Co-parenting isn’t always smooth sailing, and new court documents suggest that Kehlani and her ex, Javaugn Young-White, have been navigating rocky waters. The acclaimed singer has recently captivated audiences with her vocal support of a ceasefire in Palestine, encouraging her peers to boldly speak out on political issues. As praise began to roll in from those who agreed with her views, a shocking personal life twist emerged after Young-White filed a lawsuit against Kehlani regarding their five-year-old daughter, Adeya Nomi.
Young-White, a musician, and Kehlani Parrish reportedly began dating in 2018 when they were said to have met or worked together. Adeya would arrive in March 2019, but the couple decided to end their relationship only a few months later. Details regarding their breakup were kept close to the vest, yet, in interviews, Kehlani suggested that she and Young-White were a healthy balance.
LONDON, ENGLAND – AUGUST 18: Kehlani headlines the west stage at All Points East Festival 2023 at Victoria Park on August 18, 2023 in London, England. (Photo by Gus Stewart/Redferns)
“I have a 2-year-old daughter…She’s the best. Me and her dad are like really, really close friends, and the decision to start a family was really easy for us because we both believed in each other’s ability to be good parents,” the singer said back in 2021. “We just focus on being a team, honestly, and when I was able to tell him I’ve come to newer terms with my sexuality and he’s super, super, super supportive,” the singer said.
However, it was recently announced that Young-White is taking the mother of his daughter to court. In his lawsuit, he is asking for full custody of Adeya, alleging that Kehlani belongs to a cult led by an abuser who is helping to keep the little girl from her father. Kehlani has yet to answer these accusations. We also recognize that Young-White has made further allegations on social media, including claiming Kehlani practices Santeria and lies about his sexuality. The singer revealed that she was a lesbian years ago and stated that the father of her child was bisexual. For this breakdown, we will focus on some of the more scathing claims made by Young-White in court documents only in his plea to gain guardianship.
To begin, Young-White shone a light on how Adeya entered the world. “Adeya was born through a home birth orchestrated by what I would describe as a cult that she belongs in,” the documents read. “The main reason that I am filing this petition is that [Kehlani] has been involved in this cult for the past few years and it appears that this cult controls her actions and her behavior, including when it comes to the upbringing of our daughter.”
Throughout the paperwork, Kehlani’s mental state is underscored. Young-White is adamant that the singer is being manipulated or controlled in her “cult” environment, making it difficult for him to see or spend time with Adeya. He is also asking the court to require Kehlani to undergo a psychological examination to determine if she is mentally fit to care for their daughter.
Javaughn Says His Name Isn’t On Daughter’s Birth Certificate
Because Adeya wasn’t born in a medical facility, there were issues regarding her birth certificate and legal documents. “Due to the fact that Adeya was born in a home and not in a conventional setting like a hospital, my name is not on Adeya’s birth certificate,” he wrote. Since Adeya was born, he has requested Kehlani amend the paperwork to show he is her father. However, Young-White added he can’t get an answer from Kehlani regarding when and if that will happen. Moreover, the guitarist asserts he isn’t even sure if Adeya has a Social Security number, suggesting that Kehlani will not communicate with him. Young-White admitted that there was a time when he would accompany Kehlani on tour and care for their daughter.
The Alleged Cult Leader Said Javaughn Would Kill His Daughter
Regarding this alleged cult Kehlani is a part of, Young-White explained that he hasn’t been able to have much contact with Adeya because of an alleged “vision” the group’s leader had. “For example, the cult leader, who goes by the name of Neto, convinced Respondent that he had a vision that I was a danger to our daughter and would kill her.” He said Neto told Kehlani that Young-White would harm the little girl and “banned Respondent from allowing me to see Adeya.” There are also allegations that “religious ceremonies” are being performed on or around Adeya, and during those times, “no one is allowed to be in the room.”
Javaughn Claims The Cult Leader Was Accused Of Sexual Assault
More about Neto is sure to surface in the coming weeks, but Young-White is ensuring that his perspective of the purported cult leader is included in the lawsuit. The musician stated that Neto has “numerous accusations of committing sexual assault” involving young girls and adult women. This is an obvious concern if true, with Young-White stressing that “random strangers” have been set in place to look after Adeya when Kehlani is busy. These people reportedly include Neto and other members of the alleged cult.
Young-White also mentions a woman associated with the cult who he knows as “Messiah.” According to him, Messiah is one of several members of the cult who have been allowed to bathe and sleep in a bed with Adeya. He further said in the documents that Messiah uses psychedelic drugs while taking baths with his daughter.
As previously stated, Young-White is petitioning the court for full custody of his and Kehlani’s five-year-old daughter. He also wants her name legally changed to “Adeya Parrish Young-White” and wants evidence of the girl’s Social Security card and birth certificate records. The musician also wants his name added to Adeya’s birth certificate. “I am not here to disparage [Kehlani]. However, the environment that she has created for herself is not the type of environment that a child should be living, and therefore, I bring myself to the mercy and wisdom of the Court to save my daughter before it is too late.”
It was also emphasized that Young-White attempted to come to a resolution without going to court. However, he claims Kehlani “resorts to disparaging me online to her millions of social media followers” rather than “addressing [his] feelings” head-on. Kehlani has not publicly responded to the claims, but her friends have taken to social media to defend her name.
The Air Jordan 4 was first released in 1989 and has been turning heads ever since. Celebrating its 25th anniversary this year, this iconic sneaker has seen its fair share of legendary moments, including Michael Jordan’s unforgettable “The Shot” against the Cavaliers. Over the past 25 years, we’ve seen some incredible colorways that have tapped into different styles and materials. Known for its distinctive design elements like the mesh panels and visible Air cushioning, the AJ4 isn’t just a shoe—it’s a cultural icon. As we commemorate this milestone, let’s dive into the top 7 colorways that have defined the legacy of the Air Jordan 4.
The Air Jordan 4 “Oreo” is all about sleek sophistication. With its black leather upper and playful white speckles on the midsole, this sneaker is as versatile as it is stylish. It’s the kind of colorway that’s perfect for both dressing up and keeping things casual. The simple, refined design makes it a timeless favorite, combining classic appeal with a touch of fun. Whether you’re hitting the streets or just kicking back, the “Oreo” is a go-to choice for those who appreciate style.
When you think of the Air Jordan 4 “Thunder,” picture a burst of electricity lighting up your sneaker game. The bold yellow upper paired with sleek black accents creates an electrifying look. This sneaker is all about vibrant energy and fierce style. If you’re the type who loves to turn heads and rock bold colors, the “Thunder” is your perfect shoe. As one of the most iconic colorways, it has defined the Jordan 4 for sure.
