Every single month, HNHH comes through with a feature containing lesser-known artists that you need to check out right now. Overall, it is an attempt to help our readers expand their horizons and catch onto new artists before they blow up. Furthermore, sometimes, we steer our readers toward artists who they may have missed, despite their current virality. Whatever the case, discovering new music is a whole lot of fun, and in April, our staff got together to talk about some of their favorite under-the-radar releases of the last 30 days. From viral tracks to underground darlings, there is a lot of great music to get to.
JP – “Bad Bitty”
First up, we have JP, a college basketball player from Milwaukee who is making waves in the city’s burgeoning rap scene. Milwaukee rap has characterized itself with one word: “fun.” From catchy danceable tracks to some hilarious samples, artists from Wisconsin’s premiere city seem to be captivating audiences. JP is quintessential Milwaukee. From his extremely catchy bars to his infectious energy, it should come as no surprise that “Bad Bitty” is one of the most viral tracks on the internet right now. He’s become an internet meme, but he still gets talked about with reverence. If there was ever a song to reach “Song of the Summer” status in the middle of the Spring, it would be this one.
feardorian – “highschool”
FearDorian recently put out his debut album and it is getting some critical praise. There is very good reason for this. The Surf Gang collaborator has been making waves with a plethora of incredible tracks and beats that will make you feel like you are on a cloud. Overall, the artist is also a proficient MC who just makes you excited about the way they deliver their tracks. Not to mention, the artist has consistently taken risks with samples. For instance, Amy Winehouse has found her way onto some of FearDorian’s releases. It just goes to show that artists associated with the Milwaukee scene are making some of the most unique music in the United States.
Papo2oo4 – “Had To Ball”
Popo2oo4 is an artist who has been around for a while at this point. Overall, the New York MC has a unique delivery and style that will make you nostalgic for the early to mid-2000s. Even the visual for “Had 2 Ball” is a great example of this. While rapping in front of rims, YouTube commenters are reminded of the Midnight Club video games. However, even the style and beat selections will make you think of those same visual aesthetics. Nostalgia is a very powerful tool in terms of connecting with your audience, and Papo certainly has that in droves.
JaeyBxrd – “Cut Me Open”
JaeyBxrd is an artist who has been bubbling thanks to his unique ability to blend genres. Overall, there have always been artists who try to mix genres. However, JaeyBxrd does it in a way that makes you relive the glory days of early 2000s Post Grunge, and late 2010s SoundCloud rap. He’s one part Juice WRLD and another part Breaking Benjamin. It makes for a great mix of sounds, even if the music reviewer “intelligencia” might scoff at his mere existence. With the song “Cut Me Open,” JaeyBxrd makes an impact that will make you want to go back and play those PlayStation 2 era MX vs. ATV games. It’s a very specific reference, but when you listen to his music, you will understand.
SVDP – “WHIZTLA”
SVDP is a Toronto artist who has been working with plenty of other staples of the Canadian music scene. For instance, the artist recently collaborated with Backxwash and the producer LA+CH. In fact, SVDP got to link up with LA+CH on the track “WHIZTLA” which is an off-kilter banger. The song weaves in and out of calmer and sped-up flows, creating perfect contrasts from start to finish. Meanwhile, the production helps take the song to a new level. Overall, this is a song that you need to check out right now. Additionally, it should urge you to check out other artists within Canada, who are pushing boundaries in their field.
Let us know which of these songs was your favorite, in the comments section down below.
Overall, March was a great month for music as we were blessed with a plethora of amazing projects and songs. Having said that, it only makes sense that we would count down the best rap albums and songs of the month. We have been doing that every single month of the year so far, and we will continue to do so for the entirety of 2024. Below, you can find our staff’s favorite albums, as well as the songs they have continued to bump consistently.
Future & Metro Boomin – We Don’t Trust You
When Future and Metro Boomin dropped We Don’t Trust You, fans immediately rushed to the track “Like That,” for very obvious reasons. However, the entire album is just fantastic. Metro has always had the it factor when it comes to his production. Moreover, Future remains one of the most influential rappers of all-time. He has not lost a single step, and when he combines with Metro, it always turns into gold. We can’t wait for the second album which is due out on April 12th.
ScHoolBoy Q – Blue Lips
It had been five years since ScHoolboy Q had given us an album. However, with Blue Lips, he certainly made the wait worth it. Overall, this is a project that showcases Q at his best. From the lyrics to the storytelling to the production choices, everything here is on a whole other level. TDE has always put out quality projects, and this is absolutely no exception. We’re happy to have Q back, and we hope he delivers another album in the not-do-distant future.
MIKE & Tony Seltzer – Pinball
MIKE is one of those artists who is able to put out album of the year contenders seemingly at will. At the end of the day, Pinball, a collaborative album with Tony Seltzer, is a great example of this. Once again, MIKE delivers some fantastic flows and bars. The production throughout the project is otherworldly, and MIKE slides over it with ease. Furthermore, there are some dope features throughout the album. “On God” with Earl Sweatshirt and Tony Shhnow proves to be a perfect example of this.
Flo Millo – Fine Ho Stay
Lastly, when it comes to the album category, we have Fine Ho, Stay by Flo Milli. When the artist dropped “Never Lose Me,” it was clear she had a hit on her hands. Once she added Cardi B and SZA to the mix, it was a cheat code. However, the entire album is amazing. Flo Milli is a hitmaker, plain and simple. From singing to rapping, she can really do it all, and her hooks are always catchy. If we continue to get more of this, Flo Milli’s ascension in the hip-hop world will be complete.
Last year, Sexyy Red cemented herself as a bonafide hitmaker. Overall, she can crank out hits at will. Sure, her bars and flows aren’t next level, but they are extremely confident. Not to mention, while her lyrics are extraordinarily raunchy, they are funny and make for some viral moments. On “Get It Sexyy,” the artist has given us yet another anthem. It feels like she just cannot miss with these songs. Now that she has Drake in her corner, we’re going to be seeing a whole lot more of Sexyy, very soon.
On the same day that Kendrick Lamar broke the internet, Big Sean dropped “Precision.” Once again, it felt like Kendrick was purposely trying to take away from Sean’s moment. However, Sean was able to emerge through the noise. “Precision” is a great return track from the artist. His hitmaking abilities are still very much prevalent, and he has matured significantly with his bars. As for the production here, it is anthemic and uplifting in a way that is perfect for the spring and summer months.
