The Best Movie Soundtracks Of All-Time, Ranked

A good movie soundtrack should not only make you think about the scenes in the movie when you hear the songs after the fact, but the movie soundtrack should also create an artistic canvas that can live on its own, independent of the film. These picks represent the best movie soundtracks of all-time, whether it’s focused primarily on a singular artist like Eminem, Whitney Houston, Kendrick Lamar and Prince, or whether it’s comprised of a collection of songs that captured a moment in time or a period in a genres history. Whether it’s the ’80s, gangsta rap, Britpop, disco, indie, the ’70s, or grunge, they’re featured here on our list of the best movie soundtracks of all-time.

20. 8 Mile (2002)

For all the shine that Eminem’s “Lose Yourself” got as the movie’s most iconic number (and one of the biggest rap singles of all time), the 8 Mile soundtrack was also a stellar showcase for Shady Records, the sound of Detroit rap as a whole, and the legends that helped shape Em’s world-sweeping sound. You can’t talk about the Shady Records’ beginnings without mentioning 50 Cent, and “Wanksta” was the second single off of the soundtrack that helped propel 50’s illustrious career. Gang Starr, Jay-Z, Xzibit (“Spitshine” is perennially slept on and vintage X), Rakim, and Detroit’s Obie Trice all feature prominently alongside Eminem and D12.

19. Scott Pilgrim vs The World (2010)

Scott Pilgrim’s indie band Sex Bob-Omb performed throughout the flick and these were much more than just scene-filling songs. Co-written by Beck, their tunes totally rock, and Michael Cera and company shred through the slacker swing of “Garbage Truck” and the technicolor rock-a-billy explosiveness of “We Are Sex Bomb-Omb.” Metric’s “Black Sheep” as performed by Brie Larson’s Envy Adams is a bonafide banger that now appears on 2021’s Expanded version of the soundtrack, “We Hate You Please Die” is another bop from one of the film’s fictional bands (Crash And The Boys) and there’s even a little Broken Social Scene on the album for good measure. As if you needed another stamp of approval, the whole soundtrack was executive produced by Nigel Godrich.

18. Trainspotting (1996)

The soundtrack to Danny Boyle’s ’90s cult-classic film cemented Britpop standards from Blur, Elastica, and Pulp, alongside UK club hits from Underworld and Iggy Pop’s timeless proto-punk. From the moment that Trainspotting begins with Ewan McGregor’s Renton running from the cops to the tune of Pop’s “Lust For Life,” the music is inextricably tied to every scene of the film. Heck, that song is forever synonymous with the flick. Underworld’s “Born Slippy” heightens the emotion’s in the movie’s closing moments as McGregor delivers his memorable soliloquy, illustrating how Boyle and company harnessed the power of these songs to make a great movie even better.

17. The Wedding Singer (1998)

It’s like The Wedding Singer took everything that was great about unforgettable ’80s movies soundtracks (Pretty In Pink, The Breakfast Club, etc..) and supercharged it. I suppose it’s easier for a movie that came out in 1998 to look back on an entire decade’s worth of music and totally nail where to drop it all into a movie about peak ’80s nostalgia. There are ’80s staples by New Order, The Smiths, and even “Pass The Dutchie” by Musical Youth. And in a highlight moment, Drew Barrymore and Christine Taylor sing Billy Idol’s “China Girl” in a scene, before Idol emerges as a major character in the movie’s big ending. Ultimately, The Wedding Singer is an ode to the decade’s fun musical history that takes full advantage of its hindsight.

16. Juno (2007)

Yes, another entry from a movie with Michael Cera (we clearly stan). Apparently, director Jason Reitman asked Elliott Page what they thought the movie’s title character listened to, and Kimya Dawson and her bands The Moldy Peaches and Antsy Pants came up. The very twee selections makes for perfect accompaniments to a quaint and sweet film about teenage pregnancy. Belle and Sebastian and Cat Power (“Sea Of Love”!) round out the classic indie collection, with Juno’s crowning moment of Page and twee king Cera singing The Moldy Peaches’ “Anyone Else” in the heartwarming finale.

15. Friday (1995)

If you’re gonna make a movie about a dog day afternoon in South Central LA, it better be set to gangsta rap and g-funk joints through and through. Surprisingly, there is only one Ice Cube cut, in the album-opening title-track slap. But it is surrounded by unshakeable tracks like Dr. Dre’s “Keep Their Heads Ringin’,” 2 Live Crew’s “Hoochie Mama,” and Mack 10’s stoner anthem “Take A Hit.” Speaking of weed, Rick James’ “Mary Jane” soundtracks the classic scene of Cube’s Craig and Chris Tucker’s Smokey getting high on the porch, setting the stage for more moments like this in the Friday franchise.

