J. Cole, SZA, And Travis Scott Will Headline Day N Vegas 2022

Day N Vegas is returning in 2022 with J. Cole, SZA, and Travis Scott as headliners. Scheduled for September 2-4 at the Las Vegas Festival Grounds, this will be the third iteration of the festival since 2019, as well as Travis Scott’s return since being removed as a headliner of the 2021 edition. Intriguingly enough, Travis also canceled his 2019 performance and was replaced at the last minute by Young Thug, so if he does perform this year, it’ll be the first time since the festival was started, even though he’s been on the lineup all three years. Weird, right?

In addition to the above-mentioned performers, Day N Vegas 2022 will include a who’s-who of hip-hop and R&B stars. 21 Savage, Baby Keem, H.E.R., Jhene Aiko, Playboi Carti, and Summer Walker fill out the top line of performers alongside Blxst, Don Toliver, Joji, Jorja Smith, Pusha T, and Trippie Redd, while the rest of the roster has rising stars and longtime genre mainstays like Amine, Babyface Ray, Chloe, City Girls, Doechii, Earthgang, JID, Jay Rock, Smino, Tobe Nwigwe, T-Pain, Vince Staples, and more.

Registration for presale passes is now open and passes will be available starting Friday, June 10 at 10 AM PT. You can find more information at Daynvegas2022.com.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Fat Joe Remains Skeptical Of J. Cole’s Basketball Skills Despite His Canadian Team Contract

On his weekly Instagram Live stream, The Fat Joe Show, the “Lean Back” rapper shares his unfiltered thoughts on all sorts of topics, from the controversy surrounding Joe Rogan to why no one wants to see Busta Rhymes in a Verzuz hits battle. Given his status as a veteran of the rap game — his debut album Represent was released nearly 30 years ago, in 1993 — his opinions hold weight, even when his expertise isn’t always obvious. For instance, in his latest episode, he has some critiques for J. Cole’s new pro hoops career.

Although it may not seem like it, Joe’s just as heavy in the New York streetball circuit. And while ESPN’s recent And 1 mixtape documentary showed that pro ball and streetball are two very different games, Joe’s success at world-famous tournaments like Rucker Park’s gives him a certain amount of credence. “Now, is J. Cole really good?” he wonders “They say he is nice. Are you sure they say he is nice? Because this is a classic story…” He then compares Cole’s exploits and the praise he’s received from playing in the Basketball Africa League and Canadian Elite Basketball League to another rapper-turned-hooper whose success has been exaggerated in later years.

“Master P didn’t score one point at the Rucker,” he recalls. “Master P keeps showing these videos of him going to the league. I respect Master P at the highest level, but that is not true. It’s emphatically non-cipher. He came to the Rucker and stunk it up. Didn’t score one point. I don’t know how he’s going to the league.” So while Drake, Rick Ross, and others have supported Cole’s hoop dreams, it seems he has at least one peer who remains skeptical — and probably with good reason, considering the Scarborough Shooting Stars’ losing record and Jermaine’s ho-hum stat lines so far.

From Coldplay To Billie Eilish, Summer Tours Are Putting A Focus On Sustainability

As the music industry adapts to the new era of streaming and TikTok trends, there is another shift that has to be made: making the industry more economically sustainable.

With summer tours kicking off this month, many artists have spent a substantial amount of time working towards curating an exciting show experience, with minimal waste and lower CO2 emissions. Most, if not all, concertgoers aren’t generally thinking about the impact that their favorite artist is making on the environment, but they should: a tour like Coldplay’s “Music Of The Spheres” tour can bring in over 50K eager fans per show, each with their own unique carbon footprint.

Artists like Coldplay have teamed up with various organizations to help encourage their fans to educate themselves about their individual impact on the environment and provide resources for them to reduce said impact. Coldplay’s tour aims to be as waste-free as possible, with a focus on recycling and reusing. Before the show, the band introduces a short film with different ways their tour has worked with venues across the world to ensure a cleaner show. Single-use plastics have been discouraged from their tours, being replaced with special edition Ball Aluminum Cups, which can be taken and re-used, or recycled at the venue. The band also sells custom water bottles, with proceeds going directly to ClientEarth. Their popular LED wristbands are also made of plant-based, compostable material. These little steps make a larger impact when they are being promoted to thousands of fans every night. It also helps when they make it fun– fans are invited to dance on kinetic floors and use stationary bikes to help power the stages. Just one night on the bike can generate 11kWh which can power their c-stage performances.

