The Nike Air Max 1 is gearing up for its next release with the bold “Batman” colorway. This new edition features a sleek black base, giving the sneaker a clean and modern look. Vibrant yellow details pop against the black, creating a striking contrast that stands out. The bright yellow accents on the Swoosh, eyelets, and heel add a dynamic touch to the design. A crisp white midsole balances the dark and vibrant tones, keeping the colorway sharp and stylish.
The shoes feature a black and optic yellow rubber sole and a white midsole. Of course, the midsole features a Nike air bubble below the heels. Also, the uppers are constructed from a black mesh, with black leather overlays. Further, a yellow Nike Swoosh is on the sides. Finally, yellow Nike branding is on the tongues and heels.
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Hypebeast reports that the Nike Air Max 1 “Batman” will be released sometime this fall. Also, the retail price of the sneakers will be $140 when they drop. Further, make sure to let us know what you think about these kicks in the comments below. Additionally, stay tuned to HNHH for the most recent updates and news from the sneaker community. We’ll make sure to offer you the newest products from the most notable brands.
Eminem is silly again. The rapper is gearing up for the release of his new album, The Death of Slim Shady, and his new single “Houdini,” lays the groundwork. “Houdini” is a throwback to the old Shady style in every sense of the word. It not only recaptures the sound of the early 2000s (tries to, at least), but it recreates elements of Eminem’s iconic “Without Me” video. In particular, the part where Eminem and Dr. Dre dress up like Batman and Robin.
Em and Dre don’t go for the modern, gritty Batman look, either. Their silly costumes and wall climbing activities are pulled directly from the 1960s TV show starring Adam West. The beloved comedy actor died in 2017, but his daughter, Nina Tooley, had nothing but positive things to say about the tribute. “My dad would have loved the video,” she told TMZ. “I could hear my dad’s distinct chuckle when the rapper was trying to scale a building with the ‘Bat Rope’ just like he and [Burt Ward] did in the series.” This type of response is no surprise to longtime West fans.
Adam West was known for having a sense of humor about himself and the Batman TV show. He loved that fans would parody and pay tribute to the show over the decades. He even did so himself when he voiced the Caped Crusader in the 2017 animated film Batman: Return of the Caped Crusaders. Eminem has been similarly vocal in his love for superheroes. He got a chance to record the theme song for the blockbuster film Venom. He also praised the likes of Spider-Man and Batman during an interview with Genius.
“I’ve always been into comic books,” the rapper stated. “Spiderman, Hulk, old Batmans, Supermans — mostly vintage Marvel sh*t from before I was born. Just being able to have those pieces of history is crazy.” Eminem then went on to flex his comic book knowledge against other rappers who claim to be experts. “I would not want to face off with somebody comparing comic book knowledge,” he asserted. “But I know a pretty good amount.”
Today (June 9), Adam West’s family came out to show their support for the rapper’s official visual. In a statement provided to TMZ, Nina Tooley (the late actor’s daughter) gushed about how her dad would’ve loved the silly tribute to his famed Batman role.
“My dad would have loved the video,” she said. “I could hear my dad’s distinct chuckle when the rapper was trying to scale a building with the ‘Bat Rope’ just like he and [Burt Ward] did in the series.”
In the video, Eminem drew inspiration from one of the duo’s many ‘Bat Rope’ scenes. But instead of suiting as the mysterious vigilante, the rapper reprised his role as faithful sidekick Robin. This isn’t the first Eminem interjected his interest in comic into his work. In fact, Eminem first sported spandex back in 2002, for the official video for the chart-topping single “Without Me” with his longtime mentor and friend Dr. Dre by his side of Batman.
Tim Burton, the visionary director, producer, and writer known for his distinctive gothic-fantasy aesthetic, has carved out a unique niche in the film industry. As of 2024, Burton’s imaginative contributions to cinema and his successful ventures in film, television, and literature have accumulated a net worth of about $100 million, according to Wealthy Gorilla. His career, marked by a series of critically acclaimed and commercially successful projects, stands as a testament to his creativity, innovation, and enduring appeal.
From the darkly enchanting Edward Scissorhands to the whimsical world of Alice in Wonderland, Burton’s ability to blend the macabre with the magical has captivated audiences around the globe. This narrative explores Burton’s illustrious career in film, his distinctive style and themes, his impact on modern cinema, and his ventures beyond directing.
A Cinematic Journey Of Imagination
Tim Burton’s cinematic journey began with his education at the California Institute of the Arts, where he honed his craft before joining Walt Disney Studios as an animator. However, it was his unique vision that led him to direct films that would become emblematic of his style. Burton’s breakthrough came with the success of Beetlejuice (1988), which set the stage for a series of iconic films, including Batman (1989) and The Nightmare Before Christmas (1993). Each project showcased Burton’s ability to create fantastical worlds filled with quirky, outcast characters, blending elements of horror, fantasy, and humor in a way that was groundbreaking at the time.