Cardi B – “Enough”
Cardi B is at the top of her game right now. Although it has been years since her debut album, there is no doubt that she is in album mode. There is no greater indication of this than the song “Enough.” Once again, Cardi gives us one of her signature anthems. It is the kind of song you just want to rap along to. Furthermore, it reaffirms the fact that Cardi has one of the most commanding voices in the rap game. Hopefully, the album is real and it gets here in time for the summer.
Don Toliver is an artist who is always going to bring the vibes. His singing voice is lovely, and ever since he got together with Kali Uchis, it feels like he has brought things up a step. It also helps he uses her as inspiration for song writing. That is especially the case on “Deep In The Water,” which is yet another display of Toliver’s talents. It seems like a new album is on the horizon, and we can’t wait to get the full thing. Hopefully, we get some variety, as “Deep In The Water” is definitely a continuation of what Toliver has already given us. Albeit a heightened version of that sound.
Playboi Carti – “Ketamine”
Playboi Carti is someone who is very mysterious with his releases. At this point, we don’t know what to expect from him. However, “Ketamine” was a delightful surprise earlier this month. It is part of the rollout for his album I Am Music, which has no real release date. However, you can’t help but love the energy in this song. Carti is still doing that deep voice cadence, and he is embracing the punk and metal aesthetics that helped Whole Lotta Red standout. We cannot wait to hear what this entire album will be like.
Future & Metro Boomin ft. Kendrick Lamar – “Like That”
“Like That” is a song that needs no introduction. Overall, it features Kendrick Lamar and it contains some shots directed at Drake and J. Cole. This was a song that was destined for greatness from the start. Not to mention, Kendrick and Future just sound amazing over it. Metro’s production and sampling is top notch, making this a true contender for song of the year.
Let us know your favorite rap albums and songs of the year so far, in the comments section below.
We’re a sixth of the way through 2024, and while it was a slower month than its predecessor, February still held a lot of heat for hip-hop. Whether it was huge blockbusters, indie hits, or long-awaited returns, this year is much more exciting off the bat than in 2023’s case. With that in mind, we can only dream of what else is in store for us this spring, when releases will get much more competitive. Make sure to hit the comments section to let us know what your favorite rap releases were this year, and what you think about the year so far for the genre and culture. So get your debate hats on and let’s take a look at the best rap albums and songs of February 2024.
Yeat – 2093
Starting off with one of the best hip-hop LPs of the year so far, and debatably the best mainstream release of February. Yeat took a big step on this 20+ track behemoth, but brought with him the focus and vision of a concise 30-minute drop. 2093 is heavy, industrial, ethereal, visceral, hard-hitting, occasionally gorgeous, and yes, futuristic. But its impact and place in the rap canon for 2024 isn’t because of any pushed boundaries, because this isn’t the most revolutionary sound under the sun. It’s because the Portland rapper (or alien, we should say) synthesized a lot of different inspiration points into something wholly his own.
Quadeca – SCRAPYARD
Along a similar vein, we have this loose but consistently enthralling mixtape that makes something new out of… well, scraps. Quadeca released a few SCRAPYARD cuts last year as little EPs, and much of the material here was devised during the making of his captivating 2022 album, I Didn’t Mean To Haunt You. While they didn’t fit that tracklist, and the Bulgarian -– sorry, Californian creative said a couple of tracks made after it won’t fit on his next, this still feels like a cohesive and cathartic record. Its blends of folk, indie rock, chamber pop, industrial hip-hop, alternative rap, and much more create a uniquely mid-fi portrait of a vulnerable but boundless artist. As far as the less traveled corners adjacent to the genre, nothing else in 2024 feels quite as special as this.
Little Simz – Drop 7 (EP)
For this next entry, we’re leaving the underground and heading straight to the club to return home at 7AM the next morning. Little Simz kept fans fed ahead of her next full-length with a fun, vibrant, and punchy collection of electronic and dance-inspired cuts. There’s drum and bass worship, a Jersey club jam, house-like rhythms, and even a trunk-knicking and authentic take on Brazilian funk. Regardless, we’re sure that the English lyricist’s next project will be more of a straightforward, complete, and grand experience. But as far as some great music to simply take in and enjoy with no frills, it doesn’t get much more enjoyable or freeing than Drop 7.
Erick The Architect – I’ve Never Been Here Before
Flatbush Zombies are sorely missed in the hip-hop landscape today, but its members are still making their mark on the culture. But I’ve Never Been Here Before feels like a more personal and important artistic step for group member Erick the Architect, not like a retread of what makes the trio so great. It’s a bit moodier than their most popular material and invokes a lot more genres and instrumentation styles, although it’s as reminiscent of their woozy East Coast sensibilities as ever. Also, the album’s sheer versatility really works in its favor and elevates it beyond a comeback moment. Don’t let this one slip from your rotation in 2024.
Now it’s time to move on to singles, and there’s only one thing we can say to this Memphis MC about her new banger, and that’s “Yeah, Glo!” It’s very simple: match GloRilla with a grimy and old-school hometown beat and let her flow on it, and you’ll get an anthem for Bluff City. Still, what makes “Yeah Glo!” special in comparison to other takes on this is its infectious chorus and the 24-year-old’s raw energy. While we remain patient for a long-form project soon, it’s great to hear that she’s still got it. Rarely can artists retain the same exciting spark that burst them onto the scene, and this song is a solid example of that.
Speaking of sparks, Don Toliver came through with “Bandit” in February, an absolute banger that calls back to his originally seamless fusions of dreamy R&B melodies and amped-up rap flows. Thanks to a triumphant and layered instrumental, the Houston crooner was able to craft one of his most high-octane offerings in recent memory. Sure, he’s more well-known for his softer side these days, but fans are hoping that this kicks off a new era for him. After all, there are rock-adjacent acoustic drums and electric guitar chords here that sound like a stadium. It would be great to see the fusion that made Don such a star come back to the forefront of his work.
