As of 2024, the estimated net worth of Earl Sweatshirt, a prominent figure in the rap industry, stands at a remarkable $4 million. This estimation, provided by Celebrity Net Worth, reflects not only his success as a rapper but also his ventures in various other aspects of the entertainment industry.
Born Thebe Neruda Kgositsile in 1994, Earl Sweatshirt gained prominence as a member of the Los Angeles-based rap collective Odd Future. His raw talent and unique style quickly set him apart in hip-hop. His debut mixtape, Earl, released in 2010, received critical acclaim and established him as a force to be reckoned with in the rap world.
Diversification of Talent
BRISBANE, AUSTRALIA – FEBRUARY 01: Earl Sweatshirt at St Jerome’s Laneway Festival on February 1, 2020 in Brisbane, Australia. (Photo by Marc Grimwade/WireImage)
Earl’s journey in the music industry showcases his versatility. Beyond his solo career, he has collaborated with numerous artists, contributing to his steady income stream. His albums, such as Doris and I Don’t Like Shi*t, I Don’t Go Outside, have been commercial successes, further solidifying his place in the industry.
Apart from music, Earl Sweatshirt has diversified his portfolio through various business ventures. He has delved into merchandise, selling branded clothing and accessories, becoming a lucrative aspect of his brand. Additionally, his investments in other business sectors contribute significantly to his net worth.
Impact On The Music Industry
SAN FRANCISCO, CA – APRIL 07: Earl Sweatshirt performs in support of his “I Don’t Like Sh*t, I Don’t Go Outside: An Album By Earl Sweatshirt.” Release at The Warfield Theater on April 7, 2015 in San Francisco, California. (Photo by Tim Mosenfelder/Getty Images)
Earl’s influence extends beyond his financial success. His innovative style and profound lyrics have impacted the music industry, inspiring a new generation of artists. His contribution to the evolution of rap music is undeniable, and his influence resonates with both fans and fellow musicians.
Earl Sweatshirt is not just about accumulating wealth; he also engages in philanthropic activities. His involvement in various charitable causes demonstrates his commitment to community service. This aspect of his personality adds depth to his public image and endears him to fans worldwide.
NEW YORK, NY – APRIL 03: Earl Sweatshirt, Tyler the Creator, and Domo Genesis. Of Odd Future Wolf Gang Kill Them All. Departs “Late Show with David Letterman” at Ed Sullivan Theater on April 3, 2013 in New York City. (Photo by Taylor Hill/WireImage)
Looking ahead, Earl Sweatshirt shows no signs of slowing down. His net worth will likely grow in the coming years with new music, potential business ventures, and continuous influence in the rap industry. His ability to adapt and evolve ensures that he remains a relevant and powerful figure in the music world.
Overall, Earl Sweatshirt’s estimated net worth is a testament to his talent, hard work, and business acumen. His journey from a young rapper in Odd Future to a successful solo artist and entrepreneur is inspiring. Earl Sweatshirt’s legacy and financial success are set to reach even greater heights.
Odd Future, collectively, has been out of the rap game for over 11 years. Their last effort together came on March 16, 2012. That release featured the most successful tracks in their short discography. The OF Tape Vol. 2 boasted featured 18 songs that only this group was capable of producing. Odd Future’s influence reached new heights with songs like “White,” “Oldie,” and “Analog 2.” Before that, the only other album was 12 Odd Future Songs.
There has not been much coverage of Odd Future’s return, though. It seems like it would be a bigger deal with how many fans were on board with their trailblazing style. But, here at HNHH, we are bringing you an update on the Los Angeles, California rap outfit. It is a massive one, with them coming back with a new single, “NEW FUTURE ERA.” However, the vocals are not what you might expect, and the song is very short.
The only lyrics are, “Embarrassing! / Card was declined / By the way.” It does not appear to feature any vocals from the members either. It also feels more like a snippet with it being just 54 seconds. The beat has an unfinished quality as well, but that is something that they are known for. Going against the grain is in Odd Future’s DNA and we hope that more full-fleshed material comes out soon.
