J. Cole Re-Imagined A Dr. Dre Classic On An Epic ‘Creed III’ Soundtrack Cut

On the heels of the Dreamville Festival 2023 announcement, J. Cole and his Dreamville Records roster are showing no signs of letting up. The two-day music festival’s lineup features some of the biggest current acts in music, including headliners Drake, Usher, and Burna Boy. Now, the Fayetteville, North Carolina native is taking it back on his latest musical release off of the Creed III soundtrack.

With the film, now in theaters, starring Michael B. Jordan (in the role of Adonis Creed) and Jonathan Majors (as Damian Anderson), each track on the project executive produced by Cole is live across streaming platforms. However, fans are paying close attention to the track, “Adonis Interlude (The Montage)” by the rapper. Unlike the two previously released singles “Blood, Sweat, & Tears” and “Ma Boy,” J. Cole’s song pulls inspiration from a hip-hop pioneer as he re-imagines Dr. Dre’s 1999 song, “The Watcher,” off his album 2001.

“Adonis Interlude (The Montage)” catches up listeners with the fictional character’s journey throughout the trilogy as he prepares for his toughest opponent yet, his former childhood friend, Damion. Avoiding spoilers, the song is a clever musical assist to the epic sports film.

Check out J. Cole’s “Adonis Interlude” above. To listen to Dr. Dre’s “The Watcher,” continue below.

Dr. Dre Recalls Calling Michael B. Jordan “Crazy” For Directing & Starring In “Creed III”

The Creedverse is expanding with another installment that has taken over Hollywood thanks to Michael B. Jordan. The actor has been building on a successful career since he was a teen, and his efforts have paid off exponentially. As fans fawn over his stripped-down Calvin Klein ad, the Creed III premiere in Los Angeles was the place to be. The who’s who of Hollywood descended on the TCL Chinese Theater, and Entertainment Tonight caught a brief moment with Dr. Dre.

The Compton native is not only an L.A. icon but a global superstar. Dre has helped develop and produced records for artists who turned into Rap’s elite, so he knows a thing or two when spotting talent. Creed III marks Michael B. Jordan’s directorial debut, and he stars in the film opposite several acclaimed talents, including Jonathan Majors.

Dr. Dre Sings Michael B. Jordan’s Praises

HOLLYWOOD, CALIFORNIA – FEBRUARY 27: (L-R) Jonathan Majors, Tessa Thompson, Mila Davis-Kent and Michael B. Jordan attend the Los Angeles Premiere Of “CREED III” at TCL Chinese Theatre on February 27, 2023 in Hollywood, California. (Photo by Gregg DeGuire/FilmMagic)

With a legacy such as Dre’s, it was only fitting that Jordan & Co. approached the Aftermath mogul about working on music for the film. While speaking with ET‘s Nischelle Turner, the megaproducer explained how the partnership unfolded. “Mike actually came to my house and screened the film for me, and I thought he was out of his mind,” Dre remembered with a laugh. “First-time director and starring in the film? It’s like, you gotta be crazy to do that because it’s extremely difficult.”

“[But] I was so proud of him,” Dre continued. “I said, ‘Listen, man, I can’t wait to see what’s gonna come out of your mind next, as far as the direction goes,’ you know? It was amazing.” He added, “I thought they did an amazing job. I’m really proud of it.” Although his appearance on the red carpet was due to his artistic inclusion, the hitmaker said he was there specifically to support Michael B. Jordan.

More Props To The Acclaimed Actor

“One of the other reasons why I’m here is because he’s such a good person,” Dre said. “He’s a fantastic human being. So I’m here to support him.” Creed III hits theaters on March 3.

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Smokey Robinson Says Dr. Dre Connected Him With Anderson .Paak

Smokey Robinson is one of the most renowned pioneers of R&B. The Motown legend, now 83 years old, continues to shine his light on the genre. This was most evident at the Grammys on Feb. 5. Here, he joined his pal Stevie Wonder on stage for a titillating performance of hits like “The Tears of a Clown,” which Wonder co-wrote with Smokey. Aside from playing his own bops, though, Robinson has made efforts to connect with the newer generation.

Anderson .Paak has been reigning as one of R&B’s and hip-hop’s best acts to offer since the early 2010s. Solo albums like Oxnard, Ventura and Malibu have captivated modern fans of these genres, as well as seasoned vets. These vets include guys like Dr. Dre, whose Aftermath Records signed .Paak while he was on his ascent. Dre has also collaborated with .Paak on a handful of occasions, most notably for songs like the recently-released “ETA,” “Deep Water” and “Mansa Musa.” Along with joint records of their own, though, Dre has helped .Paak get in touch with other legends. This includes the aforementioned Smokey Robinson.

