On the 246th July 4th of our nation, Killer Mike sure knows how to make a statement. Last night at midnight, Mike dropped the music video for “Run,” his first solo track in over a decade since forming the Grammy-nominated rap duo Run the Jewels; alongside Brooklyn-based rapper and record producer EI-P. As mentioned, the […]
It’s been over a decade since Killer Mike released a solo track, but this weekend he came back in a big way, dropping the video for “Run,” a powerful track and video with a political message that featured an intro by Dave Chappelle with a guest verse by Young Thug.
The video, directed by Adrian Villagomez, centers around key American historical battles, but reframing them as key moments in black history and the fight for freedom. The video shows Killer Mike on historical battlefields, but as the leader a battalion of Black and allied people who are fighting enemies including Nazis, secessionists, and confederate soldiers. The intro by Dave Chappelle references his “Normandy” monologue.
In an interview with Rolling Stone, Killer Mike described the inspiration for the song and video as such: “If you’re looking at this video, certain things are gonna stand out: Obviously, there’s a war going on for people who want justice and righteousness, and there’s a war that’s symbolized by what you would notice is old Confederate uniforms and Nazi-like uniforms,” adding that he included the Chappelle monologue clip because he was “inspired by the monologue that Dave Chappelle did at the beginning — to be representative that there’s a fight, the spiritual fight, that is going on every single day with us.”
In addition to historical references, the video also calls for the release of Young Thug and Gunna during Young Thug’s verse. In the video, a soldier can be seen waving a white flag with “Free Thug, Protect Black Art, Free Gunna” written on it while another scene shows a soldier wearing a white arm band that says “Free YSL.” (YSL Records rappers Young Thug and Gunna are both currently in jail as part of a 56-count RICO case.)
Much of Killer Mike’s solo work has come outside of music over the last decade. He’s fought for better marijuana laws, protested for racial and social justice, released a documentary, and much more. In the music world, much of his work there has come alongside El-P through their Run The Jewels duo. Running strong since 2013, the duo has delivered four installments in their Run The Jewels series with the most recent effort coming in 2020. After going more than a decade without releasing a solo track, Killer Mike is back in action on the solo route and he brought a couple of friends along for the ride.
Marking his first solo release since his 2013 fifth album R.A.P. Music, Killer Mike calls on Young Thug and Dave Chappelle for “Run.” The track was intentionally released on today’s Independence Day holiday and he explained why during an interview with Apple Music. “I’m truly a patriot,” he said. “How could I as a Black American not be a Patriot?” Killer Mike’s new song, which features a sharp verse from Young Thug and stern commentary from Chappelle, arrives with a matching visual that follows a Black man on the battlefield in the middle of a war. It appears that he’s running away from something, but we soon see that the man is running towards the battle. He explained this aspect of the video during the Apple Music interview as well.
“He’s running toward destiny,” he said. “He’s running toward defeating evil, and he is empowered by his ancestors… Fannie Lou Hamer, Frederick Douglass, George Washington Carver, Sojourner Truth, Shirley Chisholm.” He added, “All these people, and their work and the energy they left as inspirations, that have bettered this country, not just bettered my community for black people.”
You can listen to “Run” in the video above.
Young Thug is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
After Young Thug and Gunna were indicted on RICO charges, Killer Mike stated that Black art should be protected. He expressed his opinion on using lyrics as evidence in court and advocated respect for the black community. Rap Lyrics Are Not Evidence In Court Atlanta-based rapper Michael Santiago Render, known as Killer Mike, expressed his […]
Sponsored by Senators Jamaal Bailey and Brad Hoylman and receiving support from rappers like Fat Joe, Jay-Z, Killer Mike, and Meek Mill, the Rap On Trial law would limit the use of artists’ lyrics as evidence unless prosecutors can prove that the raps are “literal, rather than figurative or fictional.” This could make it much more difficult for RICO (Racketeer Influenced and Corrupt Organizations) cases to simply pull lyrics that mention suspected criminal organizations, such as the ones used against Young Thug. According to the State Senate website:
The purpose of this legislation is to protect freedom of speech and artistic expression in New York State. This bill effectuates the enhanced free speech protections provided by the New York State Constitution, ensuring that criminal defendants are tried based upon evidence of criminal conduct, not the provocative nature of their artistic works and tastes.