14. Good Will Hunting (1997)

It’s funny how Good Will Hunting seems to be remembered for lines like “How do you like dem apples?” delivered in a silly Boston accent, more so than for breaking out a then-emerging Portland singer-songwriter named Elliott Smith. Director Gus Van Sant, who also lived in Portland at the time, tabbed Smith’s music to be stitched throughout the film, and then Smith offered an original, “Miss Misery,” which went on to receive an Oscar nomination. There’s something so humble, sublime, and painful about Smith, a tortured soul who would commit suicide (allegedly) six years after the film’s release in 2003, soundtracking the story about another brilliant mind with a troubled past. Smith’s genius is immortal on this one.

13. Dazed & Confused (1993)

Dazed & Confused is beloved as one of the greatest coming of age movies set in the ’70s, paired with the best rock and roll from the era. Every song fits its purpose masterfully. Aerosmith’s “Sweet Emotion” is a vibey beginning credits choice, setting the mood for the laid-back Austin summer. Alice Cooper’s “School’s Out” plays on the last day of school, War’s “Why Can’t We Be Friends” soundtracks incoming freshman girls getting hazed by the seniors, and Lynyrd Skynyrd’s “Tuesday’s Gone” is the backdrop for an epic kegger coming to a close. Then, as Randall “Pink” Floyd, Wooderson, Slater, and Simone get on the highway to go buy Aerosmith tickets in Houston (“top priority of the summer!”), “Slow Ride” by Foghat takes viewers into the sun.

12. O Brother, Where Art Thou? (2000)

The 2002 Grammy Album Of The Year is about much more than just George Clooney’s Everett and the Soggy Bottom Boys singing “I Am A Man Of Constant Sorrow.” The T Bone Burnett-produced album is a portrait of Southern Americana styles that harken back to the film’s Depression-era setting and have held strong to the present day. It shined a light on amazing talents like Gillian Welch and Alison Krauss on “I’ll Fly Away” and “Go To Sleep You Little Baby” (the latter of which also features the great Emmylou Harris.) But the soundtrack also tipped a cap to early folk numbers like Harry McClintock’s Mississippi scene-setting “Big Rock Candy Mountains.”

11. Singles (1992)

Great grunge rock soundtrack, or greatest grunge soundtrack? We’ll take the Pepsi challenge on Singles being the end-all-be-all soundtrack for ’90s grunge, especially considering Cameron Crowe’s film centers on Seattle coffee shop culture and the city’s famed grunge scene. And it really checks all of the boxes in the process: Pearl Jam contribute two songs to the soundtrack, (“Breath” and “State Of Love And Trust”) and members of Pearl Jam even appear in the movie as Matt Dillon’s bandmates. Chris Cornell is included, Screaming Trees’ “Nearly Lost You” is featured, Paul Westerberg’s “Dyslexic Heart” is the film’s punchy theme song of sorts, and Alice In Chains’ “Would?” actually debuted as the soundtrack’s lone single before it appeared on their seminal album, Dirt.

10. Saturday Night Fever (1977)

Before O Brother, Where Art Thou and The Bodyguard took home Grammys for Album Of The Year, Saturday Night Fever was the first soundtrack that could lay stake to the claim. The Bee Gees-heavy tracklist includes a veritable checklist of disco-era anthems. “Stayin’ Alive,” “More Than A Woman,” and “Night Fever”? Check. Even the balladry of “How Deep Is Your Love?” is not only featured on the album, but was also written specifically for the movie.

9. Hackers (1995)

You haven’t lived until you’ve experienced Angelina Jolie, Jonny Lee Miller, Matthew Lillard, and friends hacking the planet while blasting The Prodigy’s “Voodoo People.” The hilariously bad, but quite frankly also awesome visual depictions of what the internet “looks like” felt like a trippy Winamp visualizer for ’90s electronic thumps like Orbital’s “Halcyon & On & On,” The Prodigy’s “One Love,” and Underworld’s “Cowgirl.” This was the early cyberspace culture phenomena at its finest and even features a David Gilmour easter egg track at the end that was only released 25 years later.

