” when she complained about her abusive partner. She was later shot in the back of the head. While Noah presents an extreme example, it’s the pattern of behavior that he finds concerning with Kanye — and let’s be honest, everyone else sees it too.

Following the segment, Kanye took to Instagram to post photos of Noah. He captioned the post with the lyrics to “Kumbaya, my lord,” but swapped out one word for a racial slur. An Instagram spokesperson told TMZ that this post and others “violated Instagram’s policies on hate speech, harassment and bullying.” So for the next 24 hours, the world will finally get a break from the veritable train wreck that has been @kanywest on Instagram. Here’s hoping he comes back a different person, or at the very least, a more respectful Instagrammer.

Trevor Noah Cooked Kanye West For Responding With A Racial Slur To Concern About Kim Kardashian

Trevor Noah devoted a substantial chunk of time (on Tuesday night’s The Daily Show episode) to discussing the ongoing trainwreck of the Kanye West/Kim Kardashian/Pete Davidson situation. By now, you’ve surely noticed the back and forth, including how Kayne has thrown obstacles into Kim’s divorce filing (which was granted by a judge) and depicted an act of physical violence against Pete in a music video, and Noah has warned this very publicly rendered obsession could take a terrible turn.

Noah, who had discussed how his own mother endured an abusive relationship before being shot in the head (Patricia Noah did, miraculously, survive), did carefully make sure that he wasn’t accusing Kanye of physical violence. Still, Noah expressed worry and wondered, “Do we wish to stand by and watch a car crash when we thought we saw it coming? Or do we at least want to say, ‘Slow down, let’s all put our hazards on, because there’s a storm coming and sh*t might go down.’”

Before long, Kanye posted (as noted by both TMZ and Us Weekly) a response on his Instagram page. He’s since deleted the racial slur-filled post, but here’s a screenshot:

Noah stepped up and responded in the comments to that post. Of course, the post and the comment are now deleted, but Noah (via The Wrap) declared (of the racial slur), “Clearly some people graduate but we still stupid.” He added, “Don’t ever forget, the biggest trick racists ever played on black people was teaching us to strip each other of our blackness whenever we disagree. Tricking us into dividing ourselves up into splinters so that we would never unite into a powerful rod.”

Earlier on in the comment, Noah expressed concern for Kanye’s well-being, too:

“There are few artists who have had more of an impact on me than you Ye. You took samples and turned them into symphonies. You took your pain and through the wire turned it into performance perfection. I thought differently about how I spend my money because of you, I learned to protect my child-like creativity from grown thoughts because of you, shit I still smile every time I put on my seatbelt because of you.

“You’re an indelible part of my life Ye. Which is why it breaks my heart to see you like this. I don’t care if you support Trump and I don’t care if you roast Pete. I do however care when I see you on a path that’s dangerously close to peril and pain.”

As of now, there’s been no additional response from Kanye.

(Via The Wrap, TMZ, Us Weekly)

Prince’s Mythic 1986 Album ‘Camille’ Will Be Released By Jack White’s Third Man Records

Prince’s 1986 album Camille was so rare that Jack White once bid close to $49,375 for one of the 25 known copies. White apparently tried to purchase another one at a 2017 auction but was outbid by Questlove. Now, Jack White and his label Third Man Records have gotten the rights to the mythical album that Prince recorded as his feminine alter ego, and will be releasing Camille out into the world.

“We’re finally going to put it out,” Third Man Records co-founder Ben Blackwell was quoted as saying in a Mojo print profile of White. “Prince’s people agreed – almost too easy.” In recording the album, Prince had pitch-shifted his vocals to sound like the album’s titular alter ego, but decided to scrap it shortly before its release. The album’s eight tracks have all been released in some way shape or form in the past, and you can hear the pitch-shifting effect by punching in the album titles into a streaming service. “Rebirth of the Flesh,” which appears on the Sign O’ The Times deluxe edition, is a good place to start.

The exact release date for the album has yet to be set, but Camille is due out via Third Man Records. Check out the complete tracklist below.

1. “Rebirth of the Flesh”
2. “Housequake”
3. “Strange Relationship”
4. “Feel U Up”
5. “Shockadelica”
6. “Good Love”
7. “If I Was Your Girlfriend”
8. “Rockhard in a Funky Place”

XXXTentacion’s Mother And Abused Ex Connect In The ‘Look At Me’ Documentary Coming To Hulu

At the time of XXXTentacion’s death at 20 years old in 2018, the controversial rapper had yet to resolve or apologize for the domestic abuse he allegedly admitted to committing against his ex-girlfriend Geneva Ayala. He was still awaiting trial when he was shot to death in June of that year for both aggravated battery of Ayala and witness tampering, with which he was charged after Ayala wrote a note to the court asking to have the charges dropped.

