Lil Nas X Shares His Most Shocking Halloween Costume Yet

Overnight, dozens and dozens of celebrities took to social media to show off their Halloween costumes. Some took a humorous approach dressing up as contemporary pop cultural figures or making jokes out of their outfits. Others attempted to replicate their source material as perfectly as possible. Tyga in particular pulled through with an impressive Hellraiser costume that had fans in his comments calling him the “king of Halloween.”

Lil Nas X on the other hand pulled off a variety of looks. He first went viral when he disappeared into a Little Richard costume. Nas X impressively morphed into the rock legend for a pair of Instagram posts that compared his look side-by-side with pictures and videos of Richard. But that wasn’t all Lil Nas had planned for Halloween. He shared two more videos overnight showing off a much more NSFW costume. The clips show him strutting down the street while dressed up as a bloody tampon. Check out the videos below.

Read More: Lil Nas X “Inspired” After “Long Live Montero” Premiere Bomb Threat

LIl Nas X’s NSFW Halloween Look

In the comments, fans are divided. Even some who think the costume is funny also shared their issues with it. “I enjoy this look but the fact that you personally have never experienced the stigma, shame or pain involved with having a period makes me pause and think……. But why though?” one of the comments reads.

But others saw what Lil Nas X did as ultimately helpful. “A lot of people in the comments are annoying, saying “you don’t know how badly it hurts so don’t dress like period” but please, can we agree that, besides the fact that it’s freaking funny, it’s also important to TALK ABOUT PERIODS,” another top comment reads. It’s only the most recent time that Lil Nas has found himself in trouble for some kind of NSFW stunt, though many of his fans seem to love it. What do you think of Lil Nas X dressing as a bloody tampon for Halloween? Let us know in the comment sections below.

Read More: Jack Harlow Delivers Shocking NSFW Lil Nas X Bars In New Kanye West Leak

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Blue Ivy’s “Renaissance” Performance Was Originally A “One Time Thing,” Tina Knowles Says

During her recent appearance on SHERRI, Tina Knowles opened up about seeing her granddaughter Blue Ivy perform at the Renaissance tour. According to her, the 11-year-old’s appearance was supposed to be a “one-time thing,” but Beyonce’s daughter had other ideas. Knowles recalls being nervous for Blue Ivy ahead of her first performance. The pre-teen quickly proved, however, that she wouldn’t let anything hold her back.

As for whether or not Blue Ivy had a grasp of the magnitude of what she was doing, Knowles said “I don’t think so.” The proud grandmother continued, revealing that her passion is what guided her. “She just loves to dance and she was watching the girls rehearse and she said, ‘I think I’m ready to go on stage,’ and her mom said ‘no no I don’t think so Blue.’ Then she thought about it, and said ‘if you work hard and you really come with it then we’ll let you go one time.’ So it was supposed to be a one-time thing.

Read More: Jay-Z Reveals The Origins Of Blue Ivy’s Name And Praises Her “Renaissance Tour” Performance

Beyonce Initially Said “No” To Blue Ivy Joining Her On Tour

Clearly, things went off without a hitch. Blue Ivy went on to be featured through the remainder of the tour. According to her grandmother, she and her father couldn’t be more excited to see her on stage. “Me and her dad we were together every night,” Knowles explained. “And he would come to the front where I was and watch that. I was in tears and he was grinning so hard I thought his face would hurt.”

“She’s only 11 years old,” Knowles described. “And to get in front of 70 thousand people at 11 is huge.” What do you think of Tina Knowles revealing that Blue Ivy’s Renaissance tour appearance was supposed to be a one time thing? Share your thoughts in the comments section down below, and keep an eye on HNHH for more news.

Read More: Jay-Z Says Blue Ivy Finally Sees Him As A Cool Dad Now

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Young Lyric Net Worth 2023: What Is The Rapper Worth?

In hip-hop, the rise of young talents often captures the attention of fans and critics alike. One such talent that has made significant waves in the industry is Young Lyric. As of 2023, her net worth stands at an impressive $1 million, according to Idol Net Worth. But how did she achieve this feat? Let’s delve into her journey.

Born on July 30, 2000, in Texas, Young Lyric embarked on her musical journey at 10. She started by uploading her music videos to YouTube, a platform that has launched the careers of many artists. Her unique style and undeniable talent quickly garnered attention, setting the stage for what would come.