The bill must still pass the State Assembly to become law — love that bicameral Congress — and would require a signature from the Governor to become law, but should it do both, it would set a precedent for other states to follow to stop prosecutors from overreaching when it comes to rappers and their expression.
Killer Mike, one half of Run The Jewels and recent Ozark star, has long been a vocal advocate of marijuana — both as a medicine and as a creative tool that has helped pull his mile-a-minute mind in focus. Which made him a natural fit to host Weedmaps’ excellent new docuseries, Tumbleweeds. The four-part docuseries follows Killer Mike as he explores the unique cannabis cultures of Las Vegas, San Francisco, New York, and Chicago and chops it up with comedians, cannabis advocates, and business owners in an effort to paint cannabis legalization in a more positive light by showing how weed can tie communities together.
Tumbleweeds is a fun watch that remains as entertaining as it is educational, much of that thanks to Killer Mike’s personality — which can turn from jovial to intensely thoughtful on a dime. We experienced this first hand when we linked up with the rapper and activist to discuss the series, weed policy, restitution for the Black, Indigenous, and People of Color (BIPOC) who helped popularize marijuana in the United States, and some radical (but necessary) efforts that states can — and should — make as we steadily march toward federal legalization.
Check out the full discussion below and be sure to catch the final episode of Tumbleweeds on May 8th or all four parts on May 15th on VICE TV and Vice TV Streaming apps.
Something I really like and appreciate about the new series is that it takes what has been a familiar and frankly racist framework — this idea that “pot destroys communities” — and kind of flips that on its head to show how cannabis can be an integral part of communities. Was that the intention going in? Or was it more about exploring the unique cultures of each respective city?
I think it was all of that at one time. I think the best entertainer in the circus is the juggler. I think that when you can show the interconnectivity between things, the better. Not only do we show that pot is a healer, but pot also helps with PTSD, we show pot from an artistic perspective in the museum. We got an opportunity, we got a chance to show that pot smokers are normal regular human beings leading normal regular lives who use this plant versus other medicines.
We got a chance to show that local businesses that grow around pot — whether it was pizza or candy or fine dining — we got an opportunity to really see the interconnectedness of it all. If you look at pot culture from a pot smoker’s perspective, like say the Rastafarians, pot has been used in a bunch of different things. Everything from using hemp to create tools and papers to smoking marijuana, using it in religious rituals and things, so I think that the stoner community already knew that pot exists or cannabis exists in a lot of different places for a lot of different reasons.
What to me was the curveball but I really thought was interesting was adding comedians. Comedians… they take our pain and make us laugh at it and that brings joy. But they’re very, very observational… and usually very smart in some capacity, and I really enjoyed the conversations that I had with comedians.
I enjoyed going to local businesses, and enjoyed meeting the advocates too, but getting the chance to meet people who make people smile for a living and who are users of pot really was an interesting curveball that got thrown in, so it didn’t get too serious. It didn’t get too heavy. It didn’t get too long or instructional. Really remained fun from start to finish.
Is there anything you would say that you learned in this process that you didn’t know of beforehand?
Damn near too much shit to list. What I really enjoyed was talking to — and I’m sorry, I can’t remember her name [Charissa Jackson], “pot does rob the memory,” Kris Kristofferson said that. This young lady was a veteran and an advocate for veterans’ rights around PTSD and pot. I have a sincere reverence for people who’ve served in our US military. It’s not like I want a war machine marching across the earth but any young person who signs up from 18 to 22 and gives part of their life, a very young, whimsical part of their life… They give that to the United States military. I believe they shouldn’t have to pay interest on a home loan. I believe they should be first in line for lower taxes. I really have a reverence for them.
So to see someone give a damn about veterans in a way that made her an advocate for marijuana usage. Someone that’s helping on the Hill, helping Washington come to their senses about medicine via the cannabis plant versus appeal with the VA meant a lot to me.
Fab Five Freddy and the brother that moved from, I think it was down in Louisiana, who had served 13 years I believe for two joints. You have to understand, Fab Five Freddy in my life has been an art teacher, and music director. He has introduced me to culture and this is just from a kid watching him prior to MTV and MTV. But to see him now as an advocate and an ally in terms of pushing legalization or decriminalization were two things I can really say I walked away from the interview much smarter from and much more determined to help normalize cannabis in this country.