What are your initial thoughts on Odd Future’s first single in 11 years, “NEW FUTURE ERA?” Are you excited for the return of the group? How long do you think it will be before we get a project from them? We want to hear what you have to say about all of this. With that in mind, be sure to leave all of your thoughts and opinions in the comments section below. Additionally, always be sure to keep it locked in with HNHH for all of the hottest song releases, as well as the rest of the latest breaking news around the music world.
During a recent performance at the Novo in Los Angeles, Earl Sweatshirt surprised audience members with a very special guest. The Chicago-born rapper was joined onstage by fellow Odd Future artist Tyler, the Creator. The duo performed “Whoa” from Earl Sweatshirt’s 2013 album Doris, and fans went wild. The performance was in celebration of his solo debut’s 10-year-anniversary, with a few more anniversary shows still lined up for this month. As Tyler, the Creator makes his way onto the stage, attendees immediately erupt into a cheer. It’s no shock that the crowd was pleased to see the performer, as it’s not too often they get together these days. Partway through the song, Earl Sweatshirt approached him, and the two shared a hug.
Tyler wasn’t the only Odd Future associate to come out for the show. A photo began circulating this morning showcasing various members of the collective posing together. The photo features Syd, Taco, Mike G, Jasper Dolphin, and more. With that being said, several fans pointed out that Frank Ocean, Hodgy, and Left Brain weren’t in the photo. It left fans pining for an official reunion, however, in the past Tyler’s claimed it probably won’t happen.
In a 2020 interview, Tyler was asked about whether or not Odd Future would be putting out any new projects in the near future. “Nine times out of seven, no,” he replied. “I would be open to it, but I think everyone is kinda past that. I think some people base it on nostalgia rather than like, ‘Would it actually be good?’ Like, we don’t always need a Bad Boys 5. Even though I like the last one. N***a, it’s there, listen to it.”
Earlier this week, Tyler, the Creator also unveiled the lineup for his 2023 Camp Flog Gnaw carnival. Syd, Earl Sweatshirt, Mike G, Domo Genesis, and Left Brain are set to take the stage at the two-day event. Camp Flog Gnaw 2023 will take place on November 11 and 12 at Dodger Stadium, where fans can also catch performances from SZA, Ice Spice, Rex Orange County, Lil Yachty and, of course, Tyler himself.
Several Odd Future members got together recently, as seen in a new photo. Tyler, the Creator poses alongside Syd, Taco, Earl Sweatshirt, Mike G, Jasper Dolphin, and more. They were also joined by Vince Staples, all appearing to be in good spirits. It’s unclear why exactly the group linked up, but regardless, fans seem overjoyed to see them all together. With that being said, some users are disappointed that not all the members made it to the mini reunion, missing the presence of Frank Ocean, Hodgy, Left Brain, and more. The Odd Future artists are off pursuing their own separate careers at this point, so either way, it’s interesting to see them revisit their roots.
“It’s giving 2010 and we love to see it,” one Twitter users writes. “BROOOO THEYRE BACK,” another excited fan says. The photo has left commenters taking a trip down memory lane, and pining for a formal Odd Future reunion. Unfortunately, Tyler has said in the past that the members are past that point in their careers, making it unlikely that fans will get to see one, at least in the near future. He didn’t completely write the idea off however, claiming that he’d be open to it.
In a 2020 interview, the Odd Future founder spoke on whether or not the collective would ever get back together to put out another project. “Nine times out of seven, no,” Tyler said. “I would be open to it, but I think everyone is kinda past that. I think some people base it on nostalgia rather than like, ‘Would it actually be good?’ Like, we don’t always need a Bad Boys 5. Even though I like the last one. N***a, it’s there, listen to it.”
He continued, adding that he doesn’t feel like their styles would work together as well as they used to. “Honestly, the OF tapes weren’t that good,” Tyler explained. “It was just a fun time, but musically, it’s like, ‘Uh, coulda did better.’ But, for the time, it was tight. I think now…and I could probably figure it out. I don’t know if the styles will mesh much for a good cohesive thing. No niche like, ‘Oh, this is a good idea.’ Like an actually good thing. I don’t know if the styles would mesh much with everyone. But, who knows, this could change in six weeks.”