Gaining Popularity & Recognition

Her big break came from participating in the Lifetime series The Rap Game. This exposure provided her a platform to showcase her skills to a broader audience and industry insiders. Furthermore, her remixes of songs by renowned artists like Drake, Kanye West, and Wiz Khalifa further solidified her position in the rap game.

While her talent is undeniable, Young Lyric’s success can also be attributed to her dedication and hard work. Despite her young age, she has shown a level of maturity and commitment to her craft that is commendable. She remains focused on her career, often stating that she shares a strong relationship with her job.

Personal Life & Relationships

Young Lyric values her privacy, especially regarding her personal life. While there are speculations and rumors about her relationships, she has chosen to keep that aspect of her life away from the limelight. This decision not only allows her to maintain a sense of normalcy but also ensures that her work remains the primary focus for her fans and the media.

Today, Young Lyric resides in Missouri City, Texas, with her supportive family. While she might not own a car yet, her achievements in the music industry are a testament to her talent and dedication. With a net worth of $1 million at just 23 years old, she is undoubtedly on the path to even greater success.

The Future For Young Lyric

Given her trajectory, the future looks bright for Young Lyric. As she continues to release new music and collaborate with other artists, her net worth is likely to grow. Fans and critics alike are eager to see what the next chapter holds for this young rapper.

In conclusion, Young Lyric’s journey from uploading videos on YouTube to amassing a net worth of $1 million is inspirational. Her story serves as a reminder that with talent, hard work, and dedication, anything is possible. As she continues to make her mark in the rap industry, there’s no doubt that her star will only shine brighter in the future.

The post Young Lyric Net Worth 2023: What Is The Rapper Worth? appeared first on HotNewHipHop.

Suge Knight Says The “Baddest B*tches” Are Dominating The Music Industry

Suge Knight says that women are in control of the music industry at the moment. Speaking on the state of hip-hop during a recent episode of his new podcast, Collect Call, the Death Row Records co-founder shared heaps of praise for a number of younger female artists.

“I think the industry is controlled by the baddest b*tches in the world,” he began. “The females got that sh*t on lock and when you look at the women, they came such a long way and they’re really, really strong. They’re not in the shadows of a man; they’re leading the way. I think Cardi B is incredible. That’s probably one of the biggest stars in the industry and a great business woman that leads the way.” From there, he praised Doja Cat, Summer Walker, Lizzo, and SZA as well.

Read More: Suge Knight’s Praise For NBA YoungBoy: “He Marches To His Own Beat”

Suge Knight During Preliminary Court Hearing

LOS ANGELES, CA – APRIL 08: Marion ‘Suge’ Knight (R) appears in court with his Lawyer Matthew P. Fletcher for a preliminary hearing in a robbery charge case at Criminal Courts Building on April 8, 2015 in Los Angeles, California. Knight is charged with robbery and criminal threats after allegedly stealing a photographer’s camera during an incident September 5, 2014 in Beverly Hills. (Photo by David Buchan/Getty Images)

Knight also praised the women for their beauty, noting that they all look like “runway models.” Despite this, he clarified that he’s not trying to “holla at them.” “These new bitches so motherf*ckin’ pretty, the rappers and the singers and the people in the industry can’t wait to get on social media and say, ‘Look who I got! Look who I’m dating!’ That’s how bad these b*tches are and they don’t just sound good, they look good,” he continued. “And I ain’t on no weirdo sh*t. I’m content where I am with my age. I ain’t tryna holla at them or nothing like that. I just give them they motherf*ckin’ [flowers]. They the ones that run the industry.”

Suge Knight’s “Collect Call” Podcast

Episodes of Collect Call With Suge Knight are set to release weekly with host Dave Mays calling into Suge Knight, who is serving a 28-year prison sentence. Be on the lookout for further updates from the podcast on HotNewHipHop.

Read More: Suge Knight Denies Master P’s Claim That He Took $2 Million For Snoop Dogg’s Rights

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Brandy’s 7 Biggest Top 10 Hits

Brandy’s status as an R&B icon is unquestionable. The singer, songwriter, and actress have had a prolific career, releasing timeless classics over the course of seven studio albums. Nearly 30 years since she released her debut album back in 1994, the Vocal Bible is still actively releasing music with a brand new Christmas album dropping this month. Known for her impeccable vocal range and intricate overdubbing that continues to shine on records like Ty Dolla $ign’s “No Tomorrow Pt. 2,” Brandy has her fair share of hit songs including seven that cracked the top 10 of the Billboard Hot 100. As we anticipate Christmas With Brandy, here are her biggest top 10 hits. Take a look at the list below.