Why were the cities of Las Vegas, San Francisco, New York, and Chicago the cities settled on in the series? As someone who was born and raised in and around Southern California’s cannabis culture, I actually appreciate how you skipped over Los Angeles, which I feel gets too much of the spotlight.
Los Angeles is a hell of a city but Northern California still has better weed. I just got to be frank about that. Shoutout to Satellite OG, shoutout to Berner and Cookies, shout out to Lemonade, shoutout to a few other brands that I’ve smoked great weed from but those hippies in Northern California sure know what the fuck they’re doing.
Illinois as a state is lightyears ahead of the state I’m in, Georgia, and I thought Illinois decriminalizing and making use for recreational use was brilliant. Chicago was dope in terms of the artwork that I got to see there. It was dope in terms of comedy and it was dope in terms of having some fire bud in that motherfucker, I gotta be frank,
Vegas… in my opinion, gambling doesn’t want anything to get too in a way of gambling, some of the restrictions were a little tighter for me, a little more uncomfortable until you got into shops. Once you got into the shops, the people were amazing, the way they educated you about the brands was amazing. But in terms of the laws, you can tell that Vegas is not going to let cannabis and prostitution compete with gambling.
When I was walking back into the casino, I remember one of the doormen, he was a young Black guy, he walked to me and said, “Mike, I’m not tripping on you but I’m gonna tell you sometimes they trip on guys who come in with the Cookies bags and whatnot so next time just put it into your bookbag” and I was like “oh, shit.”
The casinos really don’t want you so high that you can’t leave your room, they need you out there pulling that slot machine.
New York is much more conservative than I thought it would be. I can literally buy weed right on the corner in front of the store where we were eating CBD chocolates. But yet it hasn’t made it inside the store. But they don’t trip about you standing around smoking weed, so I’m not tripping on that, but I’d like for them to get a little more progressive.
SF is just the capital of marijuana in my mind. If you’re not talking Amsterdam, you’re talking Northern California. When I’m in Amsterdam, they ask you for Northern California seeds. So shouts out to Northern Cali because that’s just the best OG Kush in the world.
In the past, you’ve mentioned that BIPOC deserve a considerable share of the marijuana industry for helping to popularize it. Agreed, can you tell us how you envision that specifically?
I would envision it the same way politicians who envision bullshit laws that allow six licenses for a whole state would envision it. If Georgians are made up of 35% Black people, then 35% of the licenses should go to Black people. And those Black people should have to partner because you’ve got the Black bourgeoisie, being from Atlanta I’m gonna tell you, you got Black Republicans, you got Black bourgeoisie, Black circles that want to keep it in there. You should have to partner with someone convicted of a marijuana felony. Now that’s radical, and that’s some American shit because we were started by a group of motherfuckers who didn’t want to pay taxes.
What I would say is you would have to partner with say a group of Black money or capital investors, they would have to partner with a former Kingpin and then I would bring in business mediators and help those people build the industry from the ground up and I would allow those licenses to be free-flowing and not be so constricted that no one else could make it into the market.
Our first Black mayor was a man named Maynard Jackson and Maynard Jackson made it so that if you wanted a city contract with the city of Atlanta, at least 29% of your company had to be black or people of color. So all of a sudden you saw businesses opening up partnerships and opening up subcontractors and things of that nature and it grew a Black working class and middle class and it gave us 60 years of successful mayors, our economy has grown, even through this COVID thing, our economy is great.
I’m only speaking locally because I do my work locally — 35% of these motherfuckers Black? 35% of licenses should be Black! They should have to partner with people convicted of marijuana convictions, and in terms of dispensaries, there damn sure should be an unlimited amount you put out there. You should be able to open up a dispensary with the minimal amount of shelf, you shouldn’t have to have $150,000 liquid and no shit like that you should be able to open up a dispensary if you’re an old lady, you grow your plants and you sell it curbside like a lemonade stand in the summer.
…If you can’t tell I put a little thought into this.
You mentioned some states and they all approach cannabis differently. In your opinion, what state is really doing it right and how can others do it better? Aside from what you just laid out, of course.
