The quirky, Boise, Idaho-based Treefort Music Festival is returning this year, posting a revamped 2021 lineup including standout names like Japanese Breakfast, Armand Hammer, and more. The new dates for the festival are September 22-26 in downtown Boise.
Don’t know about y’all…but IT’S TIME TO PARTY. The Treefort 9 Lineup has been resurrected with some familiar faces and rad additions!! Dive in and get yr tix at https://t.co/gzFZoV0yFb C U September 22-26, 2021 | Downtown Boise, ID pic.twitter.com/yueuGxxt9l
Treefort’s site assures attendees that the promoters are “developing plans A, B, C, D, E and even F for a safe, community-run festival” come September, as well as a return of the usual spring edition in 2022. Fans who bought tickets for 2020’s postponed festival will automatically be grandfathered in for September’s fest, which was crowdfunded on WeFunder.com.
In addition, the site provides a timeline for early access sales for both upcoming weekends, while warning that single-day, single-venue, and single-show tickets are a no-go for the fall fest. The lineup, which was posted today, is again wildly diverse, featuring performers as disparate as Andy Shauf and Christian Scott aTunde Adjuah, Larkin Poe, New Orleans rapper Pell, and genre-bending veteran producer Prefuse 73. As usual, each artist’s profile on the Treefort site comes with a curated playlist of their essential tracks so fans can familiarize themselves with new names or get a taste of their faves’ potential setlists.
You can find out more at treefortmusicfest.com and check out Uproxx’s review of the 2019 festival here.
Few can forget where they were when Beyoncé’s Lemonade dropped on Saturday, April 23, 2016. The double feature — part pseudo-surprise album, part star-studded visual project — found the notoriously private superstar letting fans in on details of her marriage to husband Jay-Z. Throughout the 45-minute, 12-track LP, listeners and viewers were taken on a journey of grief, anger, acceptance and reconciliation across the musical lens of R&B, pop, trap, rock, and country. (During the visual project, these emotions are verbalized by prose from Somali poet Warsan Shire and spoken by Beyoncé.) Through both mediums, we gain insight into Queen Bey’s experience with infidelity, and the overarching experiences of Black women in America, which includes feelings of unworthiness, frustration, and shame. However, Lemonade ultimately highlights Black women’s astounding resilience against all odds.
Given the shocking death of iconic artist Prince just days before its release, many credit Beyoncé for carrying the torch of the multitudinous musical behemoths who came before her, while praising the album as a sonic triumph. While no one could have predicted the pain that came with losing yet another legendary act, the welcome celebration of life, love, and damn good music provided by Bey’s sixth project truly turned our lemons into lemonade.
In the five years since its release, Lemonade spawned countless dissections, podcasts, and even college courses regarding its legacy and alignment with the Black feminist movement. And those infidelity claims Beyoncé makes during Lemonade? Jay-Z confirms them in his Grammy-nominated project, 4:44, released a year later. In 2017, Lemonade was nominated for nine Grammy Awards, controversially winning only two. Nevertheless, its impact continues to reign, and the Grammys eventually caught up to her greatness; in 2021, Beyoncé became the singer with the most Grammy wins in history (regardless of gender).
In honor of the album’s fifth anniversary tomorrow, we’re dropping five facts about the album and visuals that you may not have known prior. Take a look below at some tidbits, and give Lemonade a stream or two in honor of its monumental birthday.
The Well-Used Samples
As mentioned above, Beyoncé showcases her ability to traverse genre throughout Lemonade, and various musical influences can also be found within its samples. The bouncy, emotional ‘Hold Up’ samples pop star Andy Williams’ “Can’t Get Used to Losing You” from 1962. The Jack White-assisted “Don’t Hurt Yourself” borrows from Led Zeppelin’s “When The Levee Breaks.” The shadowy, trap-tinged “6 Inch” is a nod to soul icon Isaac Hayes’ “Walk On By” and interpolates psych band Animal Collective’s “My Girls.” And most notably, Outkast’s “SpottieOttieDopaliscious” is used in “All Night.” This is the second time within Beyoncé’s discography that she’s used this particular sample — the first was 2014’s “Flawless Remix” featuring Nicki Minaj.
