Will.I.Am, a multi-talented musician, producer, and entrepreneur, has significantly impacted the music industry, but what is his net worth in 2023? Let’s dive deeper into his successful journey and explore how he has amassed his wealth.
Will.I.Am Net Worth
As of 2023, his estimated net worth is around $70 million, according to Celebrity Net Worth.
Will.I.Am’s Early Career & Success With Black Eyed Peas
LOS ANGELES, CA – NOVEMBER, 1999: (L-R) Haitian-American rapper, producer, songwriter and actor Praz Michel, Haitian rapper, musician and actor Wyclef Jean, Filipino American rapper, singer and record producer Apl.de.Ap, American rapper, singer, songwriter, and record producer Will.I.Am and American rapper, songwriter, actor and DJ Taboo, of the American musical group Black Eyed Peas, pose for a portrait in the studio circa November, 1999 in Los Angeles, California. (Photo by Lester Cohen/Getty Images)
Born William James Adams Jr., Will.I.Am began his career in the early 1990s. He formed the group Atban Klann, which eventually evolved into the Black Eyed Peas (BEP). The band’s big break came in 2003 with their third album, Elephunk. The album included hit singles like “Where Is the Love?” and “Let’s Get It Started,” catapulting the group to international fame. The following albums, Monkey Business, The E.N.D., and The Beginning, also garnered massive success. The BEP’s global album sales have exceeded 80 million, significantly contributing to Will.I.Am’s net worth.
Solo Music Career & Collaborations
LOS ANGELES, CA – FEBRUARY 08: Singers will.i.am, winner of the Best Urban/Alternative Performance award for “Be OK” poses in the press room during the 51st Annual Grammy Awards held at the Staples Center on February 8, 2009 in Los Angeles, California. (Photo by Jason Merritt/Getty Images)
Apart from his success with the BEP, Will.I.Am has also enjoyed a fruitful solo career. His first solo album, Lost Change, was released in 2001. However, it was his third solo album, Songs About Girls, that gained more recognition with singles like “I Got It from My Mama” and “Heartbreaker.” Additionally, Will.I.Am has collaborated with numerous high-profile artists, such as Britney Spears, Usher, and Justin Bieber, further increasing his net worth.
Television & Film Appearances
NEW YORK – JULY 18: Musician Will.i.am attends the Mandela Day: A 46664 Celebration Concert at Radio City Music Hall on July 18, 2009 in New York City. (Photo by Dimitrios Kambouris/WireImage)
Will.I.Am’s involvement in television and film has also contributed to his wealth. He has been a coach on the UK version of The Voice since 2012, bringing his unique perspective and experience to aspiring musicians. In the film industry, he has lent his voice to animated characters in movies like Rio and Madagascar: Escape 2 Africa. These diverse projects have expanded his portfolio and earnings.
Will.I.Am: Tech Entrepreneur & Philanthropy
LOS ANGELES, CA – NOVEMBER 18: Singer will.i.am attends the 40th American Music Awards held at Nokia Theatre L.A. Live on November 18, 2012 in Los Angeles, California. (Photo by Jason Merritt/Getty Images)
Will.I.Am’s ventures extend beyond music and entertainment, as he has made significant strides in the tech industry. He founded his own technology company, i.am+, specializing in consumer electronics and artificial intelligence. The company has developed products like the Puls smartwatch and the Buttons Bluetooth earphones.
His philanthropic efforts are also noteworthy. Will.I.Am founded the i.am.angel Foundation, which aims to transform lives through education, inspiration, and opportunity. The foundation has launched initiatives like i.am College Track. This program provides comprehensive support to students from underserved communities. There is also i.am STEAM, which focuses on science, technology, engineering, arts, and math education. These ventures not only help others but also bolster his brand and reputation.
Conclusion/TLDR
With an estimated net worth of $70 million as of 2023, Will.I.Am has undoubtedly achieved a great deal throughout his career. His success can be attributed to his work with the Black Eyed Peas, solo music projects, collaborations, television appearances, and tech entrepreneurship. His philanthropic initiatives also demonstrate his dedication to giving back and making a difference in the lives of others. As Will.I.Am continues to evolve and explore new opportunities. His net worth will likely continue to grow.
will.i.am has long held a reputation for being at the forefront of innovation in music. The Black Eyed Peas frontman has been quick to embrace technology, from a Bluetooth face mask to an AI-powered messenger platform for artists to collaborate. And as AI has come to dominate the discussion of the musical landscape, it’s only natural that will has some strong opinions on where the technology is headed.
will shared those views with UPROXX at the launch of his FYI messaging platform, giving his candid view and explaining why he thinks “the machine is gonna do everything.” Comparing AI to well-worn tools in hip-hop like turntables and beat machines, he envisions a future where AI is not just “the group” — writing, producing, and “performing” the music — but also the marketing, legal, and accounting departments, ensuring that algorithms maximize the efficiency of every aspect of the music industry, essentially replacing human beings in most fundamental positions, save for one.
