Over the weekend, a Drake song leaked online that had rap fans buzzing. He was under fire from seemingly all directions after Future and Metro Boomin dropped two collaborative albums. Across the two records Drizzy was hit with multiple disses from a number of former collaborators. So when an alleged response track hit the internet fans broke down every single line. That also included a massive debate online as to whether or not the track was even real. Many pointed out that with the increased proficiency of artificial intelligence it would be easy to fake a song.
But most people now agree that the leak is legitimate and cite some of the specifically impressive bars from the song as evidence. In a recent Instagram post, DJ Akademiks unpacked one particular lyric that may have gone over some fans heads. He explained that the bar “Drizzy Chip n’ Dale, probably got your bitch Chanel” is referencing the fact that Chip & Dale constantly outsmart Pluto on their TV show. In the comments, fans are blown away by Drake’s writing. “this n*gga is incredible” one comment reads. “That’s a fire bar ngl” another agrees. Check out all the fan reactions to the bar below.
While fans have been pretty impressed with Drake’s response, DJ Akademiks did offer one piece of advice. He pointed out a specific reference to Kendrick Lamar’s wife Whitney Alford that appears in the leaked song. Akademiks pointed out that mentioning Pusha T’s wife during their beef was exactly what caused Push to drop the legendary “Story Of Adidon” diss track.
Additionally the leaked Drake responses caused many to realize how relevant AI will be going forward. The rapper himself officially confirmed that another song making the rounds online was actually created by AI and not him. What do you think about Drake’s Chip N’ Dale bar referencing Pluto to take shots at Future? Do you think he managed to come out on top over his various adversaries with his response track? Let us know in the comment section below.
After releasing We Don’t Trust You just four weeks ago, Future and Metro Boomin are back with yet another full-length album. We Still Don’t Trust You is a direct sequel to its predecessor, building upon the duo’s long-lasting chemistry. The last time Future released consecutive albums was in 2017 when FUTURE and HNDRXX arrived within a week of one another. FUTURE highlighted the rapper’s signature trap sound while HNDRXX leaned into a fusion of rap and R&B. Musically, We Still Don’t Trust You acts as the HNDRXX to We Don’t Trust You’s FUTURE. Much of the album favors the melodic R&B side of his artistry. However, its surprise bonus disc features hard-hitting trap songs, reminiscent of Future’s legendary 2015 mixtape run.
Across its 25 tracks, We Still Don’t Trust You encompasses the different styles of Future. It reaffirms his creative range across two discs. Much like their previous effort, We Still Don’t Trust You highlights Metro Boomin’s skills as a producer, expanding upon the sound he and Future established long ago. Today, we are highlighting the five best beats from Future and Metro Boomin’s We Still Don’t Trust You. Take a look at the list, ranked from least to greatest, below.
The sample of Brownstone’s “If You Love Me” is the centerpiece of the beat on “Luv Bad Bitches.” Its vocal loop, along with an ‘80’s style drum pattern creates a downbeat R&B groove, over which Future croons about liking “good girls” and especially loving “bad bitches.” The Brownstone sample is subdued within the mix, allowing Future’s voice to become the focal point of the song. The loop almost acts as background vocals as Future recreates the melody on the chorus. “Luv Bad Bitches” is one of many soulful moments on We Still Don’t Trust You.
4. “All To Myself”
Much like “Luv Bad Bitches,” “All To Myself” utilizes a faint vocal sample, assisting Future as he leans into his R&B side. Incorporating the vocals and lead melody of The Isley Brothers’ “Let’s Lay Together” into the song, Metro Boomin makes the sample his own with the percussion. The downbeat trap patterns build around the sample, allowing both Future and The Weeknd to fashion their own melodies. In addition to Metro Boomin’s sample and percussion, what really stands out on the “All To Myself” beat is the guitar playing from Mike Dean. Contributing to numerous tracks on the album, the multi-instrumentalist and producer brings the best out of Metro, resulting in a perfect blend of R&B and trap.
Undoubtedly the most soulful beat on Future and Metro Boomin’s We Still Don’t Trust You is “Gracious.” This track taps into Future’s knack for contemporary R&B, with the uncredited vocal loop acting as the beat’s driving force. The production on “Gracious” is quite relaxed as the vocals are complemented by a gentle acoustic guitar melody. Of course, trap percussion and 808 kicks underscore the melody, giving the song a classic Metro Boomin feel. With its laid-back soul and emphasis on melody, “Gracious” is an outstanding moment on We Still Don’t Trust You.
