On Wednesday evening, March 20, Post posted an Instagram Reel teasing a snippet of an unreleased single featuring Wallen. “Let’s go with the real mix this time @morganwallen [cry-laughing emoji],” Malone captioned the video, which shows him drinking a Bud Light and giddily singing along. Wallen commented, “I had some help getting to the point of posting it at 4 am [three cry-laughing emojis] this song is one of my favs in a long time. Proud to be on it w u bub!!”
This is just the latest in a string of posts hinting at an imminent Post Malone country album. Earlier this week, he posted photos of a session with Luke Combs, roughly one month after sharing an unreleased snippet of his song featuring Combs. Last week, Malone shared another snippet of a country-adjacent ballad alongside the caption, “missin you like this [blue heart emoji],” which people presumed is the title of the song.
During a Twitch livestream last November, Malone assured,” Country record is coming. I keep singing a song that we made while I was in Nashville, and it’s so f*cking sick, but it’s not out,” as relayed by American Songwriterat the time.
In the meantime, Posty fans can look forward to hearing him as the featured artist on “Fortnight,” the opening track on Taylor Swift’s The Tortured Poets Department, which is due out April 19.
Today (December 20), Drake treated fans to a music video for “You Broke My Heart,” a highlight from the recently released Scary Hours Edition of his For All The Dogs album. And there are some serious surprises.
Is Morgan Wallen Featured On Drake’s “You Broke My Heart?”
While Morgan Wallen is not featured on the song itself, viewers who started the music video will find the country singer having dinner with Drake. The two discuss the ways they were hurt by their exes but have no idea what else is in store.
Drake and Wallen go to head home from the restaurant, only to be blown up as the car explodes. The two women that play their exes then carry the rest of the video doing a lip-sync to the track.
Before Wallen’s appearance in the video, it didn’t seem he had much of a relationship with Drake. He previously took over Drake’s record of the most simultaneous entries on the Billboard Hot 100. And there was a Delaware DJ who made a viral mashup of Wallen’s “Thinking About Me” with Lil Wayne’s “Right Above It” (which features Drake). But that was the closest the two came in the news to interacting… Until now.
Check out the video for Drake’s “You Broke My Heart” above.
Drake has kept the surprises coming all year long. Back in October, he released his eighth studio album For All The Dogs in the middle of the buzzy It’s All A Blur Tour. A month later, he dropped the extended version of For All The Dogs, called the Scary Hours Edition, which featured the instant fan-favorite “You Broke My Heart.” Today (December 20), Drizzy has shared the video for “You Broke My Heart,” and boy, is it… interesting?
The video begins with Drake having dinner with, for some reason, Morgan Wallen, as the two rant about their exes. After their meal, the two enter a car, which explodes shortly after.
The two women responsible for the musicians’ fiery incident — seemingly their exes, played by Grace Matthews and Taylor Morris — then appear on screen walking through the scene amid the wreckage, rapping and lip-syncing to the song’s lyrics for the rest of the clip. It’s not clear what pushed the ladies to blow up the car, but we can assume Wallen and Drake’s actions were less than favorable.
Regardless of the constant online debate, for many artists, music metrics are vital to several parts of their creative strategies. This year alone, rap was scrutinized for its difficulty in securing the No. 1 spot on the charts. That was until Lil Uzi Vert, Doja Cat, and Drake dropped new projects. Today (November 19), the 2023 Billboard Music Awards reminded musicians, producers, and fans who dominated the charts throughout the year.
Taylor Swift led the nomination pack, pulling in 20 across different categories, including Top Artist. Meanwhile, SZA and Morgan Wallen trailed close behind with 17 nominations each. Yes, viewers at home are locked in for other aspects of the show, like the performances, but everyone wants to know we secured a trophy.
View the complete list of winners from the 2023 Billboard Music Awards below.