Read More: Ashanti Says Ja Rule’s “Always On Time” Was Meant For Brandy

7. “Brokenhearted” Ft. Wanya Morris (1994)

The album version of “Brokenhearted” from Brandy’s 1994 self-titled debut album was originally a solo track. However, the single version was reimagined as a duet alongside Wanya Morris of Boyz II Men. The reworked edition of “Brokenhearted” was the fourth and final single from Brandy’s debut album and became one of her biggest hits. The ballad reached #9 on the Billboard Hot 100, joining her debut album’s first few singles to chart within the top 10. 

6. “What About Us?” (2002)

Brandy’s 2002 album, Full Moon saw her dive into the pop realm. It drew inspiration from electronic dance music genres like UK garage and electro. The album’s lead single, “What About Us?” is a Rodney Jerkins-produced electro-funk track, over which Brandy smoothly expresses her frustrations over a former lover. The song’s clunky instrumentation exemplified the deviation in sound from her first two albums. While “What About Us?” was met with mixed reception at the time of its release, it still performed successfully on the charts, landing a spot at #7 on the Hot 100. It is also her most recent single to crack the top 10.

Read More: Brandy Called It “Beautiful” To Be “Coached” By Mariah Carey While Working On Collab

5. “I Wanna Be Down” (1994)

Brandy’s debut single is a bonafide classic. “I Wanna Be Down” embodies the pairing of R&B and hip-hop that defined the music of the 1990s. The lighthearted and flirtatious content of the song was fitting for Brandy, who was only 15 years old at the time of the album’s release. While her subject matter eventually matured, “I Wanna Be Down” is a definitive song in Brandy’s catalog. It has been sampled numerous times in hip-hop, dance, and pop music. Brandy’s debut single performed quite well on the charts, landing the No. 6 spot and marking her very first top 10 hit.

4. “Baby” (1994)

Brandy’s second single from her debut album performed even better than “I Wanna Be Down.” Charting at #4 on the Billboard Hot 100, “Baby” captivated audiences through its hip-hop drum break, soulful melodies, and catchy chorus. Much like “I Wanna Be Down,” it became a ’90s R&B classic over time. In addition to its position at #4, “Baby” also spent four weeks atop the Hot R&B singles chart. 

Read More: Brandy Norwood Net Worth 2023: What Is The “Vocal Bible” Singer Worth?

3. “Sittin’ Up In My Room” (1995)

“Sittin’ Up in My Room” supported the 1995 movie, Waiting to Exhale, starring Whitney Houston and Angela Bassett. The Babyface-produced instrumental utilizes a slapping bassline and upbeat grooves to perfectly complement Brandy’s vocals. It peaked at No. 2 on the Billboard Hot 100 and was her biggest track until the release of her second album. 

2. “Have You Ever?” (1998)

Brandy’s 1998 album, Never Say Never contains both of Brandy’s biggest top 10 hits. “Have You Ever?” is a soft R&B and pop ballad with luscious instrumentation. In the lyrics, she pleads her love to someone who does not reciprocate, framing the emotion in the form of a series of questions. “Have You Ever?” was the second single from Never Say Never to top the Billboard charts. The song’s only rival is another massive track from Brandy’s second album.

1. “The Boy Is Mine” with Monica (1998)

“The Boy Is Mine” is undoubtedly Brandy’s biggest track. A duet with Monica, the song marked the first No. 1 hit for both singers. It was the lead single for both Never Say Never and Monica’s second album, The Boy Is Mine. In the song, the two fight over a man, emulating Michael Jackson and Paul McCartney’s duet off of Thriller, “The Girl Is Mine.” While the song saw Brandy and Monica playfully fight each other over a shared love interest, it sparked a rumored rivalry between them that has since been squashed. “The Boy Is Mine” remains an important song for both the careers of Brandy and Monica. In addition to being her first No. 1 hit, it was Brandy’s fifth top 10 entry and is still her biggest track to date.

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Here’s What Time Doja Cat Goes On Stage For ‘The Scarlet Tour’

Last night at the Chase Center in San Francisco, Doja Cat kicked off The Scarlet Tour with Doechii, giving fans the first glimpse of the setlist she’s going to play for the next month and a half — as well as the merch she’ll be slinging along the way.

