Apple Settles $95M Suit Over Siri Eavesdropping: Here’s What You Need to Know

Apple has agreed to pay $95 million to resolve a long-running legal battle accusing it of using its virtual assistant, Siri, to eavesdrop on unsuspecting users. The proposed settlement, filed in federal court in Oakland, California, aims to settle a lawsuit that has been ongoing for five years. The case centers on claims that Apple secretly activated Siri on iPhones and other Apple devices, recording private conversations even when users didn’t utter the trigger phrase, “Hey, Siri.”

Gotta admit, we all had our fears. Now this kind of validates much of the concerns that Siri has been listening!

Here’s A Background of Siri and Privacy Concerns

Siri, Apple’s voice-activated assistant, was launched in 2011 as a key feature on iPhones and later expanded to other Apple devices, including iPads, Macs, and HomePods. Siri was designed to help users perform tasks such as sending messages, setting reminders, and searching the web, all through voice commands. Over the years, however, concerns have been raised about the amount of personal data Siri collects and how it handles that data.

While Siri is intended to respond only when a user activates it with the “Hey, Siri” command or by pressing a button, the lawsuit alleges that the assistant was sometimes activated without explicit user input. These unauthorized activations allegedly led to recordings of private conversations, which were then shared with third parties, including advertisers, to refine targeted advertising strategies.

Now Onto The Allegations and Settlement

The lawsuit, which spans over a decade, asserts that Apple violated users’ privacy by secretly recording conversations and sharing the data with advertisers. Some of these recordings allegedly took place without users’ knowledge or consent, even when they hadn’t invoked Siri. The lawsuit claims that these recordings were part of a broader effort to help advertisers tailor ads to consumers based on their conversations, suggesting that Apple used private, unspoken information to boost advertising revenues.

Is this advertising 101 or corporate greed at it’s finest?

In a court filing on Tuesday, Apple agreed to settle the case with a $95 million payout, though the company has not admitted to any wrongdoing. According to court documents, the settlement will provide compensation to consumers who owned an eligible Apple device between September 17, 2014, and the end of 2023, including iPhones, iPads, and other Siri-equipped products.

Okay, What Do Consumers Stand to Gain?

If the settlement is approved, affected consumers could receive up to $20 per Siri-enabled device. However, the final payout may be adjusted depending on the number of claims filed, with only an estimated 3% to 5% of eligible consumers expected to take part. Each eligible consumer can file for compensation for up to five devices.

$20 bucks may not sound like much but some of us have like 5-10 apple devices per household!

The $95 million payout represents a small fraction of Apple’s enormous profits over the past decade. Since 2014, the company has earned over $705 billion in profits, and while the settlement is significant, it pales in comparison to the $1.5 billion in damages that the plaintiffs’ legal team estimated Apple could have faced if the case had gone to trial and resulted in a ruling against the company for wiretapping and privacy violations.

Of Course There’s Next Steps and Legal Fees

The settlement is not yet final. A U.S. District Judge, Jeffrey White, must approve the terms, with a hearing scheduled for February 14, 2025, to review the settlement details. If the deal is approved, the funds will be distributed to eligible consumers. Additionally, the lawyers representing the plaintiffs are requesting up to $29.6 million in fees and expenses for their work on the case.

This settlement marks a significant chapter in the ongoing debate over tech companies’ handling of user data and privacy. While Apple is not admitting to any legal violations, this case underscores the growing concern over how much personal information tech giants can gather, often without users’ full awareness. As the legal landscape around digital privacy continues to evolve, the outcome of this case may have broader implications for both consumers and the tech industry.

What do ya’ll think, should we deactivate Siri as a precaution or even in protest? Let us know!

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Trump Asks Supreme Court to Pause TikTok Ban Pending Review of Case

If you love TikTok, you might have it for a little while longer. Former President Donald Trump and soon to be incoming POTUS just urged the U.S. Supreme Court to delay the implementation of a law that would ban TikTok in the United States unless its Chinese parent company, ByteDance, sells the platform.

What ya’ll think, should TikTok get the boot or nah?

The Supreme Court is set to hear arguments on January 10, with a decision potentially coming just days before the law’s effective date of January 19, which coincides with Trump’s incoming administration.