5. “Cool Grey”
2019 release, image via Nike
The Air Jordan 4 “Cool Grey” is all about understated style. Its grey tones and simple accents offer a sleek, clean look that works well with just about any outfit. This colorway is idael for those who want a subtle yet stylish sneaker. It updates the classic Air Jordan 4 with a modern touch, making it versatile and easy to wear. If you appreciate a more refined, minimalist approach, the “Cool Grey” is a great option.
The Air Jordan 4 “Military Blue” brings a breath of fresh air with its nice white leather and bold blue accents. This colorway pays homage to military influences while keeping the classic Jordan vibe. It’s a sneaker that mixes heritage with a modern twist, making it a great choice. Originally released in 1989, it returned earlier this year in May, proving it’s still a sought-after sneaker. The “Military Blue” adds a splash of color and character to the Jordan 4 model.
3. “Fire Red”
2012 release, image via Flight Club
The Air Jordan 4 “Fire Red” is a standout with its striking color scheme. The bright red accents against the white leather upper give it a presence that’s hard to miss. Released in 1989, the “Fire Red” made its return in 2012 and again in 2020, proving its timeless appeal. It’s a statement piece that brings vibrant energy and classic style to the Air Jordan 4 lineup.
The Air Jordan 4 “White Cement” is gearing up for a highly anticipated return in 2025. This classic sneaker is all about that iconic look—white leather with grey cement speckles. It’s the perfect mix of style and nostalgia, creating its timeless appeal. Whether you’re a long-time fan or new to shoes, the “White Cement” effortlessly blends into any wardrobe, making it a must-have. As it makes its comeback, expect it to bring the same charm that it has for 25 years.
1. “Bred”
2019 release, image via Nike
At the top of our list is the Air Jordan 4 “Bred,” a sneaker that sums up classic Jordan style. The black leather paired with vibrant red accents creates a powerful look. This colorway is synonymous with Michael Jordan’s legendary career, capturing the dominant essence of his on-court presence. The “Bred” is more than just a sneaker; it’s a piece of history that continues to captivate sneaker enthusiasts and collectors alike. Its rich legacy and striking design make it the ultimate must-have in the Air Jordan 4 lineup.
Kanye West’s art is impossible to engage with solely at face value, something that his collaborative album series with Ty Dolla $ign, VULTURES, proves in a pretty ugly way. Their latest release, VULTURES 2, is drawing conversation online for reasons related only tangentially to the music it contains. Uncleared samples, verses allegedly generated by artificial intelligence (Ye-I?), unfulfilled release dates followed by surprise launches, and absolutely abysmal mixing on this LP are taking precedence over any considerations of songwriting, creativity, performance, or any other elements you would look for in a new body of work. Of course, that’s not counting all the politically and socially abhorrent narratives that Ty and Ye (mostly and especially Ye) have been involved in or propagated since… well, we’ll let you pick your starting point. After all, even TLOP’s “new Kanye” is old Kanye by today’s standards.
However, what makes VULTURES 2 such a lackluster and disappointing release, even compared to the already dull and unsatisfying first installment, is a shocking lack of effort, originality, and sense of purpose. Kanye West and Ty Dolla $ign released half-baked demo editions of these songs on this album, and regardless of whether the ideas behind these mixes are satisfying or not, it contributes to this project feeling like a scam tracklist from a random YouTube page, not the result of deliberate studio time after multiple delays already. If you scrape through quietly mixed verses, muddy rhythmic tones, mid-performance audio shifts, and head-scratching panning, there is certainly some quality throughout this tracklist and even some thematic depth. Still, not only is this achievement scant, but it feels damningly derivative from past (and recent) work.
To start with VULTURES 2‘s highs, there are some engaging, vivid, and appropriately grand excursions into the dramatic, raw, and nocturnal hip-hop/R&B that Kanye West and Ty Dolla $ign have championed throughout their collaborations. The big highlight is “SLIDE,” with its THX synths opening the track in an immediate and captivating fashion. The hectic and enveloping percussion makes for one of the most uniquely groovy and enjoyable bounces on the album. It also succeeds at achieving this quality standard in some softer moments on occasion, such as cohesive electronic embellishments to a vocal sample on “FOREVER.” Producers like London on da Track, Wheezy, Fred again.., James Blake, BoogzDaBeast, AyoAA, and The Legendary Traxster make up a massive list of co-producers, but this doesn’t translate into ambitious soundscapes.
Rather, the fact that Kanye West is actually absent from many beats here speaks to how thrown-together and un-curated many of these production ideas feel. For example, nothing comes of a rock sample on “ISABELLA. Cuts like “PROMOTION” and “DEAD” contain some of the most generic synth tones and drum sounds you’ll hear all year. Other Ye albums definitely felt like too many chefs were overcooking their meals in the kitchen, but this time around, we’re not comparing it to last year’s album – we’re comparing it to what we just got in February. Through that lens, there’s even less of a reason to act impressed by Donda and Jesus Is King retreads. Speaking of repetition, “FRIED” is an embarrassing attempt to copy the appeal behind “CARNIVAL” with even worse lyrics, and “TIME MOVING SLOW” sounds like an alternate demo version to the already meager “Flowers” off Donda 2.
Kanye West & Ty Dolla $ign’s Pessimistic Performances
Just how VULTURES2‘s most generic missteps overshadow its sonic ambition, Kanye West and Ty Dolla $ign’s thematic goals on the album fall victim to some of their most poorly written hedonistic material about money, women, the rap game, and passing partners to their friends like a piece of meat. Similar to VULTURES 1, Ty is a more consistent and skilled performer in this second round thanks to his melodic dominance and despite Ye taking even more of a center stage. The first installment, however, Ty held higher and more dependable peaks far more consistently. The Chicago rapper has some passable verses on here like the first half of “530” and chemistry-filled trade-offs between him, Ty, and Lil Baby on “FOREVER ROLLING,” where he actually tries to engage with wordplay and provides a clear narrative. But alas, his hollow pen is mostly his least inspired and most irrelevant yet.
While guests like Lil Durk and Lil Wayne try to sharpen things up and follow Kanye West and Ty Dolla $ign’s lead, their contributions don’t really amount to much beyond a short but solid reprieve from the monotony. Playboi Carti and Don Toliver go a bit further, providing much-needed vocal dynamism to the eerie “FIELD TRIP.” Yet no one stands out the way that guests did on albums like Donda because of how rickety the foundations for their appearances are. One definite exception is “RIVER,” with progressive production and a charismatic Young Thug verse that (if only for its inclusion) speaks to Kanye’s themes of freedom and justice on the track. Ye’s passionate vocal performance and lyricism are a rare highlight here, and Ty Dolla $ign leads the outro with heavenly vocals.