8. Save The Last Dance (2000)

The quintessential soundtrack for the marriage of hip-hop and R&B. Yes, Save The Last Dance often gets pigeonholed as a campy dance-centric romcom, but its accompanying music was undeniable. For starters, it has the version of “Only You” by 112 that features Mase and The Notorious B.I.G. Both K-Ci & Jojo’s “Crazy” and “You” by Lucy Pearl, Snoop Dogg, and Q-Tip were original singles to the film. Montell Jordan’s “Get It On Tonight” and Q-Tip’s classic “Breathe & Stop” add to this legit hip-hop dance club collection, while Fredro Starr and Jill Scott’s “Shining Through” shows that in the end, even the toughest rappers have a sensitive side.

7. Batman Forever (1995)

I could tell you that Seal’s “Kiss From A Rose” topped the US Billboard Hot 100 chart as part of the Batman Forever soundtrack and call it a day. But this incredible movie soundtrack album is about so much more than just your drunken friend’s favorite karaoke jam. U2’s “Hold Me, Thrill Me, Kiss Me, Kill Me,” is one of the group’s most underrated songs (that never appeared on a U2 album, just this soundtrack.) The album also features multiple other singles, like Method Man’s thematic “The Riddler” and The Offspring’s raucous cover of The Damned’s “Smash It Up.” But it’s the superfan cuts like The Flaming Lips’ “Bad Days,” playing in the film as Jim Carrey’s downtrodden Edward Nygma becomes The Riddler, and Nick Cave’s sinister “There Is A Light,” that round this out as one of the best, and most diverse, soundtracks of all time.

6. Pulp Fiction (1994)

Like with Dazed & Confused, the Pulp Fiction soundtrack is one that found the perfect song for every scene, but Quentin Tarantino’s approach was far less literal. Dusty Springfield’s “Son Of A Preacher Man” plays as John Travolta’s Vincent Vega awaits his boss’s wife, Mia Wallace played by Uma Thurman, before a very awkward non-date. Then, as Mia overdoses at the end of the night, it’s to Urge Overkill’s Neil Diamond cover, “Girl You’ll Be A Woman Soon.” The Pulp Fiction soundtrack also found a uniquely artistic way to re-introduce surf rock into mainstream consciousness, with Dick Dale & His Del-Tones’ “Misirlou” as the movie’s ubiquitous opening song, and then somehow making shooting up heroin look more glamorous than disgusting, through The Centurians’ “Bullwinkle, Pt II..”

5. Forrest Gump (1994)

How do you tell the story of the major events in modern American history through the eyes of a peculiar protagonist without including the music that was literally playing when it all happened? Creedence Clearwater Revival’s “Fortunate Son” plays as Forrest gets to the Vietnam War and meets Lieutenant Dan, Jenny sings “Blowin’ In The Wind” on stage at a seedy bar, and a young Forrest is forever changed when he sees Elvis performing “Hound Dog” on a TV behind a department store window. There are so many hits from the late ’50s to the late ’70s on the double-disc soundtrack, that it’s scary to think of how many checks must have been written to license all the music. It was worth it.

4. Garden State (2004)

The Garden State soundtrack marked the beginning of indie music’s ascent into the new millennium and indie fans still hold the collection dear as if it was made by a cult-ish band. The Shins had not one, but two songs featured on the album that led to a considerable spike in their notoriety. I mean, you try to resist the thought of Natalie Portman putting headphones over your ears saying, “You gotta hear this one song, it’ll change your life I swear.” Elsewhere, Coldplay’s “Don’t Panic” reminds listeners of a time before Coldplay went pop, Thievery Corporation’s “Lebanese Blonde” blew up from its inclusion, and many were introduced to Zero 7’s stunning “In The Waiting Line” that players while Zach Braff trips on ecstasy. But it wasn’t just new music that made the Garden State soundtrack stand out, as it also revived Nick Drake’s “One Of These Things First” and found the stars shouting into a rainy endless abyss as Simon & Garfunkel’s “The Only Living Boy In New York” plays?

3. Black Panther (2018)

It can’t be understated how monumental of a release Black Panther: The Album was. With Kendrick Lamar coordinating the project as the executive producer, he rounded up what felt like every of-the-moment name in hip-hop to create all original music for the first Marvel movie centered around a Black superhero. And these weren’t just great songs, these were straight-up world-beaters. On the strength of hits like Kendrick and SZA’s “All The Stars,” The Weeknd and Kendrick’s “Pray For Me,” and Jay Rock, Kendrick, Future, and James Blake’s “King’s Dead,” the album immediately topped the Billboard 200 chart upon its release. And when Kendrick was peaking on the heels of DAMN., Black Panther was just icing on the creative crest of his career.