“The future of popular music isn’t people,” he predicts. “But the future of social activism around music, that’s the only way I think we are still going to be needed.” He suggests such artists as Bob Dylan, Bob Marley, Public Enemy, and Stevie Wonder as examples before warning that creating music to feed recommendation algorithms is going to become impossible. “The algorithm will out-algorithmic you.”
The antidote, he says, will be to create “organic” music that taps into human emotions more effectively than the machine-created variety. The future is full of possibilities and not all of them are particularly appetizing, but there’s no question: The genie is out of the bottle, and there’s no going back. will.i.am knows this and remains on the cutting edge, whether that’s pushing the genre into new markets like Formula 1 racing or just continuing to contribute his unique viewpoint in songs like “The Formula” with Lil Wayne.
Watch will.i.am break down the future of AI in music above.
MIAMI – will.i.am needs to eat. He’s been pulled into TV live hits, quick meetings, meet and greets, and plenty of selfies, and he hasn’t had time to sit down to collect his thoughts. He puts an order in at the Mercedes compound in the team village and should have just enough time to enjoy that before heading out to the track for driver intros and a chance to showcase his new track, “The Formula” with Lil Wayne, marking a pivot for F1 that feels almost two decades coming.
While those driver intros — much more NBA All-Star Weekend than traditional motorsports — still are taking a little bit of getting used to, it’s the culmination of something will.i.am has seen as the future of F1 since his first in-person race experience in Singapore in 2008. F1 is hitting its stride in the States, which means more American-style pageantry and a general shift toward personalities that took a huge step forward in large part thanks to Netflix’s Drive To Survive series. As Max Verstappen (who ran a perfect race, starting near the back due to a fluky qualifying session on Saturday, but still managed to pass fellow Red Bull driver Sergio Pérez to win the Miami GP) mentioned during a short Q+A in Heineken’s Paddock Club, he often can’t do much more than go from training or track to hotel and back. Going out to dinner is a challenge now.
But all the drivers, despite the frustration, would agree this is ultimately good for the sport, and the opportunities to do more and more off-track have them reaching superstar status usually reserved for Oscar winners and first-name footballers.
There’s still more room for F1 to enter and disrupt the zeitgeist, and that’s where will.i.am comes in. As artist in residence for the sport, “The Formula” is just one component, and he sees chances to drop not just more songs into the mix, but add his cultural expertise and futurist perspective. It’s a project that seems uniquely suited for will, who has made his career on being not just in the moment, but creating the next moment in the studio, in business, in AI, and elsewhere.
UPROXX Sports had a chance to speak with will.i.am about the road to working with F1, where the sport can go moving forward, and what’s next.
Martin Rickman: How did the F1 opportunity come about for you?
will.i.am: There’s some opportunities that come to you, and then there’s opportunities that you materialize. So I had the idea to connect dots that people didn’t see, and those dots that people didn’t see are that F1 has amazing events that happen before the race. Friday’s crazy and the night is amazing, no matter what city you go to. Friday is the practice run. The party on Friday night is always the best. Saturday is qualifying. The party on Saturday is insane. Sunday is the race, and it’s like a moving freaking festival circus in the form of a race. But what the people see when it’s broadcast is just the race.
Just the race.
They don’t see the arts and the culture that’s happening in and around the races. And they fly artists out to perform at these parties, the local promoters. But that’s not captured in the broadcast.
No. That’s just for the people who are able to be at those.
Right. So I was like, “Hey, why don’t we do like an artist residency concept where one of the artists gets selected, they make an album, they release singles around key locations and videos?” In this case, me and Lil Wayne for the Formula. Me and J Balvin for a song that’s going to come out in the next couple of months. And then an album right around the end of the season in Vegas. And then the last song and video for Abu Dhabi in the race. And you repeat next year. And I pitched this concept to F1 CEO Stefano [Domenicali]. I attend the Harvard Business School. He was speaking. So I flew out to Mexico. He’s like, “Oh, I have to go to Boston and I’m speaking at Harvard.” I’m like, “I go to Harvard.”