In a court filing submitted on Friday, Trump’s legal representative, D. John Sauer, argued that while Trump does not take a position on the law’s merits, he requested that the court pause the deadline for the divestment requirement, which would force ByteDance to sell TikTok to an American company. This pause, Trump’s team contends, would allow the incoming administration time to explore a political resolution to the issue before a final ruling is made.

“President Trump takes no position on the underlying merits of this dispute,” Sauer wrote, emphasizing that the former president’s goal was to provide his administration the opportunity to negotiate a solution. “He respectfully requests that the Court consider staying the Act’s deadline for divestment of January 19, 2025, while it considers the merits of this case,” Sauer added.

The law in question, known as the Protecting Americans from Foreign Adversary Controlled Applications Act, was passed in April with bipartisan support and signed into law by President Joe Biden. It mandates that TikTok’s Chinese owner, ByteDance, either sell the app to an American company or face a nationwide ban. The law is a direct response to growing concerns over national security, particularly regarding the potential for the Chinese government to access personal data of U.S. users or use the app for political manipulation.

Seems like a reasonable concern. If you take off the blinders.

While the law’s passage and its potential impact on TikTok have drawn bipartisan support, it has also sparked significant controversy. Critics, including TikTok, argue that a ban would violate free speech rights protected by the U.S. Constitution. The company contends that it operates independently of the Chinese government and should not be subject to a sweeping ban based on national security concerns.

In addition to the Justice Department, which filed a brief in defense of the law, Trump’s filing also highlighted his belief that he alone has the “dealmaking expertise” to broker a political solution. “President Trump alone possesses the consummate dealmaking expertise, the electoral mandate, and the political will to negotiate a resolution to save the platform while addressing the national security concerns expressed by the Government—concerns which President Trump himself has acknowledged,” Sauer wrote.

In case you’re wondering, this legal battle isn’t the first time Trump has tried to ban TikTok. In 2020, he attempted to force a sale of the app under national security grounds but was blocked by the courts. Despite this, Trump’s recent comments show a softened stance toward the platform, especially after meeting with TikTok CEO Shou Zi Chew in December. At the time, Trump expressed having a “warm spot” for TikTok, marking a reversal from his previous opposition to the app.

The monumental case is heating up as the January 10 arguments approach, with TikTok’s defenders making their case against the law’s implementation. In previous court rulings, including one from the U.S. Court of Appeals for the District of Columbia Circuit, judges upheld the law, citing legitimate concerns over national security. However, the Chinese government continues to deny any claims that TikTok poses a threat to U.S. national security.

With the law set to take effect on January 19, the Supreme Court’s decision could have significant implications not only for TikTok’s future in the U.S. but also for broader discussions about data privacy, national security, and free speech.

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Vevo Reveals 2024’s Most-Watched Music Videos and Artists

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Vevo, the world’s leading music video network, has unveiled its annual end-of-year charts, highlighting the most-watched videos and artists of 2024. KAROL G and Taylor Swift dominate once again, topping the global and U.S. artist charts, respectively.

“Artists are the biggest influencers in the world, and the visual nature of music videos deepen an artist’s connection with their fans in a unique way that goes beyond the music itself. A frequent and consistent video release strategy not only enhances an artist’s brand, but it also galvanizes their fanbase,” said JP Evangelista, senior vice president, Content, Programming & Marketing, Vevo. “Major pop culture moments are therefore reflected in music video viewership, and Vevo’s annual recap provides the music and wider media and entertainment industry with a barometer for what was trending this year.”

KAROL G secured the title of Vevo’s Most Watched Global Artist for the fourth consecutive year with 3.5 billion views, followed by Shakira (1.96 billion) and Taylor Swift (1.95 billion). The Weeknd (1.8 billion) and Feid (1.7 billion) completed the top five. Meanwhile, in the U.S., Taylor Swift led with 470 million views, followed by Future, whose prolific output of 90 videos propelled him to second place with 462 million views.