2. Purple Rain (1984)

It’s wild to think that Prince’s sixth album, among the best in his deep catalog (if not the best) was the soundtrack to the titular film that he starred in as well. Say what you will about the movie’s merits, Purple Rain the soundtrack ushered Prince into a new era of super stardom, where he revolutionized the intersection between pop and rock with his unabashed flamboyance and unapologetic style. “Let’s Go Crazy,” “Purple Rain,” “I Would Die 4 U,” and “When Doves Cry” were all written for the film and are all vying for spots on any Top 10 Prince songs list worth a damn. The way the crowd in the movie is jaw-droppingly stunned at the performance of the title track is pretty much how every new and existing Prince fan felt when this album came out. A masterpiece in every way.

1. The Bodyguard (1992)

Much like Purple Rain is far more memorable for the soundtrack than the film, The Bodyguard achieves the same effect in spades. Where Prince pushed the envelope of his sound, Whitney Houston is absolutely breathtaking across The Bodyguard soundtrack. You’re gripped the moment she begins to sing “I Will Always Love You” a capella. “I Have Nothing” is the definition of a tour de force, ditto to the elegant “Run To You.” Whitney shows her range on the anthemic “I’m Every Woman” and the early-’90s dance class revue on “Queen Of The Night.” Kenny G and Aaron Neville deliver a glorious adult contemporary jam with “Even If My Heart Would Break” and there are forgettable songs by Joe Cocker and Lisa Stansfield that are a brilliant contrast to how impeccable Whitney is on the album’s first half. This was the most incredible she had sounded since her 1987 debut and when we look back on the legacy of Whitney Houston, it’s The Bodyguard soundtrack that we’ll turn to forever as her finest work.

Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Vince Staples Lands Acting Roles In Reboots Of Both ‘White Men Can’t Jump’ And ‘The Wood’

Beyond music, Vince Staples has a nicely fleshed-out IMDb page and lately has been especially stacked with news on that front: In separate reports shared within 24 hours of each other, it was revealed that Staples has joined the cast of a couple notable projects.

Deadline reports today that Staples has been brought into the fold of the new White Men Can’t Jump movie, joining a cast that includes Jack Harlow, Sinqua Walls, Lance Reddick, Teyana Taylor, and others. It hasn’t yet been revealed what sort of role Staples will be playing in the film.

On top of that, Variety reported yesterday that the rapper has been tapped by Showtime to join the main cast of comedy pilot The Wood, based on the 1999 movie (starring Omar Epps, Richard T. Jones, and Taye Diggs) of the same name.

Variety notes Staples will “star as Jamal, an aspiring photographer from Ladera Heights, who has been cut off by his upper-class family when he decided to follow his own path instead of going to historic Morehouse College.” The publication also notes, “The show is described as an honest look at friendship and dating from the perspective of three young Black males born and raised in the gentrifying LA suburb of Inglewood. The trio’s struggles to balance fatherhood, ambition and loyalty force them to question if they are growing apart, or closer together.”

Staples will star alongside Xavier Mills, Karen Obilom, Melvin Gregg, and Essence Renae, as well as Richard T. Jones and Tamala Jones, reprising their respective roles of Slim and Tanya from the original movie.

This latest credits follows Staples’ lead role in the 2019-2021 Adult Swim cartoon Lazor Wulf, as well as appearances on Insecure, American Dad, and more.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Wow, Check Out The Pretty Good Madonna Voice Evan Rachel Wood Is Doing In The New Weird Al Movie

Evan Rachel Wood might be in the midst of promoting the new season of Westworld, but that doesn’t mean she can’t show off her pretty impressive vocal skills. While stopping by The Tonight Show on Thursday, Wood not only opened up about her upcoming role as Madonna in Roku’s Weird Al Yankovic biopic, but she gave the audience a taste of how well she can channel the iconic girl by belting out a performance of “Material Girl” at Fallon’s request.

