50 Cent delivered a masterpiece with his 2003 album Get Rich Or Die Tryin’. This album is officially 20 years old and it is hard to believe that is the case. After all, a lot of our readers and even writers on this site grew up on this album. For younger millennials and some Gen Z, this was their introduction to the genre. However, for others, this was just another great album in a sea of legendary releases from the hip-hop world. With the culture turning 50 years old this year, it is important to talk about albums like Get Rich and give it its due flowers.
20 years ago today, this album was crowned the best-selling album of 2003. It went up against some heavy-hitters that year, however, Fif was the one who dominated the year. With that said, we are celebrating this Thursday by highlighting a track from the album. Below, you will find the audio of the song “P.I.M.P.” This is a track that has some iconic production, and that hook is just another example of how Fif was on another level at this time.
Overall, this is a defining album of the 2000s. Songs like “P.I.M.P.” further that legacy and make this one of the greatest hip-hop projects ever. Of course, there are plenty of great tracks to choose from off of this project. It is a huge accomplishment for Fif and one that we are glad to have, all of these years later.
Let us know your favorite song on Get Rich or Die Tryin’, in the comments section below. Additionally, stay tuned to HNHH for more news and updates from around the music world. We will continue to keep you informed on your favorite artists and all of their upcoming releases.
Quotable Lyrics:
She feed them foolish fantasies, they pay her ’cause they want her I spit a little G, man, and my game got her An hour later, have that ass up in the Ramada Them trick n****s in her ear sayin’ they think about her I got the bitch by the bar, tryna get a drink up out her
Marquise Jackson, the son of the renowned rapper and entrepreneur 50 Cent, also known as Curtis James Jackson III, has been a subject of public interest since his birth. Born on October 13, 1996, Marquise endured the complexities surrounding his father’s career and fame at a young age. Despite the challenges of growing up in the spotlight, Marquise has carved out his own path, distinct from his father’s legacy.
The relationship between 50 Cent and Marquise has been tumultuous and widely discussed in the media. Their dynamic has experienced ups and downs, often played out in public. This has shaped Marquise’s public persona and his approach to personal and professional relationships.
While Marquise Jackson has the advantage of a famous last name, he has been keen on making a name for himself independently. His endeavors in the entertainment industry show a young man eager to establish his own identity. However, it has not been as extensively covered as his father’s. Marquise’s career choices reflect a blend of his father’s influence and his personal aspirations.
Growing up as the son of a celebrity, Marquise’s life has been anything but ordinary. The complexities of having a famous parent have influenced his worldview and personal development. Marquise has had to navigate the perks and pressures of fame, which has been a defining aspect of his journey.
In the age of social media, Marquise Jackson has not shied away from the public eye. His presence on platforms like Instagram and Twitter reflects a young man who is aware of his public image. Through these outlets, he expresses his individuality and perspectives.
As of 2023, Marquise Jackson is in his mid-20s, a time defined by solidifying career paths and personal identities. For Marquise, the future holds a plethora of opportunities. It remains unclear if he will follow completely in his father’s footsteps or carve a unique path.
FAQs About Marquise Jackson
Who is Marquise Jackson? Marquise Jackson is the son of the famous rapper and businessman 50 Cent, born on October 13, 1996.
What is Marquise Jackson known for? While he is primarily known as the son of 50 Cent, Marquise has been making strides in establishing his own identity in the entertainment industry.
How is Marquise’s relationship with his father, 50 Cent? Marquise and 50 Cent have had a publicly complex relationship, with both highs and lows that have been covered extensively in the media.
Is Marquise Jackson active on social media? Yes, Marquise is active on social media platforms like Instagram and Twitter, where he shares aspects of his life and thoughts.
What are Marquise Jackson’s future plans? As of 2023, Marquise’s future plans in the entertainment industry or other fields are not explicitly known, but he continues to explore various avenues.
Six Figga Digga, who produced 50 Cent’s iconic Get Rich or Die Tryin’ single, “Many Men (Wish Death),” has responded to the rapper’s recent criticism of the song. During a recent interview, 50 labeled it his least favorite song of the 2003 project. Six Figga Digga responded to the take while speaking with TMZ on Tuesday.
“In my humble opinion, that was the point,” he said. “If you got a track like that, along with the other tracks that Dr. Dre did, then it’s not going to sound the same because I’m not Dr. Dre. Also, when it was done, it was a different frame of mind, a different way of thinking, so when you’re trying to blend those two things together, I can see that.”
