Tupac’s Mom Explains Her Unique Parenting Style In A Teaser For The FX Docuseries, ‘Dear Mama’

This fall, a new docuseries about Tupac Shakur and his mother, Afeni Shakur, is coming to FX and Hulu. Dear Mama offers “an intimate wide-angle portrait of the most inspiring and dangerous mother-son duo in American history, whose unified message of freedom, equality, persecution, and justice are more relevant today than ever.” The series is directed by Allen Hughes and will air on FX and appear on Hulu the next day. Since yesterday was Mother’s Day, FX shared a teaser from the show featuring Afeni explaining her unique parenting style.

“It was my responsibility to teach Tupac how to survive his reality,” she says in voiceover, as black-and-white photos of Afeni with a baby Tupac appear on the screen. “So, Tupac do something wrong: ‘Take your little sorry self in that corner, get the New York Times, and let’s have a debate about it. Not a discussion, a debate. Let me hear what your idea is, stand up, defend it.’” Naturally, Tupac’s seminal 1995 single “Dear Mama” plays over the title card.

Afeni Shakur was a former member of the Black Panther Party and later, after her Rock And Roll Hall Of Famer son’s death, founded the Tupac Amaru Shakur Foundation while running a media company also named after him. She was also the executor of his estate until her death in 2016.

Watch the Dear Mama teaser above.

‘Tupac Shakur. Wake Me When I’m Free’ Exhibit Extended Through Summer 2022 in Los Angeles

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The pioneering Tupac Shakur Wake Me When I’m Free exhibit in Los Angeles has been extended through the summer of 2022 due to great demand. The Shakur Estate-sponsored exhibit, which debuted in January and is set to close on May 1 in Los Angeles, has received a slew of excellent reviews.

For the balance of the show’s run in Los Angeles, the exhibit has announced a new campaign to open its doors to children, offering free tickets to any public school group (grade school, middle school, high school) and their chaperones.

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Superintendent Alberto M. Carvalho of the Los Angeles Unified School District toured the museum experience with more than 70 kids from around the district to kick off the program. Following the tour, Superintendent Carvalho, the exhibit’s Creative Director Jeremy Hodges, and Rob Light (Head of Worldwide Music, Partner & Managing Director of entertainment and sports firm CAA) engaged students in a debate.

“Inspired, powerful, meaningful: These are just a few of the words our students used to describe the exhibit Tupac Shakur. Wake Me When I’m Free after our visit,” Superintendent Carvalho said. “These students joined our test pilot for the Los Angeles Unified Cultural Arts Passport, a new program to provide all students with access to arts and cultural enrichment. I’m thrilled that the exhibit will extend its offer of free tickets to all public school student groups to visit and learn about Tupac Shakur’s life and legacy.”

WMWIF is a 20,000 square foot curated facility akin to a contemporary art museum that presents Shakur’s music, poetry, and never-before-seen artifacts in a museum-like setting. Guests move through a variety of surround sound environments, each filled in technological curiosities. WMWIF ponders the larger implications of his activism, music, and revolutionary art. As they travel through his unusual life, the audience is taught and enlightened through a maze of emotions.

WMWIF is a museum experience sanctioned by the Assata Shakur Estate, and it was created in collaboration with Round Room Live, CAA, Universal Music Group, and Kinfolk Management + Media. Nwaka Onwusa, Chief Curator and Vice President of Curatorial Affairs at The Rock and Roll Hall of Fame, and award-winning Creative Director Jeremy Hodges and his firm, Project Art Collective, are leading WMWIF.

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The post ‘Tupac Shakur. Wake Me When I’m Free’ Exhibit Extended Through Summer 2022 in Los Angeles appeared first on The Source.

Snoop Dogg Doesn’t Understand How Nas Was Sued For Sharing A Photo Of Himself And Tupac

This past weekend, Nas was sued by well-known rap photographer Al Pereira sued Nas after the rapper posted a 1993 picture of himself with Tupac and Redman outside Club Amazon. According to HipHopDX, Nas allegedly shared the photo without permission or licensing the image. It’s a situation that many artists have found themselves in recently. In 2019, Justin Bieber was sued for sharing a photo of himself, a case that was settled for an undisclosed amount. Ariana Grande and Dua Lipa have also been sued multiple times for the same reason.

