French Montana’s ‘They Got Amnesia’ Tracklist Features Drake, Doja Cat, John Legend, And More

Maybe you saw the Squid Game meme floating around last week jokingly asking people to name five feature-less French Montana tracks. The Twitter trolls can cool their jets, because when French Montana releases They Got Amnesia, his fourth full-length album, on Friday, they’ll see that 10 of its 20 tracks have no featured guests. And while the Bronx rapper took it upon himself to respond, he doesn’t have anything to prove as a singular force.

That being said, the tracklist (below) for They Got Amnesia dropped today and the list of featured guests is eye-popping and shows how well-respected of a collaborator he is across the spectrum. In addition to the already released “Panicking” with Fivio Foreign, the album will feature appearances from Rick Ross, Doja Cat, Saweetie, John Legend, Pop Smoke, Drake, and a whole lot more.

They Got Amnesia is out 11/12 via Coke Boys, Bad Boy, Epic. Check out the full tracklist below and pre-order it here.

1. “ICU”
2. “How You King?”
3. “FWMGAB”
4. “I Don’t Really Care”
5. “Splash Brothers” (feat. Drake)
6. “Touch The Sky” (feat. John Legend & Rick Ross)
7. “Mopstick” (feat. Kodak Black)
8. “Stuck In The Jungle” (feat. Pop Smoke & Lil Durk)
9. “Panicking” (feat. Fivio Foreign)
10. “Handstand” (feat. Doja Cat & Saweetie)
11. “The Paper”
12. “Tonight Only”
13. “Didn’t Get Far” (feat. Fabolous)
14. “Business”
15. “Push Star” (feat. Coi Leray)
16. “Striptease” (feat. Ty Dolla $ign & Latto)
17. “Bag Season” (feat. Lil TJay)
18. “Prayer” (Skit)
19. “Appreciate Everything”
20. “Losing Weight”
Bonus: “FWMGAB Remix” (feat. Moneybagg Yo)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Lizzo Delivers An Emotional Speech At Missy Elliott’s Hollywood Walk Of Fame Ceremony

Earlier today, Missy Elliott received her well-deserved star on Hollywood’s Walk of Fame. The iconic rapper not only inspired other Black women to follow their dreams of music industry stardom, she also inspired decades of rappers to work with Timbaland and then to copy the fish lens effect of her “The Rain (Supa Dupa Fly)” video. Ok, I kid, but it is true. She’s a stylistic innovator and Monday morning’s ceremony featured Lizzo, Ciara and Mona Scott-Young all honoring Elliott.

But it was Lizzo’s speech that hit the strongest chord. The pop singer fought back tears as she professed her adulation for Elliott, telling her that “I saw a superstar in you, but I’d also seen myself. I’d never seen myself and you lived so boldly and so beautifully and so unapologetically and so out loud.”

Lizzo moved from emotional to elated, frequently yelling uncontrollably as she was overcome with emotions. “I only have one thing to say to Hollywood Blvd: You’re welcome!” she began. She stopped herself early on to let the Hollywood Blvd crowd know that she hadn’t prepared a speech since she thought she “was just coming to hang out.” Then she added “And now I’m about to cry!,” before delivering this impromptu, yet incredibly moving speech:

“You are the brightest star in the universe Missy. I’ve watched you my entire life. And I saw a superstar in you, but Ive also seen myself. I’d never seen myself and you lived so boldly and so beautifully and so unapologetically and so out loud. You have no idea what you have done for so many Black girls. We don’t deserve you. We don’t deserve Missy Elliott and still you continue to give to us, and given with your heart. Your genius. Let me just drop some words: Genius! Icon! Queen…queen of hip-hop! Visionary! I want to thank you so much for helping me in my career. I never in a million years thought I’d get to meet you and not only did I get to meet you, but we worked in the studio together! Thank you for making my dreams comes true. You have no idea what you mean to all of us Missy. We love you. We celebrate you. God Bless You. This is more than deserved. Let us continue to celebrate all of your accomplishments and your influence forever. We love you so much Missy. Congratulations.”

Watch Missy Elliott’s star on the Hollywood Walk Of Fame be unveiled below.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Polo G’s ‘Hall Of Fame 2.0’ Deluxe Edition Will Have 14 New Tracks

Released in June, Polo G’s Hall Of Fame marked the Chicago rapper’s first ever number 1 album on the Billboard 200 chart. Along with the titanic single “Rapstar,” the 20-track album featured collaborations with Nicki Minaj, Lil Durk, The Kid Laroi, Roddy Rich, and more. But he’s not resting his laurels on the success of that release and has just announced a new deluxe version entitled Hall of Fame 2.0 that features 14 new tracks.

