Each week, Billboard releases the list of songs featured on the Hot 100 chart. The ranking is determined by combining data from both sales and streaming numbers of all songs, which is compiled by Luminate.
When Does The Billboard Hot 100 Update?
Typically, the Billboard Hot 100 chart changes every Tuesday morning — along with most of their charts in general. The website notes that if there is a holiday that falls on a Monday, the chart’s update might be delayed until Wednesday of that week. Or if there’s just any sort of issue that prompts it to be postponed.
Fans can find the Hot 100 under Billboard‘s Chart News section each week for an early glimpse, too, as stories tied to the updated chart are typically released on Monday afternoons. So, basically, you would know who would be at the top spots before it technically updates.
For those who have other specific questions about the Hot 100 chart, Billboard‘s website mentions either emailing, contacting their Chart Beat editors, or submitting questions to their reader mailbag. The information on that can be found here.
On this week’s Hot 100, Doja Cat’s “Paint The Town Red” returned to No. 1, followed by SZA’s “Snooze,” Luke Combs’ cover of “Fast Car,” Taylor Swift’s “Cruel Summer,” and Zach Bryan’s collab with Kacey Musgraves on “I Remember Everything.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Every Monday, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated October 7, are out now, so let’s run down who had this week’s biggest hits.
Rema and Selena find themselves back in the top 10 this week after spending last week at No. 11. The song is also killing it on the US Afrobeats chart, where it’s No. 1 for a record-extending 57th week.
8. Gunna — “F*kumean”
In addition to “F*kumean” sticking around in the top 10, Gunna also recently put on a heck of a show at Brooklyn’s Barclays Center, as Uproxx’s Wongo Okon notes.
7. Olivia Rodrigo — “Vampire”
After returning to No. 1 recently, “Vampire” is sitting comfortably at No. 7, the same position as last week.
6. Morgan Wallen — “Last Night”
“Last Night” just won’t go away: It was No. 8 last week, but now the 16-week No. 1 hit rises slightly to No. 6.
After debuting at No. 1 four weeks ago, Bryan and Musgraves hold steady at No. 5, while the song is No. 1 on the Hot Rock & Alternative Songs and Hot Rock Songs charts for a fifth week.
4. Taylor Swift — “Cruel Summer”
After reaching as high as No. 3 and living at No. 6 last week, Swift’s “Cruel Summer” returns to the top 5 at No. 4, which is pretty good for a song that originally came out in 2019.
3. Luke Combs — “Fast Car”
Combs’ Tracy Chapman cover continues to be a consistent top-10 presence on the Hot 100 as it spends its second week at No. 1 on the Hot Country Songs chart.
2. SZA — “Snooze”
“Snooze” was No. 3 last week, and while it didn’t claim the top spot, it did reach a new high at No. 2 this week.
1. Doja Cat — “Paint The Town Red”
“Paint The Town Red” previously spent a single week back at No. 1, but after a spell away, the song is back on top, making it Doja’s first song to spend multiple weeks at No. 1.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Every Monday, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated September 30, are out now, so let’s run down who had this week’s biggest hits.
10. Dua Lipa — “Dance The Night”
The Barbie movie has come and gone, but Dua Lipa’s soundtrack highlight is sticking around. It previously peaked at No. 6 and is still managing to hang with the rest of the big dogs in the top 10.
Earlier this summer, “Last Night” became the biggest solo song in Hot 100 history in terms of weeks at No. 1, with 16 total. It’s now tied for second all time, behind just Lil Nas X’s “Old Town Road.” This week, though, it finds itself at No. 8.
Bryan and Kacey recently had their first No. 1 with their collaboration from Bryan’s new self-titled album, and the song’s still doing quite well as it remains in the top 5.
4. Luke Combs — “Fast Car”
Combs’ rendition of the Tracy Chapman classic is yet another country song that has spent time at No. 1 in 2023, and like Wallen’s hit, it was one of Billboard‘s songs of the summer.
3. SZA — “Snooze”
“Snooze” had a major week: It previously peaked at No. 7, and after ranking at No. 8 last week, it vaulted up to a new high at No. 3 in the latest frame.
2. Doja Cat — “Paint The Town Red”
“Paint The Town Red” was No. 1 a couple weeks ago, but it hangs onto the silver medal at the moment as it rests comfortably at No. 2.
1. Drake — “Slime You Out” Feat. SZA
What a week for SZA: “Snooze” is No. 3, and now she has herself another No. 1 by linking up with Drake on “Slime You Out,” which debuts on top. The song is significant for Drake as his sixth No. 1 of the 2020s, tying him with BTS for the most this decade.