“Artists and music have always been at the forefront of social change and advocacy.” Live Nation’s Director of Global Sustainability Lucy August-Perna said, explaining that big artists have the power to inspire action from an individual level. August-Perna notes that Coldplay worked for over a year in order to make sure every aspect of the tour was addressed in order to see where they could improve their sustainability efforts. One aspect that was often overlooked was fan transportation to and from the show.

“Our Green Nation rep worked together with Coldplay management and local public transport authorities to help incentivize and subsidize public transportation to and from the shows,” August-Perna explains. For their MetLife tour stop, fans were encouraged to purchase railway tickets instead of driving, which were discounted in partnership with NJ Transit. Other fans can log their commitment to sustainability on the World Tour App to receive discount codes. “It has been a win-win for everyone involved, bringing awareness to an important solution to climate change – public transportation infrastructure. It also helps reduce traffic congestion, which is good for the venue, fans, and the local community. These kinds of high impact, focused executions are what we’re looking to accomplish.”

While Coldplay has been actively working on its suitability effort for many years, other big-name artists have been following in their footsteps. Billie Eilish and Shawn Mendes, who are both embarking on worldwide tours this year, have teamed up with REVERB, an organization that has been educating fans and artists alike about the environmental impact of their tours.

REVERB brings initiatives like free water stations and battery recycling to various tour stops, with some stops offering donation boxes and bringing in local organizations for community outreach. REVERB manager of communications Chris Spinato says that fan outreach is a major component when it comes to making an impact. “Much like a guitar tech or sound engineer, our ‘on-site coordinator’ acts as a green tech, making sure that all sustainability measures for the tour are in place,” Spinato says. “Those measures can include waste diversion including recycling, composting, reusable service ware, and water refill stations backstage, in catering, and on buses, collection of batteries for proper disposal (or donation to local shelters if they are still useable), coordinating local food for catering, and much more.”

For Harry Styles’ sold-out 2021 tour, REVERB helped eliminate over 30,000 single-use plastic bottles over nearly 100 tour dates. The practice has been trickling down to merch creation as well — Eilish partnered with REVERB to create a sustainable edition of her album on vinyl, created with vegetable-based inks, a recycled sleeve and jacket, and bio-wrap “plastic” that is made from sugar cane. Lorde, who has been actively promoting sustainable practices by not physically releasing Solar Power cds, also worked with REVERB to create her eco-friendly merch.

Despite the big-name acts being at the forefront of the sustainability movement, these practices can easily be transmitted to smaller bands without a sustainability team. Encouraging fans to take the necessary steps to even just be aware of their impact can help trigger a widespread movement. “It would have been great if it had been happening decades ago, but that’s true of the environmental issues in every industry,” Spinato adds. “What’s unique about the music industry is it not only has a real opportunity to meaningfully reduce its environmental impacts, but also an outsized ability to influence change. Music has always had immense cultural power to change hearts and minds. If we can unleash that power to combat the climate crisis and other environmental issues, big things will happen. It’s already starting.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Megan Thee Stallion, Nicki Minaj, Avril Lavigne, And More Will Play iHeartRadio Music Festival 2022

iHeartRadio Music Festival will return to Las Vegas this September. This year’s festival boasts a promising line-up featuring Megan Thee Stallion, Halsey, Nicki Minaj, and Avril Lavigne.

iHeartRadioMusic Festival will take place September 23 and 24 at the T-Mobile Arena. In addition to the aforementioned performers, Black Eyed Peas, Lionel Richie, LL Cool J featuring DJ Z-Trip, Luke Combs, Maren Morris, and Morgan Wallen are all set to take the main stage.

On that Saturday, Maggie Rogers, 5 Seconds of Summer, Big Time Rush, Girl in Red, Lauv, Chloe, Willow, Chase Rice, Latto, Carly Pearce, Ryan Hurd, GAYLE, and Lauren Spencer-Smith are set to take the Daytime Stage at Area15.

“We’re thrilled to once again return to Las Vegas for a weekend full of great live music with this year’s Festival,” said Tom Poleman, Chief Programming Officer for iHeartMedia, in a statement. “What makes this festival one of a kind is that we have the best artists from every genre of music that we play on our 860 iHeart stations all on one stage. It’s a once-in-a-lifetime chance to see so many legends performing together.”