2. “We Still Don’t Trust You”
The opening title track on Future and Metro Boomin’s latest album begins rather mysteriously. In comparison to the cold trap production on “We Don’t Trust You,” this song starts the R&B-centric first disc with an upbeat synth-pop groove. Even without The Weeknd’s appearance on the haunting intro, its ‘80’s percussion, ominous bassline, and spacious synth work from Mike Dean feel Dawn FM-inspired. It is a familiar sound for The Weeknd, but Future also fits quite comfortably on the beat. Contrasting the trap edge of their previous album, the beat on “We Still Don’t Trust You” immediately sets the tone for a moody and melodic first disc. It also sets the bar quite high as it contains some of the most adventurous production on the tracklist.
1. “Red Leather”
Sometimes the best beats are the simplest, as exemplified in “Red Leather.” The calming guitar loop and minimal percussion create an open atmosphere for Future to weave between singing and rapping. It also finds a happy medium between the rap styles of Future and J. Cole, who makes a surprise appearance. What also makes the beat on “Red Leather” compelling are the slight variations in percussion as it adds and strips away percussive elements. It contributes an unpredictable component to the repeating guitar loop. Still, the melody itself is certainly pleasant enough to sustain its seven-minute runtime. The additional guitar melody during the final chorus is another exciting highlight on the standout track. Despite J. Cole’s surprise verse on “Red Leather,” the beat steals the show, closing the first disc of We Still Don’t Trust You on a high note.
We Still Don’t Trust You is running it up, projecting for Future and Metro Boomin’s second No. 1 debut in a month.
According to Hits Daily Double, We Still Don’t Trust You is aiming for a 150-175K album-equivalent unit debut. The first edition, We Don’t Trust You, hit No. 1 behind 251,000 equivalent album units.
We Still Don’t Trust You is in the streets, and The Weeknd has connected with Future and Metro Boomin for the title track video. You can see it below.
This dynamic duo’s latest offering marks another milestone in their illustrious partnership. It captivatingly captures the music industry and ignites a fervent buzz among fans. Featuring J. Cole, Lil Baby, The Weeknd, A$AP Rocky, and more, the album propels the iconic rapper-producer duo to new heights, solidifying their status as pioneers of hip-hop.
The success of WE DON’T TRUST YOU speaks volumes, with its debut at No. 1 on the charts and the chart-topping single “Like That” featuring Kendrick Lamar dominating the Billboard Hot 100. The album’s tracks continue to dominate the charts, with multiple songs debuting in the Top 10, showcasing the unparalleled impact of Future and Metro Boomin’s collaboration.
As they continue to push the boundaries of hip hop with their infectious beats and thought-provoking lyrics, Future and Metro Boomin also treat fans to cinematic visuals for tracks like “Type Shit” with Travis Scott and Playboi Carti and “Young Metro” with The Weeknd.
With WE STILL DON’T TRUST YOU, Future and Metro Boomin reaffirm their position as trailblazers in the music industry, delivering another unforgettable album that will leave a lasting impression on fans worldwide.
We Still Don’t Trust You is in the streets, and The Weeknd has connected with Future and Metro Boomin for the title track video. You can see it below.
Future and Metro Boomin are back with another game-changing album, WE STILL DON’T TRUST YOU, just three weeks after the release of their monumental collaboration, WE DON’T TRUST YOU.
This dynamic duo’s latest offering marks another milestone in their illustrious partnership. It captivatingly captures the music industry and ignites a fervent buzz among fans. Featuring J. Cole, Lil Baby, The Weeknd, A$AP Rocky, and more, the album propels the iconic rapper-producer duo to new heights, solidifying their status as pioneers of hip-hop.
The success of WE DON’T TRUST YOU speaks volumes, with its debut at No. 1 on the charts and the chart-topping single “Like That” featuring Kendrick Lamar dominating the Billboard Hot 100. The album’s tracks continue to dominate the charts, with multiple songs debuting in the Top 10, showcasing the unparalleled impact of Future and Metro Boomin’s collaboration.
As they continue to push the boundaries of hip hop with their infectious beats and thought-provoking lyrics, Future and Metro Boomin also treat fans to cinematic visuals for tracks like “Type Shit” with Travis Scott and Playboi Carti and “Young Metro” with The Weeknd.
With WE STILL DON’T TRUST YOU, Future and Metro Boomin reaffirm their position as trailblazers in the music industry, delivering another unforgettable album that will leave a lasting impression on fans worldwide.