”Hold Up, they don’t love you like I love you,” Bey sings in the chorus of “Hold Up.” But did you know that this line in particular reworks a lyric from the Yeah Yeah Yeahs’ 2004 song “Maps”? (“Wait, they don’t love you like I love you,” Karen O says in the original song.) Even more interesting, the reworked Beyoncé lyric was originally a tweet written by Vampire Weekend’s Ezra Koenig in 2011.
Koenig, who wrote “Hold Up” along with Bey, Diplo, Emile Haynie, Father John Misty, MNEK, and MeLo-X, was paraphrasing the lyric from “Maps” when he wrote the tweet, which randomly popped into his head while recording. “I figured it was going to be a Vampire Weekend song but was easily convinced that it could be better/go to a new place as a Beyoncé song,” Koenig tweeted in 2016 after the release of Lemonade. “Songs become tweets, tweets become songs – it’s the way of the world.”
Getting In Formation In Coachella
Swae Lee of the rap duo Rae Sremmurd is credited as one of the co-writers on Lemonade’s first single “Formation,” which dropped out of thin air in February 2016. According to an interview with the song’s producer Mike Will Made It, Swae Lee came up with the chorus of “Formation” on the way to Coachella in 2014.
“So we’re in the middle of the desert,” Mike Will told The New Yorker in 2016. “And we’re just coming up — we just freestyle, you know? — and Swae Lee said, ‘O.K., ladies, now let’s get in formation.’ And we put it on the VoiceNote. Swae Lee’s got so many voice notes that he doesn’t even record, but I’m like, ‘Dog, we got to do that “get in formation” shit.’ That could be a hard song for the ladies. Some woman-empowerment shit.” The producer sent five or six songs to Beyoncé’s camp, including “Formation,” and during a party months later, she told him she liked that particular song.
“I told her what I was thinking about the woman empowerment, and she was like, ‘Yeah I kinda like that idea.’ And she just left it like that,” he continues. “[She] took this one little idea we came up with on the way to Coachella, put it in a pot, stirred it up, and came with this smash. She takes ideas and puts them with her own ideas, and makes this masterpiece. She’s all about collaborating. That’s what makes her Beyoncé. Being able to know what she wants.”
Generational Recipes
At the end of the Lemonade visual, Beyoncé appropriately shares a recipe for homemade lemonade.
“Take one pint of water, add half pound of sugar, the juice of eight lemons, the zest of half lemon. Pour the water from one jug, then to the other several times. Strain through a clean napkin.”
She adds prose regarding how her “alchemist” grandmother “spun gold out of this hard life” and “found healing where it did not live,” which of course just sounds like beautiful poetry. But this is the real recipe for homemade lemonade from her grandmother, Agnéz Deréon, that’s been shared through her family across generations. In 2020 during the height of the COVID-19 pandemic, the recipe began to go viral on social media. According to Spoon University’s taste test, “The zest gives the lemonade flavor a uniquely tart taste, which is somehow also very sweet at the same time from the half pound of sugar.”
Grammy History, Because…Of Course
After the release of Lemonade, Beyoncé garnered nine Grammy Award nominations in 2017, including Album, Song, and Record Of The Year. According to an interview with The Recording Academy’s Head of Awards Bill Freimuth, Bey made history with these nominations as the first artist to ever be nominated across four distinct genres in one year. “Hold Up” was up for Best Pop Solo Performance, “Don’t Hurt Yourself” was nominated for Best Rock Performance, “Freedom” was recognized in the Best Rap/Sung Performance category, and Lemonade itself won Best Urban Contemporary Album.
“You’ve had other artists in the past, say Michael Jackson maybe, who have been nominated in that many different fields, but not in the same year and on the same album,” Freimuth said. “This is a first timer for us and personally I think it’s appropriate and pretty cool.”
According to the Associated Press, Beyoncé submitted her country track “Daddy Lessons” for consideration in a country music category. However, the song was reportedly rejected by The Academy’s country music committee. In the same interview with Freimuth, he says he was unsure if “Daddy Lessons” was considered for a country music Grammy, “But if it had, evidently the committee said it didn’t belong there.” Nevertheless, country artists like Blake Shelton and Dierks Bentley praised the song against detractors, and an official remix of the song with The Chicks was performed at the 2016 CMAs.
If someone had asked me what NFT stood for last year, I’d probably list off thousands of answers before correctly naming them “non-fungible tokens.” NFTs have become the new buzzword in recent months, and with reports of some artists making millions off them, it seems like everyone is trying to break into the cryptocurrency art market.