Hall Of Fame…That was me beating my chest, really coming into my own as an artist and showing I’m gonna stay,” he starts in the new album trailer. “But before I just close out this chapter, I feel like we should turn up this one more time.” The trailer also offers a preview of the December 3rd deluxe release’s first single in the breakneck beat and tongue-twisting lyrical maelstrom of “Bad Man (Smooth Criminal).” A flip on the Michael Jackson’s classic “Smooth Criminal,” the track officially drops this Friday, November 12th.

Watch the Hall Of Fame 2.0 album trailer above. And check out Polo G’s remaining Hall Of Fame tour dates below.

11/19 — Kingston, RI @ Ryan Center
11/23 — San Francisco, CA @ Warfield
11/28 — Los Angeles, CA @ Novo
11/30 — Denver, CO @ Mission
12/02 — Minneapolis, MN @ The Armory
12/03 — Chicago, IL @ Aragon Ballroom
12/06 — Detroit, MI @ Fox Theatre
12/09 — Washington, DC @ Echostage
12/10 — Bangor, ME @ Cross Insurance Center
12/19 — Atlanta, GA @ The Roxy

Hall Of Fame 2.0 is out on 12/03 via Columbia.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Talecia Tucker Knows How To Stay Focused On The Big Picture

It can be daunting to change careers, especially during a pandemic, but Atlanta artist Talecia Tucker is finding her way through that transition just fine.

After high school, the Georgia native went from studying fashion to putting that knowledge to work while establishing Pretty Major, a unisex clothing brand. In 2018, however, a new passion flared, with Tucker taking an interest in photography and the idea that they could pursue that professionally.

Tucker went to grad school to sharpen their skills, but unfortunately, the pandemic got in the way, causing her to leave the program she had enrolled in. Tucker isn’t stuck at a crossroads, though; they’re combining their two primary talents, leaning on the belief that her background in fashion can give her an edge when it comes to photography.

“I like pops of color,” Tucker says, “so even when I’m photographing, I’m thinking about colors and the moods that are associated with color. It’s the same with my fashion.”

Regardless of the medium, for Tucker, it’s all about forging connections while making work that represents their community and intersections of their identity.

“I’m an artist first, and being an artist, I like to connect to other people through my art, whether that be through a lens, through fashion, or through zine-making,” Tucker says. “I think what gives me a unique perspective is wanting that connection and that being a through-line in all my work.”

As any artist will attest to, rejection is part of the process, but Tucker isn’t letting it slow them down.

“I face rejection when I’m seeking funding, whether it be through grants or trying to find investors for my company,” Tucker says. “I’ve also been able to retain my artistic voice through it all. It’s set me back in some ways, but in other ways, it has helped out.”

When facing setbacks, Tucker finds both support and inspiration from her mother.

“My mom is my biggest inspiration,” she admits. “She has gone through a lot more trauma, and she’s still able to be a positive person and to encourage me to go after my dreams. In those moments when I’m feeling down or encounter a setback, I think my mom is my biggest supporter and I don’t want to let her down in those moments.”

When it comes time to emerge from those moments, Tucker finds a way to focus. “I don’t want to discount the fact that it does knock me down,” Tucker says, “but I always think back to the big picture: That one setback, one ‘no,’ one rejection letter, is not going to stop my vision. Even if I get down, I have to pick myself back up and look at the big picture.”

Rosalía And The Weeknd Preview Their Collaboration ‘La Fama’ With A Trailer Featuring Danny Trejo

The Weeknd is in a collaborative mood right now. In October, he linked up with Swedish House Mafia for “Moth To A Flame” and just a few days ago, he and Post Malone dropped “One Right Now.” Now, he has yet another joint effort on the way, and this time, he teaming up with a familiar face in Rosalía, who he recruited for a remix of “Blinding Lights” in late 2020. This time, the two are meeting up on “La Fama,” a new song that’s set for release this Thursday, November 11.

A brief trailer for the song’s video was shared today, and in it, Rosalía sings and dances in a club while The Weeknd looks on and the pair eventually capture each other’s attention. Furthermore, Danny Trejo makes an appearance in the clip, playing the role of an MC of sorts and introducing Rosalía by exclaiming, “So get ready for some heat: La Fama!”

As for the song itself, it has a Latin-influenced beat and sees The Weeknd singing in Spanish, as he did on Maluma’s “Hawái” remix that was released almost exactly a year ago today.

Check out the trailer for The Weeknd and Rosalía’s upcoming “La Fama” video above.