Signature Style & Themes
Tim Burton’s work is immediately recognizable for its gothic aesthetic, eccentric characters, and exploration of themes such as individuality, isolation, and the contrast between the ordinary and the extraordinary. His films often feature protagonists who are misfits or loners, reflecting Burton’s own feelings of isolation growing up. The visual style of Burton’s films—marked by surreal landscapes, exaggerated features, and a distinct color palette—creates a unique, immersive experience. This stylistic consistency across his body of work has not only defined Burton’s career but also influenced the broader landscape of film and art.
Impact On Modern Cinema
Burton’s impact on modern cinema extends beyond his filmography. He has also played a pivotal role in revitalizing genres. These range from superhero movies with Batman to stop-motion animation with Corpse Bride. Further, his approach to storytelling, which emphasizes visual storytelling and character-driven narratives, has inspired a generation of filmmakers and artists. Burton’s ability to maintain creative control over his projects, navigating the complexities of the Hollywood system, has also been influential in demonstrating the viability of auteur-driven projects within a commercial framework.
In addition to his directing work, Tim Burton is an accomplished writer, producer, and artist. His forays into literature, including the illustrated book The Melancholy Death of Oyster Boy & Other Stories, reveal another dimension of his creativity. Burton’s art exhibitions have drawn significant attention, showcasing his talents as an illustrator and painter. His influence also extends into television and music videos, where his unmistakable style continues to leave an indelible mark on the industry.
Diddy trolled Warner Bros. on Halloween by wearing a Batman costume after the company asked him not to dress up as the Joker. In a video on Instagram, he explained that the studio claimed he was “breaching the trademark.”
“Breaking Halloween news,” he said in the video. “Last year after I did the Black Joker, I got a bunch of emails from the studios telling me to not be the Joker anymore, that I was breaching the trademark. So I don’t know what I’m gonna be this year. But I will say, to the motherf*cker that took all this time, we talking about sending me six full papers — I’m not even gon’ show the business on the papers — but to tell me not to be the Joker, I wanna tell you, you win. I’m not gon’ be the Joker this year, just because your ass had enough time to fuck up my motherf*cking Halloween.”
It’s not the first time Diddy has referenced getting in trouble for last year’s Joker costume. Appearing on Jimmy Kimmel Live!, earlier this week, he showed off a letter he received from Warner Bros. “Last year I was the Joker, and I actually got a letter from the studio that I can no longer be the Joker because they said it broke their trademark that I did it too good, I swear,” he said. “I have this letter from Warner Bros. Tomorrow, Warner Bros. lawyers, can you see me? Put this camera on me right here. Head of legal, tomorrow, watch what I do.”
Check out Diddy’s Batman costume and his comments on getting in trouble with Warner Bros. above. Be on the lookout for further updates on other celebrities’ Halloween costumes on HotNewHipHop.
Last Halloween, Diddy had easily one of the year’s best costumes with his phenomenally executed Joker look. It appears Warner Bros. didn’t like that and actually forbade Diddy from wearing the costume again, but he still managed to stick it to the studio this year.
Diddy was a Jimmy Kimmel Live! guest on October 30 and at the end of the conversation, when the host asked what he was planning to be for Halloween this year, the rapper responded, “Last year, I was the Joker, and I actually got a letter from the studio that I can no longer be the Joker.” Kimmel asked why and Diddy continued, “They said it broke their trademark, that I did it too good. I swear I have this letter. I swear to God. From Warner Bros.”
Kimmel, forever stirring the pot, responded, “Well do it again, then. Do it again!” Diddy leaned into it, declaring, “So tomorrow… Warner Bros. lawyers, can you see me? Put this camera on right here. The head of legal: Tomorrow, watch what I do.”
After the show, Diddy took to Instagram to expand on the story, holding the papers he supposedly received from Warner Bros. “I don’t know what I’m going to be this year,” he said, later adding, “You win, I’m not going to be the Joker this year.” At the end, though, the video teased, “Stay tuned.”
Now, this morning, Diddy made his grand reveal. True to his word, he didn’t dress up as the Joker, but he kept his costume in the same universe, sharing a scripted, high-production-level video of himself as, who else, Batman (“The Darkest Knight,” as he called his version). In the video, Diddy’s Batman confronts a studio executive in his office and demands they end the ongoing actors strike.
In conclusion, Diddy has mastered the art of malicious compliance.
Lil Dicky‘s semiautobiographical series Dave is back for its third season on FXX. This season features Dicky as he embarks on his first cross-country tour to promote his debut album, but also, to look for love.
Dave is one of the buzziest shows on television, as it demonstrates Lil Dicky’s ability as both a rapper and a comic, something he’s always wanted to showcase.