We also know what time Doja — and her openers — will be hitting the stage, thanks to social media users confirming that they’ll be sticking to the run-of-show “to the minute.” Doechii hits the stage at 7:30, while Doja herself goes from 8:30 to 10:15.

The Scarlet Tour Dates

Here are the remaining dates for The Scarlet Tour:

11/02 — Los Angeles, CA @ Crypto.com Arena *
11/03 — Las Vegas, NV @ T-Mobile Arena *
11/05 — San Diego, CA @ Viejas Arena *
11/06 — Anaheim, CA @ Honda Center *
11/08 — Phoenix, AZ @ Footprint Center *
11/10 — Denver, CO @ Ball Arena *
11/13 — Austin, TX @ Moody Center *
11/15 — Houston, TX @ Toyota Center *
11/16 — Dallas, TX @ American Airlines Center *
11/19 — Atlanta, GA @ State Farm Arena *
11/21 — Miami, FL @ Kaseya Center #
11/24 — Tampa, FL @ Amalie Arena *
11/26 — Charlotte, NC @ Spectrum Center #
11/27 — Washington, DC @ Capital One Arena #
11/29 — Brooklyn, NY @ Barclays Center #
11/30 — Newark, NJ @ Prudential Center #
12/02 — Boston, MA @ TD Garden #
12/04 — Columbus, OH @ Nationwide Arena #
12/07 — Minneapolis, MN @ Target Center #
12/08 — Omaha, NE @ CHI Health Center #
12/10 — Detroit, MI @ Little Caesars Arena #
12/11 — Toronto, ON @ Scotiabank Arena #
12/13 — Chicago, IL @ United Center #

* with Doechii
# with Ice Spice

Here’s What Time Doechii Goes On Stage For The ‘The Scarlet Tour’

Doja Cat’s The Scarlet Tour is officially underway and Uproxx is answering all of fans’ questions about the highly anticipated show. From info about the openers to where to park, we’ve got you covered with explainers, including Doja’s setlist and merch.

If you were wondering what time Doja and her opening act, Doechii, went on stage at last night’s tour-launching show in San Francisco, don’t worry; we wouldn’t leave you hanging. According to the run-of-show from a publicist, doors open at 6:30 pm, the opener goes on at 7:30 pm, and Doja hits the stage at 8:30. A post on the Doja Cat subreddit confirms those times, with one commenter adding that the schedule is followed “to the minute.” So, if any of you cool kids in Los Angeles were planning on doing that LA thing — you know, “everything starts late in LA” — just know you’re gambling with missing a bunch.

The Scarlet Tour Dates

Here are the remaining dates for The Scarlet Tour:

11/02 — Los Angeles, CA @ Crypto.com Arena *
11/03 — Las Vegas, NV @ T-Mobile Arena *
11/05 — San Diego, CA @ Viejas Arena *
11/06 — Anaheim, CA @ Honda Center *
11/08 — Phoenix, AZ @ Footprint Center *
11/10 — Denver, CO @ Ball Arena *
11/13 — Austin, TX @ Moody Center *
11/15 — Houston, TX @ Toyota Center *
11/16 — Dallas, TX @ American Airlines Center *
11/19 — Atlanta, GA @ State Farm Arena *
11/21 — Miami, FL @ Kaseya Center #
11/24 — Tampa, FL @ Amalie Arena *
11/26 — Charlotte, NC @ Spectrum Center #
11/27 — Washington, DC @ Capital One Arena #
11/29 — Brooklyn, NY @ Barclays Center #
11/30 — Newark, NJ @ Prudential Center #
12/02 — Boston, MA @ TD Garden #
12/04 — Columbus, OH @ Nationwide Arena #
12/07 — Minneapolis, MN @ Target Center #
12/08 — Omaha, NE @ CHI Health Center #
12/10 — Detroit, MI @ Little Caesars Arena #
12/11 — Toronto, ON @ Scotiabank Arena #
12/13 — Chicago, IL @ United Center #

* with Doechii
# with Ice Spice

Lil Nas X Pulled Some Strings And Got Himself A Used Tampon Costume For Halloween

Lil Nas X is easily one of the funniest people in music. So, when an occasion like Halloween comes around, an opportunity to come through with something comedic to show the world, all eyes are on him. Boy, did he deliver this year.