According to Wood, she’s become prone to using her Madonna voice to “disarm” interviewers. As for taking on the iconic role, she felt much better playing the singer in the Weird Al movie than the full-fledged Madonna biopic that stars Julia Garner in the coveted role, which she deemed “too much pressure.” Regarding her casting, Wood added, “Honestly, like I thought I was gonna take a break the rest of the year, and then I got an email and the first thing I read is ‘You’ve been offered the role of Madonna,’ and I just burst out laughing like…. you just spit your drink out when you read that. Like, you’re not expecting that as a Tuesday.”

As for when you can see Wood play Madonna in Weird: The Al Yankovic Story, Roku has yet to provide a release date for the biopic that stars a surprisingly ripped Daniel Radcliffe in the title role. However, the film is scheduled to premiere some time this year, which is already halfway over, so the wait shouldn’t be too long.

(Via The AV Club)

Shawn Mendes, Javier Bardem, And Scoot McNairy All Star In The Singing Crocodile Movie That You Did Not See Coming

Have you ever watched the critically-acclaimed, award-winning classic Paddington and thought “maybe this could work if it was set in NYC, and he was a crocodile who can sing in the same style as Canadian pop singer Shawn Mendes?” Maybe not, but Sony Pictures took that thought and ran with it! Of course, it’s actually based on a children’s book, but the story is the same. Lyle, Lyle, Crocodile is an upcoming movie that will likely change the face of cinema for years to come, just like Cats and Minions.

The movie stars Shawn Mendes as the voice of the croc who befriends a child who just wants to show the world how great a singing crocodile can be, naturally. Mendes even told People that he “relates” to the story, which is really telling. And he wears a cute scarf!

It gets better: the movie stars Constance Wu, Javier Bardem, and Scoot McNairy, all of whom look like they are taking the role very seriously. McNairy is known for his serious, dark roles, in movies like Argo and 12 Years A Slave. Bardem is also one to take on more gritty roles, like No Country For Old Men and Mother! It is nice to see them having fun with a crocodile that sings. Here is the official synopsis:

When the Primm family (Constance Wu, Scoot McNairy, Winslow Fegley) moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle – a singing crocodile (Shawn Mendes) who loves baths, caviar and great music-living in the attic of his new home. The two become fast friends, but when Lyle’s existence is threatened by evil neighbor Mr. Grumps (Brett Gelman), the Primm’s must band together with Lyle’s charismatic owner, Hector P. Valenti (Javier Bardem), to show the world that family can come from the most unexpected places and there’s nothing wrong with a big singing crocodile with an even bigger personality.

Even though the premise is silly, that’s probably what people said about Paddington back in the day. And look at where he is now! The movie will be released in theaters (yes–it’s getting a wide release, not straight to streaming) on October 7th.

Maya Hawke Hilariously Revisits A Classic Rihanna And Ethan Hawke Moment For Father’s Day

Father’s Day was yesterday, meaning social media was flooded with tributes to dads everywhere. One of the funniest of them came from Stranger Things star and musician Maya Hawke, whose father is of course Ethan Hawke.

An Instagram post shared yesterday reads, “Happy Father’s Day specifically to Ethan Hawke making his son switch seats with him so he could get at Rihanna.” Indeed, the post shows two photos of Rihanna and Ethan sitting courtside at the 2015 NBA All-Star Game, one with his son Levon seated between them and another with Ethan next to Rihanna. Maya shared that post on her Instagram story and let the image do the talking, adding simply, “Happy Father’s Day dad”

Maya Hawke Instagram Ethan Rihanna
@maya_hawke/Instagram

Ethan actually addressed this moment previously: In 2019, he re-shared a similar tweet featuring the same two photos and wrote, “Yes, my son and I remember this GREAT night. His version is a little different than mine.”

As for the topic of the depicted conversation, it’s possible Rihanna and Hawke were chatting about Valerian And The City Of A Thousand Planets, the 2017 movie in which they both starred; The photos were taken on February 15, 2015 and the two joined the cast of the film later that year, Rihanna in October and Hawke in December.

Woody Harrelson Weighs In On Jack Harlow’s ‘White Men Can’t Jump’ Remake: ‘I’m Feeling Great About It’

When the news broke that Jack Harlow would be starring in a remake of the classic 1992 basketball comedy White Men Can’t Jump, many of the original movie’s fans were distraught. After all, remakes of classics are rarely as good as the originals (or so goes the conventional wisdom about such things), and Jack Harlow is far better known for rapping about Tyler Herro than imitating him on the court. As I noted way back in my interview with Jack for the Bleacher Report two-on-two for NBA All-Star, though, he’s a committed, regular hooper, so I always liked the casting.