I like what Illinois did going straight to recreational — I don’t think they did the hump of a strict medical thing first. I like how Colorado was putting money back into the school systems and improving the school system. I don’t think we have had the best version yet. Because we do not have the right people advising. We need people convicted of marijuana convictions at the table with lawmakers making the law, it should not just be conglomerates and lobbyists or corporations that want to get into medical now.
It should be Black farmers who have been for the last 80 and 100 years cut out of many industries in this country. It should be people who were victims, people you would call Kingpins of bullshit drug laws, many of which our current president helped to instate. It should be those people at the table and it should be common folk, recreational marijuana users helping to shape the laws that are going to go forward. We should not be restrictive like the prohibition was with liquor, we should not only allow four, five, or six licenses and we should not cut and carve regions so that only politicians and their friends, or companies get them, we should make it less restrictive.
We should have less licensing in terms of keeping a tight hold on the money that gets sucked into taxes. We should make it from day one, the time you open your dispensary, the time you get your first dollar for a marijuana sale, you should be able to bank in the United States. You should be able to put that money in a bank, it is a shame that people who run dispensaries have to worry about robbery, have to worry about seizures, have to worry about ATF, and the alphabet boys because they simply cannot bank. So all those I would bring to the table and I would put a particular interest in Black banks like my bank Greenwood, like Citizens Trust Bank, like Carver — I’d put a particular interest in Latino banks because who were the people used to villainize marijuana? Black people and Mexicans.
I’d try to make some restitution by providing opportunity. I’d allow the people to shape the laws on the ground to be everyone from everyday stoners and smokers that go to work to people that have served long, lengthy marijuana sentences for kingpin drug laws. I’d bring people who are already in the industry as outlaws the people who are growing and people going against the government now and choosing to do it in terms of helping the free, I’d make sure the people who’ve been involved in NORML for the last 40 years have a seat at the table and get an opportunity to talk.
It’s time for the people that use marijuana to make the rules for marijuana and not the other way around.
I know you’re a fan of indica strains, I’m just curious, what about indicas appeal to you particularly?
I’m naturally hyper — my mind naturally is moving on 100 different things at 100 miles per hour 100 times a day. And indicas allow me a very dense body high, and even cerebral, that allows me to focus in on one or two things that I need to get done. Even when I go for my walks in the morning or running around the gym, with a indica high by the time I realize I’m in pain the workout is almost over.
Although sativas are credited with being cerebral, I think if you’re a person whose mind moves a lot that indicas are great for you because they put you at calm. When I wake up in the morning and do breathing exercises or yoga or tai chi or whatever the fuck my wife has me doing, it’s cool to take a couple of puffs off one of these [gestures to the lit joint in his hand] and settle myself and not think about the other things that are going on.
And that the grandfather of it all, that OG Kush — I like to smoke it. Curren$y’s a big fan of it. There’s just nothing that’s as mellow and cool. Indicas fulfill the stereotype of marijuana being a thing that puts you in a very cool vibe, you know what I mean? It’s one of the reasons I love it.
And just as my last question, I’m curious– and you kind of alluded to it a little bit just now — if you could take us through your typical smoking ritual.
I get up and roll three of these a day. I wake and bake, I get up and do my walks, or I do the tai chi or yoga stuff. I smoke about a quarter of this and then when I’m done with that, I’ll finish the other three quarters over the process of the next two hours or so. I’ll grab food in the afternoon, I try to wait to eat till about 12 or 1 now. Usually, after I’m done with that one my wife starts moving around, we’ll share one, go have lunch, talk about the day, and do some business.
That will hold me until say about 5 or 6, just do whatever, kick it with the kids. If I have a late meeting or something I hold it and usually I smoke the last one right before I leave wherever I’m going or I’ll sit in the driveway, look at the stars on my truck bed and smoke the other half and that was my three grams for the day.
Ace Hood and Killer Mike pay homage to slain rappers Young Dolph, Nipsey Hussle, and other Black icons in their new “Greatness” music video.
The “Hustle Hard” rapper shares his final music video off his recent 10 song project,M.I.N.D. EP. “Greatness” featuring Killer Mike released via Hoodnation/EMPIRE.