The rapper unveiled his costume in a video shared last night, and it starts out with a shot of a string hanging out of an opening that looks suspiciously like some female anatomy. Those suspicions are confirmed when the camera pans over to Nas, who drags the string as he walks away wearing a costume that can’t really be interpreted as anything other than a used tampon.

Meanwhile, Lil Nas X has been relatively quiet in 2023. In February, though, he offered some updates about his next album. As far as its release date, he said it would be “most likely summer,” but this summer came and went without a new Lil Nas X album. He also noted when asked how many songs he’s expecting to include on the project, “idk i love so many songs plus i’m still in the studio making music so it’s gone be hard to pick.” He elaborated, “it’s mostly planning now. i could easily just release music but i have to build moments around this sh*t. i have to go bigger than before!”

All The New Albums Coming Out In November 2023

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in November. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, November 3

  • Actress — LXXXVIII (Ninja Tune)
  • AJR — The Maybe Man (Universal)
  • Amor Muere — A time to love, a time to die (Scrawl)
  • Animal Hospital — Shelf Life (Sipsman)
  • Atreyu — A Torch in the Dark EP (Spinefarm)
  • Ava Mirzadegan — Dark Dark Blue (Team Love Records)
  • Bad Wolves — Die About It (Better Noise Music)
  • bar italia — The Twits (Matador)
  • Billy Joel — The Vinyl Collection, Vol.2 (Columbia Records/Legacy Recordings)
  • Cash Bently — Cash Corridos 3 (True Panther)
  • Chicago — Chicago Greatest Christmas Hits (Rhino)
  • Chick Corea Elektric Band — The Future Is Now (Candid)
  • Cody Johnson — Leather (COJO Music/Warner Music Nashville)
  • Cold War Kids — Cold War Kids (CWKTWO/AWAL)
  • Crystal Fighters — Light + ([PIAS])
  • Danielle Howle — Current (Kill Rock Stars Nashville)
  • Delilah Holliday — Invaluable Vol. 2 EP (One Little Independent Records)
  • Dirty Honey — Can’t Find the Brakes (Dirt Records)
  • Dirty Nice — Surrenderland (Chiverin Records)
  • Dove Armitage — Concernless EP (KRO Records)
  • Drop Nineteens — Hard Light (Wharf Cat)
  • Empty Country — Empty Country II (Get Better Records)
  • Enny Owl — Homes in Humans (Weird Sister Records)
  • ERNIE — Cold Cuts EP (Gravity Records)
  • Gregory Porter — Christmas Wish (Blue Note/Decca Records)
  • Hilary Woods — Acts of Light (Sacred Bones)
  • Hotline TNT — Cartwheel (Third Man Records)
  • Ian Sweet — Sucker (Polyvinyl Records)
  • ill peach — THIS IS NOT AN EXIT (Hardly Art)
  • Jaime Wyatt — Feel Good (New West Records)
  • Jean-Michel Jarre — OXYMOREWORKS (Sony Music)
  • Jeffrey Martin — Thank God We Left the Garden (Fluff and Gravy Records)
