Drake definitely heard Kendrick Lamar bar him up with “euphoria.” One of the key moments in the diss is when Lamar lists everything he hates about Drake.
In response, Drake hit his Instagram Story to share a clip of Julia Stiles from the film 10 Things I Hate About You. You can see the clip below.
Also, Drake appeared at Nicki Minaj’s Toronto stop of the Pink Friday tour. After performing “Needle” and “Rich Baby Daddy,” The Boy delivered a message: “You know what time it is, you know what I gotta do.”
Remy Ma, the Grammy-nominated artist and pioneer in the hip-hop industry, is set to captivate audiences with an electrifying weekend of rap battles in Miami from May 3rd to May 5th, 2024. In collaboration with Parti.com, a leading platform for live events and entertainment, Remy Ma aims to deliver a groundbreaking PPV experience that merges Web 2 and Web3 capabilities.
The weekend’s festivities kick off with the The Eazy & Veezy Podcast with Faceoffs, Tryouts with Meet and Greet on May 3rd. This event, organized by Remy Ma and Chrome 23 and exclusively on Parti.com, features Faceoffs from each event and tryouts for upcoming battle rappers vying for a slot to perform on the Chrome 23 Stage at an upcoming event.
Remy Ma herself shared her enthusiasm for the collaboration, stating, “We are excited to bring Chrome 23 to Parti! As battle rap continues to grow as an industry, we are leading a new era of content creation with Parti. As a league owner we need to grow in new ways to evolve the battle rap experience for both the artist and fans. Parti’s technology gives us the ability to show our product to a new audience worldwide while also catering to die-hard fans who have been on this ride since the beginning.”
The excitement continues with two action-packed PPV events on May 4th and May 5th. The Trenches Presents “Unforgivable” PPV on May 4th will feature a main event showdown between Eazy The Block Captain and Charlie Clips, while Chrome 23 Presents “Miami Nights” on May 5th will showcase a highly anticipated grudge match between Aye Verb and Swamp.
Events Details
May 3rd Event: The Eazy & Veezy Podcast with Faceoffs, Tryouts with Meet and Greet Details: Battle Rappers Eazy the Block Captain and Aye Verb will be hosting a podcast exclusively on Parti! Eazy & Podcast will host Faceoffs from each event and tryouts for upcoming battle rappers to fight their way onto a future Chrome 23 or Trenches event. Time & Venue: Studio 183 Lounge 320 NW 183 St, Miami FL, time TBA
May 4th Event: The Trenches Presents “Unforgivable” PPV Details: MAIN EVENT-Eazy The Block Captain vs. Charlie Clips (from VH1’s Wild N Out) Venue: LIVE in Miami, FL at Studio 183 Lounge Time: Show starts 6PM EST/3PM PST
May 5th Event: Chrome 23 Presents “Miami Nights” Details: MAIN EVENT-Aye Verb vs. Swamp Venue: LIVE in Miami Florida at Studio 183 Lounge Time: Show starts 6PM EST/3PM PST
Drake definitely heard Kendrick Lamar bar him up with “euphoria.” One of the key moments in the diss is when Lamar lists everything he hates about Drake.
In response, Drake hit his Instagram Story to share a clip of Julia Stiles from the film 10 Things I Hate About You. You can see the clip below.
Also, Drake appeared at Nicki Minaj’s Toronto stop of the Pink Friday tour. After performing “Needle” and “Rich Baby Daddy,” The Boy delivered a message: “You know what time it is, you know what I gotta do.”
And just like that, Kendrick Lamar has fired off at Drake and OVO. With “euphoria,” Lamar had a run of insults and jabs, but one recalled Drake’s history with Diddy.
During his “Push Ups” diss to Kendrick and more, Drake mentioned Chubbs, his right-hand man and enforcer, having The Weeknd’s manager as a blunt runner. But additionally, Chubbs is mentioned as a threat, specifically on “Summer Sixteen,” where Drake raps, “You know Chubbs like Draymond, better off not sayin none.”
So back to “euphoria,” Kendrick spits, “You gon’ make a nigga bring back Puff, let me see if Chubbs really crash somethin’”
But what exactly happened with Diddy and Drake? Seems a lot.
In October 2022, Kanye West was a guest on a podcast and claimed that Hov once broke up a fight between Drake and Diddy.
Ye made his guest appearance on the Lex Fridman Podcast yesterday (October 24) and said that at his 2015 Yeezy fashion show in NYC, Ye revealed that Jay had to play referee between the Bad Boy head honcho and the Certified Lover Boy.
“You had Puff Daddy. At that time, Puff Daddy had beef with Drake,” said Ye. “Drake still came to the show and JAY-Z had to break up the fight backstage.”
The two had a previous run-in in December 2014, when Drizzy and Puff got into a fistfight at DJ Khaled’s birthday party in Miami, causing the Toronto star to be hospitalized with an injured shoulder. Diddy is said to have approached Drake at Club LIV and told him: “You’ll never disrespect me again,” before punching him.