These events and others are the subjects of the upcoming documentary, Look at Me: XXXTENTACION, which will stream on Hulu later this year after premiering today at SXSW. According to The Daily Beast’s Cheyenne Roundtree, who reported from the premiere, the documentary does delve into X’s alleged abuse of Ayala, while including footage of the rapper’s mother, Cleo Bernard, who believes that her son would have eventually apologized for his actions.

“I would have liked to think he would have gotten there,” she says during her interview for the film. “He just never had a chance.” In lieu of that chance, the film reportedly features a meeting between Bernard and Ayala, during which the rapper’s mother says she feels “like it’s up to me now to make amends and try to right his wrongs as much as I can.” She admits that although X attempted to hid his actions from her, she acknowledges, “Jahseh was wrong for what he did. There’s no excuse for that, period. But I just want the world to know that he wasn’t that same person anymore, but the past is still part of his story.”

Look at Me: XXXTENTACION will stream on Hulu beginning June 10.

Tinashe Dons Dominatrix Gear In A Fiery ‘X’ Performance On ‘Jimmy Kimmel Live!’

Nearly a year after its release, Tinashe is still riding the highs of her most recent album, 333. The album is her second studio album since leaving RCA Records, and her fifth overall, and as one would expect from a freshly independent artist, Tinashe is enjoying her creative freedom. She stopped by Jimmy Kimmel Live! last night to deliver a performance of “X,” the latest single from 333, and a fan favorite.

During the lusty, fiery performance, Tinashe channels her inner dominatrix, wearing leather and fishnets. She is joined by an army of subs, as she leads them with elaborate choreography.

Fans shouldn’t be shocked by the performance, as the lyrics to “X” themselves are rather racy.

“X marks the spot, now can you find it?,” Tinashe sings over an electronic, Hitmaka-produced beat. “Turnt up, you wanna get behind it. I wanna feel your body it’s on fire.”

Tinashe is no newbie to conceptual visual elements. Last month, she released a video for “Naturally,” from the deluxe edition of 333, which takes inspiration from ’70s horror films. Last year, Tinashe told MTV News that 333 is inspired by “the nature of reality and potentially the fact that we’re living in a simulation and how all of those things intersect moving forward.”

Check out the “X” performance above.

Saweetie Encourages Female Athletes To ‘Get It Girl’ As Champion’s New Culture Consultant

Saweetie is hip-hop’s undisputed queen of brand partnerships. Sure, Megan Thee Stallion and Doja Cat have fast-food deals, but Saweetie’s the one who kicked it all off with the McDonald’s meal inspired by her viral favorite food concoctions. She’s also got deals with Crocs (a co-sponsorship with Hidden Valley Ranch, also inspired by her revelation she likes to apply the dressing to more than just salad), MAC Cosmetics, and Amazon. So it comes as no surprise that she announced a new one this week, this time tapping into her history as a multi-sport athlete.

Saweetie is now Champion’s first-ever “Global Culture Consultant,” appearing in the sports apparel brand’s “Get It Girl” campaign (named for the Saweetie song of the same name, which also appears in a Beats By Dre ad) and throwing a spotlight on 12 collegiate athletes who have the “confidence to play by their own rules and look good doing it.” The women featured in the campaign are receiving more than just the look, too; Champion is providing access to Champion executives as mentors of entertainment, marketing, and media as well as sports.

“My relationship with Champion runs deep, as an athlete and lover of streetwear,” Saweetie said in a press release. “It’s been a go-to brand since high school! This campaign and partnership hit me on a personal level and I couldn’t be prouder to help all my sporty-icy girls out there feel empowered with self-love and confidence. When you feel good wearing Champion, the sky’s the limit.”

You can find out more about the campaign here.