Top Artist
Drake
SZA
Taylor Swift
Luke Combs
Morgan Wallen
Top New Artist
Bailey Zimmerman
Ice Spice
Jelly Roll
Peso Pluma
Zach Bryan
Top Male Artist
Drake
Luke Combs
Morgan Wallen
The Weeknd
Zach Bryan
Top Female Artist
Beyoncé
Taylor Swift
Miley Cyrus
SZA
Olivia Rodrigo
Top Duo/Group
Eslabon Armado
Fifty Fifty
Fuerza Regida
Grupo Frontera
Metallica
Top Billboard 200 Artist
Drake
Luke Combs
Morgan Wallen
SZA
Taylor Swift
Top Hot 100 Artist
Drake
Luke Combs
Morgan Wallen
SZA
Taylor Swift
Top Hot 100 Songwriter
Ashley Gorley
Jack Antonoff
SZA
Taylor Swift
Zach Bryan
Top Hot 100 Producer
Jack Antonoff Joey Moi
Metro Boomin
Taylor Swift
Zach Bryan
Top Streaming Songs Artist
Drake
Morgan Wallen
SZA
Taylor Swift
Zach Bryan
Top Radio Songs Artist
Miley Cyrus
Morgan Wallen
SZA
Taylor Swift
The Weeknd
Top Song Sales Artist
Jason Aldean
Miley Cyrus
Morgan Wallen
Oliver Anthony Music
Taylor Swift
Top Billboard Global 200 Artist
Bad Bunny
Morgan Wallen
SZA
Taylor Swift
The Weeknd
Top Billboard Global (Excl. U.S.) Artist
Bad Bunny
Ed Sheeran
NewJeans
Taylor Swift
The Weeknd
Top R&B Artist
Beyoncé
Chris Brown
Rihanna
SZA
The Weeknd
Top R&B Male Artist
Chris Brown
Miguel
The Weeknd
Top R&B Female Artist
Beyoncé
Rihanna
SZA
Top R&B Touring Artist
Beyoncé
Bruno Mars
The Weeknd
Top Rap Artist
21 Savage
Drake
Lil Baby
Metro Boomin
Travis Scott
Top Rap Male Artist
21 Savage
Drake
Travis Scott
Top Rap Female Artist
Doja Cat
Ice Spice Nicki Minaj
Top Rap Touring Artist
50 Cent
Drake
Snoop Dogg & Wiz Khalifa
Top Country Artist
Bailey Zimmerman
Luke Combs
Morgan Wallen
Taylor Swift
Zach Bryan
Top Country Male Artist
Luke Combs
Morgan Wallen
Zach Bryan
Top Country Female Artist
Lainey Wilson
Megan Moroney
Taylor Swift
Top Country Duo/Group
Old Dominion
Parmalee Zac Brown Band
Top Country Touring Artist
George Strait
Luke Combs
Morgan Wallen
Top Rock Artist
Jelly Roll
Noah Kahan
Stephen Sanchez
Steve Lacy
Zach Bryan
Top Rock Duo/Group
Arctic Monkeys
Foo Fighters
Metallica
Top Rock Touring Artist
Coldplay
Depeche Mode
Elton John
Top Latin Artist
Bad Bunny
Eslabon Armado
Fuerza Regida
Karol G
Peso Pluma
Top Latin Male Artist
Bad Bunny
Peso Pluma
Rauw Alejandro
Top Latin Female Artist
Karol G
Rosalía
Shakira
Top Latin Duo/Group
Eslabon Armado
Fuerza Regida
Grupo Frontera
Top Latin Touring Artist
Daddy Yankee
Karol G
RBD
Top Global K-Pop Artist
Jimin
NewJeans
Stray Kids
TOMORROW X TOGETHER
TWICE
Top K-Pop Touring Artist
Blackpink
Suga
TWICE
Top Afrobeats Artist
Burna Boy
Libianca
Rema
Tems
Wizkid
Top Dance/Electronic Artist
Beyoncé
Calvin Harris
David Guetta
Drake
Tiësto
Top Christian Artist
Brandon Lake
Elevation Worship
For King And Country Lauren Daigle
Phil Wickham
Top Gospel Artist
CeCe Winans
Elevation Worship Kanye West
Kirk Franklin
Maverick City Music
Top Billboard 200 Album
Drake & 21 Savage — Her Loss
Metro Boomin — Heroes & Villains
Morgan Wallen — One Thing At A Time
SZA — SOS
Taylor Swift — Midnights
Top Soundtrack
“Barbie The Album”
“Black Panther: Wakanda Forever – Music From and Inspired By”
“Elvis”
“Metro Boomin Presents Spider-Man: Across The Spider-Verse (Soundtrack From and Inspired by the Motion Picture)”
“Top Gun: Maverick”
Top R&B Album
Beyoncé — Renaissance
Brent Faiyaz — Wasteland
Drake — Honestly, Nevermind
Steve Lacy — Gemini Rights
SZA — SOS
Top Rap Album
Drake & 21 Savage — Her Loss
Future — I Never Liked You