For those who can’t make the festival, The CW Network will livestream the concert through the CW app, and will also broadcast the concert on a later day in October.

General on-sale begins Friday, June 17 at AXS.com.

Some of the artists mentioned are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Trouble’s Suspected Killer Turned Himself Into Police And Was Denied Bond

On Sunday, Atlanta rapper Trouble was shot and killed during a home invasion. Now, according to local news, police have a suspect in custody. 33-year-old Jamichael Jones turned himself in after Rockdale County Sheriff’s deputies went to Jones’s mother’s house and she received a call from Jones himself. One of the deputies got on the call and convinced Jones to surrender near Southern Regional Medical Center in Clayton County. He has been charged with felony murder, aggravated assault, home invasion, and battery and a judge denied his bond, setting his next hearing for June 15.

According to witnesses, Jones did not know the “Bring It Back” rapper, and Trouble was visiting a woman Jones did know. Apparently, there was some domestic dispute between them, and Trouble was shot once in the chest after Jones forced his way into the home. A neighbor described the neighborhood as “quiet” and said it was “traumatizing” to learn that not only was a national celebrity visiting the apartment building but was killed there as well. “To be honest with you, we don’t have that type of situation or issues that happen in this particular neighborhood, so to find out that you have a local celebrity that’s inside your residential area and this is what happens … it was like very, very traumatizing,” he explained.

Trouble was signed to Mike Will Made-It’s Ear Drummers label and was just two years removed from his last project, Thug Luv.

Post Malone Drops Off Two New Songs On The ‘Twelve Carat Toothache’ Deluxe Edition

We are now just a few days removed from the release of Post Malone’s new album Twelve Carat Toothache, which he dropped on Friday. Already, though, he has expanded the LP by dropping a deluxe edition today, which adds two new songs to the tracklist.

Taking to Twitter and Instagram (and even Reddit) yesterday, Malone declared, “2 new songs tonight,” and offered a 30-second preview of one of the songs, “Waiting For Never.” The other song is called “Hateful.”

“Waiting For Never” is an emotional, lovelorn tune on which Posty sings, “When all these tattoos fade / I will never look back, you’ll be in thе same place / I keep tellin’ mysеlf if I wanted you to change / I’d be waiting for never, waiting for never.” Then there’s “Hateful,” a more hip-hop-leaning and aggressive tune that also deals with issues of love.

Of the base Twelve Carat Toothache album, Malone previously told Billboard, “Trying to shove 20 to 25 songs, it doesn’t work. Talking to the label [it’s like], ‘Oh, if you have less songs, you’re not going to stream as much,’ but the whole thing is that you don’t want to compromise your art and your gut vibe on anything. I’ve made a lot of compromises, especially musically, but now I don’t feel like I want to anymore. I don’t need a No. 1; that doesn’t matter to me no more, and at a point, it did.”

Listen to “Waiting For Never” and “Hateful” above.

Pusha T Performs ‘Let The Smokers Shine The Coupes’ On ‘Jimmy Kimmel Live’

Pusha T released his new album It’s Almost Dry in April. Since then, he’s been promoting it with music videos and late-night television performances. The rapper is back with more of the latter: On Friday, he went on Jimmy Kimmel Live! to perform the track “Let The Smokers Shine The Coupes.”

The performance is charismatic and bright, with a kaleidoscope of colors bouncing off of him. His confidence is obvious; it’s what he’s known for. Before the release of It’s Almost Dry, he called it an “untouchable body of work,” mentioning that having Kanye West and Pharrell Williams as producers gave it a kick. He said, “I had the best of both worlds in regard to production. In regard to two people who actually understand who I am and they like two different things from me.” He added: “Just from that aspect, I feel like this body of work is untouchable because it doesn’t lean too heavily on either side. It’s like you get the whole spectrum — probably my most well-rounded body of work.” He’s definitely allowed (and right) to flex: It’s Almost Dry was his first No. 1 album on the Billboard 200 chart.

Watch his performance of “Let The Smokers Shine The Coupes” above.

French Montana Announces His New Album ‘Montega’ Produced By Harry Fraud

French Montana, who recently released the single “Alcatraz,” has just officially announced his sixth studio album, Montega, which is duef in just a couple of weeks on Coke Boys Records. It’s produced by the popular rapper and his collaborator Harry Fraud.