Photographers are able to file these lawsuits if they are the exclusive holder of the copyright of the photo, even if the person they are suing is in the photo. However, Snoop can’t seem to fathom how this makes any sense. In a new video he posted on Instagram, he questions the logic of it all. “How’s a mothaf*cka suing Nas for a picture that he in?” he said before adding that photographers have “lost y’all mothaf*ckin’ rabid ass mind.

“When you take a picture of a n****, that picture ain’t yours,” Snoop continued. “That’s a mere likeness-type situation. You’re borrowing my likeness. We need new laws to help us as artists, man, because it’s a bunch of mothaf*ckas selling pictures with my face on it and I don’t get sh*t ‘cause they took the picture. Can anybody help me with that? Just a basic question.”

As for Nas and Pereira’s lawsuit, the latter says the picture’s worth decreased in value since Nas posted it in 2020. Pereira also registered the photo’s copyright in 2017.

Dua Lipa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Rick Ross Says Nipsey Hussle And Young Dolph’s Deaths Are ‘Equivalent Or Greater’ To That Of Biggie And Tupac’s

Last fall marked the 25th anniversary of Tupac’s death. Meanwhile, next month will mark the 25th anniversary of The Notorious B.I.G.’s death. Since their deaths, hip-hop has experienced the loss of other major rappers. Some examples include Nipsey Hussle and Young Dolph, who were shot and killed in 2019 and 2021, respectively.During a recent interview with HotNewHipHop, Rick Ross spoke about how impactful their deaths were to this generation.

“Losing Nipsey and Dolph for this generation, I’m sure, was just as equivalent or greater to what [Notorious] B.I.G. or ‘Pac was for my generation,” he said. Nipsey was shot and killed outside of his Marathon Clothing store in South Los Angeles back in 2019 and Young Dolph was murdered inside of Makeda’s Homemade Butter Cookies in Memphis last fall. Rick Ross collaborated with Nipsey and Dolph throughout their careers and he even tried to sign Nipsey to his label, Maybach Music Group, at one point.

Rick Ross’ comments come after dropped a video for “Little Havana” with The-Dream — a track from his recently-released eleventh album RIcher Than I Ever Been.

You can read Ross’ interview on HotNewHipHop here.

Nipsey Hussle is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Biggie Wanted Nas And Busta Rhymes To Join Him On A Tupac Diss Track Produced By J Dilla

Of all the many rap beefs in the history of hip-hop, none has been as brutally dissected — and deadly — as Notorious B.I.G. and Tupac’s East Coast/West Coast spat. Things reached a head when Tupac dropped the supremely insulting “Hit ‘Em Up” in June of 1996, which besides being lyrically pointed at Big, Puff and Mobb Deep, rode samples of two Junior Mafia tracks in “Get Money” and “Player’s Anthem.”

While Biggie got his shots own shots in over the years (“Who Shot Ya?” came out months after Tupac was shot at Quad Studios in November of 1994, although Biggie never admitted it being pointed at Tupac), there was more in store from Biggie that never fully materialized the way he ended it to. In an interview with The Art Of Dialogue, Junior Mafia member and Biggie’s cousin, Lil Cease, shed more light on the epic beef and what might have happened if things went as planned:

“Big wasn’t gonna put forth a full effort into a whole full song dissing Tupac… Big was kinda more like just sprinkling on it,” Cease said of “The Ugliest,” a J-Dilla produced track that featured Busta Rhymes. Biggie delivered the verse, “And the winner is, not that thinner kid / Bandanas, tattoos, my fist never bruise / Land still cruise, Frank White paid his dues.” While Tupac wasn’t name-checked, it was clear who the lyrics was pointed at, and the diss was strong enough for Busta to not put the song on the album it was earmarked for, The Coming, but this was hardly the epic shot that Biggie thought he could take with a little help.

Cease says the original plan was for Nas and Busta to do the heavy lifting on the diss which could have really lit a fire under the beef. But that’s not how it went down.