Smokey Speaks On Paak Collab

Smokey Robinson performs onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. (Photo by Kevin Mazur/Getty Images for The Recording Academy)

In April 2019, Anderson .Paak released his fourth official studio album Ventura. The album includes features from icons like Andre 3000, Nate Dogg, Brandy, Jazmine Sullivan and, of course, Smokey Robinson. Paak and Smokey’s song “Make It Better” earned huge streaming numbers, and is one of the most celebrated track Anderson has ever released. The song was also accompanied by a thrilling music video. This was all thanks to Dr. Dre, who set up these two R&B talents. In a new interview with VladTV, Robinson goes into more more detail about this encounter, and how he enjoyed working with Paak.

“It was fun. Actually, (Dr.) Dre called me and he said, ‘Man I got a young artist that I want you to come and write a song with.’ And Dre’s my friend, my brother, so I went and I met Anderson and he had started that song. He gave it to me and I took it home and finished it up and we recorded it. It was fun working with him,” Robinson said. Throughout the rest of the interview, Smokey also discussed why he does not want to quit touring in his old age. Robinson still loves interacting with fans of his, and surely Paak was one of his most passionate followers. It’s no wonder why he had Dre recruit Smokey for his song so he could “Make It Better.”

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Janet Jackson Didn’t Receive Grammys Global Impact Award Due To Super Bowl Scandal: Report

Amid Dee Barnes’s op-ed condemning the Grammys for honoring Dr. Dre, news about Janet Jackson has surfaced. The music icon has received just about every honor someone in her position could hope for. However, TMZ now reports that Ms. Jackson was initially slated to receive the Global Impact Award this year. Instead, the title went to Dre, and the outlet detailed what they learned happened, forcing the switch.

The Global Impact Award was bestowed courtesy of The Recording Academy’s Black Music Collective during a private ceremony. Dre, Missy Elliott, Lil Wayne, and Sylvia Rhone were lauded, but according to some, the award was supposed to include Janet Jackson. Reports state higher-ups didn’t know how to navigate the fallout of her Super Bowl scandal.

LOS ANGELES, CALIFORNIA – NOVEMBER 05: Janet Jackson speaks onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony at Microsoft Theater on November 05, 2022 in Los Angeles, California. (Photo by Theo Wargo/Getty Images for The Rock and Roll Hall of Fame)
Read More: Janet Jackson Re-Creates “Control” Look 36-Years Later 

In 2004, Jackson took to the halftime stage and was joined by Justin Timberlake. It was then that he ripped off her top, exposing her breast to a global audience. Immediately, Jackson was vilified, and her career even took a hit. People chastised her for blemishing the wholesome sports event, but it would take years for the truth to surface. It was later learned that Jackson wasn’t at fault, and, after years of condemnation, Timberlake apologized to Jackson.

Additionally, Jackson didn’t attend the private Grammys ceremony because she had something else scheduled. There were conversations about the singer receiving the award from another location, as negotiations about CBS publicly apologizing were also entertained. TMZ reported they were unable to come to an agreement, so Jackson lost out on the honor altogether.

LOS ANGELES, CA – JULY 16: Host Justin Timberlake stands onstage in front of a video of himself and Janet Jackson from Super Bowl XXXVIII onstage at the 2008 ESPY Awards held at NOKIA Theatre L.A. LIVE on July 16, 2008 in Los Angeles, California. The 2008 ESPYs will air on Sunday, July 20 at 9PM ET on ESPN. (Photo by Kevin Winter/Getty Images)
Read More: Janet Jackson’s Stylist Details Justin Timberlake’s Role In Super Bowl “Wardrobe Malfunction”

Dee Barnes was a music journalist who interviewed several hitmakers in the late 1980s and early ’90s. It was back then that she aired a segment that would ruffle Dr. Dre’s feathers as Ice Cube was in a beef with his former group N.W.A. Barnes reportedly ran into Dre at an event, and she claimed he slammed her head into a wall and kicked her after she fell to the ground. In her op-ed for Rolling Stone, Barnes not only detailed the assault but she called out The Recording Academy for giving an “abuser” his own award.

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Dee Barnes calls Dr. Dre An ‘Abuser’ After He’s Honored At Grammys

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It looks like Dee Barnes isn’t too thrilled about Dr. Dre being honored with the Global Impact Award at this year’s Grammys. The acclaimed journalist claims she was attacked by Dr. Dre back in 1991, during the time when she hosted Pump It Up! — a weekly hip-hop show that chronicled the growth of hip-hop into the art form it is today.

In an interview with Rolling Stone, Barnes called out the Recording Academy in their decision in honoring Dre.