Future and Metro Boomin’s second collaborative LP of 2024, WE STILL DON’T TRUST YOU, is a more R&B-inspired effort than its predecessor, and who better to tap to give the album these ethereal vibes than Abel Tesfaye himself? Moreover, the “Low Life” trio comes together yet again on “All To Myself,” on which both Fewtch and The Weeknd provide some compelling and passionate vocal performances. As for the St. Louis beat wizard, his patient drums, dreamy synth pads, and cavernous guitar solos make for a truly intoxicating vibe that the lead vocalists fit perfectly. Honestly, never mind the alleged Drake diss that the XO boss includes here: this would still be one of the most notable, complete, and chemistry-filled cuts on the whole project.
In fact, this is a pretty tall order considering that The Weeknd also appears on WE STILL DON’T TRUST YOU‘s title track (and music video). In comparison to that cut, though, the feature here is much more fleshed-out, compact, and specifically spotlit for the Canadian superstar. He follows Future’s lyrical themes of needing a partner all to himself, and their vulnerable lyrics on the matter, while sometimes too sappy, really fit the tone of the instrumentation on “All To Myself” quite well. Not only that, but this also showcases their vocal chemistry in a really cohesive and complementary way. Whereas Pluto’s croons are low and husky, the “Faith” singer soars high in his range. Also, they handle various flows quite seamlessly, and some extra embellishments like evolving drums and new timbres and melodies mean that Metro also does his part to craft this song dynamically.
Future & Metro Boomin’s “All To Myself” With The Weeknd: Stream
Meanwhile, as Future, Metro Boomin, and The Weeknd are seemingly responding to all the Drake drama, we can only guess as to where these artists will go from here. If you haven’t heard “All To Myself” yet or the rest of WE STILL DON’T TRUST YOU, find them on your preferred streaming service or check this specific song out above on YouTube. Down below, you can find some notable lines and the comments section for you to drop your thoughts on these releases. For the latest great music drops around the clock, check back in with HNHH.
Quotable Lyrics Baby don’t smoke, but she roll my blunts You keep me charged, keep your word a bond Ain’t no more problems, they overdone You gave me life when my heart was numb
Drake and Kendrick Lamar’slong-running beef that dates back to the latter infamous “Control” verse, which had the rap game in a frenzy, is now at its breaking point. Things heated up when Kendrick made a surprise appearance on Future and Metro Boomin’sWe Don’t Trust You track “Like That” and delivered several lines at Drake. They include: “F*ck sneak dissin’, first-person shooter, I hope they came with three switches,” “Motherf*ck the big three, n****, it’s just big me,” and “‘Fore all your dogs gettin’ buried / That’s a K with all these nines, he gon’ see Pet Sematary.”
Since then, Drake has hinted at a response to Kendrick’s disses, and today he finally delivered. Drake’s response seemingly leaked today, but the intention with the release became much clearer when Drake returned with the official version of the track (with some help from Akademiks). The track, allegedly called “Push Ups (Drop & Give Me 50)” (or something along those lines), aims at not only Kendrick Lamar, but The Weeknd, Future, Rick Ross, Ja Morant (allegedly), Travis Scott (seemingly), and Metro Boomin. It’s floating around throughout social media, so head over to Twitter/X if you haven’t heard it yet. Nonetheless, a lot is going on throughout this 4-minute track, so let’s break down which lines are disses and who they’re aimed at.
Kendrick Lamar
Drake and Kendrick’s beef goes back to the “Control” days (see the history here), so with years of animosity built up, Drake used this moment to fire off on Kendrick. The point is, there are a lot of lines directed at Kendrick. Check them out below:
A response to Kendrick Lamar’s Got 2TEEZ with me, I’m snatchin’ chains and burnin’ tattoos, it’s up” line on “Like That”:
You won’t ever take no chain off of us
How the f*ck you big steppin’ with a size seven men’s on?