“It’s not a diss if you don’t say their name. Ya gotta say somebody’s name if you wanna call it a ‘diss record’” Cease says. “If you’re just throwing subliminals, that’s only for that man to hear and figure out ’cause you’re gonna say something that only he would understand like, ‘Alright, he’s talking about me.’ Big didn’t say his name… It was for Busta Rhymes’ song at that. The song never came out — supposed to been Busta Rhymes, Nas and Big. It was produced by Q-Tip. But everybody never did their verse after Big did his. Nobody laid the verse on it, so the song kinda just pushed away. ”

Nevermind that Cease confuses Dilla with Q-Tip as the song’s producer (Tip was famously J Dilla’s manager), but had Nas and Busta joined Biggie in the spat, “The Ugliest” could very well have topped “Hit ‘Em Up” as the piece de resistance of the Tupac/Biggie beef.

Watch a clip of Lil Cease’s interview below.

‘The Immortal Collection’ Presents A First Look At An NFT Of Tupac’s Jewelry

Since his death in 1996, we’ve continually strived to better understand and appreciate the genius of Tupac Shakur. In 2015, the All Eyez On Me: The Writing Of Tupac Shakur exhibit at the Grammy Museum in Los Angeles became the first such exhibition dedicated to the late rapper. Come next year, you’ll be able to fully immerse in a multimedia Tupac experience via the Wake Me When I’m Free collaboration between The Estate of Tupac Shakur and The Rock And Roll Hall of Fame. It begins in LA and will be touring the globe for years to come. And now next week, you’ll be able to own a piece of Tupac’s jewelry as an NFT, which joins the previously announced drop of photos from his debut album.

Dubbed “The Immortal Collection,” a collection of Tupac’s infamous jewelry will drop via the MakersPlace NFT marketplace on December 15th. The collection is inspired by the jewelry that Tupac wore and even the jewelry that he designed as his career blossomed. It contains pieces like his 2PAC and diamond solitaire rings, as well as his Makaveli bracelet (above) and a medallion he wore in the last photo ever captured of him. A statement regarding the drop said the following:

“Working in close collaboration with his Estate, NFT Artists Impossible Brief and curators Digital Arts & Sciences were able to select pieces from his personal archives that had some of the deepest meanings and intentions attached to them. It is with Tupac’s personal vision and ideas, that they carefully created this digital assortment of the jewelry he designed and wore, marking the world’s first NFT authorized by The Shakur Estate. “

The pieces represent a look at some of the items that will be included in the Wake Me When I’m Free experience. Take a look at the four items below and get more info on “The Immortal Collection” here.

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Tupac Photos From His Debut Album Release Party Will Be Made Into NFTs

The non-fungible token craze will continue with rare photos of a rap legend who never lived to see high-speed internet. According to Rolling Stone, rare photos of Tupac Shakur from the late rapper’s debut album release party will soon be sold as NFTs on the OpenSea platform. The flicks are being released by the original photographer, Lawrence “Loupy D” Dotson, who took the photos at the party for 2Pacalypse Now in Los Angeles in 1992.

There will be 17 photos released, as well as one “Super NFT” collage of all 17 for a total of 18 NFTs. Each will come with a signed, framed print, and part of the proceeds will be used to plant trees in Shakur’s hometown — although it isn’t specified whether that means New York (where he was born), Oakland (where he grew up), or LA (where he became a superstar). Dotson explained how the photo collection came to be to Rolling Stone:

“I bought a disposable, black and white 35mm camera from the Thriftys on the corner of La Brea and Rodeo,” he said. “Later that night I got to Glam Slam, Prince’s old club on Boylston Street downtown. I couldn’t wait to see this brotha perform. I loved the energy he put out on stage as a backup dancer for Digital Underground; the same with his performance in the video when he dropped the verse on ‘Same Song.’ I knew that he was going to give it up that night for his debut release party. Surprisingly, there weren’t many people at the show: mostly industry execs and a few heads from the underground community.”

He says he never published the photos and remained unsure of what to do with them, although they came in handy in his job as a substitute teacher as a reward for students. Now, he says, he wants to “create a traveling exhibit of the collection” and show them worldwide.