The Essential Hip-Hop Podcasts To Listen To Right Now

Better known as Combat Jack, Reggie Ossé died in December of 2017. As the host of The Combat Jack Show, the former Def Jam attorney and once Managing Editor of The Source pioneered the hip-hop podcast format, turning his show into a hub for hip-hop conversation, interviews, culture, and knowledge. He co-founded the Loud Speakers Network and then in the last year of his life, hosted the first season of Gimlet’s Mogul podcast, helping to usher in the storytelling format for hip-hop podcasts that was similar to NPR-style radio segments. In so many ways, hip-hop podcasting today is indebted to Ossé and the shaping of this medium for celebrating the culture on the internets and beyond.

The hip-hop podcast landscape is no doubt saturated in its sheer number of shows, but there are only a few that can be deemed “Essential.” For every excellent interview-based or storytelling hip-hop podcast out there, there’s over a handful of fly-by-night shows trying to operate on a soapbox like the influential The Joe Budden Podcast, often screaming into the void to stir the pot. We’ll leave those aside, cause this is about the hip-hop podcasts that you need to be listening to. These are shows that are pushing the greater conversations in hip-hop forward, illuminating untold stories, giving shine to cult-ish lifers, and praising the undisputed greats.

What Had Happened Was

Hosted by Open Mike Eagle, What Had Happened Was is now in its third season. Each has focused on a different figure in hip-hop who is a legend in their own regard. Together with Mike Eagle, they spend each episode discussing a specific era or album in their career. Season’s one peak pandemic drop with Prince Paul jumped from the producer’s work with De La Soul, Chis Rock, Gravediggaz, and more. Season two featured El-P and saw the gregarious rapper/producer telling the behind-the-scenes stories of his discography from Company Flow to Run The Jewels. Now with season three, hip-hop OG A&R man Dante Ross has been documenting the history of hip-hop’s early days that he bared witness to with acts like the Beastie Boys, Queen Latifah, Brand Nubian, and then some.

While Ross isn’t necessarily as immediately likable as El-P, or as flat out funny and weird as Prince Paul, he’s as real as they come and Mike Eagle has proven himself to be an adaptable host with each subject. Mike Eagle really strikes a balance between confirming that he’s worthy to be moderating these conversations and always keeping his subject front and center. Oftentimes, podcast hosts have trouble relinquishing the limelight, but Mike Eagle does whatever it takes to serve the conversation and get the most out of Ross, who was the proverbial “guy in the room” for so many momentous hip-hop moments in his time with Def Jam and Tommy Boy.

What Had Happened Was is part of Open Mike Eagle’s Stony Island Audio network, which now as of season 3, has partnered with the much larger and prominent eclectic Talkhouse Podcast Network. It’s a testament to what Mike Eagle has built and his hustle as an independent podcast maestro is one that Combat Jack would most certainly be proud of.

Louder Than A Riot

There’s a point near the conclusion of NPR Music’s Louder Than A Riot’s episode “The Day The Mixtape Died: DJ Drama,” where co-host Rodney Carmichael says, “The reason hip-hop runs counter to America’s systems of power, is because hip hop is a product of the inequality built into these systems.” It’s a masterful summation of the tenuous relationship between hip-hop, Black America, law enforcement, and mass incarceration in America, and it speaks to the central thesis of this 12 episode series.

While Louder Than A Riot concluded in early 2021, it’s the type of show you can pick up at any time because the material is basically relevant forever (last time I checked, cops don’t appear to be on the verge of not disproportionately targeting Black people anytime soon.) Hosted and co-written by NPR Music journalists Sidney Madden and Rodney Carmichael, the podcast takes a nuanced look at the criminal justice system through the lens of hip-hop artists. There’s an excellent episode on Nipsey Hussle, and how his potentially being labeled as a gang member in the LAPD’s racist “CalGang” database, might very well have led to his death. A three-part episode on Bobby Shmurda’s ascent amid a murder case is likewise fantastically reported. What sets Louder Than A Riot apart is the obvious considerable amount of time and resources that went into making it and the resulting high-quality product that renders it among the best storytelling podcasts out there, hip-hop or not.

Breaking Atoms: The Hip Hop Podcast

A British hip-hop podcast with two hosts who know what’s up on both sides of the Atlantic, Breaking Atoms is primarily an interview-based show. Hosts Sumit Sharma and Chris Mitchell are two self-proclaimed hip-hop stans who unapologetically curate their guests, digging through the proverbial crates of hip-hop like in recent episodes with Wu-Tang Clan’s Raekwon, Justus League producer Khrysis, and surging Vallejo rapper LaRussell. Sharma and Mitchell have a knack for asking open-ended questions that elicit drawn-out, insightful remarks from their subjects and it’s the mark of a fluent podcast host.