MILAN, ITALY – OCTOBER 22: 50 Cent performs at Mediolanum Forum of Assago on October 22, 2023 in Milan, Italy. (Photo by Sergione Infuso/Corbis via Getty Images)
“The worst song on that album, I would probably say is that ‘Blood Hound’ song,” he said. “To me, that’s the song, when you listen to it sonically, that’s the one that sticks out. At that time, the Southern influence was still taking over. I mean, he signed Young Buck because of his influence coming from, you know, that era of Juvenile and all of that type of sound. 50 was the one that was bringing the New York sound back, but with that ‘Blood Hound’ song, I feel like that was kinda catering to that audience that was happening at the time.”
Six Figga Digga Responds To 50 Cent
As for 50 Cent’s reasoning for choosing “Many Men (Wish Death)” as his least favorite Get Rich or Die Tryin’ track, he explained the take during an interview on The Rebecca Judd Show, earlier this week. He said: “‘Many Men’ was my least favorite at that point because musically we was in the boom-bap phase. We was in that hard-hitting intensity, the energy on the records, and it’s the slowest song on Get Rich or Die Tryin.’ And it’s now the tempo that the artists are rapping to. So the fast tempo, hard-hitting beats, that was that era, that time period. And the whole album had it.” Be on the lookout for further updates on 50 Cent on HotNewHipHop.
50 Cent is currently overseas performing on the international leg of his Final Lap Tour, celebrating the 20th anniversary of his debut album Get Rich Or Die Tryin’. Not only does the project go down in history as one of the greatest rap albums of all time, but 50’s recent live performances proved his ability to make timeless music — delivering instant nostalgia to every city he touches.
Just last week, 50 shut down the stage at O2 Arena in London. While there, he stopped by The Rebecca Judd Show and revealed that “Many Men” was once his least favorite song on Get Rich Or Die Tryin’. A wild statement, given the track, is a certified fan favorite!
50 Cent explains, “‘Many Men’ was my least favorite at that point because musically we was in the boom-bap phase,” he explained. “We was in that hard-hitting intensity, the energy on the records, and it’s the slowest song on Get Rich or Die Tryin’. And it’s now the tempo that the artists are rapping to. So the fast tempo, hard-hitting beats, that was that era, that time period. And the whole album had it.”
Beyond the project, 50 reflected on his long-standing career and how far he’s come since he first stepped into the music industry.
“If you had asked me to make a wish in 2003, I would’ve just wish that my music was a hit,” he states. “I didn’t see 20 years ahead in music like that. I’m just at that moment for it to work.”
He goes on to add that most artists think they’re ready, before they actually are.
“That’s why we have one hit wonders in Hip Hop culture,” he states. “Because when that happens, they have that first hit and then it takes them out of the studio to go perform and to go meet all the distractions to come with being a successful artist, and then they land back in the studio without being trained to know how to create the next song. So they be stuck with that one hit.”
50 Cent is far from a one-hit wonder. He’s someone who’s put in the work, and let the music speak for itself.
In a recent chat on Apple Music’s The Rebecca Judd Show, recorded backstage during his Nov. 21 show at London’s O2, 50 Cent opened up. He shared details about some pivotal moments tied to the 20th anniversary of his groundbreaking debut album, Get Rich or Die Tryin’. One of the burning questions addressed the first purchase he made after hitting it big. Specifically, the interviewer wanted to know what he did with his check after signing to Eminem’s Shady Records in 2002. 50 Cent revealed, “I bought my grandmother a C220 Benz. I’ll never forget because when I got the car, I got it right away, the first thing I bought when the deal was done.” This gesture speaks volumes about the rapper’s connection to family and his desire to share his success with those he holds dear.
The story he tells turn when 50 Cent recalls returning from his tour to find his grandfather on the porch. He shared that his grandpa was visibly moved by the sight of his grandmother’s new car. In a touching moment, 50 shares, “He was having a moment. So he was like, ‘I just went to work. I went to work, hurt my back, came back, and she done brainwashed my kids.’” His grandfather, it seems, was grappling with the changes that success had brought to the family.
NEW YORK, NEW YORK – JULY 15: 50 Cent attends the “Power Book III: Raising Kanan” New York Premiere at Hammerstein Ballroom on July 15, 2021 in New York City. (Photo by Theo Wargo/Getty Images)
The sweet memory gives fans a glimpse into the complex emotions that success can stir within a family. Despite the glamour and extravagance often associated with the hip-hop lifestyle, 50 Cent’s first purchase was a testament to the values instilled in him. This emphasized the importance of family and acknowledging the sacrifices made by his grandparents.