SZA – “Saturn”
Hopping over to the R&B realm, SZA surprised fans with a sultry, airy, and transportive preview ahead of her SOS deluxe, Lana. At least, that’s what die-hards hope will land later this year, but we wouldn’t be mad if Solana just drops more excellent loosies like these. Let’s run through the checklist: beautiful vocal performance? Check. Hazy yet lush production with a strong melodic center? Check. An emotively resonant song structure longing for escape, peace, and fulfillment in a compelling and thoroughly entertaining way? Double check, because the TDE superstar made us long for both a trip to Saturn and a journey to whatever world she created “Saturn” in.
Armand Hammer – “Doves” ft. Benjamin Booker
Even though We Buy Diabetic Test Strips came out last year, even its bonus tracks are proving why it will likely be a standout album for years to come. Its creators Armand Hammer, with special guest Benjamin Booker, released “Doves” as an extra treat to this LP, and it’s a near-nine-minute opus. It’s mostly a pretty ambient experience, with group members billy woods and E L U C I D drop languid, complex, but absolutely gut-wrenching verses over it. Pianos, static, faint guitar, and a whole lot of lo-fi noise and distortion will put you in a meditative state. We’d call it a haunting experience, or perhaps a soothing one, but the pallet created by the balance of these two spaces is too evocative to put in a single box.
TiaCorine – “Olive” ft. Zelooperz
Back to the bangers, we have two wildly colorful spitters joining forces on a disgustingly nasty beat from BNYX. This cut appears on TiaCorine’s Almost There EP, which is also deserving of a slot in the best projects section for this month. As for “Olive,” it’s all about their fast flows, zany deliveries, and how they’re able to sound so effortless and locked in over this instrumental. Yeah, it’s one of the most simple and immediate inclusions on this list, but play this in the car and you’ll see what we mean. If not, don’t fret: there are seven other gems on this short record, including “Blick” with Key Glock.
With this pick, you might have a pretty decent idea of who’s going to make our “Best Rap Songs & Albums of March 2024” list. ScHoolboy Q dropped various non-streaming singles ahead of the release of his five-years-in-the-making album BLUE LIPS, of which “Blueslides” connected the most deeply with fans. Many rightfully see it as a tribute to Mac Miller, and the melancholy and tender piano sample compliments the TDE legend’s reflections on his friend’s loss. But it also moves through many other lyrical areas of struggle, mental health, overwhelming pressure, and much more. It’s one of the most emotionally powerful cuts of the year so far, and a treat for hip-hop pen purists and production prudes alike.
Smino – “mister misfit but ain’t missed a fit in months”
Finally, this St. Louis-born rhymer chose to once again prove why he’s been one of the most exciting and idiosyncratic artists in the game. “mister misfit but ain’t missed a fit in months” is not only one of the most fun hip-hop songs of the year so far, but an impressively dexterous rapping performance that treats flows like the world’s most disposable camera: a quick and amazing snap, and onto the next. It’s really like watching Smino dance on a tightrope, and he makes it all the way to the end without breaking a sweat. Please, please drop a project this year, Mr. Misfit!
Let us know your favorite rap songs and albums of the month in the comments section below!
Overall, we have had a fantastic start to the year as it pertains to new albums and new songs. Some of the biggest artists in the game have been dropping, and it is a stark contrast to last year. Although 2023 certainly had some great releases, some fans felt it was a down year. However, we are starting strong in 2024, and that is all that matters. Having said that, we are taking a look at some of the best rap albums and songs of the past month.
21 Savage – American Dream
Firstly, we have 21 Savage and American Dream. Once again, 21 finds himself getting personal with us on a solo album. From the jump, he hits us with some scintillating bars and the production to match. Although the album may be bloated towards the end, we get enough bangers like “redrum” to keep us coming back. If anything, this album officially put the 21 doubters out of their misery.
Boldy James & Nicholas Craven – Penalty Of Leadership
Subsequently, we have Boldy James and Nicholas Craven who gave us an early AOTY contender, Penalty Of Leadership. This is easily one of the best rap albums we heard last month. From the sampling to the storytelling and introspection, this album is a feat to behold. We’re sure Boldy will be dropping more music this year, and we cannot wait to hear what he has in store. As for Craven, he continues to prove himself as an immense talent.
Xaviersobased – Keep It Goin Xav
Xaviersobased is an artist who has certainly been able to navigate the internet world with ease. He is a king of the contemporary underground, and continues to forge new sounds within the New York hip-hop scene. On Keep It Goin Xav, the artist showcases just how strong of a songwriter he is. From wavy and hypnotic production to silky flows, Xaviersobased keeps you wanting more. While some may enjoy more traditional forms of rap, this album is still worth a listen.
R.A.P. Ferreira & Fumitake Tamura – the First Fist to Make Contact When We Dap
Another great album from this past month is R.A.P. Ferreira and Fumitake Tamura’s The First Fist to Make Contact When We Dap. Once again, R.A.P. Ferreira delivers a project worthy of your attention. The bars, the production, and everything in between is on point. If you are a fan of this style of rap, then you should absolutely stop what you’re doing and give it some attention.
Benny The Butcher is an artist who is consistently found on best rap albums lists and for good reason. Overall, the Buffalo artist is extremely consistent. On Everybody Can’t Go, delivers tracks produced by Alchemist and Hit-Boy. Overall, this makes for a captivating listen. While some have proclaimed that it is not their favorite Benny project, it is still incredibly strong and worthy of inclusion on this list.
Transitioning over to songs now, we have Ice Spice with “Think U The Shit (Fart).” Okay okay. We know. That opening bar is a bit of a meme. However, the overall song is actually extremely catchy. Moreover, once the hi-hats hit in the middle of the track, it really catches its stride. If you like fun, then you will definitely enjoy this cut.
Playboi Carti – “EVILJ0RDAN”
What more can be said about Playboi Carti and his recent rollout? There has been so much good music dropping, it is easy to forget that one of the best and most reclusive artists in rap has a new album coming. As for his most recent single “EVILJ0RDAN,” it lives up to its name. The production is straight-up demonic, and Carti is coming with a new sound that is quite promising. Hopefully, the album lives up to the hype.
Maxo Kream – “Bang The Bus”
Maxo Kream and Evilgiane teamed up for “Bang The Bus,” a truly captivating song with a Frou Frou sample that may take you by surprise. That said, Maxo is known for his bangers, as well as his incredible flow and voice. That is no different on this new track, which is a must-listen. Hopefully, Evilgiane continues to get the credit he deserves as it pertains to being a producer who is creating new sounds.