That event caused J. Prince to deliver a “courtesy call” about the confrontation. Prince said, “Puffy feeling like he can put his hands on my family, open the doors for his family to be touched. You reap what you sow.”
Diddy ultimately denied physically assaulting Drake, saying: “I did not put hands on Drake, and I do not want any problems with Drake. I did nothing to Drake. Drake is my friend.”
TMZ noted Boi-1da sent both Drake and Diddy the “0 to 100” beat. Drake made the single first. But Miss Info also had tea, stating:
Apparently Diddy was given that beat first, eventually sent it to Drake to put a verse on it, but as we all know Drake released “0 to 100″ as a freestyle using the beat instead. Reportedly, the beat was made during a series of sessions in Miami where Puff flew Boi-1da down…but turned down the beat. Which would make it up for grabs.
But back to the present. You can hear “euphoria” below.
In social media, vulnerability can often be misconstrued or even criticized. However, when Justin Bieber recently shared a heartfelt and tearful post on his Instagram account, it sparked a wave of support and understanding from fans and celebrities alike. Among those rallying behind the pop sensation is fellow musician The Game, who has come forward to defend Bieber’s emotional display, urging people to embrace and support him in his moments of vulnerability.
In his Instagram post, Bieber shared a series of photos and videos along with a caption expressing his struggles with fame and the toll it has taken on his mental health. His message’s raw honesty and emotion resonated deeply with many of his followers, prompting an outpouring of empathy and encouragement.
The Game, known for his candid demeanor and outspoken nature, took to social media to voice his support for Bieber. In a series of tweets and Instagram stories, he commended the singer for his bravery in opening up about his inner struggles and urged others to show compassion and understanding.
“Justin Bieber is a human being, just like the rest of us,” The Game tweeted. “He has feelings, he experiences pain, and he deserves our support. Let’s not judge him for being vulnerable – let’s applaud him for his courage.”
The rapper’s words echo a growing sentiment in society that emphasizes the importance of destigmatizing mental health issues and encouraging open dialogue. In a world where celebrities are often placed on pedestals and expected to maintain a facade of perfection, Bieber’s willingness to show his vulnerability serves as a potent reminder that no one is immune to the challenges of mental health.
Moreover, The Game’s defense of Bieber highlights the importance of empathy and compassion in our interactions with others, especially in the age of social media where negativity and criticism can easily overshadow genuine expressions of emotion.
As Bieber continues navigating the complexities of fame and personal struggles, fans and the public need to rally behind him with love and support. By embracing his vulnerability, Bieber is not only advocating for his well-being but also paving the way for others to feel comfortable seeking help and opening up about their mental health challenges.
In a world that often glorifies strength and resilience while shunning vulnerability, Bieber’s willingness to show his emotional side is a courageous act that deserves commendation. And with allies like The Game standing in his corner, Bieber can find solace in knowing he is not alone in his journey towards healing and self-discovery.
In conclusion, The Game’s defense of Justin Bieber’s teary social media post serves as a poignant reminder of the importance of empathy, compassion, and understanding, particularly regarding mental health struggles. Rather than criticizing or judging, let us rally behind those who dare to be vulnerable and support them toward healing and self-acceptance.
Hip-hop has always been a dynamic and evolving genre, reflecting the cultural shifts and societal changes of its time. Recently, rapper Fat Joe sparked a conversation within the hip-hop community when he expressed his thoughts on the growing presence of what he termed ‘femininity’ in the genre, suggesting that such expressions were less common during his era in the music industry.
In an interview, Fat Joe remarked on the changing landscape of hip-hop, noting that in his early days in the industry, the portrayal of femininity was not as prevalent as it is today. He felt nostalgic for the gritty, masculine image that characterized hip-hop during his era, contrasting it with what he perceives as a shift toward a more diverse and inclusive representation of gender and sexuality in modern hip-hop.
“In my era, we wouldn’t have seen that,” Fat Joe stated, alluding to the increasing visibility of artists who challenge traditional gender norms and embrace their femininity in their music and image. While acknowledging the importance of diversity and artistic expression, he raised questions about whether these changes depart from hip-hop culture’s roots.
Fat Joe’s comments have sparked reactions from fans and fellow artists alike. Some have applauded his candor and shared his sentiments, echoing a desire to preserve the authenticity and rawness of hip-hop as they remember it. Others have criticized his remarks as being out of touch with the evolving nature of the genre and the broader cultural shifts towards inclusivity and acceptance.
Indeed, hip hop has always reflected the realities and experiences of its creators, and as society continues to evolve, so does the music. Artists today are more vocal about issues of gender identity, sexuality, and self-expression, pushing boundaries and challenging conventional norms in ways that were perhaps less common in the past.
While Fat Joe’s remarks may have stirred controversy, they also serve as a reminder of the ongoing dialogue within the hip-hop community about the genre’s direction and the values it represents. As hip-hop continues to evolve, it is essential to recognize and celebrate the diverse voices and perspectives that contribute to its rich tapestry, whether they conform to traditional notions of masculinity or not.