Eminem’s nostalgic “Houdini” was 2024’s Top Global Premiere, amassing 56.2 million views in its first two weeks, while Kendrick Lamar’s “Not Like Us” followed with 51.1 million views. Sabrina Carpenter’s “Taste,” The Weeknd’s “Dancing in the Flames,” and KAROL G’s collaborative “+57” rounded out the top five.

In a groundbreaking moment, Becky G’s Regional Mexican video, “POR EL CONTRARIO,” became Vevo’s Most Watched Global Video with 312.7 million views, marking a first for the genre. Lady Gaga and Bruno Mars’ “Die With a Smile” took second (298.6 million), followed by FloyyMenor and Cris MJ’s “Gata Only” (296.4 million).

In the U.S., Country music achieved a historic milestone as Shaboozey’s “A Bar Song (Tipsy)” topped the chart with 82.9 million views. Kendrick Lamar’s “Not Like Us” and Post Malone’s “I Had Some Help” claimed second and third, showcasing the diversity of Vevo’s most-watched music this year.

This year’s rankings reflect a dynamic shift in global music, with Country, Hip-Hop, and Regional Mexican genres making unprecedented strides.

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Future, Flo Milli and GloRilla Among Top Songs Used in U.S. on TikTok for 2024

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TikTok continues to reshape the music industry in 2024, cementing its role as the go-to platform for discovering new artists, promoting songs, and connecting fans to their favorite stars.

“In 2024, TikTok truly became the music industry’s primary launchpad for music, artists, and creativity. Every year, our global community discovers a new generation of emerging artists, creates new viral hit songs, and rediscovers classic tracks, propelling them into the charts worldwide. TikTok continues to be a space for discovery, self-expression, and fandom, empowering artists to build a global fanbase, engage with the community, and build their careers.”

Ole Obermann, Global Head of Music Business Development, TikTok

With over a billion music fans on the platform, TikTok has become the epicenter for music culture, with users creating viral moments and driving songs to mainstream success. In the U.S., the Top 10 Songs generated 140 million TikTok creations globally, with Tommy Richman’s “MILLION DOLLAR BABY (VHS)” leading the charge. Rap and hip-hop thrived, with tracks like Lay Bankz’s “Tell Ur Girlfriend” and Flo Milli’s “Never Lose Me” reaching new heights on the Billboard and Spotify charts.

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Sabrina Carpenter topped the U.S. list, with her viral songs “Espresso,” “Please Please Please,” and “Taste” generating over 15 million TikTok videos. Her incredible success was capped with six Grammy nominations for her album Short n’ Sweet, which she introduced to fans through a special TikTok in-app experience. Emerging stars like Shaboozey, Chappell Roan, and Benson Boone also leveraged TikTok’s viral power to elevate their careers, proving the platform’s transformative impact on the music industry.

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Kendrick Lamar’s “Not Like Us” is Apple Music’s Global Song of the Year

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Kendrick Lamar has reached a significant career milestone with his track “Not Like Us,” which has become the most-streamed global song of the year. The achievement marks the rapper’s first-ever No. 1 on the annual streaming chart, solidifying his place as a dominant force in the music industry.

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The achievement comes as Lamar reigns over the entire Top 5 of the Billboard Hot 100. Overall, Kendrick has seven of the top ten spots in the Hot 100. The country’s No. 1 song is “Squabble Up,” followed by “TV Off,” “Luther,” “Wacced Out Murals,” and “Hey Now,” which rounds out the top five.

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Apple Music unveiled its much-anticipated Replay 2024 experience today, offering subscribers a deeper look at their musical journey over the year. Integrated directly into the Apple Music app, Replay now includes expanded insights, shareable motion videos, and access to personal music highlights. The update enhances the annual feature, reflecting Apple Music’s commitment to creating a personalized and interactive music experience.

Subscribers on iOS 18.1 or later can access Replay via the app’s Home, New, or Search tabs, while users on earlier versions can visit the replay.music.apple.com microsite. New insights include “Top 100, 500, 1000 Listeners,” which shows rankings among fans of favorite artists, “Listening Streaks” highlighting consecutive playback days, and “Replay By Month” for a month-by-month breakdown of top tracks and albums. Fans can also discover their “Top Artist Streak” and revisit their “Date of First Play” for favorite music.