Young Miko – “Bzrp Music Sessions”
Young Miko is a Puerto Rican artist who has been showcasing immense talent over the last few years. Her sound is nothing short of amazing, and her BZRP Music Sessions collaboration is something that has been on repeat. The way she weaves in and out of the hook and verse is a marvel to behold. She is certainly not a new phenom, but she is one American audiences need to pay attention to.
SiR – “No Evil”
It had been a while since we had heard any new music from SiR. Now, he is back, and we are thanking our lucky stars for that. On “No Evil,” SiR embodies the spirit of D’Angelo, all while delivering some of his best vocals to date. Oh, and the instrumental will have you shook and coming back for more. What are you waiting for? Give the song a list, right now.
Anycia & Latto – “Back Outside”
Anycia is an artist who continues to showcase her raw talent. She got a massive co-sign from Veeze, who had an incredible 2023. This past month, she came through with “Back Outside” which features Latto. The flows, the beat, and the charisma jumps out at you and it is impossible to not be intrigued. Moving forward, we cannot wait to hear more from her.
21 Savage – “redrum”
We couldn’t deliver a best songs of January list without including 21 Savage’s track “redrum.” Overall, this is a pure banger that does a great job of making a statement on American Dream. If you like Savage and his flows, then this is going to be a song you will gravitate to. It doesn’t get more straightforward than this.
Lastly, we have the song that has pretty much set off an entire firestorm on social media. Of course, we are talking about “Hiss.” The song features Megan Thee Stallion at her best lyrically. Yes, she is taking shots at Nicki and a host of others. However, beyond that, this is a banger. It shows that Meg is back, and we could not be more grateful.
Let us know your favorite rap songs and albums of the month, in the comments section below
Overall, there were a ton of great tracks that came out this year that could receive recognition for being one of the best rap songs of 2023. However, this year, we have decided to narrow down a list of 40 songs. On Christmas Eve, this is perfect reading for when you are around the Christmas tree, sipping egg nog and trying to debate with your friends on some of the best music. With the list below, we are encompassing a diverse array of artists from numerous subgenres. Be sure to sound off in the comments section below if you agree with this year’s choices.
40. Kevin Gates – Breakfast
Once some of the shock value and hilarity of Kevin Gates’ sexually charged yet surprisingly romantic anthem “Breakfast” wore off, lots of people were surprised by just how much they genuinely liked the song underneath. Though the sensual food metaphors aren’t exactly poetic they contrast well with the much more blatant and direct eroticism throughout the song and it all comes packaged in a surprisingly catchy series of refrains. The song isn’t just good at grabbing your attention right away, but holding onto it with catchy songwriting and one memorable lyrical gem after another.
– Lavender Alexandria
39. Lil Uzi Vert – Flooded The Face
“Flooded The Face” is a song that probably had a lot of people thinking that Lil Uzi Vert’s The Pink Tape would go in a different direction. Unfortunately, that did not happen. However, this song serves as a reminder of what could have been. Incredible beat, fast flows, and a steady and focused-sounding Uzi that we miss very dearly. Oh how we wish the whole album sounded like this.
– Alex Cole
38. J Hus ft. Drake – Who Told You
The lines between rap music made on either side of the Atlantic have been blurring for years now and in one of the biggest crossover moments of the year, afroswing superstar J Hus recruited Drake for an infectious single. The track is a full embrace of the desire to dance, coming to the defense of even the hardest of rappers also having the desire to get down. Drake comes to the track with one of his signature morphing accents and lends a snappy and equally danceable verse to this impressively fun song.
– Lavender Alexandria
37. Yeat- Bettr Off
Yeat has been one of the biggest breakout stars of the entire year and this song was a huge factor in that. His album Afterlyfe was a massive success that brought him into the mainstream. On “Bettr Off,” Yeat showcases why his flow has people in awe. We also get some dark production that adds to the artist’s mystique. It is a song that provides a stark contrast to a lot of other records we have heard this year. Yeat is the antithesis to the chorus of people saying the genre is stagnant.
– Alex Cole
36. Conway The Machine – Super Bowl ft. Juicy J & Sauce Walka
In February of this year, Conway the Machine, Sauce Walka, and Juicy J got together for “Super Bowl.” The track sees the trio capitalize on their lyrical dexterity, coming in focused to diligently unpack their feats. Overall, they stick to the customary themes of money, women, and getting “rich out the streets,” but their precision makes for a standout track and all-around legendary team-up. Conway’s signature gritty flow grounds boastful bars while the two Southern spitters offer sleaze and intensity. “Super Bowl” served as the lead single for the Buffalo MC’s third studio album Won’t He Do It. The project, which he unleashed in full in May,markedhis first release under his independent label Drumwork Music Group following his 2022 departure from Griselda Records.
– Caroline Fisher
35. Bas – Khartoum ft. Adekunle Gold
Across hip-hop’s 50-year history, the world has unfortunately remained rife with conflict, displacement, war, and injustice. Yet, despite all the pain and loss, the genre remains a beacon to unpack these systemic issues and raise a voice in the name of peace. Bas’ “Khartoum” with Adekunle Gold, off of the former’s brand-new album We Only Talk About Real S**t When We’re F***ed Up, speaks to the Dreamville MC’s home country of Sudan, where much of his family still lives. Khartoum, the nation’s capital, is among many areas affected by civil conflict between military forces within governance. Specific anecdotes of his cousin’s plight, news reports, and comparisons to the invasion of Ukraine crystallize Bas’ pained but universal message of bringing light to the world’s dark corners of international atrocities.
Thanks to a great chorus from Adekunle Gold and a breezy but melancholy Afrobeat instrumental, “Khartoum” still retains its power and listenability through its songwriting. Bas’ sole verse here, as he told us in our interview with him, was something he wrote when the weight of this war and his family’s pain became something impossible to not address, especially as many major media companies in the U.S. overlooked it. It’s an aching message that searches for peace, dialogue, and empathy rather than to wallow in the overbearing tragedy of this situation. Still, the song remains catchy, impactful, and balanced in its approach, qualities that show just how much care went into its creation.