NFTs were originally designed as a way to allow artists profit off of their shareable digital content. Once an NFT is purchased, artists can continue to make a percentage from any further sale. If you’re looking for a in-depth description on what exactly an NFT is, revisit Uproxx’s explainer here, but Jack Harlow actually gave a fairly succinct definition of NFTs in a recent SNL sketch. In a rap with Pete Davidson, Harlow detailed how NFTs are unique, built on blockchain technology, and can be sold once they’re “minted.”
Since March, NFTs have been all over the news, with everyone from sports teams to toilet paper brands joining the craze. But the music industry in particular has been seeing an explosion of NFTs, and major artists like Grimes and Steve Aoki have made a head-turning sum of money off of them. All this begs the question: How did NFTs go from an obscure acronym to one of the biggest trends in the music industry in just the matter of a few months? Let’s take a look.
Grimes has always been a pioneer in music and culture, which is why it makes sense that she was one of the first big-name musicians to sell artwork as an NFT. The singer had teamed up with her brother, Mac Boucher, to release her first collection of digital artwork as NFTs. Titled WarNymph Collection Vol 1, Grimes’ art sold out in just one day and ended up raking in $6 million.
March 3, 2021 — Disclosure
UK electronic duo Disclosure were also early to the NFT party. After seeing the success fellow EDM artist 3Lau had with NFTs, Disclosure decided to produce a brand-new song live on Twitch and mint it as an NFT. Ever since, the duo have continued to sell various NFTs, including a token for the original “Disclosure face” seen in their press photos and album art.
Despite the public scrutiny Tory Lanez has faced in the past year after allegedly shooting Megan Thee Stallion her in the foot, the rapper has continued to debut new music. Days ahead of the release of his recent album Playboy, Lanez paired two of the LP’s songs with digital art and minted them as NFTs. He also gave fans access to an unreleased song off his upcoming ’80’s-themed album, which has yet to be announced.
Kings Of Leon had a similar approach to Lanez when it comes to NFTs. The veteran group minted their entire LP When You See Yourself, which they referred to as NFT Yourself, as an NFT and sold it alongside a collection of other art. Those who purchased the NFT were able to snag a digital download of the album, as well as limited edition physical vinyl.
Steve Aoki‘s addition to the NFT industry was a 11-piece collection of vibrant digital artwork titled Dream Catcher, and he was extremely successful. A part of the collection ended up being purchased by T-Mobil CEO John Legere, who bought just one piece for a whopping $888,888.88. In total, Aoki was able to earn $4.25 million in the 24 hours that the auction took place.
March 12, 2021 — MF Doom
MF Doom was one of the early adopters of NFTs. In fact, he tragically passed last October just one day after his first NFT auction of augmented reality masks closed. With the help of his wife Jasmine and his estate, more of MF Doom’s augmented reality were once again sold as NFTs in March in partnership with the crypto marketplace Illust Space.
In a statement about the second auction, a representative from Illust Space said: “Due to blockchain’s immutable and decentralized ledger technology, all of MF DOOM’s AR NFT collection will be available for future generations of fans and collectors, creating a new model for royalties and posthumous creative control legacies.”
A few weeks after Grimes made a sizeable sum from selling her artwork as an NFT, Elon Musk decided to follow suit. When he’s not working on the future of space travel or tweeting out esoteric memes, the billionaire makes EDM music in his spare time. As the self-professed “technoking of Tesla,” Musk decided to make a song about NFTs, and sell it as an NFT.
March 17, 2021 — Halsey
“People Disappear Here” An Original NFT Collection available March 17th on @niftygateway. A portion of sales will be donated to @MFPLA, as well as @carbon_180, a NGO dedicated to the mission of creating a world that removes more carbon that it emits. pic.twitter.com/0lPlNc7513
While Halsey is known for her music, she’s also an incredibly talented interdisciplinary artist. That’s why she was relatively early to the NFT game. The singer auctioned off a handful of hand-painted characters she created in the collection People Disappear Here. “The characters are all inspired by figures that occurred in a series of sleep paralysis nightmares I had at home during the quarantine,” Halsey said in a statement. “After seven years of bed surfing hotel rooms around the world, adjusting to my own pitch black cave in California had a little bit of a learning curve. From toddler TV programming evil dentists, a child born with massive claws who scratched her way out of the womb, to a woman who stood at the foot of my bed and demanded I watch her masturbate. They were memorable to say the least.”