Lil Baby — It’s Only Me
Metro Boomin — Heroes & Villains
Travis Scott — Utopia
Top Country Album
Luke Combs — Gettin’ Old
Luke Combs — Growin’ Up
Morgan Wallen — One Thing At A Time
Taylor Swift — Speak Now (Taylor’s Version)
Zach Bryan — American Heartbreak
Top Rock Album
HARDY — the mockingbird & THE CROW
Jelly Roll — Whitsitt Chapel
Noah Kahan — Stick Season
Steve Lacy — Gemini Rights
Zach Bryan — American Heartbreak
Top Latin Album
Bad Bunny — Un Verano Sin Ti
Eslabon Armado — DESVELADO
Ivan Cornejo — Dañado
Karol G — MAÑANA SERÁ BONITO
Peso Pluma — GÉNESIS
Top K-Pop Album
Jimin — FACE
NewJeans — 2nd EP ‘Get Up’
Stray Kids — 5-STAR
TOMORROW X TOGETHER — The Name Chapter: TEMPTATION
TWICE — READY TO BE: 12th Mini Album
Top Dance/Electronic Album
Beyoncé — Renaissance
Drake — Honestly, Nevermind
ILLENIUM — ILLENIUM
Kim Petras — Feed The Beast
Tiësto — DRIVE
Top Christian Album
Anne Wilson — My Jesus
Brandon Lake — House of Miracles
CAIN — Rise Up
Elevation Worship — LION
Lauren Daigle — Lauren Daigle
Top Gospel Album
Jonathan McReynolds — My Truth Maverick City Music x Kirk Franklin — Kingdom Book One
Tye Tribbett — All Things New
Whitney Houston — I Go to the Rock: The Gospel Music of Whitney Houston
Zacardi Cortez — Imprint (Live in Memphis)
Top Hot 100 Song
Metro Boomin, The Weeknd & 21 Savage — “Creepin’”
Miley Cyrus — “Flowers”
Morgan Wallen — “Last Night”
SZA — “Kill Bill”
Taylor Swift — “Anti-Hero”
Top Streaming Song
Miley Cyrus — “Flowers”
Morgan Wallen — “Last Night”
SZA — “Kill Bill”
Taylor Swift — “Anti-Hero”
Zach Bryan — “Something in the Orange”
Top Radio Song
Metro Boomin, The Weeknd & 21 Savage — “Creepin’”
Miley Cyrus — “Flowers”
Rema & Selena Gomez — “Calm Down”
Taylor Swift — “Anti-Hero”
The Weeknd & Ariana Grande — “Die For You”
Top Selling Song
Jason Aldean — “Try That in a Small Town”
Jimin — “Like Crazy”
Miley Cyrus — “Flowers”
Oliver Anthony Music — “Rich Men North of Richmond”
Taylor Swift — “Anti-Hero”
Top Collaboration
David Guetta & Bebe Rexha — “I’m Good (Blue)” Metro Boomin, The Weeknd & 21 Savage — “Creepin’”
Rema & Selena Gomez — “Calm Down”
Sam Smith & Kim Petras — “Unholy”
The Weeknd & Ariana Grande — “Die For You”
Top Billboard Global 200 Song
Miley Cyrus — “Flowers”
Rema & Selena Gomez — “Calm Down”
SZA — “Kill Bill”
Taylor Swift — “Anti-Hero”
The Weeknd & Ariana Grande — “Die For You”
Top Billboard Global (Excl. U.S.) Song
David Guetta & Bebe Rexha — “I’m Good (Blue)”
Harry Styles — “As It Was”
Miley Cyrus — “Flowers”
Rema & Selena Gomez — “Calm Down”
The Weeknd & Ariana Grande — “Die For You”
Top R&B Song
Metro Boomin, The Weeknd & 21 Savage — “Creepin’”
Miguel — “Sure Thing”
The Weeknd & Ariana Grande — “Die For You”
SZA — “Kill Bill”
SZA — “Snooze”
Top Rap Song
Coi Leray — “Players”
Drake & 21 Savage — “Rich Flex”
Gunna — “Fukumean”
Lil Durk Feat. J. Cole — “All My Life”
Toosii — “Favorite Song”
Top Country Song
Bailey Zimmerman — “Rock and a Hard Place”
Luke Combs — “Fast Car”
Morgan Wallen — “Last Night”
Morgan Wallen — “You Proof”
Zach Bryan — “Something in the Orange”
Top Rock Song
Jelly Roll — “Need A Favor”
Stephen Sanchez — “Until I Found You”
Steve Lacy — “Bad Habit”
Zach Bryan Feat. Kacey Musgraves — “I Remember Everything”
Zach Bryan — “Something in the Orange”
Top Latin Song
Eslabon Armado x Peso Pluma — “Ella Baila Sola”
Fuerza Regida x Grupo Frontera — “Bebe Dame”