  • Jimmy Buffett — Equal Strain on All Parts (Mailboat/Sun Records)
  • Jockstrap — I<3UQTINVU (Rough Trade Records)
  • Johnny Marr — Spirit Power: The Best of Johnny Marr (BMG)
  • Joy (Anonymous) — Cult Classics (Island)
  • Jung Kook — GOLDEN (Big Hit Music)
  • Kevin Abstract — Blanket (Video Store/RCA)
  • Keys N Krates — IN: TENSION (Last Gang Records)
  • King Creosote — I DES (Domino Records)
  • kwes. — Rye Lane (Original Score) (Warp Records)
  • Laura Veirs — Phone Orphans (Raven Marching Band Records)
  • Light Beams — Wild Life (Dischord Records/Mud Memory)
  • Liza Anne — Utopian (Antifragile Music)
  • Lol Tolhurst x Budgie x Jacknife Lee — Los Angeles (Play It Again Sam)
  • Marnie Stern — The Comeback Kid (Joyful Noise Records)
  • Marshmello — Sugar Papi (Joytime Collective)
  • Matmos — Return to Archive (Smithsonian Folkways)
  • Michael Franti & Spearhead — Big Big Love (Boo Boo Wax)
  • Micky Dolenz — Dolenz Sings R.E.M. EP (7A Records)
  • Move 78 — Grains (Village Live Records)
  • Neil Young — Time Fades Away 50 (Reprise Records)
  • New Kids on the Block — The Block Revisited (Interscope)
  • Niall Horan — The Show: The Encore (Capitol Records)
  • Osmo Lindeman — Electronic Works (Sahko Recordings)
  • Pendulum — Anima EP (Virgin/Mushroom Group)
  • Sarah Davachi — Long Gradus (Late Music)
  • Semisonic — Little Bit of Sun (Pleasuresonic Recordings)
  • Sen Morimoto — Diagnosis (City Slang)
  • Seth MacFarlane and Liz Gillies — We Wish You The Merriest (Decca Classics)
  • Shooter Jennings — Shooter Jennings & The Werewolves of Los Angeles Do Zevon (BCR Media)
  • Silent Planet — Superbloom (UNFD/Solid State Records)
  • Skyway Man — Flight of the Long Distance Healer (Mama Bird)
  • Sonny Digital — Dolores Son (Atlantic Records)
  • Snail Mail — Valentine (Demos) EP (Matador)
  • Spiritbox — The Fear of Fear EP (Rise Records)
  • Spiritual Cramp — Spiritual Cramp (Blue Grape Music)
  • The Struts — Pretty Vicious (Big Machine)
  • SUDS — The Great Overgrowth (Big Scary Monsters)
  • Swampmeat Family Band — Polish Your Old Halo (PNKSLM Recordings)
  • Sylvia Tyson — At the End of the Day (Stony Plain Records)
  • TIFFY — So Serious (Totally Real Records/Dollhouse Lightning)
  • Tkay Maidza — Sweet Justice (4AD/Dew Process)
  • University — Title Track EP (Transgressive)
  • Van Morrison — Accentuate the Positive (Exile)
  • Various Artists — Rap Sh!t: The Mixtape (Soundtrack from the Max Original Series, S2) (Raedio/Def Jam)
  • William Eggleston — 512 (Secretly Canadian)
  • Willie Nelson — Long Story Short: Willie Nelson 90 Live At The Hollywood Bowl (Legacy Recordings)
  • Yawning Balch — Volume Two (Heavy Psych Sounds)
  • Youth Fountain — Together In Lonesome (Pure Noise Records)
  • Zoe Wees — Therapy (Capitol Records)
  • Zooey Celeste — Restless Thoughts (ATO Records)