March 22, 2021 — Rico Nasty
It’s been nearly half a year since Rico Nasty released her anticipated debut studio album Nightmare Vacation, and she decided to commemorate the release with an NFT. The rapper teamed up with her “OHFR?” video creator Don Allen III to sell artwork from the video as an NFT. The highest bidder not only claims ownership of the NFT, but they also received the physical hammer Rico Nasty used the video, signed by the rapper herself. One of the reasons why she decided to join the NFT fad is that it “needs more women entering the space.”
March 23, 2021 — Diplo
When Diplo decided to break into the NFT industry, he did it a little differently. His series of NFT art, titled Cloud10, was made in collaboration with the artistic duo of Samuel Borkson and Arturo Sandoval III and features several cutesy animated characters. But rather than opening up the artwork to a bidding war, Diplo and his collaborators decided to offer their first NFT for only $1 in order for “for young collectors to grow their own wealth through the ownership of art.”
March 26, 2021 — Gorillaz
When Gorillaz announced they would be hopping onto the NFT game, it didn’t go quite as smoothly. While other musicians were welcomed into the world of NFTs, Gorillaz werechastised by their fanbase. The band announced that they would be celebrating the 20th anniversary of their debut album by teaming up with the toy company Superplastic for a series of toys, collectibles, and, of course, NFTs. Fans weren’t to happy with the news though, and were quick to point out the devastating environmental impact that the sale of a single NFT has. A petition was even created to get the Gorillaz to stop producing NFTs, and it already has over 3,000 signatures.
April 3, 2021 — The Weeknd
Excited to announce that my first NFT drop is taking place on Saturday at 2:00 pm EST on @niftygateway. The collection will feature new music and limited edition art. I developed the artwork with Strange Loop Studios pic.twitter.com/627BO4JekK
After The Weeknd was snubbed for a Grammy nomination in all categories this year despite the success of the album After Hours, the singer has begun to call for greater transparency in the music industry. He’s since decided to boycott the Grammys all together and made his displeasure about various aspects of the music industry abundantly clear. Seeing all the potential that NFTs have to offer, The Weeknd decided to hold a cryptocurrency auction where he would sell exclusive artwork, including an unreleased song, as an NFT.
About his decision to join the NFT market, The Weeknd laid out his vision for the future of the music industry: “Blockchain is democratizing an industry that has historically been kept shut by the gatekeepers. I’ve always been looking for ways to innovate for fans and shift this archaic music biz and seeing NFT’s allowing creators to be seen and heard more than ever before on their terms is profoundly exciting.”
M.I.A. is no stranger to taking her music to unconventional platforms. Last year, the musician launched a subscription-based Patreon page as a platform to share her new projects. Taking things one step further M.I.A announced a 24-hour NFT auction where she will be selling some of her original art for the first time in 25 years. “It’s only now that the appropriate gallery for my work finally exists,” she said in a statement.
Mick Jagger and Dave Grohl teamed up for the surprise collaboration “Eazy Sleazy” in April, which was meant to bring “some much-needed optimism” about coming out of COVID-19 lockdown. But a few days following the track’s release, Jagger announced that Berlin-based 3D artist Extraweg had turned the track into a digital animation, which he sold as an NFT during a 24-hour auction. All proceeds from the sale were divided up and donated between music-related charities.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Ever since Olivia Rodrigo ascended to the top of the pop world earlier this year thanks to “Drivers License,” she and Cardi B have done a bit of bonding. After Cardi made a joke about not having a driver’s license herself, Rodrigo offered to drive Cardi wherever she wants, which Cardi was all for. Now the two are forging their friendship further, as Cardi has responded to some high praise that Rodrigo recently heaped on her.