– Gabriel Bras Nevares
34. Offset & Cardi B – Jealousy
Offset and Cardi B unveiled “Jealousy” in July, teaming up to take shots at their haters. Listeners expected the couple to address ongoing rumors and speculation about their high-profile relationship, but instead, received one big read of their critics. The duo appears to have gone their separate ways since the release, but regardless, managed to prove that melding their flows could have great results. They laid out their boastful, menacing bars in a fun accompanying music video, inspired by Baby Boy and featuring Taraji P Henson. The single also came just in time for the announcement of Offset’s second solo album, Set It Off. After giving listeners a taste of what was to come with “Jealousy,” he went on to drop the full album in October.
– Caroline Fisher
33. Rick Ross & Meek Mill – Shaq & Kobe
Nothing about “Shaq & Kobe” is particularly groundbreaking. Rappers comparing themselves to the biggest NBA stars of today and yesterday is nothing new and even references to the legendary team up of Kobe Bryant and Shaquille O’Neal will feel familiar for rap fans. But what Meek Mill and Rick Ross bring to the table on this absolute banger is a hunger that you don’t often see in even the best of rap songs. The intensity and ferocity they deliver is deeply impressive and feels like both rappers throwing it back to their younger, feistier selves, kicking off their collaborative album with an absolute bang.
After all of these years, Lil Tecca is still putting out catchy songs with fun lyrics and earworm production. While his album output may not be outstanding, his singles are always worth a listen. “500lbs” proved to be an incredible return for the artist as he immediately captured our attention. The song is one of his catchiest to date and will give “Ransom” a run for its money. If you like to have fun, then this Tecca track scratches the itch.
– Alex Cole
31. Travis Scott – My Eyes
Remember when we said that catchy grooves make for quality Travis? The same applies when he opens up. In a way, this is a modern-day version of what many consider his magnum opus, “90210,” from Rodeo. Every bar is not flawless or on the level of some of the other great storytellers. But, there is something about the atmosphere that this song creates. Bon Iver and Sampha’s minuscule but perfectly placed contributions are great. However, the chef’s kiss of this song has to be the transcendent transition, which leads to Travis’ blistering rapping about what is weighing heavy on him.
– Zachary Horvath
30. MoneyBagg Yo – Motion God
At the end of April, Moneybagg Yo unveiled his song “Motion God” alongside an idyllic accompanying music video, allowing his laid-back flow and singing voice to take center stage. The easygoing track features bass-heavy trap-inspired production by T-Head and Skywalker OG, which lends itself well to his braggadocious bars. The Memphis native’s rhymes are grounded by an undercurrent of gratitude and persistence, rounding out the song’s boastful lyrical content and creating a well-loved layer of relatability. This depth set the tone for his Hard To Love mixtape, which he dropped a few months later, and made for a standout track across the year overall. The song was the fourth single released ahead of the mixtape, which the MC announced in May and delivered in full in June.
– Caroline Fisher
29. Quavo & Takeoff – Patty Cake
Quavo’s Rocket Power was a heartfelt tribute to his late friend, nephew, and bandmate, Takeoff. His sophomore release possessed easily the most vulnerable material we have heard from the Migos member. It was a great moment for the hip-hop world to hear this record for that reason alone. But, there was also some quality, including “Patty Cake” with Take. The horn-laced instrumental added to the triumphant harmony between sound and flows. Both trade bars exceptionally well like they always have, but this one certainly had more emotional weight, even with it being a more hype track.
– Zachary Horvath
28. Drake – Stories About My Brother
The mixed response to For All The Dogs must have lit a fire under Drake because he came harder than he has in years with Scary Hours 3. The most impressive effort of the six tracks is “Stories About My Brother,” on which the Toronto rapper reflects on his feud with Joe Budden, the difference between himself and his competition, and more, all over a melodic Conductor Williams beat. He keeps the bars on track with the refrain: “Let me tell you ‘bout my brother, though.”
– Cole Blake
27. Veeze – Safe 2
Veeze dropped an album of the year contender with Ganger. This is an album chock-full of bangers. However, it was the album’s softest song “Safe 2,” that made our list. The beat here is just gorgeous as it creates a stunning atmosphere that almost feels like a serene water level in Super Mario 64. As for Veeze, he offers a spirited and introspective track that is a nice reprieve from the hedonistic bars that fill the album. Of all of Veeze’s songs, this is the one that might surprise you the most.
– Alex Cole
26. Young Thug ft. Drake – Jonesboro
Young Thug’s BUSINESS IS BUSINESS is considered his “vault” album, composed of many older tracks due to his time in prison for the YSL RICO case. Regardless, it still contains some of his best recent material, of which “Jonesboro” is a shimmering highlight that aesthetically stands uniquely alone amid his entire catalog. Moreover, the song contains a tender, dramatic, and soulful sample flip of Smokey Robinson’s “The Humming Song (Lost For Words)” courtesy of Metro Boomin. It’s one of the most emotive and regal instrumentals that Thugger’s ever rapped over, switching between boom-bap swings and trap percussion. Through it all, he keeps up with acrobatic flow switches, a passionate vocal performance, and as usual for the Atlanta trap pioneer, a lot of personality.
While this record isn’t full-blown conscious or introspective, Thug pairs this production with a few heartfelt and engagingly descriptive moments. Of course, its title refers to Jonesboro South, now Cleveland Avenue, which are the demolished housing projects that he grew up in. Young Thug details kids dying due to violence over drugs, living like a cat with nine lives, and his diamonds being louder than ambulances. However, more than anything, it’s his delivery and his narrative of rising above it all that makes this track so compelling. Sure, the more traditional hip-hop subject matter of today still shows up in resonant, ear-catching, and enjoyable ways. But there’s a certain evocative tinge to “Jonesboro” that’s hard to explain, and one that hits hard amid Jeffery’s current plight.
– Gabriel Bras Nevares
25. Ken Carson – Fighting My Demons
Ken Carson delivered a fantastic album with A Great Chaos. As for the track “Fighting My Demons,” this was an immediate standout. From the opening line of the track to the off-the-wall production, Carson gives us a descent into madness. A song that feels like being dragged through the eighth ring of hell, “Fighting My Demons” carried Opium’s entire roster this year. At this point, Carson needs to be considered as a potential star for the next decade to come.