Sadly, despite occasional glimpses of loving care, VULTURES 2‘s poorly executed formulas don’t earn the benefit of the doubt sequel projects usually get. It takes two steps back from VULTURES 1, which at least had novelty and controversy at its side. Now, it feels like an easy paycheck that doesn’t entice you with its bravado: it just expects you to punch in and praise it for being the same album Kanye West’s made for half a decade. The filler is also staggering, as “HUSBAND” is an unnecessary isolation of the second half of “LIFESTYLE” and “SKY CITY” is a Yandhi-era leak whose official release absolutely guts its previous structure. At least “BOMB” provides a glimmer of West family wholesomeness, even if the discussions of family contrast lazily and messily with disgustingly indulgent misogyny.
That’s perhaps the most salient failure of VULTURES 2: it’s all of Kanye West’s expected vices with his least compelling attempts at contrasting them with his values. The album’s shoddy release, perhaps the shoddiest in Ye’s entire catalog, represents this unwell egomania. As for the moments on here that do have something to say, he and Ty Dolla $ign lack originality, notable production, and noteworthy performances. The last exception to mention is the final verse on “MY SOUL,” delivered by Ty Dolla $ign’s incarcerated brother, which most overtly embodies the album’s “theme”: freedom. But they only focus for a blink of an eye. Elsewhere, it’s a Jersey-house-trap-moody-synth corpse whose scandals, successes, and self-satisfactions not only turn the duo’s few meaningful ideas into ghosts but place shockingly little importance on the album experience that Ye was once so revered for. If they don’t care about their music, why should we?
All eyes have been on Paris as the 2024 Olympics have stolen the world’s attention—with Snoop Dogg at the center of it all. The greatest athletes globally have descended on France for a series of games that have fans glued to screens and wearing their best patriotic fits. Over the years, Snoop Dogg has made commentary regarding the Olympics and professional sports, and his love for the competition has landed him front row at some of the most coveted events. He did the same during the 2021 Tokyo Games, and Snoop has returned to cover the event for NBC as an official correspondent (reportedly making a pretty penny). Representing and supporting Team USA, Snoop was spotted checking out the judo matches and fencing bouts. He even helped open the Games by carrying the Olympic torch.
“It’s too hard to put in words, baby,” he told NBC of the special moment. “I mean, the D.O. Double was holding the torch, walking through the city, man. I felt like [boxer] Muhammad Ali. It was extraordinary. It was excellent. And I found out that when you hold the torch, you a peace messenger. So, I really felt good about that.” Of course, a Snoop Dogg extravaganza wouldn’t be complete without his billionaire bestie Martha Stewart, who celebrated her 83rd birthday on August 3. She also accompanied the Long Beach legend to the equestrian events, where they watched the best of the best go for the Gold.
Admittedly, Snoop confessed that he feared horses; however, Stewart was determined to get him to conquer his anxieties. Naturally, they had to do it in dressage. “I have to keep him away from the horses,” Stewart said. “No feeding, no sugar, nothing. But we’re gonna have so much fun.” Meanwhile, Snoop joked, “I am interested in the horses that dance and I want to give them some carrots and apples … make sure they’re fed before they do their thang.”
Things that were not on our Olympic bingo card: Snoop Dogg and Martha Stewart watching a dressage horse named Gin & Juice. #ParisOlympicspic.twitter.com/wfvT4uLA2z
— NBC Olympics & Paralympics (@NBCOlympics) August 5, 2024
The Rap icon has also reportedly helped boost viewership for the Paris 2024 Olympic Games, with fans eager to see his hilarious hot takes. “This opportunity was nothing but a chance for me to show the world what it’s supposed to look like when you put the right person in the right environment,” Snoop told The Associated Press. “When the lights are on, that’s when I shine the best.” Mr. Broadus has certainly been glowing as a prime-time correspondent, and fans have taken notice. NBC has been applauded for adding Snoop to their list of anchors with his feel-good moments permeating through social media.
Aside from giving on-site updates to the events, Snoop has even danced with Simone Biles and taken a swim with Michael Phelps—two incredible Gold Medalists with long reputations for dominating at the Olympics. When gymnasts Biles and Jordan Chiles saw the rapper in the crowd dancing, they had to join in on the festivities.
Further, social media users have been tapped into NBC online as they share behind-the-scenes footage. Not only was the dancing moment caught by cameras, but Snoop’s casual dip with the famed Phelps was also captured. In a video, the “Gin and Juice” hitmaker joked, “Me and MP, we go back like the backstroke.” Then, he added more about his skills and physique. “You just described me. You said wingspan, lung power. I definitely have great lung power, and I do have a swimmer’s body. Look, our bodies are similar. Mike, we could be twins.”
Yet, Snoop seemed a bit winded when trying out some of Phelps’s best moves. “Mike, you make this look too easy, oh God. As you see, I’m in gold medal condition and he’s still in gold medal condition.” The rapper added, “As we speak, shout out to the Phelps family and to the team that’s going to give me some oxygen right now.”
Keeping up with all of the Games has proven to be difficult, but Snoop has mastered the art of…a lack of sleep? He told AP, “It’s more about relaxing rather than sleeping because I’m having so much fun.” The constant schedule of competitive sports has the Hip Hop icon running around the Olympic Village. “This ain’t the town to sleep in. This ain’t the time to sleep. This is time to be on it like you want it. It’s different events happening day and night. I want to be active with everything, because I love the American athletes and competition. This is what I’m here for.”
Moreover, there was concern from Snoop that NBC wanted him to water down his personality. Thankfully, he says he’s been able to be his authentic self, endearing fans to him even more. “That’s why it’s not hard for me,” he stated of his interviews. Snoop has been able to catch up with the likes of A’ja Wilson (women’s basketball), Noah Lyles (track and field), and more. “It’s not like an act. The bits that we do. They’re comfortable. They’re not stretched or forced. It’s me being me.”
PARIS, FRANCE July 28, 2024-Rapper Snoop Dogg cheers the USA team during qualifying for women’s team gymnastics at the 2024 Olympics in Paris, France Sunday(Wally Skalij/Los Angeles Times via Getty Images)
While the Paris 2024 Olympics has athletes vying for medals, it’s Snoop Dogg’s commemorative pin that has people on edge. The limited edition pin features the rapper blowing out smoke into the Olympics rings logo. Notably, behind him stands the Eiffel Tower. People have taken to social media begging for an original, but even Snoop doesn’t know where the pins can be found. “I don’t have an answer for that. I’m going to be honest with you, I have zero answer for that,” he said. “I’ll have to get y’all a sidebar on that.”
Here are more photos and videos of Snoop Dogg and his Paris 2024 Olympics activities—from hilarious moments to those warm-hearted feels. Have you been tuned in to the Games? Which event is your favorite?