and
I be with some bodyguards like Whitney
A possible claim that Kendrick Lamar allegedly had to give 50% to his former label TDE:
Extortion baby, whole career you been shook up
‘Cause Top told you drop and give me fifty like some push-ups, huh
Your last one bricked, you really not on sh*t
They make excuses for you ’cause they hate to see me lit
Pull your contract ’cause we gotta see the split
The way you doin’ splits, bitch, your pants might rip
You better do that motherf*ckin’ show inside the bitty
Maroon 5 need a verse, you better make it witty
Then we need a verse for the Swifties
Top say drop, you better drop and give ’em fifty
Claims that Kendrick is not in any “big three”:
You ain’t in no Big Three, SZA got you wiped down
Travis got you wiped down, Savage got you wiped down
Wordplay with Kendrick’s former labels TDE & Aftermath:
Like your label, boy, you in the scope right now
And you gon’ feel the aftermath of what I write down
A response to Kendrick Lamar’s “Your best work is a light pack/N****, Prince outlived Mike Jack’, n****, bum” line on “Like That”:
What’s a prince to a king? He a son, n****
Another diss, this time aimed at Kendrick’s support in his hometown of Compton, CA:
Get more love in the city that you from, n****
Drake letting us know the beef did not start with “Like That”:
And that f*ckin’ song y’all got did not start the beef with us
This sh*t been brewin’ in a pot, now I’m heatin’ up
I don’t care what Cole think, that Dot sh*t was weak as f*ck
A request for Kendrick to drop his rumored diss at Drake:
You had a song for four years, drop that sh*t and shut your mouth
Future
Drake and Future were once frequent collaborators, but something went wrong in their friendship that led to a war of words that produced two albums and an Avengers-type formation of artists who also seem to have issues with Drake. After Future took aim at Drake on We Don’t Trust You and We Still Don’t Trust You, Drake fired off a bunch of responses on his new diss track:
A response to Future’s “You a n**** number one fan, dog/Sneak dissin’, I don’t understand, dog/Pillowtalkin’, actin’ like a fed, dog/I don’t need another fake friend, dog” line on “We Don’t Trust You”:
I could never be nobody number-one fan
Your first number one, I had to put it in your hand
Metro Boomin
Similar to Future, Drake and Metro were once frequent collaborators, but their relationship also burned to a crisp. There’s not too much directed at Metro on this track, aside from this line:
Metro, shut your hoe ass up and make some drums, n****
Travis Scott
With his two features on We Don’t Trust You, it seems like Travis Scott may have picked his side. Even before the album’s release, that seemed evident when Travis begged Future and Metro to play a preview of “Like That” during their Rolling Loud California headlining set. Drake seemingly caught on to this and issued a reply on his new record:
Rolling Loud stage, y’all were turnt, that was slick as hell
Sh*t’ll probably change if your BM start to kiss and tell
Rick Ross
Drake and Rick Ross’ friendship seemed like it would never break as the two delivered numerous collaborations over the years, including “Stay Schemin” and “Gold Roses.” Things have changed as Rick Ross not only hopped on Future & Metro Boomin’s We Don’t Trust You track “Everyday Hustle,” but shared an Instagram Story of his driving with Kendrick Lamar’s verse on “Like That” playing. Naturally, Drake had some thoughts on that:
I might take your latest girl and cuff her like I’m Ricky
Can’t believe he jumpin’ in, this n**** turnin’ fifty
Every song that made it on the chart, he got from Drizzy
Spend that lil’ check you got and stay up out my business
Worry ’bout whatever goin’ on with you and (Uh)**
**The leaked version of the song had “Diddy” in place of “Uh.”
Ja Morant
This one seems a bit random, but it appears that Drake took a slight jab at Ja Morant after the former was seen with Brooklyn Nikole (Latto’s sister) Latto’s sister and Morant’s ex.
Ayy, shoutout to the hooper that be bustin’ out the griddy
We know why you mad, n****, I ain’t even trippin’
— The Pettiest Laker Fan (@ThePettiestLA) April 13, 2024
The Weeknd
Just like Kendrick, Drake and The Weeknd’s beef is more than ten years old, though they’ve seemingly attempted to patch things up over the years. This is not one of those times as The Weeknd fired off a few lines at Drake on “All To Myself” from Future & Metro Boomin’s We Still Don’t Trust You. In response, Drake dissed The Weeknd, his managers, and the whole XO label:
Yeah, I’m the 6ix god, I’m the frontrunner
Y’all n**** manager was Chubbs lil’ blunt runner
Claim the 6ix, and you boys ain’t even come from it
And when you boys got rich, you had to run from it
Cash blowin’ Abel bread, out here trickin’ (Out here trickin’)
Shit we do for bitches he doin’ for n****s (What the fuck?)
Jets, whips, chains, wicked, wicked, wicked (Wicked, wicked)
Spend it like you tryna f*ck, boy, you trippin’, boy, you trippin’
and
Hugs and kisses, man, don’t tell me ’bout no switches
Stay tuned for more as this rap battle is just getting started.
Well, apparently, the waiting period is over. Today (April 13), a four-minute song aimed at Lamar has seemingly leaked online. Many have questioned the song’s authenticity due to the rise of AI-generated music (especially using Drake’s likeness). Others believe it is not only accurate but also serves as a warning to Drake’s foes.
If you haven’t kept track of those folks, the record takes jabs at NAV, Rick Ross, Kendrick Lamar, Future, and, of course, Metro Boomin.