Grupo Frontera x Bad Bunny — “un x100to”
KAROL G & Shakira — “TQG”
Yng Lvcas x Peso Pluma — “La Bebe”
Bizarrap & Shakira — “Shakira: Bzrp Music Sessions, Vol. 53”
David Guetta, Anne-Marie & Coi Leray — “Baby Don’t Hurt Me”
David Guetta & Bebe Rexha — “I’m Good (Blue)”
Elton John & Britney Spears — “Hold Me Closer”
Tiësto Feat. Tate McRae — “10:35”
Top Christian Song
Brandon Lake — “Gratitude”
Chris Tomlin — “Holy Forever”
for KING & COUNTRY with Jordin Sparks — “Love Me Like I Am”
Lauren Daigle — “Thank God I Do”
Phil Wickham — “This Is Our God”
Top Gospel Song
CeCe Winans — “Goodness of God”
Crowder & Dante Bowe Feat. Maverick City Music — “God Really Loves Us”
Elevation Worship Feat. Chandler Moore & Tiffany Hudson — “More Than Able”
Maverick City Music & Kirk Franklin Feat. Brandon Lake & Chandler Moore — “Fear is Not My Future”
Zacardi Cortez — “Lord Do It For Me (Live in Memphis)”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The 2024 Grammy Awards nominations have been announced, and as usual, there are plenty of surprises and snubs to discuss. Although the Recording Academy added some new categories this year to accommodate the emergence of Afropop as a global force, it looks like another growing genre was left out in the cold. Meanwhile, as country music experiences a resurgence, some of the genre’s most dominant stars missed out on the biggest looks of the year. And even though the Grammys have taken huge steps in addressing the awards’ shortcomings in rap and R&B, they appear to have overlooked some of the year’s most talked-about projects and artists.
Here are the biggest surprises and snubs of the 2024 Grammy nominations.
PinkPantheress Wasn’t Nominated Despite A Breakout Year
“Boy’s A Liar” was one of the biggest hits of the past year, sticking its index finger directly on the pulse of the zeitgeist. From predicting the resurgence of the 2-step/garage sounds that shaped huge hits like “Seven” and “Super Shy” (more on them later) to introducing the non-rap-fan population to the pop culture juggernaut that is Ice Spice, “Boy’s A Liar” was an inescapable phenomenon and the fact that PinkPantheress couldn’t get a record, song, or Best New Artist nomination speaks to both how competitive the field was this year and how much further the Academy has to go in bridging that pesky generation gap.
Barbie Took Over
Here’s how dominant the Barbie soundtrack was this year: the Best Song Written For Visual Media category only features ONE non-Barbie song (Rihanna’s “Lift Me Up” from Wakanda Forever) and a Barbie song is nominated in both eligible Big Four categories, as well as for Rap Song of the Year. The doll who does it all is practically guaranteed at least one win at this year’s awards — even at the cost of me and my editor’s bet about “Peaches” from Mario and “Dear Alien” from Asteroid City. And Across The Spider-Verse deserved more.
Foo Fighters Weren’t Nominated For Album Of The Year
In somewhat of a break from Grammy tradition, Foo Fighters’ But Here We Are wasn’t nominated for Album Of The Year, despite the recent death of drummer Taylor Hawkins and the album’s emotional material. It’s grim to think about, but in past years, you could reliably expect a consolation posthumous nomination. It’s downright disheartening to think that this time the Grammys ignored the macabre tradition.