It turns out one of the original film’s co-stars agrees with me, so I feel even better about this assessment now. During an interview with Yahoo Entertainment about his upcoming film The Man From Toronto, the hosts asked Woody Harrelson how he felt about Jack Harlow potentially recreating his role as hot-headed trash talker Billy Hoyle in the remake. Woody’s answer is unequivocally enthusiastic as he gushes, “I’m feeling great… I think Jack’s gonna crush it. They’re gonna make a better movie than we made. I’m looking forward to watching it.”

Those still skeptical about the “First Class” rapper’s basketball chops needn’t worry. Earlier this year, Jack showed out in the NBA All-Star Celebrity Game, knocking in a couple of long-range jumpers — harder for the average person than NBA fans might realize, considering the length of the NBA three-point line — and played some respectable defense. He also appears in an ad for Kawhi Leonard’s New Balance sneakers alongside the Clippers star, which means he probably got at least a few pointers. And while the whole “acting” component of starring in a movie remains a question mark, the film’s producers were obviously confident enough in his audition to give him a shot. With Woody’s co-sign, the torch has officially been passed. Now, let’s see what Mr. Harlow does with it.

Amber Heard Expressed Fears That Johnny Depp Will Sue Her For Defamation Again

As Amber Heard speaks out for the first time following the crushing verdict in Johnny Depp’s lawsuit against her, the actress revealed that she lives in fear of facing even more litigation from her ex-husband. While speaking to NBC News’ Savannah Guthrie in Part Two of their lengthy interview, Heard opened up about how she’s afraid that anything she says now can be used as fodder for Depp to take her back to court where she could, once again, be subject to a potential jury full of Jack Sparrow fans.

Via NBC News:

Asked if she felt “nervous” about what she can say following the trial’s outcome, she said: “Of course. I took for granted what I assumed was my right to speak.”

“I’m scared that no matter what I do, no matter what I say, or how I say it — every step that I take will present another opportunity for this sort of — silencing, which is what, I guess, a defamation lawsuit is meant to do,” she said, after being asked whether she feared she could be sued by Depp again.

“It’s meant to — meant to take your voice,” she said.

As Heard further explained to Guthrie, the verdict caught the actress and several legal experts off guard because her op-ed in the Washington Post was vetted by a “team of lawyers” specifically to avoid defaming her ex-husband. Heard also said that she had no intentions of “canceling” Depp, and she was simply supporting the growing #MeToo moment.

“The op-ed wasn’t about my relationship with Johnny,” Heard said. “What the op-ed was about was … me loaning my voice to a bigger cultural conversation that we were having at the time.”

Earlier this month, Heard’s legal team told Guthrie that the actress “absolutely” wants to appeal the verdict.

(Via NBC News)

A ‘Jeopardy!’ Contestant Was Asked To Identify A Picture Of Michael Caine, And His Response Was Truly Bonkers

Game contestants have made waves of late for screwing up in truly creative ways, but they’ve been usually consigned to Wheel of Fortune. Jeopardy!, meanwhile, is the show for brainiacs, only marred by the producers’ truly chaotic attempts to replace the dearly departed Alex Trebek. That changed on Monday night’s show, which featured a doozy for the ages.

The clue was almost insultingly basic, despite being in the $400 slot. The category was about knights. It was a picture clue about a “star who was knighted in his birthname” to honor his father, who had the same name, meaning he’s actually Sir Maurice Micklewhite. The image [spoiler] clearly showed Michael Caine, one of the most beloved screen actors in history.

Alas, the first contestant to ding in, named Mazin, did not know that. Instead, he replied, “Who is Mick Jagger?” He was wrong. It was not the co-writer of the absurdly problematic “Brown Sugar.” It was the Jaws: The Revenge alum who once spent eight years trying not to blink.

As one can imagine, poor Mazin — who came in second, losing to six-time champ Ryan Long, came in for a fair amount of online dragging, which we don’t need to share here. In general, Jeopardy! contestants aren’t so hot with pop culture references, possibly because they know actual smart stuff few others do. For instance, in May, during Mattea Roach’s reign, no one, not even she, could identify a picture of Miami Vice stars Don Johnson and Philip Michael Thomas.

As it happens, Monday’s episode of Jeopardy! aired on the same day it was announced Jagger himself had to postpone Rolling Stones shows because he’d tested positive for COVID-19. Here’s hoping for the best for the third greatest lead singer in music.