Read a few of the supposed bars directed at Kendrick Lamar below.
How the f*ck you big steppin’ with a size seven men’s on? / This the bark with the bite, n****, what’s up? / I know my picture on the wall when y’all cook up / Extortion baby, whole career you been shook up / ‘Cause Top told you drop and give me fifty like some push-ups, huh / Your last one bricked, you really not on sh*t / They make excuses for you, ’cause they hate to see me lit / Pull your contract, ’cause we gotta see the split / Ayy, the way you doin’ splits, b*tch, your pants might rip / You better do that motherf*ckin’ show inside the bitty / Maroon 5 need a verse, you better make it witty / Then we need a verse for the Swifties / Top say drop, you better drop and give ’em fifty / Pipsqueak, pipe down / You ain’t in no Big Three, SZA got you wiped down / Travis got you wiped down, Savage got you wiped down / Like your label, boy, you in a scope right now /And you gon’ feel the aftermath of what I write down / I’m at the top of the mountain, so you tight now / Just to have this talk with yo’ ass, I had to hike down.
Future and Metro Boomin are on a heater. We Don’t Trust You, their collaborative studio album that dropped on March 22, debuted at No. 1 on the Billboard 200. Future and Metro Boomin followed that up with We Still Don’t Trust You, a “completely separate body of work” that’s all but guaranteed to also debut at No. 1 on the Billboard 200. Between the two, Future and Metro Boomin have released 42 songs in three weeks.
Still, Metro Boomin won’t rest.
On Friday evening, April 12, Metro a 65-second visual for “All My Life” featuring Lil Baby — one of 25 tracks from We Still Don’t Trust You. The behind-the-scenes video hits all the appropriate notes for a behind-the-scenes video.
There are various shots of luxurious cars, including but not limited to a Tesla Cybertruck. While someone is lighting up in the studio, Future can’t stop vibing to his own “All My Life” bars about selling out Madison Square Garden while his peers can only sell out Barclays Center, flying to Japan, taking a Xanax (“I’m so f*ckin’ high, I can’t even see straight”), and “Ballin’ on this sh*t like Johnny Manziel.”
Listen to “All My Life” above, and check out the full We Still Don’t Trust You tracklist here.
Drake’s got some “F*ckin’ Problems” lately. His most immediate appears to be that half the rappers who appeared with him on that song in 2013 seem to hate him now — or at least, that’s rap kayfabe these days. Drake’s feud with Kendrick has turned into a full-blown ambush, with ASAP Rocky and The Weeknd joining the festivities on Future and Metro Boomin’s new album We Still Don’t Trust You. Drake’s the Toranaga of hip-hop’s version of Shogun and at this point, it looks like Future is Kazunari, leading the rest of the regents against him.
However, unlike the Japanese feudal lord in that show, it could be argued that Drake’s brought a lot of this on himself. For instance, ASAP Rocky probably wouldn’t have thrown shots in his “Show My Hands” verse had Drake left well enough alone on his most recent album, For All The Dogs. In multiple songs — “Fear Of Heights,” “Virginia Beach,” and “Another Late Night” — he makes subtle references to his prior relationship with Rihanna and drops digs at Rocky for ending up with her in the end. Rihanna and Rocky share two children together and have been rumored to be either engaged or married for the past year. Drake also seemingly alluded to Rihanna during his tour for the album earlier this year.
On “Fear Of Heights,” Drake sings, “Why they make it sound like I’m still hung up on you? / That could never be / Gyal can’t ruin me / Better him than me / Better it’s not me / I’m anti, I’m anti / Yeah, and the sex was average with you / Yeah, I’m anti ’cause I had it with you / Okay, I’m auntie like your daddy sister / Auntie like a family picture / And I had way badder b*tches than you, TBH / Yeah, that man, he still with you, he can’t leave you / Y’all go on vacation, I bet it’s Antilles.” Which… come on, man. Do better.
It was all good just a couple of years ago, too. Drake was popping out at ASAP Rocky’s shows in 2019 and gifting him $150k chains in 2020. However, after Rihanna and Rocky went public with their relationship in 2022, Drake unfollowed the pair on Instagram, passive-aggressive millennials’ official signal that “we can’t be friends.” And Drake is nothing if not passive-aggressive.
Rocky appeared to hit back at Drake earlier this year as well, with fans interpreting lines from his verse on Kid Cudi’s album as shots at the Canadian certified lover boy. If 2 Chainz comes out of the woodwork to smoke his “No Lie” collaborator too, Drake’s going to need an intervention. Maybe Post Malone or somebody can be his John Blackthorne.
(@ThePettiestLA) 