You’re here right now.
And so he’s like, “Well, let’s meet up.” I was like, “Okay.” So from Mexico flying back to Boston is when I was like, “Whoa, I’m going to pitch him an amazing idea. Let me get this idea in order.” So I pitched him the vision at Harvard Business School.
Amazing. And so obviously he was into it, and then it led to it actually happening. Because nothing happens overnight. You work on things for years sometimes to make these things happen.
So it took from November the second until — here we are, May 5, May 8 — to get everything and the deal done, make the songs, shoot the video, record the orchestra, film the orchestra, film the video, film the part of this video for “The Formula” on the Saudi track. And all the activities, all the organizing strategy, finalizing on notes and edits all happened on FYI.
And for people who aren’t familiar yet with FYI, the app that you’ve been developing for the past three years, was this a good pilot opportunity for you to utilize the project, kind of in real-time, and then be able to continue to test everything that you had been working on?
So the first pilot, we knew the power of it by working with ITV, to do The Voice this year. And Mercedes, I worked with Mercedes very closely, the car that I made last year that I launched here [in Miami], we used the product for that. So we’ve stress-tested it and put it to work. But this is the first time it’s at this scale, though.
For F1 specifically for you, what was your introduction to the sport, and what is it about that sport that is so interesting? Is it that connective tissue between art, culture, music, fashion, sport, and all that? Because you live at that nexus, but you’ve always also lived at the nexus of the future of all of these things. And I feel you’re constantly thinking about that stuff before anyone else is.
The first race I’ve been to was 2008. So I went to Singapore. Black Eyed Peas did the show there. And then from there I was like, “Whoa, this is something else. What is this? This is not like any other sport.” And I knew about it even before then because I introduced Lewis [Hamilton] to Nicole [Scherzingerback] in 2007. That’s like a year. So 2007 when I introduced Lewis to Nicole, and 2008 we played Singapore and then, boom, we were rocking from there.
In terms of the future of sport and of this sport specifically, where do you see it heading? And do you think that the progress that’s been made, not just with Drive To Survive, with the opportunities you have for artists in residence, the parties, all those other things that are coming through, where can it go from here? Because it still feels like there’s an opportunity to kind of open the door up to more people, but also collaboration and creativity in those things.
Let’s take basketball as an example. Basketball in the 80s was not fashion and culture. It was just a sport. But Jordan and Nike brought a whole new vibrancy to wearing basketball shoes out in the world. Right?
It’s not just performance. It becomes something else.
Yeah. Lifestyle and culture. So I think F1 is on its route to that because, if you think of fashion, I wouldn’t say that this sport has done that crossover of that yet but it’s on its way to do that. It’s on its way to impact that level of culture. I think Lewis is a big major factor on how it crosses over to the world of fashion like basketball has.
How important has it been to be able to sit at these tables with other people that maybe you haven’t had the chance to talk to yet, but you wanted to, whether it is Sergio or someone like that to work towards those next things you want to do?
Networking is great, but I don’t want to be that. You want to be careful that you’re not that guy. I don’t want to be that guy where it’s like going to tables because people, they want their space. They’re here with their folks. So it’s a balance. Taking the opportunity when people want to introduce you to people, but I also want to give people their space.
On May 5th, Will.i.am, the founder of the Black Eyed Peas, joined a growing list of hip-hop celebrities who have expressed concerns about the impact of artificial intelligence (A.I.). During an appearance on Sirius XM, he engaged in a lengthy discussion with DJ Whoo Kid and his co-hosts, Mack and Jen. They spoke about the effects of A.I. on society and the arts. His views were similar to those expressed by other artists about the future of art. It seems uncertain in a world dominated by A.I.
When asked about his thoughts on whether artists should be worried about A.I., Will.i.am responded by stating that it is a legitimate concern. He went on to express his desire to safeguard his face from the potential threats posed by the technology, saying, “I am my face math, I don’t own that. I own the rights to ‘I Got A Feeling,’ but I don’t own the rights to my face or my voice? There are new laws and industries about to boof.”