Odd Future and its eclectic members arrived at the perfect time. The iconic LA-based group’s rise coincided with a tidal wave of internet counterculture that begin to seep through the younger generations. The hip-hop collective formed in 2007 around its leader, Tyler, The Creator. Deciding to forego his jobs at Starbucks and FedEx, his rebellious attitude quickly propelled the collective to stardom. Sporting ski masks while strolling down the left side of sidewalks, the group’s image was primarily associated with a steadfast desire to go against the status quo.
Behind the chaos is a quiet architect who managed to keep it all together. That man was Christian Clancy, Odd Future’s manager. At the time, Clancy had recently departed Interscope Records, where he was working with rappers such as Eminem and The Game. Becoming tired of rinse and repeat nature of major labels, Clancy had planned “to hike the Himalayas, do yoga, chill the f**k out.” However, his inspiration was re-vitalized when he watched the music video of Tyler, the Creator’s “French.” Essentially, the video sees Tyler unleashing mayhem amidst a menacing verse. While the talent was utterly unhinged, Clancy was eventually able to hone in on the potential of Tyler and the collective as a whole.
Odd Future’s Impact Went Beyond Music
(Photo by Roger Kisby/Getty Images)
Music was solely one aspect of the entertainment value of Odd Future’s members. Their empire included Loiter Squad, an online radio station, and an iconic line of street fashion. The collective has grown immensely since their respective teenage days. Frank Ocean and Tyler, the Creator would blossom into worldwide superstars, each creating genre-defining records such as Blonde and Igor, respectively. Lyrical virtuoso Earl Sweatshirt forged strong ties with budding underground acts from New York, helping spearhead a new wave of East Coast hip-hop. The comedic minds of Yung Taco, Jasper, and Lionel Boyce have had successful careers on the film screen.
Still, the group’s founder, Tyler the Creator, questions the influence of Odd Future. In an interview with Apple Music’s Zane Lowe, he stated, “I still don’t even know the impact we had on a generation. I just lived in it. We were just doing our thing and being us. I don’t think I know how much deeper it goes aside from some people wearing certain shirts.” It’s a fair point to raise, as a glance back into their influence can sometimes feel more like a fever dream rather than a trend-setting revolution, especially when considering the “riots” they supposedly incited.
The Group Spearheaded a Digital Era Of Sound
(Photo by Roger Kisby/Getty Images)
The impact of Odd Future’s members went beyond influencing fashion or influencing chaos. The group’s refusal to fall within certain creative boundaries inspired a generation to be fearless, or express themselves in as authentic a manner as possible. The DIY nature of their work inspired a slew of artists that succeeded them. Lil Uzi Vert and Lil Yachty were no longer waiting to sign a deal as they were blowing up on Soundcloud. Clairo and Kali Uchis were recording their songs on cheap mics at home. Odd Future, in essence, made un-polished creative work cool again.
Their influence was heightened by their innate connection with the digital era of sound. This isn’t NWA selling tapes out of the trunk. Rather, this was a technologically sound group of teenagers who had an innate knowledge of how to get their message out to millions. The group was constantly uploading to Tumblr and YouTube, whether producing beats or skateboard videos around Los Angeles. In many ways, Odd Future’s marketing inspired many other creatives to outsource their product in a unique manner. Now, musicians weren’t just releasing a new single. They were armoring their enterprise with a clothing line or an impromptu chain of YouTube videos.
Odd Future Celebrated Self-Expression
Odd Future’s impact challenged surface-level societal interpretations of what Blackness should look like. Each member brought a distinct vibe to the table that managed to be both polarizing and unifying. By being unapologetically themselves, they inspired teenagers and young adults to step out of the societal box they were put in. The group was a prime example of how anyone can still win when they go against the grain.