This week’s #Hot100 top 10 (chart dated Sept. 30, 2023)
As summer comes to an end, music fans everywhere have one question on their mind: What was the song of summer? In 2023, the song of summer can be defined using all sorts of criteria: What was popular on streaming apps? What went viral on TikTok? What was inescapable on the radio?
Today (September 5), Billboard dropped their Top Songs Of The Summer 2023 list, which factors in all of this data (specifically, chart data from June 10 to September 9).
At No. 10 is Gunna, who made a return to music this year after being released from jail on racketeering charges. His latest single, “F*kumean” has proven to be a hit, as his return has proven polarizing.
Occupying spots 9 and 8 are SZA, with her hit singles, “Kill Bill” and “Snooze,” respectively. Also taking two consecutive spots is Taylor Swift. At No. 7, Swift pops in with her remix of “Karma,” which features Ice Spice. At No. 6 is “Cruel Summer,” which was originally released in 2019 on Swift’s seventh studio album, Lover.
Lil Durk and J. Cole came in at No. 5, with their collaboration, “All My Life.”
“Flowers” by Miley Cyrus, which was released this past January, continues to be an anthem for the summertime. This one came in at No. 4. Rema‘s remix of “Calm Down,” which features Selena Gomez, earned the No. 3 spot.
This summer proved to be a country music summer, as Luke Combs‘ cover of Tracy Chapman‘s “Fast Car” made its way over to No. 2. And at the top spot is Morgan Wallen‘s “Last Night.”
Dave Chappelle has had some overlap with the music industry: Chappelle’s Show often had musical guests, Chappelle has won a few Grammys in his day, and now, he has made his debut on the Billboard Hot 100 chart. The comedian is featured on “Parasail” from Travis Scott’s new album Utopia, and the song just debuted at No. 53 on the chart. (Yung Lean is also on the track, which is his Hot 100 debut, too.)
.@DaveChappelle and #YungLean earn their first career entries on the #Hot100 this week, thanks to their featured credits on @trvisXX‘s “Parasail” (debuts at No. 53).
Rob49 also just made his first Hot 100 appearance thanks to his feature alongside 21 Savage on “Topia Twins,” which debuts at No. 17. Westside Gunn also just had his Hot 100 debut via Scott’s “Lost Forever,” which enters the chart at No. 46.
.@rob49up earns his first career entry on the #Hot100 this week, thanks to his featured credit on @trvisXX‘s “Topia Twins” with @21savage (debuts at No. 17).
If it seems like a lot of Scott songs are on the Hot 100 this week, that’s because all 19 tracks from Utopia debuted on the chart. Two of them are in the top 5: “Meltdown” with Drake at No. 3 and “Fe!n” with Playboi Carti at No. 5. Just outside the top 10 is “I Know?” at No. 11.
With that in mind, this next piece of news probably isn’t surprising: Utopia debuted at No. 1 on the new Billboard 200 chart with 496,000 equivalent album units earned in the United States, which was enough to beat Post Malone’s Austin.
Much to the contentment of several notable rappers, Gunna is having a fantastic year thus far. Despite the calls to boycott his music, the rapper’s new album, A Gift And A Curse, continues to perform well. In fact, his single “F*kumean” has just snagged Gunna his very first solo top-10 entry on the Billboard Hot 100 chart.
Sandwiched between Taylor Swift’s songs “Cruel Summer” (at No. 7) and “Karma” featuring Ice Spice (at No. 9), Gunna’s “Fukumean” sits comfortably at No. 8 after climbing up four slots on the July 15 chart.
Gunna’s no stranger to the charts, with ten singles in the top 100 overall. However, on tracks “Drip Too Hard” with Lil Baby (peaked at no. 4), “Lemonade” with Internet Money, Don Toliver, and NAV (No. 7), and “Pushin P” with Future and Young Thug (also No. 7) has placed in the top 10.
For the bulk of the entertainer’s A Gift And A Curse album, he addressed the tension between his former friends, snitching allegations, and more. So, “Fukumean” was a breath of fresh air in which Gunna decided to return to his regular party/lifestyle storytelling. Ultimately, the thematic departure panned out.