Duckwrth Sprinkles Vibes All Over The Streets Paris In The ‘No Chill’ Video

It’s been a huge year for Duckwrth. The LA-based R&B punk did an NPR Tiny Desk Concert in April before his latest project, SG8, dropped in September. Then, just as he was wrapping up a sold out US tour, he was announced as the direct support act for Billie Eilish’s massive 2022 tour. Pat yourself on the back, sir.

Now Duckwrth has just dropped the visual for “No Chill” (off of SG8), filmed on the streets of Paris during Fashion Week. A designer himself, he dances through the Tuileries and sips espresso in the clip, while donning a pair of fringe pants that he personally designed for Levi’s. “In the haze of couture and Parisian energy, I felt like this would be the perfect landscape for an easy listening song with a simple message: celebrate life,” he said in a statement. “As it goes ‘My God, tell the models / Keep the bottles on ice’ !”

Watch the video for “No Chill” above. Check out Duckwrth’s upcoming European tour dates and support slots for Billie Eilish below.

01/20/2022 — Dublin, Ireland @ The Academy
01/21/2022 — Glasgow, UK @ SWG3 Warehouse
01/23/2022 — London, UK @ Scala
01/24/2022 — Brussels, Belgium @ Orangerie Botanique
01/25/2022 — Paris, France @ Petit Bain
01/26/2022 — Amsterdam, NL @ Paradiso Tolhuistuin
01/27/2022 — Berlin, Germany @ Gretchen
03/08/2022 — Birmingham, AL @ Legacy Arena*
03/09/2022 — Nashville, TN @ Bridgestone Arena*
03/11/2022 — Louisville, KY @ Yum! Center*
03/12/2022 — Detroit, MI @ Little Caesars Arena*
03/14/2022 — Chicago, IL @ United Center*
03/15/2022 — St. Paul, MN @ Xcel Center*
03/16/2022 — Omaha, NE @ CHI Health Center*
03/19/2022 — Denver, CO @ Ball Arena*
03/21/2022 — Salt Lake City, UT @ Vivint Arena*
03/24/2022 — Vancouver, BC @ Rogers Arena*
03/25/2022 — Seattle, WA @ Climate Pledge Arena*
03/26/2022 — Seattle, WA @ Climate Pledge Arena*
03/29/2022 — San Francisco, CA @ Chase Center*
03/30/2022 — Sacramento, CA @ Golden 1 Center*
04/01/2022 — Las Vegas, NV @ T-Mobile Arena*
04/02/2022 — Phoenix, AZ @ Gila River Arena*
04/03/2022 — Phoenix, AZ @ Gila River Arena*
04/06/2022 — Los Angeles, CA @ The Forum*

* supporting Billie Eilish

Ludacris Had To Perform A Clean Acapella Set At The Atlanta Braves Championship Celebration

Thanks to some technical difficulties during his set at the Atlanta Braves’ World Championship celebration, Ludacris was forced to perform not only clean versions (it was a family event, after all) but also do so without his instrumentals. Fortunately, the veteran rapper was more than up to the task.

After playing his hits “Welcome To Atlanta” and “Southern Hospitality” with no trouble, the beat for “Yeah” began skipping as a result of the fans’ exuberant bouncing, according to Luda’s DJ. So, he decided to perform “Yeah” and “Money Maker” totally acapella before being able to complete the set as normal, noting that a “true MC” should be able to perform under nearly any conditions and still keep the party going.

Once the sound was fixed, Luda ran through a dizzying display of fan favorites, including “Fantasy,” “Roll Out,” “Stand Up,” “How Low,” and “Move B***h,” closing out fittingly with “All I Do Is Win.” Luda’s set was preceded by another pair of hometown heroes, Big Boi and Killer Mike, who chose to perform their song “Kryptonite.” Big Boi also performed several Outkast favorites with Sleepy Brown, including “ATLiens,” “Bombs Over Baghdad,” and “Rosa Parks.” Veteran hip-hop journalist Julia Beverly was right in the front row for the whole show, posting some great videos on Instagram, which you can watch below.

Doja Cat Is Having More Fun With Fashion Than Anyone Else

Throughout their nearly four decades as an awards show, the MTV VMAs have historically been a way for musicians to experiment with their style. Lady Gaga’s 2010 raw meat dress became one of the most-recognizable pop culture moments, and who could forget Lil Kim’s purple pasties at the 1999 VMAs red carpet? As someone who thrives at the intersection of hip-hop and pop genres, Doja Cat has definitely taken a page out of Gaga and Kim’s playbooks when it comes to her own style. Whether she’s delightfully draped in chiffon or wearing an actual stool on her head as a hat, Doja toes the line between shocking and playful — proving she’s having more fun with fashion than anyone else in music.