Country Dominated The Charts But Got (Mostly) Shut Out Of The Big Four
The general awards are always controversial but there’s an argument to be made here. While the Big Four are almost never actually tied to commercial achievement — hello Esperanza Spalding — Zach Bryan, Luke Combs, and Morgan Wallen all utterly dominated the charts this year, yet it appears that if this was taken into consideration, it wasn’t enough to lift them out of their respective niches. Perhaps the ideological fractures in that fanbase had an effect. At least there is Jelly Roll.
Where Are The K-Pop Stars?
During the eligibility period this past year, a bunch of songs from K-pop acts took over the American charts. Fifty Fifty’s “Cupid” has been impossible to get away from (I may or may not have tried), New Jeans’ “Super Shy” became a mall P.A. mainstay, and Jung Kook’s solo hit “Seven” peaked at No. 1 on the Hot 100. What makes K-pop’s absence from this year’s nominations stranger is how ubiquitous K-pop has been at the Grammys for the past handful of years, with BTS performing “Dynamite” in 2021 and “Yet To Come” earning a history-making nomination in 2022.
Reggaeton And Latin Trap Were Locked Out Too
Take everything said about K-pop above and translate it into Spanish. Sure, there’s a Latin Grammys, but that smells suspiciously of “separate but equal,” you know? You’d think Bad Bunny or Karol G would warrant a nod, even if Grammys voters could hardly be expected to tunnel all the way down to discover newer breakout artists like Myke Towers or Rauw Alejandro. Again, with the Latin Grammys coming just a few weeks after the “standard issue” ceremony, perhaps interested voters were just too distracted to manage both sets of ballots. Still, it’s a black mark for sure.
Gunna Didn’t Make The Cut For Best Rap Album
Yes, awards nominations are subjective, but there’s a general consensus among rap fans online — corroborated by chart performance — that Gunna had one of the standout albums of the year, if not the only one with any real staying power. Yet, it seems Grammy voters went for the lowest-hanging fruit: Killer Mike and Nas are obvious “prestige” picks for the Gen X hip-hop heads that mostly make up the part of the Academy most well-versed in rap (heyo), while Drake and Travis Scott are brand-friendly pop mainstays. However Utopia only spent four weeks on the Billboard 200 — a massive drop off from his last two projects, and reception was largely lukewarm. Metro Boomin is a nice addition, but again, for the wrong album (Across The Spider-Verse getting snubbed is going to give me heartburn for the rest of the year).
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The 2024 Grammy Awards nominations have been announced, and as usual, there are plenty of surprises and snubs to discuss. Although the Recording Academy added some new categories this year to accommodate the emergence of Afropop as a global force, it looks like another growing genre was left out in the cold. Meanwhile, as country music experiences a resurgence, some of the genre’s most dominant stars missed out on the biggest looks of the year. And even though the Grammys have taken huge steps in addressing the awards’ shortcomings in rap and R&B, they appear to have overlooked some of the year’s most talked-about projects and artists.
Here are the biggest surprises and snubs of the 2024 Grammy nominations.
PinkPantheress Wasn’t Nominated Despite A Breakout Year
“Boy’s A Liar” was one of the biggest hits of the past year, sticking its index finger directly on the pulse of the zeitgeist. From predicting the resurgence of the 2-step/garage sounds that shaped huge hits like “Seven” and “Super Shy” (more on them later) to introducing the non-rap-fan population to the pop culture juggernaut that is Ice Spice, “Boy’s A Liar” was an inescapable phenomenon and the fact that PinkPantheress couldn’t get a record, song, or Best New Artist nomination speaks to both how competitive the field was this year and how much further the Academy has to go in bridging that pesky generation gap.
Barbie Took Over
Here’s how dominant the Barbie soundtrack was this year: the Best Song Written For Visual Media category only features ONE non-Barbie song (Rihanna’s “Lift Me Up” from Wakanda Forever) and a Barbie song is nominated in both eligible Big Four categories, as well as for Rap Song of the Year. The doll who does it all is practically guaranteed at least one win at this year’s awards — even at the cost of me and my editor’s bet about “Peaches” from Mario and “Dear Alien” from Asteroid City. And Across The Spider-Verse deserved more.