Montega will follow his last album They Got Amnesia, a success with a deluge of features, including “Mopstick” with Kodak Black, “Handstand” with Doja Cat and Saweetie, “Panicking” with Fivio — the list goes on, featuring Rick Ross, John Legend, Pop Smoke, Drake, and more. That album came out in November last year, which shows that his grind never stops.

Around that time, Montana also made a claim that his line of work is even more difficult than others. “You’re better off making it in the NBA than Hip Hop,” he said during an appearance on Hot 97’s Ebro In The Morning. “NBA, they got like what, 28 teams … 15 players on every team? And that’s in the hundreds. You talk about Hip Hop, you can’t even name 10 people that’s hot every couple months. The odds … anybody can do it if it was easy.” He added, “So you talkin’ about trying to make it? Your hustle gotta be relentless. Can’t take no for an answer, you gotta be up when everybody sleep.”

Check out the album art for Montega below.

French Montana
French Montana

Montega is out 6/24 on Coke Boys Records. Pre-order it here.

Chief Keef Launches 43B, A New Label With BMG, And Signs Lil Gnar

Chief Keef is only 26 years old, but he’s already a recording industry veteran. His career started back in 2012 when he was just 16, and it comprises four studio albums, four EPs, and 38(!) self-released mixtapes. While the majority of his projects were released under the auspices of his own Glory Boyz Entertainment or Glo Gang imprints, he’s cycled through a variety of distribution partners, including Interscope, RBC Records, and 101 Distribution. However, it looks like he’s finally getting an official label, 43B, through which he’ll release projects for his own signees beginning with Atlanta upstart Lil Gnar.

Gnar has been recording and releasing music since 2018 and has been affiliated with the SoundCloud “rage rap” movement since, working with such contemporaries as Craig Xen, Lil Skies, Lil Tracy, Lil Yachty, Ski Mask The Slump God, and Trippie Redd, with videos directed by Lyrical Lemonade’s Cole Bennett. He dropped his first official full-length album Die Bout It earlier this year with features from the late Lil Keed, YSL associate Yak Gotti, and his new label boss, Chief Keef.

In a statement, Chief Keef called 43B a “passion project,” and said he looks forward to passing on his hard-won industry knowledge to younger artists (Gnar is 26, too, but presumably less experienced in the music business). “43B has been a passion project of mine for over a year and I’m ready to give artists that are changing the game a label where they can really succeed,” he said. “I’ve been independent for almost 10 years, so I want to pass on my knowledge of the industry to artists who are shifting the culture so they can make it to the top.”

Meanwhile, BMG head of A&R and marketing Sophie Kautz said, “43B will operate on an artist-friendly model, giving our artists and producers the means to flourish in their careers.”

Hooper Turned Rapper DC The Don Rates NBA Stars’ Rap Bars

The rapper-hooper comparison might be a cliche, but cliches are cliches for a reason. It remains as true as ever: Rappers all want to be ballers and ballers all want to rap. Now, more than ever, the crossover (heh) has gotten ridiculous, blurring the lines between the two as former high school hoop stars like NLE Choppa and Quavo pen Billboard hits, and rap’s upper echelon guys get pro hoops co-signs from LeBron James like Lil Durk, sign pro contracts like J. Cole, or host their own in-home rec leagues like Drake.

Intriguingly enough, as more NBA stars dip their toes into rap careers, following in the footsteps of Shaq, Kobe, and Allen Iverson, it’s a little rarer to see ball players get serious about their rhymes. Of course, there’s Damian Lillard, who’s three albums deep into his career as Dame D.O.L.L.A., but for the most part, the current generation of NBA talent has yet to commit. Maybe they just need a little encouragement, and that’s where Milwaukee native/LA transplant DC The Don steps in.

The 6’7 rising rap star is best known for viral tracks like “Worst Day” and “Walk Thru,” but he’s probably just as well-known for his first song “Everything 1K” appearing in Big Baller Brand’s first sneaker commercial. That’s because he was a former Chino Hills High teammate of Lonzo Ball — another aspiring rhyme purveyor currently playing in the NBA — and his brothers LiAngelo and LaMelo. Obviously, DC went the other way, and so he’s willing to lend some of his expertise to rating NBA stars’ rap bars. Check out the video above.