But it’s the recent multi-episode storytelling series on Jay-Z that has really made Breaking Atoms stand out. There’s both a four-part episode called “The Making Of The Blueprint by Jay-Z” that came out in concert with the album’s 20th Anniversary, as well as a five-parter on Reasonable Doubt, to celebrate its 25th Anniversary. The episodes welcomed a range of diverse guests as they report on the early days in Brooklyn for Shawn Carter, as well as the creation, critical reception, marketing, and timing of these historic hip-hop albums. You’ll hear from artists in the Jay-Z orbit like Just Blaze, Young Guru, and DJ Clark Kent, as well as hip-hop thinkers like Kathy Iandoli and Oliver Wang. It all comes together in a comprehensive and well-produced podcast package.

The Big Hit Show: To Pimp A Butterfly

It’s crazy to think that an official Kendrick Lamar biography hasn’t been written yet. Marcus J. Moore’s The Butterfly Effect was a page-turning unofficial work that featured just about everyone in Kendrick’s circle except the man himself. But now with the new season of Spotify’s The Big Hit Show, we get an even closer look at the making of one of the most important albums of the 21st century. Hosted by Alex Pappademas, Spotify has clearly sunk a ton of money into ensuring that this sounds spectacular and it does it ever.

Not only do we get insight from people who worked on To Pimp A Butterfly like the outspoken Terrace Martin, timeless George Clinton, TDE’s President Terrence “Punch” Henderson, rapper Rapsody, saxophonist Kamasi Washington and more, we also hear from Kendrick himself and Barack freakin’ Obama. We get inner circle stories about the time Kendrick went to Minnesota to record with Prince, or when Kanye West gave Kendrick a second tour bus with a recording studio in it so he could keep working on new music and simultaneously open for West on the Yeezus tour. While Pappademas sounds a bit strangely academic at first, the format is produced incredibly well and the awkwardness slowly fades away while the subjects bring depth and backstories to the making of the jazz and hip-hop fusion masterpiece of an album. This is a must-listen new podcast with new episodes released weekly.

Dad Bod Rap Pod

Every hip-hop head has a couple of hip-hop soul siblings. You know, that one homie or two you came up with listening to the same albums and arguing about which MC was nicer? That’s exactly what Dad Bod Rap Pod hosts David Ma, Nate LeBlanc and Demone “Dem One” Carter come across as. They’re the friends you argued about hip-hop with getting blunted into the night and then laughed about it before starting the cycle again the next day. All three hosts are based out of the San Jose, CA area, and they each have backgrounds in different disciplines within hip-hop: Ma is a journalist and academic, Carter is a lifelong MC, and LeBlanc is a record collector and a certified authority in hip-hop geekery.

They’ve hosted over 200 insightful interviews to date with rappers like Too Short and Casual of Hieroglyphics, to scribes like The Ringer’s Shea Serrano, and recent J-Dilla biographer Dan Charnas, to figures who thrives in hip-hop’s margins like producer/social media savant Blockhead and Mumbles, who famously produced Aceyalone’s A Book Of Human Language and then seemingly disappeared. There’s a connection between the three hosts as they banter among themselves ahead of each episode’s interviews that afford you as the listener the ability to often disagree with what one of them says, only for the other to swoop in and prove your point for you. This is a podcast for folks who take hip-hop way too seriously, have spent a lifetime worshipping underground culture, and have come out of it all grateful for a never-ending trove of rap nostalgia.

Complex Subject: Pop Smoke

Released last year, this binge-worthy six-part saga on the life, meteoric rise, and tragic death of Pop Smoke, provides a definitive look on the Brooklyn drill rapper. Produced jointly by Spotify and Complex, the podcast is hosted by DJ Pvnch, written by Complex’s Shawn Setaro (who formerly hosted the erstwhile and likewise essential The Cipher Podcast), and you’ll blow through these 30-minute episodes in no time. Like Pop Smoke, Pvnch is also from Canarsie and he brings instant authenticity to the riveting storytelling. We learn about the young rapper growing up in “The Flossy” (Canarsie), and then getting discovered by Pusha T Manager and GOOD Music COO Steven Victor, who quickly signed Pop Smoke to his Victor Victor Records label.