As we mentioned with Ice Spice, getting Nicki Minaj on your already successful song’s remix can be a game-changer. Sexyy Red couldn’t express enough gratitude when Papa Bear’s mom agreed to turn “Pound Town” into “Pound Town 2,” despite not initially feeling aligned with the track. Thanks to her never-ending creativity, Minaj was able to pen the perfect, salacious bars to match her collaborator’s energy. Much to her credit, Sexyy capitalized beautifully off the virality that came from her work with the “Barbie Dreams” artist, leading to future successes with titles like “SkeeYee” and “Hellcats SRTs.”
– Hayley Hynes
23. Danny Brown & JPEGMAFIA – Shut Yo Bitch Ass Up/Muddy Waters
Next on our list is one of the wildest, most innovative, and most versatile rap songs of the year from one of 2023’s best full-length offerings. “Shut Yo B***h A** Up / Muddy Waters” sees Danny Brown and JPEGMAFIA trading verses– and instrumentals– about how much better they are than the rest of the rap game. We can’t say we disagree on this track. This is one of those two-parters where the chemistry between each artist is so strong that the beat switch feels inevitable rather than forced. Plus, Danny and Peggy come through with some of the most quotable lines on all of SCARING THE H*ES on this cut. In a sea of Andy Kaufman MCs still posting on KTT, this duo really feels like the only lighter in Rykers.
That creativity shows up in the production, too: samples include an old walkie-talkie beep, a prank video with a particularly offended victim, and Parliament’s groovy track “Funkentelechy.” “Shut Yo B***h A** Up” has one of the most bombastic and heavy hitting beats you’ll ever hear Danny Brown ride, with creative record scratches, buzzy synths, and tough-as-nails drums. “Muddy Waters” is led by JPEGMAFIA’s wordplay-laden chorus, a unique flip of the previous instrumental, and classic boom-bap-style percussion. All this is tied up in a beautiful bow with many pop culture and chronically online references and amazing rhyme schemes. This is one of the most addictive songs on this list, and with not a second wasted, there’s always something visceral to find within no matter how much you overplay it.
– Gabriel Bras Nevares
22. Gunna – Rodeo Dr
Whatever Gunna put out in the wake of taking a plea deal in the still-ongoing YSL RICO indictment was bound to warrant attention, but with “rodeo dr,” he confirmed that snitching allegations won’t be enough to keep him from returning to his place in hip-hop. His first single, “fukumean,” may be the bigger hit, but “rodeo dr” corroborates Gunna’s staying power and ability to take his recent controversies and reflect them into his catchiest flows yet.
– Cole Blake
21. Drake & Central Cee – On The Radar Freestyle
Drake and Central Cee stole the show in the summer when they dropped their “On The Radar Freestyle.” While it may not be an official song, it may as well be one. Drake’s flow and his infamous “combination” pronunciation make this an instant classic. Central Cee sounds great on the track as well, and this was undoubtedly one of the best moments in hip-hop this year.
– Alex Cole
20. Lil Yachty – Strike (Holster)
Lil Yachty really was all over the place creatively this year, but in a good way. After dropping Let’s Start Here. many were not sure if he was going to stick with the psychedelic rock sound. But, he went back into his rapping bag just three months later with “Strike (Holster).” This one evokes the quirkiness of 2022’s “Poland.” The warbly drawn out flow mixes very well with the lowkey woozy beat. The warmth synths add just that extra layer of character to an already fun single.
– Zachary Horvath
19. A$AP Rocky – RIOT
In July of this year, ASAP Rocky unleashed “RIOT (Rowdy Pipe’n),” enlisting Pharrell Williams, who co-produced the track. It was joined by a fittingly boisterous self-directed visual only a few days later. The song is set to appear on ASAP Rocky’s upcoming LP Don’t Be Dumb, which is expected to drop in the early months of 2024. The project was previously thought to be dropping in August of 2023, but fans have still yet to hear it. To be fair, the Harlem hitmaker has gotten wrapped up in a high-profile trial and recently welcomed his second child with Rihanna, who also happens to be named Riot. The bouncy track and other singles have managed to hold fans over, keeping them excited while they await the full release.
At the beginning of November, Benny the Butcher and Lil Wayne came through with “Big Dog.” The two lyrical legends joined forces to spit bars about the fruits of their labor, emphasizing the many perks that have come along with their success. The Buffalo native reflects on rising to the top and taking his whole crew with him, asserting his position as the leader of his pack. Tunechi lends an unsurprisingly sharp verse packed with puns, wrangling up all of his witticism for the canine-themed track. “Big Dog” will be featured on the Griselda linchpin’s upcoming project Everybody Can’t Go, which is expected to drop in January 2024. It also preceded Benny the Butcher’s fan-favorite appearance on Lil Wayne and 2 Chainz’s album Welcome 2 Collegrove, “Oprah & Gayle.”
– Caroline Fisher
17. Bad Bunny – PERRO NEGRO
In 2022, Bad Bunny’s Un Verano Sin Tialbum practically broke the Billboard chart thanks to its sweeping success. While Latin music lovers are still enjoying that, Benito pleased his fans with not only an appearance on Drake’s For All The Dogs but also his surprise project, nadie sabe lo que va a pasar mañana in October. The Spanish album didn’t quite reach the same debut numbers as its predecessor, but viral tracks like “MONACO” and “PERRO NEGRO” are bound to be blasting at clubs and soundtracking Instagram Stories well into summer 2024.
– Hayley Hynes
16. redveil & JPEGMafia – Black Enuff
You might think of redveil as a new, promising face on the scene, but with tracks like “black enuff,” we’d call him nothing less than a leader today. On this track, he tackles the concept of being “black enough,” a reference to how hip-hop and other genres– and society at large, for that matter– box in expressions of self-identity to fit into an easily sellable package. The P.G. County, Maryland spitter and Peggy blast anyone looking to put a price on their work and craft, or on that of any other Black individual. Through an infectious Nigerian dance-folk sample from Alhaji Waziri Oshomah’s “Jealousy,” cutting verses, unrestrained conviction, and an absolute monster of a bass-heavy beat, they make a banger out of a battle cry.