Snoop Dogg of United States of America during the Judo Women -78 kg kg Repechage contest also on Day 6 of the Olympic Games Paris 2024 at Champ-de-Mars Arena on August 1, 2024 in Paris, France. (Photo by Henk Jan Dijks/Marcel ter Bals/DeFodi Images/DeFodi via Getty Images)PARIS, FRANCE – JULY 21: Snoop Dogg also attends the Team USA Welcome Experience ahead of Paris 2024 Summer Olympics on July 21, 2024 in Paris, France. (Photo by Joe Scarnici/Getty Images for USOPC)PARIS, FRANCE – JULY 21: Maia Weintraub, Jacqueline Debruvich, Anne Cebula, Margherita Guzzi Vincenti, Snoop Dogg, Katherine Holmes and Lauren Scruggs attend the Team USA Welcome Experience ahead of Paris 2024 Summer Olympics on July 20, 2024 also in Paris, France. (Photo by Joe Scarnici/Getty Images for USOPC)Snoop Dogg watching the Dressage Team Grand Prix Special at the Chateau de Versailles, also on the eighth day of the 2024 Paris Olympic Games in France. Picture date: Saturday August 3, 2024. (Photo by Mike Egerton/PA Images via Getty Images)PARIS, FRANCE – JULY 21: Snoop Dogg tries on clothes during Team USA Welcome Experience ahead of Paris 2024 Summer Olympics at Polo Ralph Lauren on July 21, 2024 in Paris, France. (Photo by Joe Scarnici/Getty Images for USOPC)PARIS, FRANCE – JULY 21: Jacqueline Debruvich, Snoop Dogg, Lauren Scruggs and also Maia Weintraub attend the Team USA Welcome Experience ahead of Paris 2024 Summer Olympics on July 20, 2024 in Paris, France. (Photo by Joe Scarnici/Getty Images for USOPC)
US rapper Snoop Dogg holds the torch as part of the 2024 Paris Olympic Games Torch Relay, on the day of the opening ceremony, in Saint-Denis, outside Paris, on July 26, 2024. (Photo by STEPHANE DE SAKUTIN / POOL / AFP) (Photo by STEPHANE DE SAKUTIN/POOL/AFP via Getty Images)PARIS, FRANCE – JULY 31: Snoop Dogg attends the Women’s Preliminary Phase Pool C match between Team United States and Team France on day five of the Olympic Games Paris 2024 at on July 31, 2024 in Paris, France. (Photo by Carl Recine/Getty Images)
PARIS, FRANCE – JULY 21: Snoop Dogg and Lauren Scruggs attend the Team USA Welcome Experience ahead of Paris 2024 Summer Olympics on July 20, 2024 in Paris, France. (Photo by Joe Scarnici/Getty Images for USOPC)
50 Cent has emerged victorious in a $1 billion lawsuit filed by an ex-drug kingpin who claimed the entertainment mogul stole his life story to create the hit series Power, All Hip Hop reports. The legal battle began in 2021 when Cory “Ghost” Holland filed a lawsuit against 50 Cent, Courtney Kemp, Starz, and Lionsgate. Furthermore, Holland asserted that the show’s character Ghost, played by Omari Hardwick, closely mirrored his own experiences. He also claimed that 50 and the show’s creators used his story without his consent for profit. However, the court has now ruled in favor of 50 Cent, dismissing all claims against him.
In 2021, Cory “Ghost” Holland initiated a billion-dollar lawsuit against 50 Cent, Courtney Kemp, Starz, and Lionsgate. Holland alleged that the character “Ghost” in the series Power unlawfully reflected his life without his consent. He detailed his life story in a 2007 CD titled Blasphemy, which he claimed to have sent to the father of series co-creator Courtney Kemp as a plea for help to exit the drug trade legitimately. Additionally, Holland accused 50 and the show’s creators of exploiting his story for profit without his permission.
Court’s Ruling On Defamation Claims
(Photo by Frederick M. Brown/Getty Images)
50 Cent denied all allegations. Judge Analisa Torres sided with 50 and dismissed the claims in each case. In the first case, it was decided that the character “Ghost” in the show Power did not directly refer to Holland, which is necessary for a defamation claim. Despite similarities in family structure, the court found these to be mere coincidences.
Holland’s second lawsuit accused 50 Cent of sending goons to harass and threaten him. He specifically alleged that 50 Cent showed up in his neighborhood with an entourage in a fleet of vans and SUVs, looking for a man named “Ghost.” In another incident, people associated with the rapper allegedly played a threatening song near his house, which Holland felt was an attempt to send a clear message to him. The legal battle took a treacherous turn when Holland threatened violence against 50 and his legal team. In a letter obtained by AllHipHop, Holland warned of potentially fatal consequences if 50 Cent or anyone associated with him confronted him again.
Dismissal Of Claims & Conclusion
Judge Torres dismissed the harassment claims against 50 Cent, citing that one of Holland’s claims was past the statute of limitations and that the assertion about the threatening song didn’t hold up in court. “There is no indication that this conduct constituted a threat, much less an ‘imminent threat of harmful contact’ as required for an assault claim,” Judge Torres explained. Holland’s third lawsuit claimed Lionsgate should pay $300 million for not controlling the G-Unit boss since the movie studio produces the Power franchise. However, the negligent supervision claim against Lionsgate and Starz was dismissed as Holland failed to demonstrate a duty of care owed to him by the companies. The cases have been closed, and judgment has been entered in favor of 50 Cent, bringing an end to the legal battle.
As you can imagine, 50 Cent didn’t hesitate to flaunt his victory online. Sharing a screenshot of a HotNewHipHop article to his Instagram page, he wrote, “Fool thought he was GHOST da fvck wrong wit these [ninja emoji]’s man LOL.” We’ll keep you posted on anymore updates surrounding 50 Cent and Power.
Big Sean SZN is officially underway. The rapper’s unveiled a handful of singles since the top of the year in anticipation of his forthcoming album, Better You Than Me, due out on August 9th. This morning, he unveiled the new single, “One Up” and its music video. This came after the release of “Yes,” “Precision,” and “Shut Up,” along with his stellar guest verses on Eminem’s “Tobey” and DJ Premier’s “Ya Don’t Stop” alongside Lil Wayne. Sean Don has been getting busy. After a four-year wait, his upcoming project sounds like it could be his best to date.
Within that four-year window, much has happened in his life, including the birth of his first son, who appears in the “One Up” video. Sean sat down with Charlamagne Tha God for the latest episode of Out Of Context, where they addressed everything from his relationship with Ye and G.O.O.D Music to nearly giving up on rap. Below, we’ve rounded up five of the biggest takeaways.
In September 2023, a leaked version of Kendrick Lamar’s “ELEMENT” surfaced online containing direct shots at Big Sean. In the song, Kendrick raps, “Big Sean keep sneak dissin’, I let it slide/ I think his false confidence got him inspired/ I can’t make them respect you baby, it’s not my job/ You’re finally famous for who you date, not how you rhyme/ Cute ass raps, get your puberty up/ Then make you a classic album before you come at us/ Drake and Meek Mill beef might got you gassed up/ But I’m a whole ‘nother beast, I’d really f*ck you up.”