A Gift And A Curse is out now via Young Stoner Life/300 Entertainment. Find more information here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Earlier this month, a report emerged indicating that no hip-hop album or single has topped the Billboard 200 or Hot 100, respectively. Still, hip-hop remains a dominant genre in America and across the world. The Billboard charts are certainly indicative of an artist’s success but it doesn’t define their artistry. “That’s the mindset of a pop artist,” Big Daddy Kane told HotNewHipHop in response to the recent Billboard report. “You know, I mean, that’s what matters in popular music. You know, not how great the person is singing, not how dope the lyrics are. None of that stuff. It’s just how popular the song is.”
Kane comes from an era where the strength of one’s pen carried far more weight than a Billboard entry. Next Friday, he’ll join EPMD, KRS-One, and Slick Rick as part of Doug E. Fresh’s Hip-Hop 50 performance at Essence Festival in New Orleans. The roster of artists joining forces for this performance has played a pivotal role in shaping the culture that we know today as hip-hop.
However, amid a technological revolution that has become a threat to intellectual property, Big Daddy Kane believes the younger generation of artists is facing bigger hurdles. Artificial intelligence has been a point of contention since the rise of FN Meka. Since then, we’ve heard AI replicate the voices of artists like Jay-Z and Drake, among others. It’s a frightening development but not one that puts the legacies of artists like Big Daddy Kane at risk. However, he does fear how it might impact future generations.
Big Daddy Kane’s Message To The Younger Generation
NEW YORK, NEW YORK – OCTOBER 17: Big Daddy Kane performs during TrillerVerz at Barclays Center on October 17, 2021 in New York City. (Photo by Johnny Nunez/WireImage)
“Dear younger generation, please be careful in controlling the narrative of your artistry. Do the best that you can stand out as a unique artist in his day and era. Be that person that people respect because of you. Not because of the beat, not because of the hook, but because of you, the artist,” Kane explained. “As we move into the era of AI and holograms, we, at some point — I don’t mean a long time from now. I mean, in the near future – you won’t be relevant.”
Kane confidently states that his legacy, and those of Rakim, KRS-One, and MC Lyte, are set in stone. AI isn’t trying to replicate them. “We’re not a threat,” he continued. “This is for the younger generation: you have to, please, you know, protect your art form and your status as an artist… I think that’s something they really need to focus on so they don’t get replaced by computer technology. I would really hate to see that happen to young cats, especially the ones that truly believe that they have talent and want to showcase it.”
Kane: Hip-Hop Isn’t On The Decline But They Wish It Was
WASHINGTON, DC – APRIL 14: Big Daddy Kane attends 2018 DC Emancipation Day at Freedom Plaza on April 14, 2018 in Washington, DC. (Photo by Brian Stukes/Getty Images)
In 2023, it’s hard to imagine what hip-hop was like in the late ’80s, especially for those who weren’t even born then. Cassette tapes continued to dominate the music industry years before CDs were introduced. Kane came from a courageous era where hip-hop was discounted as a fad that wouldn’t have an everlasting impact. In 2023, even if hip-hop isn’t dominating the charts, it’s hard to deny that the genre has effectively influenced pop music at large. In a sense, that’s essentially why album sales and singles hold weight in online discourse.
“I think that there are so many other music genres that would like to see the decline of hip hop,” Kane said. “Anybody that understands corporate structure, they know that what happens in that type of situation is that quantity comes in, and quality goes out.” In the current climate, it’s a delicate balance, he explains. “Hip hop is so strong and so powerful. But it’s a major, major quantity. But there’s not a whole lot of quality.”
Still, there are several rappers that he could count on to deliver quality music: J. Cole, Conway The Machine, Rapsody, and Lady London. “There’s a certain algorithm that plays on the radio, where, you know, majority stuff sounds the same. And artists like that may not fit that format,” he said. “But there is amazing music out there. They may not be selling.. because they don’t fit that algorithm. But there are a lot of talented young artists out there today. You know, I don’t blame the artists, I blame the people that are in control of where music is played, and what music they’re putting out and feed to the youth.”
If the Muppets are the Beatles, then Dr. Teeth and the Electric Mayhem are Wings. Don’t think about this too hard. Just accept it, because vocalist Dr. Teeth, drummer Animal, guitarist Janice, bassist Floyd Pepper, guitarist Janice, trumpeter Lips, and saxophonist Zoot have made it to the Billboard charts. And it only took nearly 50 years!
The Muppets Mayhem: Music From the Disney+ Original Series, a companion album to Disney+’s Muppets Mayhem, debuted at #13 on the Kid Albums chart. “The 22-track set includes 17 songs credited to Dr. Teeth and the Electric Mayhem, plus five scores by Mick Giacchino,” according to Billboard. “While some songs are original compositions for the series, others are covers of classics by The Beach Boys, Cyndi Lauper, Simon & Garfunkel, and more.”