Will.i.am is far from the only artist that has criticized A.I. Drake has been in the headlines a lot recently for the same reason. The rapper has been involuntarily involved in the new wave of A.I. music that has begun to saturate social platforms. From funny covers to nonexistent collaborations, A.I. creators are taking the concept and running with it. Drake isn’t too happy about it either. In fact, he called an A.I.-generated cover of Ice Spice’s “Munch (Feeling You)” the final straw. It’s not clear where to draw the line when it comes to A.I. “art.” Some musicians have even given people the go-ahead to use their voices as they choose.
Universal Music Group has urged streaming platforms to remove content created by artificial intelligence (A.I.), and many other artists, including Drake, have criticized this practice. This raises several issues, from copyright problems to human rights violations. If a creator can use an artist’s likeness or voice with no consequences, what implications does that have? Other musicians share Drake’s concern about this issue, and it seems that the problem is only getting worse. More and more websites are emerging that enable users to use a rapper or singer’s voice to create a new song. What do you think about A.I. in music? Let us know in the comments!
will.i.am and Lil Wayne both have extensive resume’s when it comes to their features and overall music catalog. Moreover, it’s a surprise as to why we don’t have more collaborations between the two icons. For as long as they’ve been in Hip-Hop we’ve only gotten two tracks with both of them. Jay Rock’s “All My Life (In The Ghetto)” and Wayne’s feature on the “Scream & Shout” remix. However, that all changes today with a new single from the rap powerhouses.
will.i.am and Lil Wayne have come together for their first collaboration track titled, “The Formula.” Not only that, it’s been a decade since the global producing legend released a solo single. Additionally, will.i.am is a big fan of Formula 1 racing, which most likely prompted the naming of this song. Formula 1 racing has become one of the fastest-growing sports to date. Furthermore, the 2023 FIA Formula 1 champion season will have more F1-inspired tracks as part of the Global Artist in Residence alliance. Interestingly, the release of this track from will. i.am culminates some buzz before the release of the Black Eyed Peas frontman’s solo album in the fall.
will.i.am Releases F1-Inspired Single
The track feels like an attempt at a summer bop, perfect for watching F-1 racing. It won’t be long ’til we see this in every commercial while the F-1 championship series is happening. “The Formula” track is the first of many tracks to be released and will also be featured during the Formula 1 Grand Prix broadcast. The Grand Prix starts this weekend May, 7, 2023.
Nonetheless, there’s no argument that the single is absolutely electrifying and energetic. Not only that the F-1-filled bars from Weezy make for a triumphant single. It’ll be interesting to see how Formula 1 follows this track. As Formula 1 racing and music begin to come together at break-neck speed, will.i.am is at the forefront delivering only the best. Additionally, the forward-thinking production from the legendary producer is second to none. The contagious rhythm and infectious pulsating bassline make for the perfect single to kick off the F-1 Grand Prix. Have you listened to the new track? Let us know what you think in the comments below!
Lyrics:
This is the formula This is the formula This is the formula Ohhhh, I know you know oh, oh, oh
Ahead of the upcoming F1 Grand Prix Race in Miami, which is set to take place this Sunday (May 7), will.i.am has shared a fiery new collaboration with Lil Wayne.
On “The Formula,” the pop and hip-hop veterans remind listeners of their place in the game. Will experiments with drill sounds as he delivers snappy, clever bars.
“Lightning quick, y’all can’t stick with it / I stay slick like I’m liquid / Super complex, ain’t comin’ simplistic / I told ’em, I told ’em, I told ’em I’m sick with the cold / So let me encode ’em / I got the ammo, so watch me reload ’em /I’m comin’ with flammables, time to explode ’em,” he raps.
Swooping in with some more heat his Wayne, with a verse chock-full of car metaphors
“Call me, ‘Weezy F1’ / My car fly like the Jetson’s / You a small fry, need ketchup / Fall behind or you can catch up / You can fall down or you can step up / Been a long time since I messed up / I told Father Time I’m his step-son,” he raps.
In a recent interview with us, Will pleasantly recalled meeting Wayne for the first time, and described the vibe he got from him.
A new summer banger is on the way. Lil Wayne and will.I.am have the formula for a new heater. Appropriately titled “The Formula,” Lil Wayne and will.i.am’s new collaboration arrives ahead of F1 Grand Prix Race in Miami this Sunday.
The single drops tonight at midnight, but ahead of the release, will.i.am spoke with Uproxx about working with Lil Wayne.
Both Will and Lil Wayne have been in the game for nearly three decades. In our interview, Will recalled his first time meeting Weezy and how he had a familiar energy.