When it comes to her style, part of Doja’s shock value success comes from her commitment to a concept. It’s been an important part of her artistry from her breakout moment and is abundantly clear from watching her music videos, performances, and eyeing her show-stopping red carpet looks. Throughout her career, Doja has leaned into cat-like looks to go along with her namesake, caught disco fever with the ‘70s-inspired outfits following the release of her No. 1 track “Say So,” and gone out of this world with a futurist approach to her ensembles surrounding the era of her latest album, Planet Her.

Doja’s videos make it clear she has stayed true to an aesthetic from the very beginning. She fully leaned into the title of her song “Moo!” in a video that became her first viral moment. The green screen-backed visual saw the singer dressed head-to-toe in a cow-print outfit and sipping on a strawberry milkshake while she shouts, “B*tch, I’m a cow.” Her outfits in the video to “Bottom B*tch,” a song which samples Blink-182’s “What’s My Age Again?,” brought pop-punk into a new decade by taking style elements from Spencer’s-obsessed teens like mesh tops and neon beanies while adding a modern twist with stringy corset tops and a patterned two-piece set. Fast-forward a few years and most of her videos to the tracks from Planet Her now revolve around an extraterrestrial theme. She and SZA were giant femme fetal space dwellers in “Kiss Me More,” while Doja transformed into a seductive, green, metropolis-living alien in her “Need To Know” video.

Doja’s conceptual style also plays a major role in her live performances. She played up the feline-lover origins of her moniker with her Vevo Lift performance of “Say So” in 2020, which added campy elements to distinctly classic styles. Her wig was bobbed and curled in the style of Marilyn Monroe, while its hot pink color and fuzzy cat ears made it her own. Her accompanying outfit was a Garo Sparo bodice with a sweetheart neckline cut to mimic the Playboy bunny cocktail waitress outfits-turned popular Halloween costumes. But instead of being made from satin, Doja’s outfit was cut from hot pink furry cloth, once again nodding to her cat-like look. “There’s something mysterious about the concept of a ‘crazy cat lady,’” she said in an interview alongside the performance. “I took that symbol and applied it to my character, Doja Cat.” When it came to her recent 2021 performance at the Balmain Fashion Show in Paris, her concept was a bit more open-ended. Rather than formatting her look after an animal, the singer said she wanted her look to give the energy of “sexy garlic.”

Doja has long positioned herself as a fashion boundary-pusher, so she is always right at home on the red carpet. In fact, some of the singer’s most experimental looks happened at award shows. When it comes to the VMAs, Doja hasn’t held anything back. When she took the virtual stage in 2020, the singer showed up in an ensemble that can only be described as a sexy fish, complete with lit-up genitalia. A year later while hosting the ceremony, the singer accepted a VMA award in a head-to-toe padded quilt dress designed by Thom Browne that Doja compared to a colorful worm. “I never thought I’d be dressed as a worm while accepting an award,” she said.

Her “sexy fish” VMAs outfit is, to no one’s surprise, not the only look Doja has worn that draws attention to her… nether regions. At the 2020 AVN Awards, aka the “Oscars of porn,” the singer showed up in a skin-tight mesh bodysuit that sparsely covered her crotch in rhinestones. The look expertly combined the disco-inspired era “Say So” with the theme of the night, an outfit her stylist would later call her “Cher moment.”

Whether she’s posing in a glittery merkin, accepting an award dressed as a neon worm, clomping around in massive chicken claw-like shoes, many of her wildest outfits have one thing in common: they were designed in collaboration with her stylist, Brett Alan Nelson. While Doja has always had her own style, there’s no denying that Nelson has helped take her fashion to the next, sometimes bizarre, level. As a central part of Doja’s team since 2019, Nelson is drawn to over-the-top, theatrical styles. “She and I get each other so well,” Nelson said about his work with Doja in an interview with Vogue. “We bicker like brother and sister, but I know her, sometimes better than she knows herself. She’s down to have fun, take risks, and she trusts me, which in my industry, that is the best thing a creative could ever ask for.”