During a recent conversation with Apple Music’s Zane Lowe, Rodrigo spoke highly of Cardi, saying:
“I’m so in love with her, I want to marry her. […] I feel lucky to be a teenager at the time when Cardi is making music. As a songwriter, some of the stuff that she says is just so honest, almost like shockingly honest. When I listened to her song, I’m like, ‘Oh wow, she really just said that on a recorded album.’ […]
That’s definitely something that I grapple with in my songwriting. I’m making a lot of music right now to put it out, and I listen to it back and I’m terrified sometimes. I’m like, ‘Oh my God. I’m literally writing about stuff that I don’t tell some of my closest friends and I’m going to put out for the whole world to scrutinize and talk about.’ It’s a really horrible, terrifying thing. [Cardi] gives me courage to sort of say whatever I want to say and be honest in telling my story.”
Cardi caught wind of that quote today and seemed touched by Rodrigo’s praise. She responded with some advice for the up-and-comer, writing on Twitter, “This is so sweet .You doing sooo good for your age. Don’t let no toxic sh*t get to you and don’t let nobody restrict you from your voice.”
This is so sweet .You doing sooo good for your age. Don’t let no toxic shit get to you and don’t let nobody restrict you from your voice. https://t.co/YeGarHPtWq
Earth Day is right around the corner and as the climate change crisis persists, it’s more important than ever to raise awareness about environmentalism. That’s why iconic TV host Bill Nye The Science Guy has tapped several musicians including Justin Bieber and Jack Harlow to join him in an Earth Day-themed musical.
Earth Day! The Musical takes place on April 22 and follows Nye as he and a handful of celebrities and activists share information about how individuals can do their part to help curb the effects of climate change. Other celebrities slated to join Bieber, Harlow, and Nye include Maluma, Ben Platt, Charli and Dixie D’Amelio, Cody Simpson, Steve Aoki, Tori Kelly, Zac Efron, Desus Nice and The Kid Mero, and Nick Kroll.
The event will stream on Facebook and also showcase the important work of several entrepreneurs trying to make the world a better place. CEO Alexia Akbay will highlight their Hawaii-based company Symbrosia, which uses seaweed to reduce livestock methane, and 18-year-old Jerome Foster II will discuss how he became the youngest member of the Biden White House Environmental Justice Advisory Council.
Earth Day! The Musical premieres 4/22 at 12 p.m. ET. Watch it here.
Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
A few weeks ago, The Weeknd indicated that there is still more to come from the After Hours era, tweeting, “p.s. this chapter isn’t quite done yet … still tying some loose ends.” At the time, he didn’t make clear what exactly that meant. Now, though, it looks like we know one thing that may be coming soon: a new remix of “Save Your Tears” featuring Ariana Grande, which both artists teased on social media yesterday.
Both Grande and The Weeknd shared the same audio clip on social media and tagged each other in their posts, all but confirming the collaboration. The video runs for eight seconds, and during that time, isolated, reverb-heavy vocals from the pair, singing what seems to be a melody from “Save Your Tears,” can be heard.
The pair have of course collaborated multiple times, once on Grande’s “Love Me Harder” from her 2014 album My Everything and again on “Off The Table,” from Grande’s 2020 album Positions. Of course, it’s also widely believed that the two were once linked romantically.
Meanwhile, Grande has also recently spent some time revisiting one of her recent albums, as she shared a behind-the-scenes clip of herself recording some vocals on “Positions.”
It’s been a busy year for Taylor Swift. Last summer, the singer released her eighth album, Folklore, which became one of the best-selling releases of 2020 and eventually took home a 2021 Grammy for Album Of The Year. Her run continued with the December release of Evermore, which also topped the charts. And earlier this month, Swift dropped her third album in less than 12 months with the re-recorded version of Fearless, her 2008 sophomore album, which, like, the other two, has topped the Billboard charts.
Fearless (Taylor’s Version) debuted atop the Billboard 200 with 291,000 units sold in the chart dated April 24. This number is comprised of 179,000 pure album sales and 109,00 streaming equivalent album units. It makes her the first woman with three No. 1 albums in less than a year. Prior to this, the fastest a female recording artist was able to net three chart-topping projects was 14 months, when Donna Summer did it with Live And More (November 11, 1978), Bad Girls (June 16, 1979), and On The Radio: Greatest Hits Volumes I & II (January 5, 1980).
Elsewhere, the new No. 1 ties Swift with Madonna for the second-most No. 1 albums over her career: nine, leaving her just two behind Barbra Streisand, who holds the most among women with 11. Swift also earned the biggest week of 2021 in terms of units sold, as well as the biggest week for a country album since Luke Bryan’s 2015 album Kill The Lights.