He doesn’t quite remember how exactly their first meeting happened, however, Will has nothing but fond memories of Weezy.
“All I know,” Will said, “is that when I first met Little Wayne, I felt like I’ve known him my whole life because he has that ‘this is my cousin, this is my family member,’ vibe. So, I don’t remember the first time. I don’t know if it was in the early 2000s, I just know when I met him, I had the vibe that I’ve known him forever.”
Will.i.am and Lil Wayne’s new single is part of a series of singles by various artists that will arrive this summer, and an album that will drop in November.
In the meantime, you can check out a clip of the interview above.
Saweetie and Will.I.Am go head to head in a new video. In it, they perform a classic rap karaoke showdown. They were both guests on the new competition show, That’s My Jam. The show combines elements of several others, heavily borrowing from shows like Wheel of Fortune and Carpool Karaoke. The four contestants featured on the episode were Saweetie, Keke Palmer, Will.I.Am, and Joel McHale. After being split into two teams by gender, the contestants go up against one another in several one on one battles. When Saweetie and Will.I.Am. stepped up to the mic, the category chosen for them was classic rap. The two performed the songs to varying degrees of success.
Saweetie is the target of both praise and ire within the rap community. She released her first commercial single “Icy Girl” in 2017. The track features the rapper freestyling over the instrumental to Khia’s iconic single, “My Neck, My Back.” Unfortunately, Khia is not a fan of the sample. Back in December 2022, Saweetie released her most recent EP, THE SINGLE LIFE. She called it her most honest project. Fans are still eagerly awaiting the release of her debut full-length album, Pretty Bitch Music. Originally, the album was originally slated to be released in 2021. Last year, Saweetie promised it would be released before the end of 2022, but there is no confirmed release date as of April 2023.
Saweetie Shows No Love For California
During the “Mega Mix Showdown” between Saweetie and Will.I.Am, the duo performs many classic songs over one beat. Some of the songs they take on are DMX’s “Party Up,” Ice Cube’s “It Was A Good Day,” The Notorious B.I.G.’s “Hypnotize,” and OutKast’s “Ms. Jackson.” However, when the time comes for Saweetie to rap Tupac’s legendary “California Love,” she seems not to know the lyrics. This is notable considering that the rapper is from California herself.
Saweetie is a very successful rapper, but success isn’t without its challenges. In early 2021, a video of her rapping acapella went viral on social media. This prompted criticism from some who feel that her flow isn’t up to par. Saweetie responded by sharing a longer freestyle on her social media channels, demonstrating her skills as a rapper and shutting down her critics. Even though she is not everyone’s cup of tea, Saweetie doesn’t let the hate get her down. What do you think of the rapper’s karaoke performance? Let us know in the comments.
Jimmy Fallon’s new-ish show, That’s My Jam, really does have a fun gimmick. Taking the simplicity of James Corden’s Carpool Karaoke (which is ending after this season anyhow) and plugging in a bunch of other game show mechanics like a “wheel of fortune” randomizer and the Double Dare-esque spray of water, That’s My Jam not only gives celebrities a chance to wow audiences with incredible performances but also to be more “relatable” by doing something we all do — trip up singing our favorite songs.
Last night’s teams consisted of Community‘s Joel McHale with Will.I.Am and Keke Palmer with Saweetie. During the “Mega Mix Showdown” segment, the two rappers took on some of the classics of the genre — roulette and riff-off style, having to keep the beat between the randomized songs. The tracks included DMX’s “Party Up,” Ice Cube’s “It Was A Good Day,” The Notorious B.I.G.’s “Hypnotize,” OutKast’s “Ms. Jackson,” and Tupac’s “California Love.”
Considering both rappers hail from California, you’d think they’d kill that last one, but… Fortunately, they recovered on Snoop Dogg’s “Drop It Like It’s Hot,” with Eve’s “Let Me Blow Ya Mind” offering a grand finale. For the “Slay It, Don’t Spray It” segment, though, the girls’ team had to take on pop hits like “Wrecking Ball” — which Keke proclaimed “nobody knows” — while the boys nominated Joel McHale to sing Willie Nelson’s “On The Road Again” as Will bundled up for the inevitable rinse. Who gets the big spray? You can check out the video below to find out.