Apple Music also expanded Replay for Artists, now accessible via Apple Music for Artists. Musicians can review their total listener and streaming minutes, track Shazam success, and pinpoint top-performing cities. These tools allow artists to celebrate their year and engage with their audience by sharing customized insights through video or still assets.

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Coinciding with the Replay launch, Apple Music revealed its 2024 Year-End Charts. Kendrick Lamar’s “Not Like Us” emerged as the most-streamed global song, marking a career milestone as his first-ever No. 1 on the annual chart. On Shazam, Benson Boone’s “Beautiful Things” took the top spot, while Dua Lipa’s “Houdini” became the most played song on global radio.

2024 saw record-breaking achievements for women in music, with 39 songs by female artists appearing on the Top Songs of 2024: Global chart. Sabrina Carpenter’s “Espresso” led the way at No. 3, while Taylor Swift landed seven tracks on the list, including “Cruel Summer” in the top five. Rising stars like Shaboozey and Benson Boone joined veterans like Drake and Morgan Wallen, who each secured eight chart entries.

Shazam’s global chart featured newcomers, with Teddy Swims and FloyyMenor gaining significant recognition. Resurgent hits like Natasha Bedingfield’s “Unwritten” and Sophie Ellis-Bextor’s “Murder on the Dancefloor” also made appearances, boosted by movie placements.

The Most-Read Lyrics and Top 100: Sing charts highlighted a surge in Japanese-language songs, with Creepy Nuts’ “Bling-Bang-Bang-Born” dominating both lists. YOASOBI’s “アイドル (Idol)” and tuki.’s “晩餐歌 (Bansanka)” further cemented the global appeal of J-Pop.

A notable addition this year is the Shazam Global Radio Spins chart, led by Dua Lipa’s “Houdini.” Pop and country genres shone brightly, with tracks like Shaboozey’s “A Bar Song (Tipsy)” and Dasha’s “Austin (Boots Stop Workin’)” gaining traction.

From personalized Replay mixes to year-round features like Discovery Station and collaborative playlists, Apple Music continues to elevate the listening experience. Dive into Replay 2024 and explore the complete Year-End Charts on Apple Music today.

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Apple Music Debuts Replay 2024 with New Insights and Year-End Charts

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Apple Music unveiled its much-anticipated Replay 2024 experience today, offering subscribers a deeper look at their musical journey over the year. Integrated directly into the Apple Music app, Replay now includes expanded insights, shareable motion videos, and access to personal music highlights. The update enhances the annual feature, reflecting Apple Music’s commitment to creating a personalized and interactive music experience.

Subscribers on iOS 18.1 or later can access Replay via the app’s Home, New, or Search tabs, while users on earlier versions can visit the replay.music.apple.com microsite. New insights include “Top 100, 500, 1000 Listeners,” which shows rankings among fans of favorite artists, “Listening Streaks” highlighting consecutive playback days, and “Replay By Month” for a month-by-month breakdown of top tracks and albums. Fans can also discover their “Top Artist Streak” and revisit their “Date of First Play” for favorite music.

Apple Music also expanded Replay for Artists, now accessible via Apple Music for Artists. Musicians can review their total listener and streaming minutes, track Shazam success, and pinpoint top-performing cities. These tools allow artists to celebrate their year and engage with their audience by sharing customized insights through video or still assets.

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Coinciding with the Replay launch, Apple Music revealed its 2024 Year-End Charts. Kendrick Lamar’s “Not Like Us” emerged as the most-streamed global song, marking a career milestone as his first-ever No. 1 on the annual chart. On Shazam, Benson Boone’s “Beautiful Things” took the top spot, while Dua Lipa’s “Houdini” became the most played song on global radio.

2024 saw record-breaking achievements for women in music, with 39 songs by female artists appearing on the Top Songs of 2024: Global chart. Sabrina Carpenter’s “Espresso” led the way at No. 3, while Taylor Swift landed seven tracks on the list, including “Cruel Summer” in the top five. Rising stars like Shaboozey and Benson Boone joined veterans like Drake and Morgan Wallen, who each secured eight chart entries.