In conclusion, Fat Joe’s questioning of the growing ‘femininity’ in hip-hop reflects a broader conversation within the genre about identity, representation, and authenticity. While his remarks may be rooted in nostalgia for the hip-hop of his youth, they also highlight the dynamic and ever-changing nature of the music and its ability to reflect the complexities of the human experience.
New revelations have surfaced in the long-standing investigation into the 1996 shooting death of iconic rapper Tupac Shakur. Last year, West Coast gangster Duane “Keefe D” Davis was arrested in connection with the murder, and recent developments have shed light on a previously undisclosed confession made by Davis to Las Vegas police in 2009.
According to reports from The Sun, Las Vegas Metro Police possess a 15-year-old recording in which Keefe D admits to his involvement in the fatal shooting of Tupac. In the recording, Keefe allegedly confesses to being in the car when gunfire erupted, claiming that he and his gang “got to shooting” as they pulled up next to Tupac on the Las Vegas strip.
However, Keefe’s lawyer claims that he was unaware of this confession, suggesting that it was not disclosed during the murder trial. Attorney Carl Arnold argues that the revelation does not bring anything new to the case and, in fact, highlights the lack of concrete evidence against his client.
Arnold contends that the newly discovered recording does not constitute proof of a crime, as it contradicts Keefe’s earlier claims that he was not in Las Vegas at the time of the shooting. Despite the potential significance of the tape, Arnold dismisses its impact, stating that it does not change the fundamental facts of the case.
Furthermore, Arnold raises questions about why the confession was not brought to light earlier and why authorities waited 15 years to prosecute his client based on this information. He alleges that the delayed prosecution deprived Keefe of his right to a fair trial, pointing out that crucial witnesses who could confirm or refute the confession have since passed away.
In response to these developments, Arnold is preparing a motion to dismiss the evidence if it is entered into the case, arguing that the prosecution’s actions constitute a failure of due process. He maintains that the evidence against Keefe is circumstantial and insufficient to secure a conviction.
Two years after being ordered to pay rapper Cardi B a hefty sum in damages for defamation of character, YouTube gossip vlogger Tasha K finds herself in yet another legal battle. Last week, revelations surfaced that Cardi B had successfully traced Tasha’s financial accounts, including offshore trusts in Africa, prompting Tasha to defend herself, claiming she created the trusts out of panic to safeguard her family.
For months, Cardi B had been seizing Tasha’s income from her YouTube channel and other social media platforms, using subpoenas to delve into Tasha’s financial affairs. Earlier this year, Cardi made a startling discovery—multiple domestic and offshore trusts that Tasha and her husband had established but failed to disclose in their bankruptcy petition.
Among the trusts uncovered were The Sambakessi Investment Trust (Cook Islands), Soninkes LLC (Island of Nevis), The Bamako Trust (Kebe Children ILT) (Georgia), Transrina Management Trust (Georgia), and the Florida Joint Revocable Living Trust. Tasha’s lawyer admitted that these trusts were created in response to Cardi B’s lawsuit but emphasized that they had never been utilized.
According to Tasha’s legal representative, the impending judgment from Cardi B’s lawsuit induced a state of panic, prompting Tasha to take swift action to protect her family and assets. In March 2021, Tasha sought estate planning services from a Georgia attorney, resulting in the creation of the trusts. However, each trust was funded with a mere $10 in cash, and no bank accounts were ever established for them. Furthermore, no transfers were made into or out of the trusts.
Tasha maintains that the trusts remain dormant and hold no value. Similarly, a limited partnership formed during this period was deemed to have no worth and has never been utilized.
We back in the beef streets. Kendrick Lamar has disturbed everybody’s Tuesday working morning to fire of “Euphoria.”
The track opens with Lamar rapping over the Teddy Pendergrass classic “You’re My Latest, My Greatest Inspriation,” calling out “the famous actor we once knew” as spiraling. He also stated Drake was a “pathetic master manipulator” created a fake story about Lamar’s family in “Push Ups.” Another early job is “you make music that pacify them, I can double down on that line but spare you this time, that’s random act of kindness,” hinting at rumors of Drake’s involvement with underage girls.
The track then hits a new level, calling out Drake for dodging Pusha T, calling into question his contracts, bieng a poor father and more. All the while, leaving the belief he has more on the way. One of which, “
A rapper is now facing death after speaking out against his government in his raps.
According to Deadline, attorneys for Iranian rapper Toomaj Salehi have been sentenced to death for rap lyrics that aligned with protests in Iran in 2022.
“An order for the execution of Toomaj Salehi has been issued,” his lawyer stated.
After his arrest, Salehi was held in solitary confinement and was ultimately convicted of “corruption of earth.”
Salehi can possibly get his sentenced reduced if he appeals. In his bars, he spoke against the Iranian regime, saying that he was tortured and placed in solitary confinement.
“We strongly condemn Toomaj Salehi’s death sentence and the five-year sentence for Kurdish-Iranian rapper Saman Yasin. We call for their immediate release,” the United States’ Office of the Special Envoy for Iran tweeted. “These are the latest examples of the regime’s brutal abuse of its own citizens, disregard for human rights, and fear of the democratic change the Iranian people seek.”
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