Foo Fighters Weren’t Nominated For Album Of The Year
In somewhat of a break from Grammy tradition, Foo Fighters’ But Here We Are wasn’t nominated for Album Of The Year, despite the recent death of drummer Taylor Hawkins and the album’s emotional material. It’s grim to think about, but in past years, you could reliably expect a consolation posthumous nomination. It’s downright disheartening to think that this time the Grammys ignored the macabre tradition.
Country Dominated The Charts But Got (Mostly) Shut Out Of The Big Four
The general awards are always controversial but there’s an argument to be made here. While the Big Four are almost never actually tied to commercial achievement — hello Esperanza Spalding — Zach Bryan, Luke Combs, and Morgan Wallen all utterly dominated the charts this year, yet it appears that if this was taken into consideration, it wasn’t enough to lift them out of their respective niches. Perhaps the ideological fractures in that fanbase had an effect. At least there is Jelly Roll.
Where Are The K-Pop Stars?
During the eligibility period this past year, a bunch of songs from K-pop acts took over the American charts. Fifty Fifty’s “Cupid” has been impossible to get away from (I may or may not have tried), New Jeans’ “Super Shy” became a mall P.A. mainstay, and Jung Kook’s solo hit “Seven” peaked at No. 1 on the Hot 100. What makes K-pop’s absence from this year’s nominations stranger is how ubiquitous K-pop has been at the Grammys for the past handful of years, with BTS performing “Dynamite” in 2021 and “Yet To Come” earning a history-making nomination in 2022.
Reggaeton And Latin Trap Were Locked Out Of The Big Awards, Too
Take everything said about K-pop above and translate it into Spanish. Sure, there’s a Latin Grammys, but that smells suspiciously of “separate but equal,” you know? You’d think Peso Pluma or Karol G would warrant a nod, even if Grammys voters could hardly be expected to tunnel all the way down to discover newer breakout artists like Myke Towers or Rauw Alejandro. Again, with the Latin Grammys coming just a few weeks after the “standard issue” ceremony, perhaps interested voters were just too distracted to manage both sets of ballots. Still, it’s a black mark for sure.
Gunna Didn’t Make The Cut For Best Rap Album
Yes, awards nominations are subjective, but there’s a general consensus among rap fans online — corroborated by chart performance — that Gunna had one of the standout albums of the year, if not the only one with any real staying power. Yet, it seems Grammy voters went for the lowest-hanging fruit: Killer Mike and Nas are obvious “prestige” picks for the Gen X hip-hop heads that mostly make up the part of the Academy most well-versed in rap (heyo), while Drake and Travis Scott are brand-friendly pop mainstays. However, Utopia only spent four weeks on the Billboard 200 — a massive drop off from his last two projects, and reception was largely lukewarm. Metro Boomin is a nice addition, but again, for the wrong album (Across The Spider-Verse getting snubbed is going to give me heartburn for the rest of the year).
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Génesis peaked at No. 3 on the Billboard 200 this summer, and as proof of the project’s staying power, it remains in the top 10 here in October.
9. Doja Cat — Scarlet
Scarlet has a major debut week, entering the chart at No. 2. It took a significant fall in its second frame, though, tumbling to No. 9.
8. Taylor Swift — Midnights
There’s no end to the frenzy surrounding Swift. It’s been just about a year since Midnights was released, and yet here it is, still solidly in the top 10 in 2023.
7. Travis Scott — Utopia
Utopia is still faring well on the charts, which should be a good indicator that Scott’s Circus Maximus tour will get off to a hot start with its first concert in just a couple days.
Bryan came through with a surprise EP recently, but it’s his recently released self-titled album that’s dominating the charts, with the former No. 1 living at No. 5 this week.
4. Ed Sheeran — Autumn Variations
Sheeran has this week’s highest chart debut with his new album. It’s his seventh top-10 album on the Billboard 200, and in fact, all of his albums have debuted in the top 5.
3. Olivia Rodrigo — Guts
Guts had the silver medal last week, but when you’re talking about the Billboard 200 chart, bronze is still pretty great, which is where Rodrigo sits this week.
2. Rod Wave — Nostalgia
For its third week on the chart, Wave ceded the No. 1 spot but still managed to hang onto No. 1 with Nostalgia.