Dr. Teeth and the Electric Mayhem isn’t the first Muppets-related project to reach the charts — “Rubber Duckie” peaked at #16 on the Hot 100, while “Rainbow Connection” reached a high of #25 — but I’ll take Animal drumming to Kiss over Ernie singing about his dang bath toy any day of the week. Put down the duckie, indeed.
Other albums currently in the Kids Albums top 20 include Bluey: Dance Mode!; the soundtracks for Encanto, The Lion King, and Moana; and A Charlie Brown Christmas, despite it being, y’know, May.
Ariana Grande just pulled off the ultimate flex. She’s deep in her Wicked era, transforming into Glinda for Jon M. Chu’s forthcoming two-part film adaptation. Arianators are needlessly worrying that one of the biggest pop stars on the planet will suddenly stop being one of the biggest pop stars on the planet.
“Wrote and recorded a verse for my friend after a 14 hour day on set,” Grande wrote in a TikTok video showing her in the studio, posted on February 21 ahead of the song’s February 24 release. “This certain exception had to be made …..”
Per Billboard, “Die For You (Remix)” is the seventh No. 1 on the Hot 100 for Grande and The Weeknd, respectively, and it marks their second No. 1 together. “Save Your Tears” peaked at No. 1 in May 2021. It couldn’t come at a better time for The Weeknd, who needs some good news to balance out all of the reported drama and dysfunction around his HBO series, The Idol.
The top 10 of the Hot 100 chart dated March 11 is rounded out by Miley Cyrus’ “Flowers” at No. 2, SZA’s “Kill Bill” at No. 3, PinkPantheress and Ice Spice’s “Boy’s A Liar, Pt. 2” at No. 4, Morgan Wallen’s “Last Night” at No. 5, Metro Boomin, The Weeknd, and 21 Savage’s “Creepin’” at No. 6, Karol G and Shakira’s “TQG” at No. 7, Sam Smith and Kim Petras’ “Unholy” at No. 8, Taylor Swift’s “Anti-Hero” at No. 9, and Beyoncé’s “Cuff It” at No. 10.
SZA has proven once again her aptitude for making history. For the ninth non-consecutive week, the 33-year-old singer has earned Billboard‘s No. 1 spot for her sophomore release, SOS. According to the outlet, the project has earned 93,000 equivalent album units. SZA now joins Adele and Taylor Swift as female artists who’ve charted No. 1 for nine weeks. The English songstress earned the top spot with her album 23 for ten weeks, whereas the country-turned-pop star previously held the spot for nine weeks with 1989.
In a conversation with the New York Times, SZA reflected on her approach to SOS. “I didn’t even know how to make [the album] cause I didn’t have a purpose,” she dished. The TDE star also explained how Ctrl had been a way to prove her ability to create an album. But now, SZA says, “I did everything I wanted to do.” Regardless, her latest effort has been met with high acclamations from fans, with tracks like “Snooze,” “Nobody Gets Me,” “Low,” and “Shirt” listed as her most popular tracks according to Spotify. “Kill Bill” has also rightfully been receiving attention, charting at No. 2 following every week since its drop.
SZA’s “SOS” Charts No. 1 For The Ninth Week
SZA and Taylor Swift seen during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. (Photo by John Shearer/Getty Images for The Recording Academy)
The highly anticipated album was released last December. It marked SZA’s first full project since her 2017 debut studio effort, Ctrl. Since then, the Missouri-born singer has released various singles and collaborations. She recently dropped Grammy award-nominated “Good Days” and “Hit Different” featuring Ty Dolla $ign. While SZA received primarily positive feedback from SOS, she was criticized for making “sad girl music.” The lyricist addressed these accusations in her NYT interview, explaining that “sad-girl energy has always been my energy. It’s never been, like, bitch-girl energy.”
Even with haters finding a way to nitpick SOS, the work as a whole is an incredible display of SZA’s refined taste in modern R&B. Her melodic additions to soft beats infuse magically to inflict emotional insights. Needless to say, SOS proudly inhibits “sad girl energy,” creating the perfect soundtrack for comforting a heartbreak. While only time will tell if SZA will surpass the ten-week mark for top album, her SOS Tour commences this week in Columbus, OH. Revisit the starlet’s “Kill Bill” music video below.