In this candid conversation, 50 Cent showcases a side rarely seen by the public. He got a chance to reveal the profound impact of success on familial relationships. An opportunity of a lifetime that quite literally changed his life. And the people close to him. As fans continue to celebrate the 20th anniversary of Get Rich or Die Tryin‘, this personal anecdote adds a layer of depth to the narrative of 50 Cent’s journey from rags to riches. What do you think of this sweet story? Let us know on HNHH!
50 Cent’s Get Rich Or Die Tryin‘ is one of hip-hop’s most iconic debuts and albums, for better or worse. It’s not as universally beloved as many others in that conversation, but even his haters can’t deny the impact and moment that this project in particular provided. However, even the G-Unit mogul has his issues with it, ones that have aged quite interestingly over the years. Moreover, he recently chose what his least favorite track off the record was during an interview with The Rebecca JuddShow on Apple Music 1 in the United Kingdom. Fif’s answer will definitely shock you, but it speaks to how well this song has aged.
“‘Many Men’ was my least favorite at that point,” 50 Cent revealed during their conversation. “Because, musically we was in the boom-bap phase. We was in that hard-hitting intensity, the energy on the records, and it’s the slowest song on Get Rich or Die Tryin’. And it’s now the tempo that the artists are rapping to. So the fast tempo, hard-hitting beats, that was that era, that time period. And the whole album had it.
50 Cent during Playstation 2 E3 Party Playa Del Playstation – Inside at Viceroy Hotel in Santa Monica, CA, United States. (Photo by Jeff Kravitz/FilmMagic/Getty Images)
“If you had asked me to make a wish in 2003, I would’ve just wished that my music was a hit,” 50 Cent continued to Judd, going into his career as a whole. “I didn’t see 20 years ahead in music like that. I’m just that at the moment for it to work. And then what’s cr*zy is most artists, they think they’re ready before they are.
“Most good artists, they’ve thought they were ready before they actually could at it,” he concluded. “But they’ve had that window of time to work that allowed them to actually become good enough. That’s why we have one-hit wonders in hip-hop culture. Because when that happens, they have that first hit and then it takes them out of the studio to go perform and to go meet all the distractions to come with being a successful artist. Then they land back in the studio without being trained to know how to create the next song. So they be stuck with that one hit.” For more news and the latest updates on 50 Cent, stay posted on HNHH.
Fat Joe used to have beef with 50 Cent. However, these days, the two are on good terms. In fact, Joe is on good terms with a lot of people. He has proven to be a very positive force in the hip-hop world. Overall, he shows love whenever he can, and it is really great to see. For instance, he was on the BET segment Diggin’ In The Crates, where he revealed his love for Get Rich Or Die Tryin’. Despite having beef with Fif at the time, he can now appreciate what a masterpiece the project is.
“One of the greatest albums of all time,” Fat Joe explained. “And it’s crazy ’cause I had beef with him and I wouldn’t allow myself to hear it, wouldn’t let DJs play it. But I knew that it was G-Unit. Recently J. Cole came out at his concert and said it was the greatest album of all time. Nas came out and said, ‘Yo this changed the game.’ And it’s a fact.”
Fat Joe went on to credit 50 Cent for all of the various facets to the record. Needless to say, you can see his reverance for the artist. “His flows, his melodies, his beats, the energy Hip Hop music had never felt,” Joe noted. “That energy that he was coming with, it was like yo, this is that — you got that dangerous thing to it. He teamed up with Mr. Professional, Dr. Dre and Eminem. See, 50 Cent woulda still been amazing but he’d have came with those New York beats that was really really good, but once again, Dr. Dre makes everything iPic. He makes everything crystal clear. He just gives you that professionalism like you on a podium or something.”
Be sure to let us know your favorite track from Get Rich Or Die Tryin’, in the comments section below. Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will always keep you informed on your favorite artists.
J. Cole isn’t currently touring himself but he has been on stage a bunch recently, gracing stages alongside the likes of 50 Cent and Drake. After joining the latter during the Montreal stop of Drake’s It’s All A Blur Tour in place of the landlocked 21 Savage, he also appeared during the first night of 50 Cent’s The Final Lap Tour in Brooklyn, New York to perform his hit “No Role Modelz.” And, as he usually does, he took a moment to give his host plenty of flowers — even going so far as calling 50’s official debut the greatest album of all time ahead of another groundbreaking classic.
“Can I say this before I walk off stage?” Cole said. “Make some noise for one of the greatest n****s to do this shit: 50 Cent, Curtis Jackson. Get Rich Or Die Tryin’ is the best album of all time… It’s Get Rich Or Die Tryin’ at number one and it’s Thriller at number two, and I love Michael Jackson.”
