The Joe Budden Podcast Credits Dipset With Putting Lil Wayne On, But Some Fans Disagree

As usual, The Joe Budden Podcast came through with a spicy take recently that got hip-hop fans into a strong debate. Moreover, the cohosts seemed to refer to how some Southern scenes, including Atlanta and others, only got popular due to New York co-signing them and letting them in on the fun. They brought up a couple of examples, such as Jeezy and Fabolous, but the most controversial point was that Dipset (also known as The Diplomats) were the ones who broke Lil Wayne into the rap game. However, Budden was quick to note that he has all the respect in the world for Atlanta, and seemed to acknowledge that this commentary is something that fans could easily mischaracterize.

Well, he wasn’t wrong… Or perhaps more accurately, folks still disagreed with the core of his and his cohosts’ actual argument. Debate quickly ensued in the replies, and went in all sorts of directions. But this is a sentiment that even Dipset themselves, namely its member Jim Jones, would definitely agree with. He claimed that Lil Wayne took inspiration from The Diplomats’ style after spending a summer with them.

Read More: Birdman Clarifies His Feelings On Lil Wayne After Essence Festival Set Sparks Rumors Of Animosity

The Joe Budden Podcast Thinks Dipset Broke Lil Wayne

But even though this debate around how Lil Wayne became a superstar brings regional debates into the fold, the core of his Cash Money family still rides behind him. “I been with him, that’s my dude,” Juvenile said while calling Weezy the best rapper of all time during his Breakfast Club interview alongside Mannie Fresh. “I saw the whole process of him, just seeing the whole development of Wayne and where he’s at right now.” It would be interesting to hear Tunechi’s take on all this, considering that he would definitely show love to both groups for very different reasons. Check out reactions to The Joe Budden Podcast‘s take down below.

Meanwhile, in other Lil Wayne news, he recently sought to dismiss an assault lawsuit against him from his former bodyguard. As for Dipset, their impact on the game should never meet disrespect, even if the specific details of its extent can cause debates like these. Perhaps the next episode of The Joe Budden Podcast will explain their take more clearly. But either way, Cash Money and The Diplomats have plenty of reason to admire each other.

Read More: Cam’ron Sticks Up For Drake’s Dipset Fandom Despite Fans Clowning It

The post The Joe Budden Podcast Credits Dipset With Putting Lil Wayne On, But Some Fans Disagree appeared first on HotNewHipHop.

Jim Jones Discusses Roc-A-Fella Breakup’s Impact On New York Hip-Hop

During a recent conversation on DJ Self’s Apt. 5H show, Jim Jones spoke candidly of the Roc-A-Fella breakup and how it impacted New York hip-hop. Moreover, he also shared some thoughts alongside Hitmaka, with whom he just made a collaborative album, Back In My Prime. As Jones reveals, the dissolution of the legendary label led to a void within East Coast rap, specifically in NYC, where its artists scrambled to find a new home. Furthermore, the collective had an iron grip on the region that also led it through its arguable commercial and artistic peaks.

However, as impactful as their rise to the top was, their breakup dealt a similarly deep and lasting blow to the scene. Of course, it’s by no means dead, dying, or even close to it, but one can’t help but think back on the glory days. “The confusion at the Roc-A-Fella breakup did a lot of damage for New York music,” Jones remarked. “Remember, Roc-A-Fella had so many different types of music. They had The Diplomats, they had State Property, they had Brooklyn s**t. They really had a strong hold on East Coast music, so when that s**t started to happen…

Jim Jones Speaks On Roc-A-Fella Breakup

Not only that, but producer Hitmaka brought up that they also tapped into the reggaetón market through their Roc-La-Familia sub label. If you’re interested in what that would result in, check out N.O.R.E.’s 2006 fusion of both worlds, N.O.R.E. y la Familia…Ya Tú Sabe. Not only did they experiment and keep an eye on what was next up, but they established a superstar discography, roster, and business in just a couple of years. After Jay-Z teased retirement, moved onto Def Jam, and he and cofounders Dame Dash and Biggs Burke sold their stake in Roc-A-Fella, the group was no more, splintered into different parts. However, Jay kept most of the money in the pot as CEO and president of Def Jam, which left his cofounders blindsided.