Friday, November 10

  • 99LETTERS — Zigoku / 地獄 (Phantom Limb)
  • Aaron Lee Tasjan — Naked Pop Songs Live! (New West Records)
  • Aesop Rock — Integrated Tech Solutions (Rhymesayers Entertainment)
  • aespa — Drama EP (SM Entertainment)
  • Aïsha Devi — Death Is Home (Houndstooth)
  • Anthony Pirog — Nepenthe Series Vol. 1 (Otherly Love Records)
  • Art Feynman — Be Good the Crazy Boys (Western Vinyl)
  • AWOLNATION — Candy Pop EP (Better Noise Music)
  • Bear’s Den — White Magnolias EP (Communion Records)
  • Beirut — Handsel (Pompeii Records)
  • Brandy — Christmas with Brandy (Brand Nu)
  • Bre Kennedy — Scream Over Everything (Nettwerk)
  • Broadside — Hotel Bleu (SharpTone Records)
  • Bruce Brubaker — Eno Piano (InFiné)
  • Calling Hours — Say Less (Revelation Records)
  • Cannons — Heartbeat Highway (Columbia)
  • Cat Power — Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert (Domino)
  • Chris Stapleton — Higher (Mercury Nashville)
  • Crush Club — The Sun EP (Symphonic)
  • Cuco — Hitchhiker EP (Interscope Records)
  • Daneshevskaya — Long Is The Tunnel (Winspear)
  • Daniel Donato — Reflector (Retrace Music)
  • David Holmes — Blind on a Galloping Horse (Heavenly Recordings)
  • Delia Meshlir — Bring Back the Light (Ba Da Bing Records)
  • Foghat — Sonic Mojo (Foghat Records)
  • François J. Bonnet & Stephen O’Malley — Cylene II (Drag City)
  • Fresco Trey — Detour EP (Warner Records)
  • George Riley — Un/limited Love EP (Ninja Tune)
  • Greg Lake — Magical (The Solo Years) (Manticore Records)
  • HAAi — DJ​-Kicks: HAAi (!K7 Records)
  • Hit Bargain — A Dog A Deer A Seal (Get Better Records)
  • J. Caesar — Another Day, Another World EP (Secretsundaze)
  • jess joy — SOURCEHEIRESS (Joyful Noise Recordings)
  • Jesse Kivel — Life and Death at Party Rock (New Feelings)
  • John Francis Flynn — Look Over the Wall, See the Sky (River Lea Recordings)
  • John Moreland — Live at Third Man Records (Third Man Records)
  • June McDoom — With Strings (Temporary Residence Limited)
  • The Kid LAROI — The First Time (Columbia)
  • King Louie Bankston — Harahan Fats (Goner Records)
  • KiNG MALA — Spilt Milk EP (Human Re Sources/The Orchard)
  • Kristen Ludwig — Sunbeam (Oscar St. Records)
  • L.S. Dunes — Lost Songs: Lines and Shapes (Fantasy Records)
  • Last Dinosaurs — RYU (Nettwerk)
  • Layperson — Massive Leaning (Lung Records/Bud Tapes)
  • Lila Blue — Sweet Pea (MOXE)
  • The Lives of Famous Men — Greener Pasture Blues (Human Re Sources/The Orchard)
  • Locket — Superluminal (Fearless Records)
  • Lola Brooke — Dennis Daughter (Arista Records)
  • Måneskin — Rush! (Are U Coming?) (Arista)
  • Meagre Martin — Gut Punch (Mansions & Millions)
  • Mia Joy — Celestial Mirror EP (Fire Talk Records)
  • Miguel Atwood-Ferguson — Les Jardins Mystiques Vol. 1 (Brainfeeder)
  • Mon Laferte — Autopoiética (Universal Music México)
  • MTVoid — Matter’s Knot, Pt. 1 (Lobal Orning)
  • Mxmtoon — Plum Blossom (Revisited) EP (AWAL)
  • Ninajirachi — 4×4 EP (NLV Records)
  • Patrick Shiroishi — I Was Too Young to Hear Silence (American Dreams)
  • Paulina Anna Strom — Echoes, Spaces, Line (Rvng Int’l)
  • PinkPantheress — Heaven Knows (Warner UK)
  • Pure Bathing Culture — Chalice (First City Artists)
  • Quantic — Dancing While Falling (Play It Again Sam)
  • Rick Ross and Meek Mill — Too Good To Be True (Maybach Music Group/Gamma)
  • Rosie Darling — Lanterns (Nettwerk)
  • The Sleeping Souls — Just Before the World Starts Burning (Xtra Mile Recordings)
  • Sophie Lloyd — Imposter Syndrome (Autumn Records)
  • Special Interest — Endure Remixed (Rough Trade/Remote Control Records)
  • Sydney Rose — One Sided (Public Consumption)
  • Trey Magnifique — Mature Situations (Human Re Sources/The Orchard)
  • Vincent Neil Emerson — The Golden Crystal Kingdom (RCA)
  • Wayside — What Does Your Soul Look Like (Nature Girl Records)
  • Wiki and Tony Seltzer — 14K Figaro (Wikset Enterprise)
  • YoungBoy Never Broke Again — Decide 2 (Never Broke Again/Motown)