Shazam’s global chart featured newcomers, with Teddy Swims and FloyyMenor gaining significant recognition. Resurgent hits like Natasha Bedingfield’s “Unwritten” and Sophie Ellis-Bextor’s “Murder on the Dancefloor” also made appearances, boosted by movie placements.

The Most-Read Lyrics and Top 100: Sing charts highlighted a surge in Japanese-language songs, with Creepy Nuts’ “Bling-Bang-Bang-Born” dominating both lists. YOASOBI’s “アイドル (Idol)” and tuki.’s “晩餐歌 (Bansanka)” further cemented the global appeal of J-Pop.

A notable addition this year is the Shazam Global Radio Spins chart, led by Dua Lipa’s “Houdini.” Pop and country genres shone brightly, with tracks like Shaboozey’s “A Bar Song (Tipsy)” and Dasha’s “Austin (Boots Stop Workin’)” gaining traction.

From personalized Replay mixes to year-round features like Discovery Station and collaborative playlists, Apple Music continues to elevate the listening experience. Dive into Replay 2024 and explore the complete Year-End Charts on Apple Music today.

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NBA and Houston Rockets Bring First-Ever Tech Challenge and Empowering Programming to AfroTech

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The NBA and Houston Rockets collaborated to bring exciting initiatives to the AfroTech conference in Houston from Nov. 13-16. One of the key highlights was the first-ever NBA Foundation Tech Challenge, where 25 students from local universities like the University of Houston, Rice University, Prairie View A&M University, and Texas Southern University presented business ideas based on real-world challenges.

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Houston Rockets CMO Julian Duncan judged the challenge, NBA All-Star Baron Davis, and Amplitude’s Nikki Lasley. Prairie View A&M took home the top prize, with each student receiving $1,000 and a scholarship funded by a $25,000 donation from Amplitude.

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The NBA Foundation also sponsored 100 Houston-area students to attend AfroTech, giving them access to valuable networking opportunities and career insights from top tech professionals. On the Executive Stage, NBA President of Basketball Operations Byron Spruell, WNBA Head of League Operations Bethany Donaphin, and Rockets GM Rafael Stone participated in a panel discussing the intersection of tech and basketball, offering advice on career development.

Additionally, Baron Davis engaged in a Fireside chat about entrepreneurship and innovation, sharing his expertise on blending business and basketball.

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IBM and UFC Partner to Launch AI-Powered Insights Engine for Enhanced Fan Experience

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UFC IBM banner

IBM and UFC®️ have announced a groundbreaking partnership that will bring the power of IBM’s AI platform, watsonx, to the global audience of the world’s premier mixed martial arts organization. With this collaboration, IBM becomes UFC’s first-ever Official Global AI Partner, introducing a new dimension to live event viewing.

Central to the partnership is the development of the UFC Insights Engine, which will utilize IBM’s AI and data technology, including Granite large language models, alongside UFC’s extensive data feeds. This engine aims to provide UFC fans with real-time, advanced insights during live events, such as fighter tendencies, match projections, and potential victory outcomes. These insights will continuously update on-screen as live data rolls in, offering fans an enriched experience.

Expected to launch in early 2025, the Insights Engine will integrate branded stats and graphics into key UFC platforms. Fans can expect to see this technology across UFC Pay-Per-View broadcasts, pre-event programming, social media, and in-venue displays, reaching millions in 170 countries.

“This partnership with IBM is one of the most significant milestones for UFC and a game changer for how fans will experience our sport,” said Grant Norris-Jones, Head of Global Partnerships at TKO. “IBM is an iconic blue-chip, global brand with decades of experience in sports marketing. Together, we’re pioneering a product to revolutionize analytics and information in live sports. This partnership marks a pivotal win, not only for UFC and IBM, but also for fans around the world who will experience our sport in a whole new way.”

This partnership not only marks UFC’s expansion into AI-driven experiences but also IBM’s commitment to redefining fan engagement. Together, IBM and UFC are set to deliver real-time, data-driven content, enhancing viewer connection to each fight and offering unparalleled access to in-depth UFC fight information.