In a profile on Lil Dicky forThe Hollywood Reporter, Jeff Schaffer recalled how Lil Dicky first pitched the idea for a comedy show. At the time, Schaffer was already show-running Curb Your Enthusiasm and had previously written on Seinfeld. When he had first taken meetings with Dicky, he remembers a little analogy the rapper/actor would use to describe his abilities in both realms.
“He would literally say, ‘It’s like if Batman all of a sudden realized he was also Superman,’ and when he’d say it, they’d all look at me and I’d go, ‘Yeeeaaah,’ ” said Schaffer. “And, of course, they got the tone of the show immediately because they were meeting Dave.”
Off-screen, Dicky is preparing his long-awaited second studio album, which will be his first full-length album since 2015. However, he admitted in the profile that making music while balancing the show’s subject matter has become quite a challenge, which is why the album has been delayed frequently.
“[The label] will get one eventually, and they’re going to make a lot of money when they do,” said Dicky. “It’s just been harder for me to convey my perspective via music. It’s a lot easier to be like, ‘What am I going to make episodes about?’”
Dave airs Wednesday nights at 10 pm EST on FXX. Episodes are available for streaming on Hulu the next day.
The Drill wave was established in Chicago, and despite being a global phenomenon, Danny Brown isn’t a fan. Drill has taken new heights in different cities, which tap into the sound but amend it to their own style. Brooklyn Drill has been the latest craze, and we’re seeing more artists emerge from New York City. As it continues to gain movement, Brown hopped on his podcast with JPEG Mafia and disparaged the subgenre.
“I got some funny sh*t for Rap I wanna say,” the rapper said on The Danny Brown Show. “What’s up with New York Drill music?” He was asked what he meant. “Why all these n*ggas sound like Batman? All these n*ggas rap like Batman Beyond. What the f*ck is wrong with y’all n*ggas man? That sh*t ain’t fire!” Obviously, it’s the deep voices that irked Brown. “N*gga you 16. Your balls ain’t even dropped yet. You ain’t even got a deep voice yet. These n*ggas rapping like villains.”
Danny Brown Unleashes
“I just wanted to say that, man,” Brown added after getting a few things off of his chest. “All you New York Drill n*ggas rapping like Batman Begins, that sh*t is over with. Pop Smoke, that was his natural voice, man, but all y’all 16.” He added, “Shout out to real New York rappers like MIKE, you know what I’m saying.” He isn’t the first to air out grievances with Drill.
While Brown’s take had much to do with the deep voices rappers use while performing, others have taken issue with the violence within Drill. Things became so concerning that certain New York City radio hosts refused to play Drill tracks that called out other artists. Recently, Remy Ma also delivered a hot take about the subgenre, stating that she feels as if much of Drill is overrated. She also noted that it’s difficult to understand and touched on the troubles regarding violence.
Is Drill The Next Hip Hop Target?
Additionally, politicians have also targeted Drill. Mayor Eric Adams has called for a ban on the music, but recently, he’s been spotted rubbing elbows with Hip Hop’s elite. Check out Danny Brown above.
DC Studios boss James Gunn says that George Clooney is “absolutely not” going to be the DCU’s new main Batman. Clooney previously served in the role for the 1997 film, Batman & Robin. Instead, Gunn says that they are going with a “new actor” for the caped crusader. Gunn addressed the rumors of Clooney’s role reprisal in a pair of tweets posted on Saturday night.
Rumors of Clooney’s return came when entertainment insider Grace Randolph published the theory on Twitter, earlier this week. “I hear that it’s going to be a former Batman who cameos at the end of The Flash & could potentially stick around as the new permanent DCU Batman. Damian’s Dad, Pattinson is still solo. I know who it is; but it would be uncool to reveal the whole thing,” Randolph wrote.
James Gunn’s Response
Further, Batman-on-Film’s founder Bill “Jett” Ramey addressed the next Batman while responding to fan questions. He explained that he’s confident DC will be going for an “older” take on Batman. The theory further gave fuel to the fire of Clooney’s rumored casting. “I think they are going for an older take on Batman — older than he was in ‘The Dark Knight Rises’ (pushing 40) and ‘Batman v Superman’ (pushing 50). Late 50s is my guess,” Ramey recently said. “Why? Because they want to have a very different version of Batman in the DCU than the one in Matt Reeves’ ‘The Batman’ films as played by Robert Pattinson. And since the Batman Family already exists, Bruce is obviously going to be older — which is fine by me.”
The rumors come after Gunn recently confirmed that Robert Pattinson will not portray the Batman of the DCU, despite starring in The Batman. His take on the character will be exclusive to that series. The Batman Part II is scheduled to open in theaters on October 3, 2025.
David Zaslav, the CEO of Warner Bros. Discovery, appointed Gunn and Peter Safran as the co-chairpersons and CEOs of DC Films, rebranded as “DC Studios.” Together, they oversee films, animation, and television projects based on characters from DC Comics.