1. Morgan Wallen — One Thing At A Time
Wallen has been perhaps the single biggest artist of 2023 in terms of chart performance: One Thing At A Time is No. 1 this week (after placing at No. 3 last week) for a 16th total week on top.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Stagecoach 2023 proved to be a suitable Coachella encore this April, with headlining performances from Luke Bryan, Kane Brown, and Chris Stapleton. The annual country music festival will return to the Empire Polo Club in Indio, California from Friday, April 26, to Sunday, April 28, 2024. The 2024 lineup was announced on Thursday morning, September 6.
Next year’s headliners are Eric Church on April 26, Miranda Lambert on April 27, and Morgan Wallen on April 28. A press release additionally confirmed that Post Malone will perform “a special set of country covers” on April 27, a day that will also boast Willie Nelson & Family and Leon Bridges. The late-night performers are Diplo, Nickelback, and Wiz Khalifa.
Guy Fieri’s Stagecoach Smokehouse will be featured on the grounds for a fifth year, and the Compton Cowboys will be present for a third consecutive year.
Other notable acts include Jelly Roll, Elle King, Dwight Yoakam, Hardy, Bailey Zimmerman, and The Beach Boys.
Festival passes will go on sale this Friday, September 15, beginning at 11 a.m. PT. Prices range from $429 for a three-day general admission “Tier 1” pass and $2,999 for the Desert Diamond VIP Package. Ticketing information can be found here.
Check out the full lineup poster below.
Courtesy of Stagecoach/Goldenvoice
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
As summer comes to an end, music fans everywhere have one question on their mind: What was the song of summer? In 2023, the song of summer can be defined using all sorts of criteria: What was popular on streaming apps? What went viral on TikTok? What was inescapable on the radio?
Today (September 5), Billboard dropped their Top Songs Of The Summer 2023 list, which factors in all of this data (specifically, chart data from June 10 to September 9).
At No. 10 is Gunna, who made a return to music this year after being released from jail on racketeering charges. His latest single, “F*kumean” has proven to be a hit, as his return has proven polarizing.
Occupying spots 9 and 8 are SZA, with her hit singles, “Kill Bill” and “Snooze,” respectively. Also taking two consecutive spots is Taylor Swift. At No. 7, Swift pops in with her remix of “Karma,” which features Ice Spice. At No. 6 is “Cruel Summer,” which was originally released in 2019 on Swift’s seventh studio album, Lover.
Lil Durk and J. Cole came in at No. 5, with their collaboration, “All My Life.”
“Flowers” by Miley Cyrus, which was released this past January, continues to be an anthem for the summertime. This one came in at No. 4. Rema‘s remix of “Calm Down,” which features Selena Gomez, earned the No. 3 spot.
This summer proved to be a country music summer, as Luke Combs‘ cover of Tracy Chapman‘s “Fast Car” made its way over to No. 2. And at the top spot is Morgan Wallen‘s “Last Night.”
On July 8, Billboardreleased its latest albums chart, and One Thing At A Time notched its 15th nonconsecutive week at No. 1 as Wallen nears Adele’s record-most 24 total No. 1 weeks on the Billboard 200 with 21 from 2011-12. As it stands, Wallen’s One Thing At A Time already has the most No. 1 weeks by any album since the aforementioned run from Adele, as per the publication. Tthe only interruption was Swift’s Midnights on the June 10 and June 17 charts.
“Although incarceration isn’t the same as death, the album’s compilation of old verses and guest appearances makes it feel almost cobbled together the way some notable posthumous releases have been and raises the question of how much of this was what Thug actually wanted versus how much of it was just feasible over the past few months,” Williams wrote.
He added, “As it stands, the project is a testament to the value of sequencing and an emblem of what the music world might lose if Young Thug loses his case.”
As for Thug’s No. 2 debut, Billboard explained why he shouldn’t feel bad about it, noting that Wallen’s One Thing At A Time “has blocked” 10 prior albums from sniffing the No. 1 spot and forced a No. 2 debut, including Ed Sheeran’s – (Subtract), Niall Horan’s The Show, Jimin’s Face, and Agust D’s D-Day. If it stays at No. 2 or below, Business Is Business will become the 11th album on that list.