“Everybody wants to separate the art from the artist, and sometimes that’s just not possible,” she states. “Most people without a knowledge of [Dr. Dre’s] history are going to say, ‘Oh, he must deserve that. He must be such a great person for them to put an award in his name.’ But they named this award after an abuser.” 

Barnes alleged Dr. Dre assaulted her at a record release party in Hollywood, following an episode of Pump It Up! that highlighted the tension between Dr. Dre’s N.W.A. and Ice Cube, who exited the group in 1989. While Barnes gives him the benefit of the doubt about the person he is now, she makes it very clear she isn’t happy.

“It wasn’t just a one or two-time thing; these are choices. The first time, it’s maybe a mistake. The second time, okay. The third time, it’s a choice. I’m not saying he is the same person now, though. I don’t know. I’m not around him anymore. I haven’t talked to him. But to name an award after someone with that type of history in the music industry, you might as well call it the Ike Turner Award.”

Barnes also brought up Dr. Dre’s own statements from The Defiant One’s documentary, where he says she’s a “blemish” on who he is as a man.

“Well, what do you do with a blemish?” she asks. “There’s a whole industry created—skincare lines and vitamins and rituals—to get rid of blemishes,” she continued. “And, in a sense, there’s a whole network to keep me hidden.”

It’s not only the Grammys where Barnes feels some type of way, it’s the Hip-Hop culture as a whole. While she had a great run in the 90s, she feels her image and brand have been tarnished because of the instances.

“I shouldn’t have to suffer by not being able to exist in a space and in a culture that not only did I grow up in but that I contributed to in a major way. Is this about his feelings? Is this about his legacy? Or is it about ego and toxic masculinity? What is it about? My whole history has been erased: as an artist, as a music journalist, and as a television host.”

To conclude, she brought up the missed opportunity that could have transpired, if she was able to sit down with Dr. Dre on camera and talk through their differences. 

“I think that would’ve begun a journey of healing; he’s coming face to face with me, and I’m coming face to face with him. I’ve put out the olive branch. Black women and grace, you know how we are. It wasn’t accepted.”

The post Dee Barnes calls Dr. Dre An ‘Abuser’ After He’s Honored At Grammys appeared first on The Source.

Dee Barnes On Dr. Dre’s Grammys Honor: “They Named This Award After An Abuser”

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Days after the Recording Industry honored West Coast Hip Hop pioneer Dr. Dre. former host of Fox’s Pump It Up Dee Barnes condemns the Grammys’ choice to honor Dr.Dre.

Barnes slammed the decision to honor the N.W.A. co-founder with the inaugural “Dr. Dre Global Impact Award” at the Black Music Collective honors ceremony. Barnes spoke to Rolling Stone about the decision saying, “Everybody wants to separate the art from the artist, and sometimes that’s just not possible…They named this award after an abuser.”

Shecontinued, “It wasn’t just a one or two-time thing; these are choices. The first time, it’s maybe a mistake. The second time, okay. The third time, it’s a choice. I’m not saying he is the same person now, though. I don’t know. I’m not around him anymore. I haven’t talked to him.” She even said, “They might as well call [the honor] the ‘Ike Turner Award.’”

Barnes’ gripe comes from an alleged assault by Dr. Dre back on January 27, 1991 when Dre encountered Barnes at a record release party in Hollywood. According to Barnes, he picked her up by her hair and “began slamming her head and the right side of her body repeatedly against a brick wall near the stairway” as his bodyguard held off the crowd with a gun. After Dre tried to throw her down the stairs and failed, he began kicking her in the ribs and hands. She escaped and ran into the women’s restroom.

Dre pleaded no contest to the assault. He was fined $2,500, placed on two years’ probation, and ordered to perform 240 hours of community service and produce an anti-violence public service announcement. The lawsuit was settled out of court.

The post Dee Barnes On Dr. Dre’s Grammys Honor: “They Named This Award After An Abuser” appeared first on The Source.

Michael Jackson’s Catalog Close To Being Sold + How He Helped Other Black Artists

Michael Jackson

Music icon Michael Jackson’s catalog is close to being sold for at least $800 million to the highest bidder. In his successful career, Michael was also impactful with music catalogs to help Black artists. Michael Jackson’s Catalog For Sale According to a Variety report, the Michael Jackson Estate is selling half of its interests in […]

The post Michael Jackson’s Catalog Close To Being Sold + How He Helped Other Black Artists appeared first on SOHH.com.

50 Cent Confirms Collab With Nas On “King’s Disease 4”

50 Cent wasn’t joking when he said he was going to return to music this year. The Power mogul put more of his effort into television and mentoring up-and-coming rappers recently. However, the 20th anniversary of his debut album, Get Rich Or Die Tryin, and recent RIAA certifications put a battery in his back. He revealed earlier this year that he was going to return to music and deliver some heat. 