Furthermore, it’s this fusion of influences and appeals that musically speaks to the song’s principal message. There’s also a very unique and palpable fire in redveil and the Baltimore rapper’s performances, and it’s so gratifying to hear a recording that sounds just as energized as a live show. It’s part of the genius behind “black enuff,” as they set themselves apart as undeniably skilled, uncompromised, and outspokenly defiant to an era that commercializes their art more than ever. Given each artist’s incredible material over the past few years, plus the fact that redveil is 19 years old and JPEG is as fresh as ever, we’d agree with anyone calling them the future of hip-hop. But for our money, they are also some of the best among its present form– and that’s a gift we must cherish.
Paint the town red is an expression in American slang which means to be reckless or to be wildly extravagant. That was Doja Cat’s motto all throughout 2023. The California multi-talent churned some stomachs, but had everyone bumping this song that went No. 1 on the Billboard Hot 100. In fact, it broke the dry spell of a rap song not going number one. Doja made this song for the haters that mercilessly critiqued her for her personal changes. Pair that with the great sample flip of Dionne Warwick’s “Walk On By” and you have a great feel-good tune.
– Zachary Horvath
14. Nas & 50 Cent – Office Hours
It seems like just yesterday when Nas and 50 Cent were running the streets of New York with their fast-paced rhymes and foolish antics, but even into their late 40s and beyond, both creatives continue to impress us. Amid his red-hot album run with Hit-Boy, the Illmatic hitmaker tapped Fif to join him in the studio on “Office Hours,” marking their first session since 2002. Back then, they poured their hunger and ambition into “Too Hot” and “Who U Rep With” together, though their relationship later took a turn for the worse after 50’s “Piggy Bank” diss track. Thankfully they’re now back on good terms, and with any luck, we’ll hear them trading bars over more of Hit’s beats soon.
– Hayley Hynes
13. Noname – Hold Me Down
Noname doesn’t hold anything back when it comes to the music she releases, so there’s always going to be controversy. Whether that’s from the more predictable callout of Beyonce, Kendrick Lamar and more on “namesake” or the controversial inclusion of Jay Electronica on “balloons,”she gave rap fans plenty to discuss. But the standout moment from her new album Sundial comes right near the beginning when she executes her definitive formula to absolute perfection. With heavenly backing vocals and an unflinching series of bars about poisoned American institutions, “hold me down” sees her doing exactly what she does best.
– Lavender Alexandria
12. Dave & Central Cee – Sprinter
“Sprinter” marks a first time, groundbreaking collaboration for Central Cee and Dave. The track stands out as an experimental masterpiece that unquestionably succeeds. The U.K. rappers both pack out the track with clever and humorous wordplay, and swiftly compliment each other’s verses back and forth. The seamless rhythmic exchange tells a narrative that is straightforward, yet entertaining. It’s a song that’s simply about the concept of transporting girls from one location to another, and having to use a sprinter van to solve the problem of having a lot of girls willing to party with them. The sprinter van becomes a symbolic solution to the logistical dilemma. The innovative and playful lyrics not only showcase the artistic synergy between Central Cee and Dave, but also is a genuinely enjoyable track to listen to. It also was accompanied by a music video, which further amplifies the vibes of the song. The song showcases Dave and Cee in their elements… It’s a story of them adjusting to fame and the simple pleasures (and problems) that come with it. This song has infinite replay value, and definitely earned a spot as one of the best songs of the year.
– Tallie Spencer
11. Lil Durk ft. J. Cole – All My Life
Lil Durk and J. Cole’s collaborative single “All My Life” is an inspirational song that has surely made its mark this year. The single appears on Durk’s album Almost Healed, and showcases a powerful fusion of gritty realism and inspirational upliftment. The lyrics, coupled with a children’s choir as the chorus, add a layer of emotional depth, emphasizing the resilience required to overcome life’s adversities. In a genre often characterized by its challenges, the track stands out for its introspective narrative as Lil Durk reflects on his journey, triumphing over struggles and defying those who doubted his success. The accompanying music video serves as a visual testament to the song’s themes, reinforcing the message of perseverance and accomplishment. “All My Life” not only resonates with fans for its catchy hook, but also for its motivational resonance. Ultimately, the song has been nominated for best melodic rap performance at the upcoming Grammy awards. It offers a compelling narrative that transcends conventional hip-hop storytelling, and was one of Durk’s and Cole’s biggest songs of the year.
– Tallie Spencer
10. Travis Scott – I KNOW
When Travis can land a sticky melody, it has arguably produced some of his best material throughout his career. While it might be a conventional pick at number 10, this is a complete song. It has a unique way of showing how he is dealing with addictions to drugs and alcohol with the earworm chorus. On top of that, the eerie beat from OZ, Coleman, Buddy Ross, 206Derek, and Travis is equally entrancing. It has everything you want in a hit song from La Flame.
– Zachary Horvath
9. Kendrick Lamar & Baby Keem – The Hillbillies
When Kendrick Lamar teamed up with Baby Keem to make his long-awaited post-DAMN return to music, it was a pretty serious affair. Their collaboration family ties was confrontational and the team-up on Mr. Morale that succeeded it was deeply personal and vulnerable, but the writing was always on the walls that the cousins could have more fun than they were letting on. That exuberance is on full display with “The Hillbillies.” The song is lively and buoyant as the pair trade off bars throughout, filling it with hilarious self-aware references and witty cultural double-entendres. The result is just about the most fun you can have listening to a song this year.
– Lavender Alexandria
8. Nicki Minaj & Ice Spice – Princess Diana
Before she finally unleashed her Pink Friday 2 LP, Nicki Minaj kept busy with some impressive guest verses. One of her biggest was with Ice Spice on the “Princess Diana (Remix),” which helped catapult the Bronx baddie to new levels of fame thanks to the Queen of Rap’s influence. Not only did the infectious song’s April arrival inject some much-needed life into the music industry, but it also helped set the scene for Spice and Minaj’s next joint effort, “Barbie World.” This year reminded us just how much a co-sign (not to mention a feature) from the Trinidadian can do for an up-and-comers career, proving that her influence hasn’t diminished, despite taking a lengthy hiatus after 2018’s Queen.
– Hayley Hynes
7. Earl Sweatshirt & MIKE – Sentry
After hinting at having a full-length album in store together for years, Earl Sweatshirt and The Alchemist finally made good on that promise in 2023. They kicked off Voir Dire’s promotion with “Sentry,” a characteristically gritty and morose effort featuring Earl’s frequent collaborator, MIKE. Over Alchemist’s haunting production, Earl flexes his lyrical talents while reflecting on his mental state, complexities of his ancestral lineage, and place in hip-hop, all while juxtaposing these themes with his intentionally blasé demeanor.