Similar to many creative ventures, legacy is often the biggest tell of how influential a piece of art really was. In Odd Future’s case, their influence clearly goes beyond what Tyler, the Creator may believe. While the group’s individual members now distance themselves from their teenage personas, they’ve influenced a new generation of creatives who still bump tracks such as “Oldie” and “White” to this day. While the likes of Pharrell Williams and Kanye West inspired them, they laid the creative foundation for a more experimental era of hip hop expression.
Tyler, The Creator remains unapologetic as ever on his latest offering. The rapper announced Call Me If You Get Lost: The Estate Sale with the release of “Dogtooth.” Now, the Odd Future star is back with a second single from the project titled, “Sorry Not Sorry.” Once again, the California artist delivers a set of visuals that capture the song’s essence, as well as his evolution since Bastard. Tyler The Creator puts together this luscious combination of warm guitar progressions and soulful background vocals with an orchestral touch. The production serves as an excellent soundscape for his confessional of sorts. He addresses the changes in his personal and professional life.
Throughout the record, Tyler details how he’s come to terms with how relationships have shifted since his fame. While he continues to evolve, he also addresses fans who jumped off the bandwagon since his commercial success post-Wolf. “Sorry to the fans who say I changed,” Tyler The Creator gently raps before contorting his vocals with a menacing growl. He continues, “‘Cause I did/ You don’t know me on a personal level to pinpoint what it is.” His range is the cornerstone of the duality he explores as if his conscious and subconscious are tearing him apart.
Tyler, The Creator Releasing B-Sides On Friday
The rapper hasn’t shared the tracklist for Call Me If You Get Lost: The Estate Sale yet. However, we’re hoping that a few unreleased collaborations might appear in the album. Tyler The Creator joined forces with the likes of NBA Youngboy, Lil Uzi Vert 42 Dugg, and Teezo Touchdown. Additionally, Tyler linked up with Lil Wayne, Domo Genesis, Brent Faiyaz, Daisy World, and more.
Tyler The Creator previously explained that Call Me If You Get Lost became the first album he ever recorded that included an abundance of unreleased music. “CALL ME IF YOU GET LOST WAS THE FIRST ALBUM I MADE WITH ALOT OF SONGS THAT DIDNT MAKE THE FINAL CUT. SOME OF THOSE SONGS I REALLY LOVE, AND KNEW THEY WOULD NEVER SEE THE LIGHT OF DAY, SO IVE DECIDED TO PUT A FEW OF THEM OUT,” Tyler The Creator said on Twitter. Check out the video for “Sorry Not Sorry” above.
Quotable Lyrics Let me see you make a decision I made And claim that I don’t know about minimum wage or Section 8, water in the ketchup bottle to stretch when n***as ate Gettin’ pressed by n***as hoppin’ gates Thinkin’ it’s normal ’cause you ain’t supposed to make it past 18 or escape the Figure 8 cycle
As Top Dawg Entertainment’s leading lady, SZA has shown herself to be one of the label’s most promising acts. But this almost didn’t come to be. In a recent profile for New York Times, the “Nobody Gets Me” hitmaker revealed she initially wanted to join a different hip-hop collective.
In the weeks leading up to the release of SOS, SZA reflected on releasing her debut mixtape, See.SZA.Run. independently 10 years prior. The bulk of the mixtape was Brandun DeShay, a former member of Odd Future.
Odd Future was comprised of several acclaimed rappers and singers, including Syd, Frank Ocean, and Tyler The Creator. At the time, SZA found herself wanting to be part of the group too.
“Quiet as it’s kept, I wanted to be with like, Odd Future,” she said. “I felt more like a Clancy girl.” Christian Clancy and his wife, Kelly Clancy, are the founders of 4 Strikes Management, which has worked with Tyler, as well as Ocean.
Before she got signed, she recalled spending days with her Top Dawg associates in the home of Mac Miller.
She eventually signed with TDE in 2013, reasoning, “Punch believed in me.”
This week, SOS sits at the top of the Billboard 200 for the seventh week. It’s safe to say signing with TDE paid off.