He explained that he wanted to return to music following his 2022 international tour dates. “I get the attention that I want from music when I want it,” he told Billboard. “I just went out and toured 45 countries, and everywhere was sold out. That made me want to offer new music that I could integrate into everything now,” he added. Fif will also be hitting the road later this year for his first tour in 13 years. It’s going to be a busy year for Fif between the numerous television projects and an anticipated album.

50 Cent On Collabs With Dr. Dre, Nas, and Eminem

The television mogul opened up about his working relationship with Dr. Dre, who will produce Fif’s next album. He detailed a lengthy process of refining his work in the studio to satisfy Dre’s ear. However, he credits Dre for understanding his creative direction each time. “I would write the record to break the ice, and we’d have something playing like [Dre] just got here even if he’s been here two or three hours and we got a record playing. He will change the drums and everything that you got there until you got something that’s a hit record,” he explained.

Fif apparently already has a few collaborations in the works already alongside revered legends. Billboard reports that Eminem already sent him new records to collaborate on, while Nas reached out for a feature on his next Hit-Boy-produced project. “He is now working on a studio album with Dr. Dre, Eminem has sent him new songs to collaborate on, and Nas has tapped him for a feature on his forthcoming King’s Disease 4,” Billboard’s Carl Lamarre stated. Hopefully, a new single comes soon. We’ll keep you posted on anymore updates from Fif.

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Dee Barnes Calls Out Grammys For Honoring Dr. Dre With “Global Impact Award”

At this year’s Grammy Awards, the Dr. Dre Global Impact Award was given to the Aftermath mogul, but Dee Barnes wasn’t applauding the honor. Dre’s award was a part of The Recording Academy’s Black Music Collective, and while fans believe he deserved the tribute, Barnes recalled her experience with the Rap giant back in 1991. It was then that the music journalist was in the thick of her career, often interviewing some of Rap’s most influential voices. At 19, she hosted the Hip Hop show Pump It Up! On the show, she highlighted the then-tension between N.W.A. and Ice Cube.

Barnes alleged that Dre confronted her about a segment on her show. She previously detailed the ordeal, stating, “He picked me up by my hair and my ear and smashed my face and body into the wall… Next thing I know, I’m down on the ground, and he’s kicking me in the ribs and stomping on my fingers.” More recently, Barnes spoke with Rolling Stone about the incident and seeing Dre receive an award holding his name.

NEW YORK, NEW YORK–OCTOBER 08: Host Dee Barnes (aka Sista D) and MC Lyte (aka Lana Moorer) appear backstage at the “Sisters In The Name Of Rap” concert and television special at The Ritz on October 8, 1991 in New York City. (Photo by Al Pereira/Getty Images/Michael Ochs Archives)
Read More: Dee Barnes Is “Triggered” After Dr. Dre’s Wife Denied Restraining Order

“Everybody wants to separate the art from the artist, and sometimes that’s just not possible,” said Barnes. “Most people without a knowledge of [Dr. Dre’s] history are going to say, ‘Oh, he must deserve that. He must be such a great person for them to put an award in his name.’ But they named this award after an abuser. It wasn’t just a one or two-time thing; these are choices.”

Barnes recognizes that Dre may not be the same person she interacted with. “I don’t know. I’m not around him anymore. I haven’t talked to him. But to name an award after someone with that type of history in the music industry, you might as well call it the ‘Ike Turner Award.’ She also mourned watching the Grammys Hop Hip tribute. Barnes mentioned that she and Dre can’t be in the same space. “I was thinking, ‘I would’ve been there. I would’ve been there on the red carpet.” She believed she “would’ve been interviewing some of those artists.’ In fact, I’ve interviewed most of them before.

Radio Personality Dee Barnes arrives at the Hennessy and Honey Collective party at The Vanguard on October 29, 2008 in Los Angeles, California. (Photo by Maury Phillips/WireImage)
Read More: Dr. Dre Addresses And Apologizes For Dee Barnes Incident

She also addressed the blacklisting she received after reporting the incident to the police. Further, Barnes is working on a documentary about her experiences in the industry. However, several artists have shunned speaking with her. “The blacklisting I’ve faced still feels active, and it took me a long time to accept that,” she also revealed. “For the longest time, I was like, ‘That’s not what’s happening. It’s not that.’ But it’s definitely that. I see it. I’ve had plenty of people who will support me privately, but they don’t want it to be publicly known because of their business associations, dealings, or whatever.”

“I’m not the bad guy, but I am made into the villain,” Barnes added. “Very much like how they did Megan Thee Stallion during the trial against her attacker, Tory Lanez. I watched what happened to my little sister Megan, and it just was heartbreaking to me because we have not changed in all these years.”

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