– Cole Blake
6. Latto – Put It On Da Floor
Latto had one of the biggest songs of the year. “Put It On Da Floor,” served as a dynamic addition to her repertoire, showcasing the Atlanta rapper’s distinctive style and lyrical ability even further. She debuted the song at Coachella earlier this year and received a positive response. Positioned as a standalone release, the track has made a significant impact within the rap landscape. It garnered tons of attention on TikTok for it’s opening line “Rip me out the plastic I been acting brand new,” sparking a challenge that involved users “ripping themselves out the plastic.” The song has an infectious beat and combined with Latto’s assertive delivery, its a song to remember. Latto’s unapologetic demeanor crafts a high-energy anthem that resonates with just about everyone. Furthermore, the song saw a notable remix with Cardi B, who hopped on “Put It On Da Floor Again.” This further helped propel the single into new heights, with Cardi’s signature quotable verse, with lines like “These hoes don’t do enough that’s why I always do the most.” Lyrically, Latto employs themes of success and dominance. “Put It On Da Floor” cements Latto’s stature as one of the leading ladies in hip-hop.
– Tallie Spencer
5. Drake ft. J. Cole – First Person Shooter
It’s been over a decade since Drake and J. Cole first linked up on 2011’s “In The Morning,” and the growth of both artists is more apparent on “First Person Shooter” than ever. Trading in the sappy sentimentality of that song, here they’re confidently in charge, going verse for verse with one another over a commanding beat orchestrated by Boi-1da, Vinylz, Tay Keith, and more. Before it ends, Drake references his almost-guaranteed ascent past Michael Jackson for the most No. 1’s on the Billboard Hot 100.
– Cole Blake
4. Gunna – fukumean
Gunna still hasn’t completely cleared his name from the snitching allegations plaguing him after taking a plea deal in the YSL RICO trial. However, he still managed to make one of the most impressive comebacks we’ve seen in 2023. His featureless project, a Gift & a Curse found the Atlanta-based creative getting more vulnerable than ever before about the ups and downs he’s experienced since his arrest. Of course, Wunna made room on his tracklist for a viral club anthem in the form of “fukumean” as well, setting the tone for an impressive summer of hip-hop.
– Hayley Hynes
3. Tyler, The Creator – Sorry Not Sorry
Even when he drops his loosies, Tyler, The Creator still proves himself as one of the best musicians working today. While pretty much any cut from The Estate Sale warrants mention here, the sheer weight, significance, skill, and grandiosity of “SORRY NOT SORRY” practically speaks for itself. Instrumentally, this might be the best sample flip of the year thanks to T’s use of “He Made You Mine” by Brighter Side of Darkness. It’s a gentle drum beat with wailing synthesizers, wondrous vocal harmonies, and a lot of lush instrumentation throughout. Of course, we have to mention the track’s final crescendo, accentuated by wild ad-libs and building vocal chants to take its stressfully tense drum build to its highest level of intensity and soften us back to Earth.
Nevertheless, great production is a law of physics in the Hawthorne, Los Angeles native’s world. Where “SORRY NOT SORRY” really shines is in its messaging, lyricism, topical focus, and rapping performance from Tyler, The Creator. From the perspective of his success, he “apologizes” to those along the way: his family, friends, lovers, fans, planet, ancestors, and more. But most importantly, the 32-year-old does not apologize for himself. Tyler toes a fine line between reflection and invigorated hunger, looking back between his journey and his current state to conclude that he doesn’t regret a thing in his search for greatness. Once achieved, though, it allowed him to help these people while continuing on his own path. On a record whose music video sees him killing off his eras and ushering in a new one, the man sometimes known as Wolf Haley crafted one of his best-ever expressions.
– Gabriel Bras Nevares
2. Sexyy Red – SkeeYee
Sexyy Redd’s track “SkeeYee” has become a pivotal song in her breakout year. The song has made national waves with its infectious energy and distinctive meaning. “SkeeYee” has truly become a catchphrase that has made its way in every room from parties and the club, to locker rooms and stadiums. Catchy lyrics such as “if you see me and you tryna see what’s up,” have made rounds to the point where you can’t help but sing along when the song comes on.
In the broader context of Sexyy Redd’s career, 2023 has been a defining year. From securing a spot on Drake’s latest album to concluding a successful 20-city tour and dropping her acclaimed debut mixtape, Hood Hottest Princess, Redd has solidified her status as a rising star. “SkeeYee” further catapulted her into the spotlight, resonating widely on social media. People definitely doubted her, however with several big moments this year, it’s clear that she has an indescribable magnetic appeal.
– Tallie Spencer
1. Killer Mike – Scientists and Engineers ft. Future, Andre 3000, & Eryn Allen Kane
When we look back at 2023, we doubt that any other track will encapsulate its output and represent contemporary rap better than “SCIENTISTS & ENGINEERS.” It’s a dream for fans of the genre: an Atlanta affair inspired by many styles with Killer Mike, André 3000, Future, and a gorgeous Eryn Allen Kane feature. These MCs’ verses sum up the current state of hip-hop better than any other big track this year while reviving the funky, woozy, and boundlessly creative Dungeon Family days. It teeters on the edge of despondent and triumphant, conscious and braggadocious, otherworldly and grittily grounded, in order to champion rappers building their lavish lives out of centuries of struggle, loss, and uphill battles.
Mike, 3 Stacks, and Hendrix all craft verses that tackle the lessons learned on their individual rags to riches stories in order to “live forever.” André pontificates on the unknown and his artistic legacy, Fewtch paints opulent pictures of the material wealth he earned through sharing his pain, and the Run The Jewels lyricist acknowledges the most dangerous game in America while standing on his will to play it– and win. Across its runtime, the production switches from psychedelic synth arpeggios, trap drums, heavenly backing vocals, gentle guitar licks, and other lush embellishments. “SCIENTISTS & ENGINEERS” represents a big chunk of what the genre’s concerned with right now, whether in its most artistic and socially indignant spaces or in the most visible and successful lanes. Few tracks this decade– let alone this year– have accomplished this duality as compellingly, skillfully, and powerfully as this one.