There was a time when Tyler, The Creator and his Odd Future crew dominated music and television. The eclectic group of artists helped usher in a new era of Hip Hop—if not breed a dedicated fanbase committed to copying their styles. SZA was one of those supporters, and in a new interview with The New York Times, the S.O.S. hitmaker revisited those early days in her career. She was the first woman to ink a deal with Top Dawg Entertainment in 2013, but before that, she was an independent artist hoping to join Odd Future.
“Quiet as it’s kept, I wanted to be with, like, Odd Future,” said SZA. “I felt more like a [Odd Future manager Christian Clancy] girl.” Her connection to Odd Future wasn’t absent—SZA would release tracks over Odd Future beats. After making the big leap to move to California, she quickly began establishing a relationship with TDE. It was then that she also linked with Mac Miller, who happened to be a client of Clancy’s, as well.
LOS ANGELES, CALIFORNIA – FEBRUARY 05: SZA speaks onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. (Photo by Kevin Winter/Getty Images for The Recording Academy )
In the end, the songbird decided to move forward with TDE because, as she says, “Punch believed in me.” SZA was referring to Top Dawg’s illustrious president who she has had some tense moments with. It has become a lucrative partnership, albeit riddled with controversies. Her debut Ctrl was widely praised, but it would take years before S.O.S. followed. The world watched as SZA called out her label for delaying S.O.S.‘s release, but once it arrived, its success was record-breaking.
Elsewhere in the NYT piece, SZA commented on the expectations laid upon Black artists. According to the singer, Black musicians are respected more in the industry if they juggle multiple skills while also coming from a pristine background. She doesn’t believe this adequately describes most of the artists with popular influence.
SZA says revered artists are those “who play 50 instruments, went to all the right schools, did all the right programs and talked to all the right people. I don’t like that. Black excellence is NBA YoungBoy putting out projects and speaking his heart and screaming into a microphone.”
The first time I saw Syd Tha Kyd in the flesh, she had to wait patiently to jump into the crowd. It was 2011, the height of Odd Future’s pop culture influence (and infamy) and the kids of Dublin, Ireland had turned up to their show in force to chant “Kill people, burn sh*t, f*ck school” without consequence.
Perched behind the decks in her role as DJ, Syd watched on as members of the Los Angeles collective did about 12 stage dives each — only at the end of the show was she afforded the opportunity to make the awesome leap. Though the only girl in a group of unruly boys, Syd’s tight trim and muscle tops meant she blended into the crew with ease. More importantly, she bent the knee at the same N*E*R*D altar as group archdeacon Tyler The Creator, and her musicality and counsel was crucial to building the rap group into a pop culture phenom — a lot of their early stuff was, in fact, recorded at Syd’s parents’ house.
Yet Odd Future’s success didn’t make her happy. Out on the road, Syd struggled with depression and feelings of disconnect from her family and girlfriend. “I wasn’t in a good place then and so I don’t really reminisce on those moments,” she told NME earlier this year.
A decade later, Syd’s a solo star on a seemingly unbreakable upward flight path. Her most recent album, Broken Hearts Club, is one of the year’s finest and most striking pop records, an electrifying shock of retro-futurist soul and cyber-funk explorations. Nowadays, she doesn’t have to wait for anyone to take her turn.
Sydney Loren Bennett comes from musical stock. Her Jamaica-based uncle Mikey Bennett is one of the songwriters and producers behind Shabba Ranks’ still-great 1991 chart reggae classic “Mr. Loverman.” As a kid, she’d spend family vacations hanging out in the studio and observing her uncle at work. At 16, Syd’s parents let her turn their guesthouse into her own studio. The budding music-maker’s vocation became playing piano and creating beats.
Syd expressed herself by crafting instrumentals for Odd Future, but a more rounded portrayal of her proclivities was coaxed out by her band The Internet. Originally a component piece of Odd Future that Syd later took in her divorce from the group, The Internet flourished from her musical kinship with background OF member Matt Martians. The very Google-incompatible name of the project actually started out as a joke: In 2011, a journalist interviewing Odd Future asked one member, Left Brain, where he was from. “He was like: ‘I hate when people ask me that,’” Syd later remembered. “‘I’m going to start saying I’m from the internet.’”