Further down the chart, DMX’s The Best Of DMX jumped from No. 73 to No. 2, following the rapper’s tragic death. Ariana Grande’s Positions also re-entered the top-10, thanks to the release of its vinyl LP and cassette, which helped boost the album from No. 17 to No. 6.
Justin Bieber has been a superstar in the music world since he was 16. That means he missed out on a normal childhood. But in a recent profile with GQ, Bieber revealed that, early in his career, he did something in attempt to seem like a regular boy.
“I was working so much as this young kid that I got really sad, and I missed my friends and I missed normalcy,” he said. “And so me and my friend hid my passport. The record label is freaking out, saying, ‘You have to do The Today Show next week and you can’t find your passport.’ It takes a certain amount of days to get a new passport. But I was just going to do anything to be able to just be normal at that time.”
He eventually confessed to hiding the passport and later performed on the show, but the move left people worried about his well-being. Fortunately enough, the singer apparently convinced everyone that he was okay and returned to the grind of stardom.
The anecdote arrives after his sixth album, Justice, returned to No. 1 on the albums chart two weeks after it debuted there. This marks the first time in a decade that one of Bieber’s albums have spent multiple weeks at No. 1.
For years now, Vinyl Me, Please has been one of the premiere ways to get a regular flow of exclusive and lovingly presented vinyl rereleases of terrific albums. Now they are celebrating their 100th Essential Record Of The Month with “VMP 100,” a series of reissues of sought-after albums.
The albums that will be re-released as part of the series are Gorillaz’s Demon Days; Phoenix’s Wolfgang Amadeus Phoenix; Outkast’s Southernplayalisticadillacmuzik; Queens Of The Stone Age’s Songs For The Deaf; Queen’s A Night At The Opera; Outkast’s Stankonia; Spiritualized’s Ladies And Gentlemen, We Are Floating In Space; Saba’s Care For Me; Al Green’s Call Me; and Miles Davis & John Coltrane’s The Final Tour: Paris, March 21, 1960.
Vinyl Me, Please CEO Cameron Schaefer says, “Exploring music together is at the heart of VMP and is the driving force behind the last eight years of monthly releases. VMP Essentials is our flagship subscription, the OG, and is the most clear representation of the evolution and growth of our company and community. While it feels like we’ve reached the top of a mountain in a sense with VMP 100, the reality is there’s so much more to explore. It’s truly just the beginning.”
Wayne Coyne of The Flaming Lips, who have albums re-issued through VMP but are not included in the “VMP 100” rereleases, offered a statement, saying, “Being selected by VMP and having them present our music and packaging to their collected followers is like having one of the world’s great art museums show your stuff; or should I say, it’s like a great art museum that you’ve been to that you love and admire, and then one day you go to the museum and they have YOUR art hanging in it. It’s like being welcomed and accepted into a sacred church where records are God.”
Nearly four years removed from her latest studio album You Make It Feel Like Christmas, Gwen Stefani is ramping up for a comeback with Let Me Reintroduce Myself. After teasing one of its new songs, “Slow Clap,” on Instagram, she released the video today, complete with a guest appearance from pop-rap princess Saweetie.
The new song flows in the same vein as Stefani’s previous tracks with Eve: It’s got a dancehall/reggae vibe, upbeat lyrics, and a call-and-response chorus that encourages listeners to sing along. Even the video, which finds the two stars taking over a high school gym for some pep rally-style shenanigans, may remind fans of the video for “Hollaback Girl.”
Although Gwen hasn’t released much new music over the past few years, she’s been a hot commodity as a collaborator, working with her fiance Blake Shelton on “Nobody But You” and with dance-pop star Dua Lipa on the remix version of her album Club Future Nostalgia.
Meanwhile, Saweetie has been an in-demand guest star as well, popping up on Lil Tjay’s recently released albumDestined 2 Win, and preparing to feature on Demi Lovato’s next album. Her fans also believe a collab with Nicki Minaj is in the works.
Watch Gwen Stefani’s “Slow Clap” video featuring Saweetie above.
Saweetie is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
The Treefort 9 Lineup has been resurrected with some familiar faces and rad additions!! Dive in and get yr tix at https://t.co/gzFZoV0yFb
September 22-26, 2021 | Downtown Boise, ID pic.twitter.com/yueuGxxt9l