Playboy Carti Is A Master Of Mind Control

On Saturday night at The Forum, Playboi Carti broke every rule of performing I’ve come to expect from a live rap concert. Carti’s set was more like a DJ set at a rave; instead of witnessing athletic feats of breath control or charismatic interplay between the artist and his fans, we essentially watched a silhouette dancing through the fog, occasionally punctuated by the flamethrowers at the front of the stage

Fans couldn’t even see him for most of the concert. The production must have melted a metric ton of dry ice for smoke effects. He could’ve had a body double for all anyone could tell (a possibility for which there is a non-zero chance, considering his comments about being inspired by MF DOOM, who was known to pull that trick a few times in his day). But If it sounds like I’m down on the performance, I promise it isn’t because I am. If anything, I was impressed. Here was an artist creating atmosphere, wresting full buy-in from his fans by sheer force of will, personality, or mind control.

I can attempt to posit reasons for what I saw as a disproportionate response to the apparent level of effort going into the performance. My first guess is that Carti’s fans, which from my observations mainly seemed to hail from zoomers and the younger end of the millennial spectrum, come from an era where like 75 percent of their lives are lived online. Again, this isn’t a diss; this is a generation that has barely known a world before Netflix, YouTube, UberEats, or the big 3 of social media (Instagram, Twitter, TikTok). Hell, most of them probably never had a Myspace page.

Maybe for them, the appeal isn’t in watching how artists transform their works on stage, it’s just in seeing them in real life. In concert, this person with whom they engage largely as an abstract concept via text, images, short video clips, and an inch square profile picture becomes… well, real. Three dimensional, dynamic, tactile. Perhaps rather than coming to be entertained, they’re coming simply to connect in a world that seems to be constantly so but is really more isolated and individualistic than ever before.

They aren’t just here to watch, they’re here to commune, to participate. And maybe Carti is, too. After all, artists are every bit as subject to the lonely experience of existing in a digital world as anyone — maybe even more so, because of the nature of life spent locked in studios or on the road.

And maybe, because artists like Carti and his peers largely owe their success to the internet rather than the hard-earned grind of growing a fanbase through grueling live performances at tiny venues and developing over time, they’ve never learned to appreciate the technicalities or nuances that prior generations did. I hate to say it, but maybe that’s okay. I once wrote that Carti doesn’t really deserve to be trapped into the box of expectations that the rapper label comes with. Perhaps that includes the ones that say rappers must perform all of their own vocals without support, that they must be experts at talking to the crowd, that everything has to be curated and polished to the point of making it all appear seamless and easy.

On the other hand, maybe Carti really just has mind control over these kids, like the vampires he often references in his public communique. Maybe he just really is tapped into a different wavelength that tickles the basic instinct to wild out and move around and the fact that I remember AOL chat rooms just makes me old as hell. But as he closed out his set to deafening chants of his name, I was struck by a sense that I had just glimpsed the future… If not of hip-hop as an institution then of some as-yet-unnamed wave of pop culture fueled less by virtuoso than vibes.

One thing that was heartening to see: kids having fun safely. In the wake of the Astroworld disaster in Houston the night before, I could sense the tension of concern that this Carti show could get out of hand in the same way. After all, just weeks before, Playboi Carti fans had torn up his venue in Houston when the concert was canceled at the last minute. Yet on Saturday at The Forum, the chaos was controlled and fans’ youthful exuberance was encouraged. It showed that you can still have this kind of show if you maintain a certain level of respect and consideration. By all means, wild out. Just know where the line is, and keep all your toes on one side.

The Narcissist Tour continues Tuesday, November 9 at Gallagher Square in San Diego, CA. You can see the remaining tour dates here.

Cordae Explains Why He Thinks ‘Squid Game’ Is ‘Oversaturated’ On ‘Desus & Mero’

Sunday night, Cordae dropped by Desus & Mero to talk about his new music and his recent physical transformation posts on social media, but because it’s Desus and Mero, the conversation was quickly sidetracked into NSFW discussions about adult film, McDonald’s Filet-O-Fish sandwiches, and of course, the inescapable juggernaut of popularity that is Netflix’s Korean drama Squid Game, which Cordae thinks is “oversaturated.”

“That’s like a head ass, now,” Cordae said of the show when asked whether he’d watched it recently. “N****s overdid Squid Game so much.” While he allowed that “a lot of n****s did some dope sh*t with it,” he adamantly rejected Desus’ suggestion that he make an album based on the show. He did, however, seem interested in a parody of the show mentioned by the host. “I gotta check that, just for curiosity,” he quipped.

On a more serious note, Cordae explained how he lost so much weight in the photos he recently posted. He admitted that “I was just eating terrible. This is my first time getting money like this and we eating steaks, going to Mastro’s every day, getting chefs to pull up.” He says that he was able to shed the extra pounds by “just staying disciplined.”

Watch Cordae’s wild Desus & Mero interview above.