No joke, The Internet — with Syd on vocals, backed by Martians and Odd Future touring members Patrick Paige, Christopher Smith, and Tay Walker — made serious cosmic funk odysseys and sci-fi soul tunes, with The Neptunes’ influence very palpable: “Dontcha” could be one of Chad and Pharrell’s early Justin Timberlake productions. The band’s first two albums were low-budget efforts laid down in Syd’s home studio, but after a few line-up changes that included the addition of guitarist Steve Lacy, third album Ego Death proved a breakthrough, earning a Grammy nomination and providing a hit in the slinky Kaytranada-produced single “Girl.”
Syd embarked on further explorations on her 2017 solo debut, Fin, crafting a set of foggy, state-of-the-art alt-R&B tunes — The Weeknd and Miguel-type stuff — with flair and focus. She twinned this contemporary sound with confident declarations of her impending supremacy: On the stuttering electro-slap of “Shake Em Off,” Syd accelerates away from “drowning in doubt and frustration” to announce herself a “young star in the making.”
Now, we have Broken Hearts Club, her most pop-minded album yet, the kind of record an artist seeking to reach the highest peaks of musical stardom would make. As with Fin, Syd produces or co-produces a number of tracks, with external beatmakers drafted in too. Besotted with 1980s pomp productions, throwback drum machines and mammoth synth loops complement the catchy choruses. Prince mimicry comes in the form of the obvious “Little Red Corvette” analog “Fast Car,” while “Control” shoots forward a decade to draw strength from Aaliyah’s music with Timbaland, though it is actually produced by none other than Rodney “Darkchild” Jerkins. In other words, Broken Hearts Club is the future as envisioned by pop stars of yesteryear; a retro-futuristic art installation that sounds fresh and vital.
Yet it is primarily about the most rudimentary pop subject matter: a breakup. The 13 songs veer from being written before and after the dissolution of a relationship, accidentally scripting the tragedy of lost love. So you get an opener like “CYBAH,” a collaboration with Lucky Daye, the title serving as an acronym for a serious question posed throughout the song: “Could you break a heart?” Syd, no longer a Kyd (she hit the big 3-0 in the middle of the year), quizzes a potential new love interest with the kind of bluntness only possible if you’ve old traumas of the heart to bear.
Syd is no tub-thumping vocalist, instead her cool, broken-hearted voice amalgamates with the icy-heat generated from the funky, futurist machine dreams. But that coo really slithers on turn-the-lights-off slow jams like “No Way.” “Don’t know what you’ll have arranged / We’ll be gone, missing for days,” she sings, evoking the sentiment of loverman Maxwell on his classic “Til the Cops Come Knockin’.” And there’s further retro goodness with the sweetly plucked strings of “Right Track” recalling a strand of ’00s chart R&B — think Kandi Burress’s “Don’t Think I’m Not.”
The album reaches its emotional apex on the home straight. “BMHWDY” (“Break my heart, why don’t ya?”) is a desperate yearning, while the pillow-soft “Goodbye My Love” sounds like acceptance. But if those two songs feel fueled by raw emotion, closer “Missing Out” is the full relationship post-mortem. “As far as I can see, you and me could never be,” sings Syd. “‘Cause we didn’t spend the proper time tryna work it out.” Her final realization on this emotional journey is that it’s her ex-girlfriend who’s lost out in this breakup.
Having bore witness to Syd from her artistic inception, it feels like she is reaching maximum speed in what is bound to be a long race. Take it from Beyoncé, who tapped Syd to produce funky ditty “Plastic Off The Sofa,” the most romantic joint on Bey’s new album Renaissance. When you realize that it’s not a dissimilar song to “Heartfelt Freestyle,” a minor number from Broken Hearts Club, it becomes evident that Beyoncé is just as besotted with Syd’s style as her most dedicated disciples. No wonder nobody can say anything to her anymore. When asked by NME if she still seeks the validation of others, Syd shook off the question. “I don’t think I care anymore,” she said. “I know I’m a genius.”
Broken Hearts Club is now via Syd Solo/Columbia. Get it here.