50’s “final” tour actually coincides with the 20th anniversary of his earth-rattling debut. The album dropped on February 6, 2003, debuting at No. 1 on the Billboard 200 with 872,000 units sold in its first week and went on to be certified 9x Platinum by the RIAA. Of course, Thriller is one of the best-selling and most critically acclaimed albums of all time with 70 million copies sold worldwide and eight Grammy Awards to its name. But hey, there’s no accounting for taste.
J. Cole and 50 Cent have always had some respect for each other. Back when the German-born rapper was on the come-up, the G-Unit icon did not originally see the vision of signing “a conscious rapper.” Since their bread and butter is more gangsta-inspired, 50 passed on him. While he might regret that decision to some degree, it was apparent that he still wanted to work with him in the studio. Their respective styles can be heard on J Cole’s 2013 album Born Sinner on the track “New York Times” featuring Bas.
Now, that moment has come full circle on possibly 50 Cent’s last tour, The Final Lap. On August 9, 50 rocked the crowd and the stage on his home turf at the Barclays Center. Additionally, it is a two-part show, that will also see the “P.I.M.P” perform on August 10. It was a great moment to see 50 and Cole together in front of thousands of rabid fans. After the North Carolina native walked off, he wanted to be sure to give 50 his flowers for all that he has done for the hip-hop genre.
“If y’all don’t make some noise for one of the greatest n****s to ever do this s**t 50 muthaf*****g Cent, Curtis Jackson.” However, J. Cole did not stop there, going as far as to say that Curtis Jackson’s commercial smash is the greatest album ever. “Get Rich Or Die Tryin’ the greatest album of all time I don’t give a f**k what y’all talking about n***a.” He even gave his props to Michael Jackson’s Thriller, but 50’s takes the cake for him it seems.
What are your thoughts on J Cole’s possibly controversial statement? Do you agree or disagree with him? Do you think he actually believes it, or he was just trying to hype up 50 Cent? We want to hear what you have to say down in the comments section. Furthermore, be sure to keep it locked in with HNHH for all the latest news around the music world.
In 2003, 50 Cent emerged as a tyrant in hip–hop with the release of Get Rich Or Die Tryin’. Already established as a rebel in his own right, the industry blacklisted him prior to its release. A deal with Columbia Records fell through. Meanwhile, songs like “How To Rob” and “Ghetto Quran” established 50 Cent as a forceful MC that wouldn’t hold his sharp tongue against heavyweights. Although his career hit a brick wall, his resilience and hunger caught the attention of Dr. Dre and Eminem. And maybe without those two, we wouldn’t be celebrating one of the greatest hip-hop albums 20 years later.
The Final Lap tour appears to be 50 Cent’s final full-fledged trek on the road. The past decade hasn’t seen him releasing much music but his television empire has grown exponentially. Marking the 20th anniversary of Get Rich Or Die Tryin’ and coinciding with the 50th anniversary of hip-hop, The Final Lap tour has been nothing short of a spectacle; a time capsule that revisits 20 years of heat, from defining singles found on his chart-topping debut and sophomore releases to deep cuts that only his day-one fans can appreciate. With opening acts Pressa, Jeremih, and Busta Rhymes, 50 Cent celebrates his own contributions to the culture.
The opening acts all hold a place in 50 Cent’s heart to some capacity. The connection to Pressa seems to have developed more recently. Pressa’s appearance on stage, alongside WhyG and Bundog, suggests that 50 Cent’s cooking up something in the 6ix. Tony Yayo hasn’t shied away from expressing his appreciation for BunDog and Pressa in recent times, either. However, it strongly indicates that 50 Cent and Tony Yayo have taken the budding Toronto star under his wing. It’s an impeccable feat for Pressa, who has the bragging rights of touring with 50 Cent and Drake.
There might not be another R&B artist whose influence is as understated as Jeremih. The Chicago-born’s catalog speaks for itself but in the past few years, his presence hasn’t been as consistent. A serious and highly publicized bout with COVID-19 left him re-learning how to walk. Three years later, he made his triumphant comeback to the stage. His set brought fans through a decade-plus-worth of hits that sent a wave of nostalgia through the crowd.
Backed by a DJ and two scantily-dressed pole dancers, Jeremih’s strain of futuristic stripper-friendly R&B anthems received its proper visual accompaniment. Jeremih’s sheer presence took command of the Bell Centre. Through each song, the crowd’s enthusiasm grew, eventually building up to songs like “Oui,” “Planez,” and of course, “Birthday Sex.” After not being on the road for a few years, Jeremih’s catalog shines from night to night. He’s opening up in front of an audience of hardcore hip-hop fans. Even so, his sultry and airy vocals take control of the room.