Friday, November 17

  • 2 Chainz and Lil Wayne — Welcome 2 Collegrove (Def Jam/Gamebread)
  • Acetone — I’m still waiting. (New West Records)
  • Ali Sethi and Nicolas Jaar — Intiha (Other People)
  • Auragraph — New Standard (DAIS Records)
  • Babebee — A Prophecy EP (Epitaph Records)
  • Bastards of Soul — Give It Right Back (Eastwood Music Group)
  • Billy Porter — Black Mona Lisa (Island UK/Republic Records)
  • Daniel Bachman — When the Roses Come Again (Three Lobed Recordings)
  • Danny Brown — Quaranta (Warp)
  • Danny Daze — ::BLUE:: (Omnidisc)
  • Divorce — Heady Metal EP (Gravity/EMI Records)
  • Dolly Parton — Rockstar (Butterfly Records/Big Machine Records)
  • Dori Freeman — Do You Recall (Blue Hens Music)
  • Dutch Mustard — Beauty EP (DM Records)
  • The Dwarves — Concept Album (Greedy Records)
  • Earthside — Let the Truth Speak (Music Theories Recordings/Mascot Label Group)
  • Emeli Sandé — How Were We To Know (Chrysalis Records)
  • ENHYPEN — Orange Blood (Belift Lab/Genie/Stone)
  • Frost Children — Hearth Room (True Panther)
  • H31R — Headspace (Big Dada)
  • Halfnoise — City Talk (Congrats Records)
  • Iron & Wine — Who Can See Forever (Sub Pop)
  • Jaakko Eino Kalevi — Chaos Magic (Weird World)
  • Jeremy Squires — Riddle of Stars (Blackbird Record Label)
  • John Vincent III — Songs for the Canyon (Concord Records)
  • Josh Radnor — Eulogy I (Flower Moon Records)
  • Joshua Van Tassel — Lullabies for Adults (Backward Music)
  • Juliana Hatfield — Juliana Hatfield Sings ELO (American Laundromat)
  • Julie Byrne — Julie Byrne with Laugh Cry Laugh EP (Ghostly International)
  • The Kinks — The Journey — Part 2 (BMG)
  • Kurupi — Mano EP (Hit the North Records)
  • Kurt Vile — Back to Moon Beach EP (Verve)
  • Kyle Gordon — Kyle Gordon is Great (BMG)
  • Linying — House Mouse EP (Nettwerk)
  • Luther Dickinson — Magic Music for Family Folk (Antone’s Records/New West Records)
  • Madge — Boxjar (AntiFragile Music)
  • Mia June — Don’t Forget Your Bags EP (Father/Daughter Records)
  • Mock Media — Mock Media II (Tin Angel Records)
  • Montañera — A Flor De Piel (Western Vinyl)
  • Nathan Melja — With Dan! (Parodia)
  • Neil Hamburger — Season Depression Suite (Drag City)
  • Plain White T’s — Plain White T’s (MRI)
  • The Polyphonic Spree — Salvage Enterprise (Good Records Recordings)
  • Richard Walters — Murmurate (Nettwerk)
  • Ritual King — The Infinite Mirror (Ripple Music)
  • Sango — North Vol. 2 (Sango Recordings)
  • Saunder Jurriaans — Phantom Limb (Ghost Talk Records)
  • Smoke Fairies — Carried in Sound (Year Seven Records)
  • Soars — Repeater (Pelagic Records)
  • Soledriver — Return Me to Light (Frontiers Music)
  • Spencer Zahn — Statues II (Cascine)
  • Steve Aoki — HiROQUEST: Double Helix (Dim Mak/DJ Kid Millionaire)
  • Vince Clarke — Sound of Silence (Mute)
  • Walter Wolfman Washington — Feel So At Home (Tipitina’s Record Club)
  • Water From Your Eyes — Crushed By Everyone (Matador Records)
  • Wind Walkers — What If I Break? (self-released)
  • Wrabel — based on a true story (Big Gay Records/Nettwerk)

Friday, November 24

  • Almost Honest — The Hex of Penn’s Woods (Argonauta Records)
  • Bill Gould and Jared Blum — The Eclipse (Koolarrow Records/SubOst)
  • Busta Rhymes — BLOCKBUSTA (Epic Records)
  • The Coronas — The Best of the Early Days (SoFarSoGood)
  • DJ Muggs and Dean Hurley — Divinity (Original Motion Picture Score) (Sacred Bones Records)
  • Future Static — Liminality (Wild Thing Records)
  • Guided By Voices — Nowhere to Go But Up (GBV Inc.)
  • Human Interest — Empathy Lives in Outer Space EP (Nice Swan Records)
  • Joe Jackson — Mr. Joe Jackson Presents: Max Champion in ‘What A Racket!’ (‎EARMUSIC)
  • Margo Price — Strays (Live at Grimey’s) (Loma Vista Recordings)
  • merci, mercy — Like An Orchid EP (Liberation Records)
  • MF Tomlinson — We Are Still Wild Horses — Remixed EP (PRAH Recordings)
  • My Morning Jacket — Happy Holiday! (ATO Records)
  • O. — SLICE EP (Speedy Wunderground)
  • Pole — Tempus Remix EP (Mute)
  • Raze Regal & White Denim Inc — Raze Regal & White Denim Inc (Bella Union)
  • Screaming Trees — Live at Egg Studios (Screaming Trees LLC)
  • The Sleeping Souls — Just Before the World Starts Burning (Xtra Mile Recordings)
  • Spector — Here Come the Early Nights (Sony/RCA)
  • Take That — This Life (EMI)
  • Teen Daze — Quiet City EP (Easy Listening Recordings)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.