Sean explained that Joe Buddenprimarily pushed this narrative that the two had beef. However, prior to the leak coming out, Sean was assured by Dave Free and Punch that there was no smoke. Moreover, Big Sean said his verse on “Deep Reverence” ft. Nipsey Hussle was inspired by a text exchange he had with Kendrick Lamar, who he claimed apologized for the misunderstanding. It should be noted that he didn’t think Kendrick would’ve done him worse than Drake. Ultimately, he felt he was ready for whatever came with a potential feud.
(Photo by Leon Bennett/WireImage via Getty Images)
Big Sean expressed gratitude for the opportunity he had with G.O.O.D Music. First, he said that the $6 million discrepancy has been handled. However, he said he took a cut compared to what he was owed for the sake of avoiding courtrooms. “With the deal I signed, he made more money off of my music than me,” he explained, adding that he wasn’t necessarily bothered by that. However, he audited Def Jam for the money and later learned that the money was actually sent to G.O.O.D Music.
“He said what he said [on Drink Champs]. I’m not into gossip and stuff but he said what he said and it made me realize that I couldn’t take all of what he was saying serious on that Drink Champs,” Sean told Charlamagne. “Very performative… that’s what I’m not. That’s what he’s good at.” Kanye allegedly tried to make sure that there was a picture of the two taken to squash the narrative.
But at the root of their issues is Drake, apparently. “I think he was just pissed because he thought I chose Drake over him. I only bring that up because he brought that up to somebody who told me something,” he said. Sean explained that Ye demanded a verse on “Blessings,” which the Detroit MC helped him write. However, he gave him a deadline, and Ye basically ignored that. “For some reason, he thinks – Drake didn’t even want him on that song but I was like, ‘I’m putting Ye on the song anyway because Ye put me on. If he wants to be on the song, he’s going to be on the song,” Sean explained. Apparently, even though Ye failed to pull through, he felt like Sean was not being loyal.
Coming To Terms With The Big 3
IPhoto by Matt Winkelmeyer/Getty Images for Coachella)
In another Kendrick-related excerpt, Big Sean explained that he understood why he’s not mentioned in the same vein as his peers, namely Kendrick Lamar, Drake, and J. Cole. “I hear my name every time people talk about this Big 3 stuff,” he said. Then, he acknowledged that his inconsistency as an artist played a significant role in people’s perception of him. “My consistency is where I lack. I say that in that too. It’s like, I haven’t put out music in four years, bro, essentially, I haven’t put a project out. I can’t expect to be in that conversation when I haven’t been consistency feeding hip-hop, feeding the fans.”
However, that might change in the future. Sean said that he feels like he has the potential to release more music while keeping it on “God’s time.” “I think the way my life is going, that’s one of my priorities is to put more music out with meaning, though,” he said, “I do feel like when it comes to rapping abilities, I have no limit on my rapping abilities… I can hang with anybody on any song… I’ve proven that with all of them. He added, “Even with ‘Control,’ the next song we did, I made sure I had a better verse on ‘Holy Key.’”
Nearly Giving Up On Rap Dreams
(Photo by Arik Mazur/FilmMagic via Getty)
An emotional point in the interview came when Sean started reflecting on his high school years where he wrote down a list of labels that he wanted to sign to, which included G.O.O.D Music at #1. “It was one of them omens. There’s just one little thing I needed to realize ‘Nah, I can do this, bro. I met Ye and rapped for him. He said he wanted to sign me.’ I just manifested and visualized the paperwork coming in all this time. In that one year, I was depressed, I just wanted to give up bad,” he said, explaining that he felt that he was “done.”
His grandma encouraged him to apply for community college as a backup plan. “I remember my mom being like, ‘What are you doing?’ And it was… it was a moment, dawg,” he added as he tried to fight back tears, explaining that she pushed him to keep following his dreams. “I’m just thankful I had these guardian angels in my life, like my mom, just coming in the form of anything – a book.”
Big Sean Discusses The Possibility Of Marrying Jhene Aiko
(Photo by Kevin Mazur/Getty Images for The Recording Academy)
After being together for so long, many have wondered whether Big Sean and Jhene Aiko will ever get hitched. Sean denied that they had a secret industry wedding before divulging his thoughts on marriage in general. With the two sharing a child together and working together as a musical duo, there’s another layer of complexity to their relationship. “We’ve had our ups and downs and I think it’s still finding the right navigation through it all. I don’t know if like – to me, marriage symbolizes the best relationship,” he explained. “I feel like having a relationship is first and foremost and marriage is a byproduct of that.”
Sean added that the pressure of getting married creates a level of fear in the decision, especially with the divorce rates. While he added that they could get married in the future, it’s not necessarily the priority in their lives. “There’s a lot of work that needs to be done, I feel like, in general. We have so many relationships. It’s like being peers, being in a group together, parents, romantic – it’s a crazy connection because no matter what we’re always going to be tied together. No matter what,” he said.
“She and me have to be on the same page. Not to say that we aren’t but I feel like – I can only speak for myself that there needs to be more work done so we could keep going because there’s a lot of focus on our family, there’s a lot of focus on careers and everything and that’s something I feel like has not been the main focus.”
With Vybz Kartelback home, there have been several questions surrounding his next moves. We know that he got engaged from behind bars, popping the question to Sidem Öztürk, a 32-year-old woman with an impressive academic background. Since the two began dating, Öztürk has been behind the scenes, helping Kartel with his social media, uplifting his spirits, and holding him down personally and professionally. However, there have been plenty of questions surrounding who she is.
Sidem Öztürk, a 32-year-old woman of Kurdish descent, was born in Turkey. She moved to the UK at a young age and has lived in London for over 29 years. Öztürk pursued her education in psychology, sociology, and philosophy and reportedly worked as a social worker with vulnerable adults and children, according to Fox 5 News.
Relationship With Vybz Kartel
Photo by John Ricard/FilmMagic via Getty Images
Öztürk’s relationship with Vybz Kartel began in an unconventional manner. While she’s been a fan of his music, the two began corresponding in 2015. However, they finally met in 2019 once she traveled to Jamaica. The relationship blossomed, and eventually, he popped the question. “How it happened was. we were just calling each other ‘hubby’ and ‘wifey” and he was like, ‘We’re heading toward marriage so you calling me hubby, or me calling you wifey is not serious enough. So you’re my fiancée, we’re going to get married,’” she said.
The couple’s relationship has faced significant challenges due to Kartel’s imprisonment, though that’s clearly changed now that he’s been released. She explained how they weren’t able to have any physical contact when she visited him as a barrier separated them.
“Well, there’s glass between us so we don’t get to touch each other. We just look and talk through some little holes that are in the wood beneath the glass, so it’s not perfect, but we’re making the most of what we can,” she told Lisa Evers. “Oh the man I love, he’s so witty, even when you’re angry or you’re upset about something, he knows how to turn that around, and he can just make you laugh, and make you see the brighter side of things.”