“Data and AI solutions like UFC Insights Engine built with IBM watsonx can offer current fans entirely new ways to connect with their favorite athletes and sports, while also building excitement among new generations of MMA fans,” said Jonathan Adashek, Senior Vice President of Marketing and Communications at IBM. “Leveraging watsonx and our Granite models also allows UFC to enhance its digital operations and to harness the power of its extensive library of match data – all to the benefit of current and future fans.”

“IBM watsonx is synonymous with AI, and they have been leading the charge in this space from the beginning,” said Alon Cohen, Senior Vice President, UFC Research and Development. “UFC has been working on the concept of the Insights Engine for several years,  and now we finally have the right partner in IBM with the depth of expertise in AI to bring it to life. We’re looking forward to rolling this out to our fans in the months ahead.”

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GloRilla Goes Viral on TikTok with Latest Hits “I LUV HER” and “WHATCHU KNO ABOUT ME”

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GloRilla WHATCHU KNO ABOUT ME ft. Sexyy Red (Official Music Video) 1 59 screenshot

Rapper GloRilla is lighting up TikTok once again with her newest singles, “I LUV HER” featuring T-Pain and “WHATCHU KNO ABOUT ME” featuring Sexyy Red, which have quickly gained traction on the platform.

Released on October 11, “I LUV HER” has already inspired nearly 76,000 videos from creators, rising to #18 on TikTok’s Viral 50 chart. A standout trend involves users employing the CapCut app to overlay lyrics onto their videos, showcasing TikTok’s creative possibilities. GloRilla’s own post promoting the song has accumulated over 1.3 million views and 67,000 likes, driving even more engagement.

Meanwhile, “WHATCHU KNO ABOUT ME” is also making waves, generating nearly 34,000 creator videos and reaching #6 on the Viral 50 chart. Fans have embraced the track with viral dances, and even pop icon Taylor Swift joined in, sharing a TikTok video featuring the song. Swift’s post skyrocketed, amassing over 28.6 million views and 5 million likes within four days.

GloRilla’s latest successes build on her previous viral achievements, cementing her influence in shaping TikTok trends and reinforcing the platform’s pivotal role in music discovery. With these chart-topping tracks, GloRilla continues to dominate TikTok, making her one of the most exciting artists in today’s digital music scene.

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TikTok Sued By Several States Over Adverse Effects to Mental Health of Children

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Whelp, the legal fight against TikTok rages. This time a bipartisan group of over a dozen state attorneys general, including those from New York, California, and the District of Columbia, have filed lawsuits against social media giant TikTok, citing harmful effects on teens and young users. The District of Columbia’s Attorney General Brian Schwalb, leading one of the lawsuits, accuses TikTok of misleading users by claiming its app is safe for children, despite its “addictive” features, and of operating an unlicensed virtual money transmission system. Schwalb stated, “TikTok is intentionally trying to addict young people to its platform” and referred to the app as “digital nicotine,” claiming it poses significant mental health risks, including depression, anxiety, sleep loss, and body dysmorphia.

Get this, Schwalb’s lawsuit also highlights TikTok’s virtual currency system, “TikTok Coins,” which allows users to buy virtual gifts during live streams, with streamers cashing out for real money. The lawsuit alleges that TikTok has profited substantially from this system, charging commissions as high as 50%. Schwalb contends that the platform’s lax age verification processes have allowed minors to access age-restricted features, leading to instances of exploitation.

Naturally, TikTok strongly denies these accusations, asserting in a statement, “We provide robust safeguards, proactively remove suspected underage users, and have voluntarily launched safety features such as default screen time limits, family pairing, and privacy by default for minors under 16.” The company expressed disappointment that state attorneys general chose litigation over collaboration to address industrywide concerns.

Here’s their statement on X (formerly Twitter):

This serious legal action against TikTok comes amid growing scrutiny of social media platforms for their impact on children. Similar lawsuits have been filed against other platforms, such as Snapchat and Facebook, which have faced accusations of enabling exploitation and fostering harmful content. In a broader context, TikTok is also fighting a new law that would ban the app unless its Chinese parent company, ByteDance, sells it to a non-Chinese buyer by January 19, 2024, a move TikTok argues violates the First Amendment rights of its users.

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