The stories about Pop Smoke’s phenomenal ascent as a teenager are brought to light, as we also learn about the relationship between UK and Brooklyn drill. There was really no way to predict just how much Pop’s unique sound would catch on and you root for him as a star, before the rug gets pulled out from under us with the senseless circumstances surrounding his death. The voices brought in to speak on Pop — from family, friends, and collaborators — are well-curated, and considering his death was only in 2020, this is a monumental production for how succinctly and epically it paints the fine brush strokes in the life is this once-in-a-lifetime rapper.

Questlove Supreme

What feels more like a really sophisticated hip-hop radio show, iHeart’s Questlove Supreme is well….the supreme interview and pop culture conversation style podcast. Questlove is joined by his Team Supreme co-hosts, Laiya St.Clair, Phonte Coleman, “Unpaid” Bill Sherman, and “Suga” Steve Mandel, to talk to legit the biggest names in hip-hop culture and beyond.

Questlove might as well be the most refreshing, well-liked, and visible hip-hop geek in the world and there’s an unbelievable moment in just about every episode — Will Smith popped in recently and talked about doing ayahuasca. Not every guest on the show fits into the hip-hop mold (take recent convos with Bonnie Raitt and Carlos Santana for example), but Questlove Supreme is definitely presented through a hip-hop lens. In the end, it’s a reminder that perhaps the greatest modern form of artistic expression, is indeed hip-hop.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Conway The Machine Says He Didn’t Read His Griselda Records Contract And Now Wants A ‘Redo’

Let’s hope that the next generation of up-and-coming rappers is learning from the mistakes of their predecessors and reading those contracts (let’s be real, they probably aren’t). With the rise of social media and music blogs, more and more artists’ struggles with their record labels are coming to light lately; Meek Mill, Megan Thee Stallion, and Rowdy Rebel have all had widely publicized falling outs with their respective labels and they’re all far from the only ones.

Lest anyone think that it’s only major label artists who can find themselves in unfavorable contracts, Conway The Machine recently revealed that even his deal with indie label Griselda Records — which was founded by his blood brother Westside Gunn — was tilted more toward Griselda’s benefit than his own. During his recent appearance on The Breakfast Club to promote God Don’t Make Mistakes, Conway stressed the importance of thoroughly reviewing all the terms of a label deal.

“I’mma keep it a buck,” he admitted. “I didn’t even read that contract, bro. I didn’t read that shi*t. I just signed that sh*t and moved on. Unfortunately, the contract wasn’t in my favor. So now, going forward, it’s time to redo all that. I gotta make sure it’s in my favor now.”

While he didn’t elaborate on which terms he took issue with, he did say that while he feels he “didn’t get no money” after signing the deal with Griselda, Interscope, and Shady Records, he intends to work something out with Gunn. Now that he’s turned in his third and final album under the deal he said he’s contractually finished with both Griselda​​​​​​​​​​​​​​ and Shady Records. “It’s free agency right now,” he declared. “I need that supermax. I need that Giannis bag.” If I have anything to add, it’s that I hope he’s got a good lawyer and a better understanding of how most recording contracts work because it’d be a shame if he didn’t get a better deal the next time around — or better yet, stay independent.

You can watch Conway’s full interview above.

Kanye West Thinks Pete Davidson Will Get Kim Kardashian ‘Hooked On Drugs’

Up until now, Kanye West’s feud with Pete Davidson has appeared to be motivated purely by West’s childish inability to let his ex-wife Kim Kardashian move on with her life now that the couple is legally separated. However, it now seems that Kanye has a legitimate concern that Pete will get Kim [checks notes] “hooked on drugs.”

Oh, no, never mind. He’s still just acting like a jilted middle schooler mad his crush went to the formal with the class clown. The above excuse is really one that he gave in his latest spate of Instagram tantrums, which saw him assert that Pete is “in rehab every 2 months” while cosigning a stan’s comment that the comedian is “sneak dissing” Kim somehow.

Kanye also appears to be super concerned by a headline asserting that Pete “enraged” an audience with a joke about having sex with a baby, saying, “Yet another reason why SKETE gotta stay away from my children.” Kanye failed to note that he had defended himself from backlash over his own crude, Pete-bashing “Eazy” video by saying “Art is not a proxy for any ill or harm.” He did not, however, fail to remove credit for the headline, which was initially posted on notorious right-wing propaganda site Breitbart, which is hardly a trustworthy source of legitimate news (of course, Kanye reads Breitbart). Kanye probably doesn’t care though, because however yellow the journalism, if it supports his narrative, he’s all for it.