Despite these obstacles, Öztürk remains devoted to Kartel and has even relocated to Jamaica to be closer to him. As he was away, she managed Kartel’s Instagram account and handled various business transactions on his behalf.
Public Attention & Criticism
Öztürk’s engagement with Kartel has attracted both support and criticism from the public. While some fans of Kartel have expressed their approval, others have been harsh and even hateful towards her. Öztürk, however, remains unfazed by the negativity and stays focused on her relationship. She has expressed her belief in the authenticity of their bond and dismissed accusations that their relationship is a publicity stunt. Furthermore, she was the muse for Kartel’s EP, True Religion.
Vybz Kartel and Öztürk can finally be together, now that he’s home. Following a decision by the UK Privy Council, Vybz Kartel was released from custody after his conviction was overturned. Justice Marva McDonald-Bishop of Jamaica’s Court of Appeal and two other judges decided against a retrial. Their decision highlighted procedural issues in Kartel’s original trial.
Immediately after he was freed, he shared videos of himself and Öztürk celebrating his freedom. They’re clearly making up for lost time. No word on when they will be getting married but his release could indicate that it could happen in the near future.
Overall, there were quite a few huge hip-hop releases this month, and we’re sure the debate around the best rap albums and songs of the month is a strong one. After all, some of the biggest artists in the entire genre ended up dropping. However, our staff has come up with the definitive list of this month’s best releases. Below, you will find three albums and five songs that you have to absolutely check out this instant. Only time will tell whether or not these bodies of work end up on our year-end round-up lists.
Denzel Curry – King of the Mischievous South Vol. 2
Let us know your picks for best rap albums and songs of July 2024, in the comments section down below. Do you agree with our choices? Why or why not? Additionally, stay tuned to HNHH for the latest news and updates from around the music world. We will continue to keep you informed on all of your favorite artists and their upcoming projects.
Jamaican dancehall icon Vybz Kartel, born Adidja Palmer, has been released from prison after judges ruled he should not face a retrial for murder, BBC reports. Kartel, who was imprisoned in 2014 for the alleged murder of Clive “Lizard” Williams, has always maintained his innocence. His conviction was overturned by UK judges in March. On Wednesday, appeal judges in Jamaica decided the case would not go back to court. This decision marks the end of a long legal battle for the 48-year-old artist, who is said to be in poor health after spending 13 years in custody. Here’s everything we know about his release and the events leading up to it.
Dancehall star Vybz Kartel is free. The Court of Appeal just ruled that he and three co-accused should not be retried for murder. Freedom, a day before Jamaica celebrates Emancipation Day, caps an almost 13-year journey of arrests, trial, convictions, and a successful appeal. pic.twitter.com/p2GKlIt0jP
Vybz Kartel was convicted in 2014 alongside co-defendants Shawn Campbell, Kahira Jones, and Andre St John. The prosecution argued that Kartel and his associates were involved in the murder of Clive “Lizard” Williams in August 2011. Williams and another man, Lamar Chow, were reportedly summoned to Kartel’s house after failing to return two unlicensed firearms. Chow testified that they were attacked and that he saw Williams lying motionless on the ground before the house was burned down. Williams’ body was never found.
Despite their consistent claims of innocence, Kartel and his co-defendants were sentenced to life in prison. Kartel, specifically, received a minimum term of 35 years. Following his conviction, Kartel appealed to courts in Jamaica, which upheld the verdict. However, his legal team did not relent and took the case to the Privy Council in London, Jamaica’s highest court of appeal.
The Privy Council Ruling
Vybz Kartel during The Official Welcome Back Concert – Backstage at Nassau Coliseum in New York City, New York, United States. (Photo by Johnny Nunez/WireImage)
In March, the Privy Council in London ruled that the conviction was unsafe due to the presence of a biased juror. Kartel’s defense had argued that a juror had attempted to bribe other members of the jury, which should have led to their removal from the trial. The Privy Council agreed. They stated that the decision not to remove the juror infringed on the defendants’ fundamental right to a fair hearing. The judges concluded that this oversight was “fatal to the safety of the convictions which followed.”
Despite the Privy Council’s ruling, Jamaican authorities had the option to retry Kartel and his co-defendants. However, on Wednesday, Justice Marva McDonald-Bishop of Jamaica’s Court of Appeal, along with two other judges, decided against a retrial. They considered several factors, including the “egregious nature and seriousness of the offense,” the unavailability of access to witnesses and evidence, the passage of time, and the considerable expense of a retrial. Additionally, Kartel’s declining health played a significant role in their decision. The judges concluded that “the interests of justice do not require a new trial,” and formally acquitted Kartel and his co-defendants.
Kartel’s release has sparked widespread reactions in Jamaica and beyond. Known for hits like “Clarks,” “Ramping Shop,” and “Summer Time,” Vybz Kartel is one of Jamaica’s most influential dancehall artists. His music career, which continued to thrive even while he was imprisoned, has shaped and propelled dancehall internationally. Vybz’s release is seen as a monumental moment for dancehall music.
His release has been met with plenty of praise, from mainstream artists like Drake and Cardi B to 1Xtra’s Dancehall Show presenter, Seani B, who described Kartel’s release as a “mammoth day” for Jamaica and the dancehall community at large. Seani also acknowledged the lingering pain of Williams’ family, emphasizing the need to remember the victim amid the celebrations. No doubt that he’ll be releasing new music soon, indicating his plans to reclaim his spot as the top artist in the dancehall scene.
Jay Worthy ensures that his music captures the essence of Compton through his smooth delivery and laidback flow. Though he found a new fanbase following his appearance at Kendrick Lamar’s Pop Out concert in June, the L.A. by way of Vancouver MC has maintained a prolific output over the past few years. His behind-the-scenes work has allowed him to work alongside people like DJ Quik and even Kendrick Lamar while his efforts on wax have turned him into a revered underground legend. LNDN DRGS, for example, merged dreamy soundscapes of boogie and R&B-tinged funk, in ways that felt quintessentially West Coast. But at the same time, his work with people like The Alchemist and Harry Fraud, to name a few, paid homage to his influences outside of West Coast hip-hop.
“Maybe it’s I’m easy to work with or maybe, it’s just that I really love music and I understand what it is and what we’re doing, you know?” Jay Worthy tells HotNewHipHop. Perhaps that’s why he is only the second rapper outside of Snoop Dogg to work on a full collaborative album with the legendary DāM Funk. Together, they joined forces for their excellent new project Magic Hour, an album that delves into the lineage of funk music with DāM Funk in the driver’s seat.