With a career spanning 30 years, Busta Rhymes’ is the definition of a timeless act. When he accepted his Lifetime Achievement Award at the 2023 BET Awards, he admitted that he never had a desire to be a solo artist while a member of Leaders Of The New School. It’s ironic, considering that his star power shone brighter than any one of his group mates. Busta Rhymes and Spliff Starr’s live performance remains one of hip-hop’s greatest acts by a landslide. Without gimmicks, the strength of Busta’s hits, bolstered by his chemistry and synchronicity with Spliff Starr, make for a dynamic performance. Busta said it best: “We don’t need no special effects. We are the special effects.”
Busta’s dramatic intro kicks off with a WWE-like monologue, courtesy of Spliff Starr. Busta’s throne rotates as he joins his hypeman with high energy with M.O.P.’s “Ante Up (Remix).” The coordination between the two boils down to the details, with choreographed moves executed throughout the set.
Busta Rhymes’ grip on the rap game from the late 90s to the 2000s was on full display. He went through classics like the funky, “Put Your Hands Where My Eyes Can See.” Later, he’d demand the women serenade him with Mariah Carey’s hook on the uber-sensual, “I Know What You Want.” Of course, it wouldn’t be a Busta show without performing “Break Your Neck.”
Although the last bit of his set felt abrupt, it became more personal. Busta and Spliff Starr would dive into records, some unreleased, before cutting them off before the hook came in. For example, Busta began performing “Touch It” and cut off the record before reaching the hook. The reason? He’s afforded that right through his 30+ year tenure in hip-hop.
Still, it’s quite clear that one of Busta’s most mesmerizing moments as an MC only occurred within the past 12 years. He still raps his verse on Chris Brown’s “Look At Me” without skipping a beat. It’s truly a testament to a man who has mastered his craft. At 51 years old, Busta Rhymes’s breath control is giving every MC in the game a run for their money. Before Busta left the stage, he had already shown us exactly why he’s feared in the Verzuz space.
50 Cent’s assumed the role of an elder statesman in hip-hop these days. His proximity to the music industry has largely consisted of the mentorship he provides to the younger generation. However, 50 Cent’s The Final Lap tour almost feels like a bid farewell for a titan in the rap industry. Joined by Tony Yayo and Uncle Murda as his faithful hypemen, 50 Cent implemented the precise choreography of a pop artist to bring fans through a journey of his greatest hits.
The elaborate stage setup included an extended platform that split the floor seats. Behind him were screens plastered from the top to the bottom of the stage. Joined by a DJ and a full band, who performed from an elevated platform, as well as a whole dance squad, 50 Cent created a Vegas-like atmosphere, where the lights, confetti, and pyrotechnics amplified the nostalgia of his unmatched run in the early 2000s. The screens behind them amplified the feeling of the East Coast as animated replicas of New York brownstone buildings and the city skyline displayed through records like “I Get Money” and “Hustler’s Ambition”
Although a celebration of the 20-year anniversary of his debut album, 50 Cent proved that his career didn’t necessarily phase out following his sales battle with Kanye West when Curtis dropped. He went across anthems on GRODT, The Massacre, Curtis, and even a few records from the past few years, whether “I’m The Man” or “The Woo,” where he pays homage to his late prodigy, Pop Smoke.
While Fif managed to get through his vast catalog within the first half of the show, he eventually welcomed Jeremih back out on stage where they performed “Down On Me” together and then, allowed the Chicago singer to deliver a gorgeous stripped-down version of “Birthday Sex” on the piano. Afterward, Fif returned to the fold to close out the show, leading up to the extravaganza that accompanied “In Da Club.” But for his encore, 50 Cent dived into the back catalog with anthems like “Wanksta,” “Southside,” and “Poor Lil’ Rich” before finally closing out with, “I’ll Whip Ya Head Boy.”
In 2005, a Liberal Member of the Canadian Parliament petitioned to have 50 Cent banned from performing in Canada as a result of his lyrical content, largely the references to guns. Nearly 20 years later, 50 Cent’s The Final Lap tour yields far different results, providing fans with a healthy dose of nostalgia to revisit the early 2000s. No less of a gangster than he was when he came in the door, 50 Cent’s ascended to another stratosphere of pop culture. Similarly, his audience has also evolved and matured within the same time frame. The Final Lap tour isn’t necessarily marketed as a 50th Anniversary Of Hip-Hop event but it certainly emphasizes the contributions of two East Coast legends with the support of one of R&B’s finest talents.
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