“Yeah, all that, but we were friends,” Dame Dash expressed on The Art Of Dialogue in August of last year. “Like, how would you feel if your brother just betrayed you for money? Would it hurt? That’s the algorithm. It wasn’t surprising ’cause that’s what always happens. We were breaking the algorithm, we were doing it a different way and sticking together, but that’s what always happens. They make one sell out the other, their friend, divide and conquer, that’s a normal story. That was my n***a, like we never argued, nothing. That’s why I didn’t know it was coming. That was some real slick s**t. I was like, ‘That n***a’s cold.’” Regardless of your take, stick around on HNHH for the latest on Jim Jones and the Roc-A-Fella camp.

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Drake Brings Out 21 Savage & Dipset At Apollo Theater

Drake invited 21 Savage and Dipset to perform alongside him at his Apollo Theater show last Saturday (January 21). While he performed one of two scheduled shows at the iconic Harlem theater, he already set the bar quite high. Also, new concert footage follows rumors of a summer tour with him and 21 Savage, though that’s still unconfirmed officially.

ATLANTA, GA – DECEMBER 9: Rapper Drake and Rapper 21 Savage perform onstage during “Lil Baby & Friends Birthday Celebration Concert” at State Farm Arena on December 9, 2022 in Atlanta, Georgia. (Photo by Prince Williams/Wireimage)

Still, any performance between OVO and Slaughter Gang is bound to turn heads. Both rappers became an almost iconic duo last year with the release of their collaborative album, Her Loss. As 21 entered the stage, the crowd helped them sing their hit “Rich Flex.” Moreover, a whole theater asked 21 if he could do something for them.

Meanwhile, Dipset’s appearance excited many, both in the crowd, and on social media. Cam’ron, Jim Jones, Juelz Santana, and Freeky Zeeky performed “I Really Mean It,” “Dipset Anthem,” and “We Fly High (Ballin’)” together. The “Nice For What” artist even wore Cam’ron’s iconic pink fur coat and hat.

“These guys right here from Harlem made us dress different, talk different, walk different, rap different — all the way in Canada,” he said.

However, some attentive Drake listeners might not be surprised by the link-up. In fact, his previous single “Diplomatic Immunity” might not be directly about the group, but it’s a reference nonetheless. Also, he’s not part of Dipset, but Drake recently gave Fabulous his flowers, another New York rapper of a similar era.

On the other hand, 21 Savage helped Drizzy perform “Privileged Rappers,” “Spin Bout You,” “Jimmy Cooks,” and “Knife Talk” as well. Other classics he performed at his show include “Marvin’s Room,” “Best I Ever Had,” “Legend,” “Know Yourself,” and many more. In fact, he performed about 41 songs during his set. With one more show scheduled for this Sunday (January 22), Drake’s likely to have another fantastic performance in the books.

What do you think of Drake bringing out 21 Savage and Dipset for his Apollo Theater show? Whatever the case, let us know in the comments down below. Also, as always, stay tuned to HNHH for the latest on amazing hip-hop shows.

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Jim Jones Is “2 Million Up” On His New Freestyle

Jim Jones is back in action with a brand new freestyle.

The Dipset rapper slid through on Jan. 10th with his latest offering, “2 Million Up.” The short offering marks his first release of the year and he’s evidently aiming to kick things off on a high note. This time, he takes on Peezy’s “2 Million Up” single and puts his own spin on it. Jim Jones’s storytelling abilities takes center stage as his undeniably smooth flow glides the instrumental. He details his come-up in Harlem and the chaotic lifestyle he led up while reflecting on the value of loyalty.

ATLANTA, GA – APRIL 22: Rapper Jim Jones attends “Breaking In” Atlanta Private Screening at Regal Atlantic Station on April 22, 2018 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for Universal Studios)

Jim Jones has his foot on the gas after another eventful year in 2022. He kicked the year off with the release of We Set The Trends and later, dished out his new holiday-themed project, Jim Jones Presents: 12 Days Of Christmas. His latest project indicates that he has even more music in the stash that he’s preparing to unleash in 2023.

The rapper dropped off “GUNSHOTS” ft. BEAM in October. The song marked the first single from his joint project with Hitmaka, Status Update, which is due out later this year. So far, he hasn’t unveiled a release date but hopefully, it comes soon.

Press play on Jim Jones’ latest freestyle below. Did Jim Jones kill his new freestyle? Sound off with your thoughts in the comment section and check our recent interview with him here.

Quotable Lyrics
Watch bussed up, six-figures on my neck
Back of the club with some bitches gettin’ wet
N***as gettin’ right or n***as gettin’ left
Let me know if it’s up, ’cause my n***as gon’ step
If we locked in, I’m with ’em to the death
Comin’ back with a ref, gon’ hit ’em with a tech