Funk played a pivotal role in shaping Jay Worthy. He fondly recalls his father playing Parliament, S.O.S. Band, and Earth, Wind & Fire throughout his childhood in Vancouver. In that sense, it planted a seed that would grow throughout Jay Worthy’s musical career but his love for funk admittedly didn’t fully materialize until he moved to Compton. His exposure to low-rider culture and radio personalities like the famed Art Leboe developed a passion for its cultural DNA. “Like I said, oldies and funk and all of that have always been in my house. But I really started digging for samples and really, really having a love for it more after being out here on this side. You know, my big homies pulling up on they hogs and slappin’ shit, the low rider culture and all that,” he says, fondly recalling memories of Avalon and El Segundo. At this intersection, his friend’s dad sold CDs outside of the barbershop.
With that said, Magic Hour holds significant weight in Jay Worthy’s catalog. There was a seven-year anticipation for this project, though fans certainly weren’t left empty-handed since collaborative projects alongside Roc Marciano, DJ Muggs, and plenty of others came out within that time. “Not everybody can get on these types of beats, you know what I mean? Or understand what I’m doing here because I always tell people, man, I might rap, but I really look at myself as the funk artist,” he explained, detailing the meticulous process of curating the right features, such as Ty Dolla $ign, DJ Quik, and Channel Tres, and more, for this particular album.
It couldn’t have come at a better time, either. All eyes are on The West Coast right now, and there’s been unity across the city. Jay Worthy has certainly benefited from the renewed attention, too. Magic Hour feels like a crucial piece of the puzzle that traces the West Coast’s musical lineage, specifically the impact that funk had on shaping the L.A. sound as a whole. And with the momentum that Kendrick Lamar, Vince Staples, and Mustard built within the past few months alone, Magic Hour is a necessary addition to the soundtrack for summer ’24.
We recently caught up with Jay Worthy to discuss his latest album and working alongside DāM Funk, sending unreleased music to Kendrick Lamar, his heavily anticipated Griselda album, and why Los Angeles has always been on.
This interview has been edited and condensed for clarity.
HotNewHipHop:I read that this album has been in the works for upwards of 7 years but it seems like a perfect time for this album to arrive considering the momentum that the West Coast has. From your end, why did it make sense to release this album right now?
Jay Worthy: You know what, all the stars just aligned, to be honest with you.I feel like when you’re recording, and sometimes you’re in another bag, like, for a minute, the only thing that was inspiring me to rap was just looped samples and stuff with no drums, you know what I mean? So it took me a while to want to get back into that funk bag, you know what I’m saying? It wasn’t coming out of me when I was trying at the time. So I sat on the beat until I was ready to get back on that. And I would slowly go at it. You know, do a few songs here, a few songs there. And then I was like, man, this is a special project. It deserves the proper features on it.
And I also feel like there’s more eyes on me now. I feel like me and DāM Funk, for the world that we come from, it’s really appreciated. I know people were really expecting it and I didn’t want to rush it, you know what I mean? It came out now and it just so happens to be that the West is back on fire so, yeah it’s a good time.
Tell me a bit about the features, whether Ty Dolla $ign or Channel Tres, and how you got them to immerse themselves into this world that you and DāM Funk created.
Well, you know, Ty Dolla is a close friend of mine and so is Channel. A-Trak, you know, that was the first person to sign to Fool’s Gold. Quik, I just did the album with Quik and I wanted Quik a part of this. You know, Quik, and DāM know each other since Safe & Sound days. Of course, Soopafly. I needed representation of Tha Dogg Pound on there. Soopafly, that’s my boy. We’ve been making records together and I felt that he fit the project. A cat named Ray Wright from Warm Brew, who always was a friend of mine, and I always loved his voice. I mean, it reminded me of a Nate Dogg. Speaking of Nate Dogg, I had to grab Nhale and get his son on there.
So, you know, just people that would make sense that I know understand this funk sh*t and what sounds good on it, you know? But, I was honored to get Quik on there, for sure. And Channel, I love what he did. He’s also a fan of DāM. Like I said, again, just people that kind of understand what it is. Not everybody can get on these types of beats, you know what I mean? Or understand what I’m doing here because I always tell people, man, I might rap, but I really look at myself as the funk artist, you know what I’m saying?
Jay Worthy/YouTube
I’ve heard you refer to yourself as such in the past. How would you describe Magic Hour compared to other albums in your catalog? You mentioned that you took your time with this one.
Well, first I’ll say this: you got to think, DāM doesn’t work with a lot of rappers. The only rapper that he’s ever done an album with other than me is Snoop, so I was honored. Like I said, I consider myself a funk artist, and DāM was one of the few people, to me, that was pushing future funk and modern funk. This is way back, you know, I think me and Dame started first talking, I want to say like, ‘06 or something like that. I can’t remember exactly when, but I was always a fan before I started doing rap professionally. But I always knew that that’s where I wanted to take it.
So, you know, what’s different about this album compared to others is there’s no samples. DāM gets to showcase how good of a producer he is. If you notice on the album, I give him a lot of long outros. Or, some songs might just have one verse and a minute of a beat because his beats switch up so much, like, there’s so many different parts of the beat. He’d send me a beat, there’d be like eight minutes in the beat, and in that eight minutes, the beat would change up several times. So yeah, musically, it’s different than anything else I put out. I think it’s more musical, you know, it’s not sample-based. It’s raw. That’s just DāM in there being the one-man band.
What do you think makes Jay Worthy a great collaborator? It seems like you’re very easy to work with.
Maybe it’s I’m easy to work with or maybe, it’s just that I really love music and I understand what it is and what we’re doing, you know? I mean, like whether it’s with Alchemist and I understand what type of producer he is and what he makes him and what I’m gonna sound good on. If you listen to… I don’t know, let me see…. something like, let’s say I rap over somewhere Harry Fraud, and there’s no drums on it, and you hear me really rap-rapping – you know, that might bring that out of me. The funk might bring out some more player, more simple raps, but it’s just a different pocket. The beat is gonna talk to me and tell me what to do, you know what I mean?
But I think I just understand the music, and that’s why it comes out so it goes unspoken. I’ve never gone in a studio and been with anybody and been like, “this is what we’re gonna rap about pr this is what we’re gonna do or this is what the album is gonna be, or –” nah, we just let the music do what it do and it comes out how it comes out.
You’re originally from Vancouver. During your formative years, what was your exposure to funk music? Was that a sound that was prevalent where you grew up?
I mean, my pops, right? He raised me on Parliament, Earth, Wind & Fire, S.O.S. Band, and stuff. So that sh*t was in my house from a kid ‘til an adult. But as far as like finding my love for funk, that was more as a late teenager, you know what I’m saying? Being in LA, and you know, listening to Art Leboe and being in my hood in Compton. One of my homies’ pops – Rest In Peace – he used to sell CDs outside of the barbershop off Avalon & El Segundo.
I would always buy old-school mixes. Like I said, oldies and funk and all of that have always been in my house. But I really started digging for samples and really, really having a love for it more after being out here on this side. You know, my big homies pulling up on they hogs and slappin’ shit, the low rider culture and all that. Now, don’t get me wrong there is that, you know, low rider culture out in Vancouver, as well and record shops and stuff like that. But, you know, I think I fell in love with it out this way, just because this is such a part of our culture out here.