The Black Eyed Peas have been one of the most successful and influential pop groups of the last two decades. From sold-out concerts to numerous accolades, this legendary dance-pop group has made itself into a global sensation. The group currently consists of artists Will.i.am, Apl.de.ap, and Taboo, and formerly also included Kim Hill and Fergie. They are widely known for their catchy melodies and energetic sound, along with innovative beats that make them stand out. The Black Eyed Peas have unequivocally shared an endless string of songs that the world will always remember, and here are the ten most popular.
10. Pump It
“Pump It” was released as a part of the 2005 album Monkey Business, The Black Eyed Peas’ fourth studio album. The song was heavily influenced by Dick Dale’s 1962 surf version of “Misirlou”. Specifically, Will.i.am heard the song and was immediately inspired to make a few beats matching the same energy while on the plane to Tokyo, and soon recorded the vocals for the song there. This song was a quick hit and continues to be loved by fans across the globe.
9. Meet Me Halfway
Released in September of 2009, “Meet Me Halfway” was one of the biggest hits off of their fifth studio album, The E.N.D.. This song is still listened to by many and played in public spots everywhere in America. Also, it was performed at the 2009 Victoria’s Secret Fashion Show, as well as many other events at the time in an effort to promote the song. Certainly, this fun dance-pop tune gave fans a new view of The Black Eyed Peas and allowed them to see their music in an even more energetic light.
8. Where Is The Love?
This 2003 hip-hop hit reigned as the lead single from their third album, Elephunk. “Where Is The Love?” was written by Will.i.am, Apl.de.ap, Taboo, Justin Timberlake, Printz Board, Michael Fratantuno, and George Pajon. The song was written about the state of the world and how there is a lack of love, using a passionate, soulful sound to deliver the importance of this message. Evidently, this release truly revealed that The Black Eyed Peas were not only in it for the music, but additionally to use their platform for good.
7. Don’t Phunk With My Heart
“Don’t Phunk With My Heart” was recorded in 2005 as a part of the album Monkey Business. The song was both produced and engineered by Will.i.am, written about both sides of a break-up. Overall, this one stands out as it is not only dance hip-pop, but it also effortlessly combines soul, jazz, and rap as well. It may be a hit, but it certainly isn’t at the top of the list compared to these upcoming tracks.
6. Imma Be
This track off of The Black Eyed Peas’ 2009 fifth studio album is arguably their most catchy. It was initially meant to be released as a promotional single song, but instead ended up becoming one of their biggest hits. Also, this song was included and featured in multiple films including The Other Guys and The Hangover Part II. Undeniably, this song is captivating and unforgettable.
5. RITMO (Bad Boys For Life)
RITMO (Bad Boys For Life) was released by The Black Eyed Peas and Colombian singer J. Balvin in 2019. It features a sample of the 1993 song “The Rhythm of the Night” by Italian group Corona, making it especially stand out. Overall, the song remained on the charts for 27 weeks, being quite the recent hit for the group. It is still fairly relevant on social media and remains a popular hit to this day.
4. Just Can’t Get Enough
This song was written and released along with The Black Eyed Peas’ sixth studio album, The Beginning in 2010. And, the song made its way around the world, traveling to the top-five charts in New Zealand, Australia, Greece, France, and more.
3. Boom Boom Pow
Boom Boom Pow is a super popular EDM/dance-pop released by The Black Eyed Peas in 2009. Quickly, it became the group’s first number-one single on the charts, staying at the top for 12 weeks. In this song, Fergie raps “I’m so three thousand and eight, you so two thousand and late.”, an iconic lyric giving the track a futuristic, electro energy. It was heavily influenced by popular electro music that would often play in clubs at the time.
2. My Humps
“My Humps” is a hip-hop/electropop song released in 2005 as a part of their fourth studio album Monkey Business. Initially, the song was performed as a duet between Will.i.am and Fergie, and it is definitely one of their more sexually suggestive songs lyrically. Although this track was released over fifteen years ago, it is currently facing issues in the form of a lawsuit. There has been a parody of the song called “My Poops” used for a new kids’ toy, which is now being investigated and is resulting in a lawsuit.
1. I Gotta Feeling
“I Gotta Feeling” was released in 2009 and was nominated for The Grammy’s Record of the Year and won the award for Best Pop Performance by a Duo or Group with Vocals. Two years after its release, it became the first track in American history to sell over seven million digital copies. Also, formerly held the record as the most downloaded song of all time on iTunes. Overall, The Black Eyed Peas were and continue to be one of the most successful groups of the 2000s, and they continue to prove that to this day.