Ace Hood has always delivered bars and this street sermon is no different as he spits with pure emotion. “Them folk gon’ underestimate you, play you like you dumb, I nod my head and get my bread, you will not feed me crumbs.”
Killer Mike, known as a philosophical poet in his own right, raps vibrantly, “Judas to Jesus, even true to believers, Brutus to Caesars, backstab and deceive us.”
“Greatness” pays homage to the black excellence that came before us and a resounding cry that there’s only more greatness to come. Paintings depicting some of our brightest Black cultural icons, stylized in black and gold, line the walls. Clips flow of the trailblazing politician Shirley Chisholm, to the ceiling-shattering athlete Arthur Ashe raising a clenched fist appear in the video below.
Check out the official visual “Greatness” from Ace Hood and Killer Mike.
You can listen to Ace Hood’s full M.I.N.D. EP below.
Last summer, it was reported that Killer Mike would be making a cameo in the fourth (and final) season of Netflix’s Ozark, with Mike saying at the time, “I went from waiting to find out what happens next to being part of it… I’m excited.” Well, that fourth season is currently underway and now Netflix has shared a clip of the Run The Jewels rapper’s appearance.
(Warning: There are potential spoilers below.)
In the scene, Mike (playing himself) is approached by Ruth (Julia Garner) in a diner, who tells the rapper, “I just want to say I really love your sh*t.” After showing gratitude for the compliment, Mike asks what Ruth is playing in the one earbud in her ear. Mike grabs the headphones to listen to a few seconds of the song, Nas’ “NY State Of Mind.”
Ruth offers her interpretation of the 1994 track, saying, “It always feels to me like he hates it and misses it all at once, and he’s only f*cking 20.” Mike offers, “You know, when I listen to that record, his projects are in Queens, and you can kinda see Manhattan. And I’ve always thought it was so hopeful and f*cking cruel at the same time.”
Check out the Ozark clip above and revisit “NY State Of Mind” below.
On this day in Hip Hop history, Dungeon Family member Killer Mike was born in Atlanta, Georgia. From Grammy’s to politics, Killer Mike maybe one of the most slept on figures of this culture we call Hip Hop.
Killer Mike’s Hip Hop career began with a feature on OutKast‘s 2000 album Stankonia, on the track “Snappin & Trappin.” His follow up feature with OutKast on “The Whole World” won him a Grammy at the 2003 Grammy Awards for Best Rap Performance by a Duo or Group. That same year Killer Mike released his debut studio album Monster, which peaked at #10 on the Billboard 200 chart and #4 on the Top R&B/Hip Hop Albums chart.
Over the next few years, Killer Mike released I Pledge Allegiance to the Grind 1 & 2 before announcing in 2008 that he was signing to T.I.‘s record label Grand Hustle Records. Not much was heard from Killer Mike musically until he teamed up with El-P in 2011 to become Run the Jewels.
Killer Mike and El-P were introduced to each other by Cartoon Network executive Jason DeMarco. Later that year, El-P produced Killer Mike’s album R.A.P. Music. In the same year Killer Mike featured on El-P’s album Cancer 4 Cure. Due to the fact the albums were released within weeks of each other, the two decided to go on tour together. The success of the tour led the two to team up under the moniker Run the Jewels. The duo has since released two self-titled albums and plan to release a third this year. Run the Jewels 2 peaked at #50 on the Billboard 200 chart.
Aside from music, Killer Mike is one politically active and conscious brother. Most recently, he has been heavily campaigning for Bernie Sanders, introducing him at speaking engagements, sitting with at interviews, and even going to his fundraisers as an honored guest. Over his career he has passionate against police brutality against people of color, systematic racism, and has fought for social equality. It is obvious in his music and when he speaks in interviews that Killer Mike is passionate about humanity and wants to get us all on track and acting like civil, equal human beings.
Killer Mike has also appeared on T.V. and in movies and is currently active as a rapper. His next solo project, Elegant Elephant, has been in the works since 2013 but there’s no word on when it will be released. Killer Mike is an icon and his image in Hip Hop is one of the more positive ones the genre has to offer. Take some time today to enjoy some of the fruits of his labor if you don’t already listen on the daily. From everyone here at The Source, happy born day, Killer Mike. May you see many more years of success.