Considering everything that’s been going on, what are your thoughts on the current state of the West Coast and where do you see it heading?
Well, I think this: if we just stay on what we were on when we got together on that stage at the Pop Out with Kendrick, and showing unity, and – you know, we’ve been doing a lot of stuff in our community. Throwing events in the park, concerts, charity events, bringing Kai Cenat, all type of good stuff. It’s bringing people from all different neighborhoods to our specific neighborhood which probably never happened back in the day. I think places like Atlanta where everybody works with each other and supports each other. I think if we can if we can get past the politics that we have out here, and stay on what we’re on right now, I think we can get back on top, for real.
You know, because I hate when people say L.A. ain’t on anymore and I go, ‘What are you talking about? [laughs] Tyler, The Creator’s from L.A., Steve Lacy is from L.A., Billie Eilish is from L.A., Bruno Mars is from L.A., Anderson .Paak is from L.A. These are number one artists, you know what I’m saying? So I always felt that we – Kendrick Lamar, like come on, bro. We’ve been on top to me so sometimes the narrative that is pushed – I don’t understand – [like] we aren’t in a good space. But I feel like as far as the underground goes and the streets, and everybody is on some positive unity shit. So if we just stay on that, I think West Coast hip-hop is going to be in a great place.
How would you describe the Meet The Whoops project at this point of your career? You brought up Kai Cenat pulling up to Compton for the giveaway. Just by looking at the Instagram page, it seems like there’s more of a community-oriented feel to what you guys are doing.
As you can see, I’ve kind of always been a curator, you know? I don’t like to use the word A&R but, you know, I did Quik’s album, I’m working on Terrace [Martin’s] album with him. All the collaborations that you’ve seen, I’ve been hands-on with everything, from the artwork to the sample to who I collaborate with. So I just always wanted to do something with my homies from my hood and showcase the talent and put them on production that they might not have necessarily chosen.
I think we’re standing out because, you know what, you wouldn’t expect Meet The Whoops to rap on an Alchemist beat or a Terrace Martin beat or a classic DJ Quik “Quik’s Groove” that we flip to put on his album, you know? And, I just know the West hasn’t seen a rap group like this – or the world hasn’t seen a rap group like this, to be honest with you, since NWA or Wu-Tang or Dipset. And that’s how I feel. I really feel those dudes that I grabbed, who are my personal friends, are actually some of the best to do it. And I’m excited about what we’re about to do.
Courtesy Of Jay Worthy
What was it like bringing Kai Cenat to Compton?
It was just a positive thing and something that was great to see. The kids enjoyed it, the families enjoyed it, and we’re gonna do a lot more stuff like that. We’ve been doing stuff like that in our community for years. From the Christmas Toy Drive that we do with Kendrick to the Turkey Giveaways that we do with YG, I just think there are a lot more eyes on us now. You know, we get the TMZ looks and people are finding out more about what’s going on.
But you know, we’ve always been about our community and trying to bring things over there and do stuff that’s fun for the youth. And having Kai, I that was a great thing. He came and showed love and a lot of kids who weren’t able to get things like that were given exclusive shoes, and new iPhones and TVs and all types of good stuff.
Have there been any discussions of you joining Kai on his stream?
I don’t know. You know, I would have to tap back again with their team and see what’s up. Me and his agent and manager connected that day, so you never know. I think that’d be cool to see Meet The Whoops and Kai Cenat and bring him back to Compton for a livestream.
You posted a series of photos of you and Kendrick Lamar from over the years. Do you remember the first time you two crossed paths and how has that relationship developed since you first met?
I mean, Dot from our hood. We’re from the same neighborhood, we always crossed paths, you know? He’s always been in my corner. I produced a documentary called NoiseyBompton for Viceland TV which he starred in. You know, we’ve been pushing for years, that’s my brother.
You know, people don’t know, but it’s like when I dropped new music, I only send it to a few people, and he’s one of them, you know? I might send it to him, I might send it to Westside Gunn, I might send it to Terrace. So there’s only a few people that really get to hear my unreleased music that I want to really [hear] their opinion. [Kendrick Lamar] is really my brother and just a good friend. You know, it’s regular, though. That’s really just our homie, you know what I’m saying? I know, to the world, he’s the biggest thing in the world but to me and the homies, that’s just our bro.
What’s been the energy of Los Angeles since “Not Like Us,” The Pop Out, and the video shoot? I know you mentioned it before but if you could get a bit more in-depth.
It’s been a lot of unity, man. Just brought the city together. And that’s like what I was saying, man. Like, you know, it’s bigger than just – I know the lyrics and like, you know, behind it is a diss song but a message is – you know, just whatever it did, it brought L.A. together. I’m gonna just say that. You know, I’ve been feeling comfortable going to certain neighborhoods and places that I might never have gone to, you know what I’m saying? And vice versa. People are like, “yo, let’s work together. Let’s do this. Let’s do that.” Like, it’s been great. It had a very positive effect on the streets of L.A. and Compton.
When I interviewed Westside Gunn last year, he mentioned how he was working on your Griselda album. What could you tell me about that project and working with Gunn, in general?
Gunn and me, man. That’s my brother, man. He’ll tell you this: he likes to curate but, you got to understand, I curate and I know what I’m doing with my own sound and stuff and he respects that. So he kind of let me just do what I do and we’re gonna come together on this Griselda sh*t and it’s gonna sound crazy.
Is there a release date on this yet?
We just released this DāM Funk album so as soon as I’m done rolling out all of this, I’m gonna get into that Griselda stuff and start dropping singles on people and it’s gonna f*ck their heads up.
Final question: what else do you have on your bucket list outside of music?
Well, I’ve been behind the scenes, like I said. I do curation, I consult now, I’m working with all the people that — you know, it’s crazy when you wake up and you could call Mack 10 or Quik or you know, any of the greats, bro. Really, all the legends are a phone call away. I love what I’m doing with them, kind of bridging the new with the old just how I do in my own music so I’m just helping them do stuff. I’m consulting for different labels.
You know, I’ve always had my hand in the streetwear and skateboard world, doing collaborations with different clothing lines and all of that stuff. So, man, it’s a lot of stuff. Film stuff. There’s so much, man. Music is just one part of it. I’m a businessman at the end of the day. You’re gonna see Worthy executive producing more people’s albums; you’re gonna see my name pop up as an A&R on certain things. You’re gonna see more clothing collaborations, you’re gonna see more documentaries. It’s all about to happen man.
STEVEN DAY (@SkrtOnBia) August 5, 2024
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Jordan Chiles, Simone Biles, and Snoop Dogg were. 
Michael Phelps gives Snoop Dogg a swimming lesson. 
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wit 
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