Mase And Cam’ron Have Appeared To Settle Their Feud, Which Went On For Over 20 Years

Rappers Mase and Cam’ron have appeared to settled their beef — one that has lasted for over two decades. In an Instagram video shared by Mase’s sister, Stason, Mase is seen calling Cam’ron on the phone.

“Killa, what’s good?” says Mase. He later jokingly asks “Where’s Mr. Petty at these days?,” referring to Cam’ron’s 2017 diss track “Dinner Time,” targeted toward Mase, on which he says, “You done opened up a door, I’m petty, ready for war.”

Stason captured the video, saying, “Ok now @rsvpmase and @mr_camron I DEFINITELY DID NOT SEE THIS COMING but I’m here for it!!!! Smh y’all gotta stop with this nonsense or I’m swinging on both of y’all!!!”

Their beef began back in 1999, when Mase relocated from New York City to ATL, which was rumored to be due to an ongoing beef with a Harlem street figure named Baby Maine. Around that time is when he retired from rap to become a pastor. He returned to hip-hop in 2004, with a single called “Welcome Back.” During an appearance on Hot 97 in July 2004, Mase explained why he left hip-hop, and Jim Jones and Cam’ron called into the radio station, questioning the legitimacy of his story and calling him a fraud.

Now, the beef seems to be over for good, as Stason’s video was hashtagged with the tags, “#The2KingsOfPetty, #WhenMenGrowUp, #ILoveIt, #Mase and #Cam.”

BUKU Festival Will Not Return In 2023

An iconic New Orleans event will not return next year. BUKU announced that the festival is not set to take place in 2023, despite receiving much anticipation. Though organizers didn’t cite any specific reasons for the cancellation, like the ongoing COVID-19 and Monkeypox pandemics, a statement indicated that in order to continue, a hiatus was necessary.

“From day one, BUKU was created to be something different… a gritty yet colorful event celebrating the progressive subculture of New Orleans,” said BUKU organizers in a statement. “It became a homecoming for the most amazing bunch of beautiful weirdos ever assembled and in 10 years we accomplished exactly what we set out to do: we created a community… a community that truly matters. But times are changing… and the current model of BUKU needs to take a break. For a myriad of reasons, we’ve decided that the festival will not take place in March 2023. We don’t know exactly what the future will look like – and that’s okay as there is freedom in the unknown– but we know that we will gather again someday, in some form, bursting with creativity and purpose.”

Organizers also confirmed that “This isn’t ‘goodbye’ – this is ‘see y’all down the road,’” for the festival, and encouraged festival-goers to keep visiting New Orleans and creating art.

Beyoncé Said Her Birkin Bags Are In Storage And Some People Are Not Happy About It

When an act is as big as Beyoncé, anything they do will be polarizing. Thus, it is no surprise that her latest album Renaissance
is being praised for its musicality, but panned for specific samples or lyrics. After an initial onslaught from Kelis and the subsequent demands of fans denouncing ableism, the Lemonade artist has now drawn the ire of Birkin bag owners.

On the album closer, “Summer Renaissance,” the Houston artist proclaims “This Telfar bag imported, Birkins, them shit’s in storage” after listing off other brands such as Versace, Bottega, and Dior. Though Birkins have been popular within the culture for quite some time, Telfar has gained its own following over the last two years. With such a big figure in music placing one above the other, naturally, each side had strong feelings. Brand loyalty isn’t new, and throwing Beyoncé in the mix puts the contention into overdrive.

Funny enough, Beyoncé’s line and the subsequent hysteria did cause an impact beyond the timeline, as there was a spike in how much Telfar was searched according to reports from Vogue Business. Everyone may not be happy, but the independent Black-owned business definitely is.

Check out reactions to the controversial line above.

Renaissance is out now via Parkwood Entertainment. Listen to it here.

Nicki Minaj Will Be A ‘Super Freaky Girl’ On Her Upcoming Song

The rollout for Nicki Minaj’s comeback continues with the upcoming release of her new single, “Super Freaky Girl.” The song — which samples Rick James’ 1981 hit single “Super Freak” — is set for release on Friday, August 12, after a new episode of her podcast Queen Radio goes live the day before.

Earlier this month, Nicki teased the single on Instagram, playing a snippet as she mugged the camera for a racy video announcing the new song. Since then, she’s devoted her energy to stirring up more fan involvement from her loyal Barbz, even hosting a poll to rename the song after running into some copyright issues with its original title, “Freaky Girl.”

When some fans complained about the new title, Nicki pointed out on Twitter that she “did a whole poll that 100K ppl took so sit down & SHUT IT! 😡 legally we can’t use freaky girl. Don’t you think I would if I could? Use your noggin.” The song snippet is also apparently doing well on TikTok, something Nicki has been quick to tout on Twitter.

In other Nicki Minaj news, the rapper recently released the trailer for a six-part docuseries, Nicki, which she says is coming out this year. “We have the month that the documentary is coming,” she announced during a recent episode of Queen Radio. “We do not have the date, but we have the month. It’s going to be a very exciting month for the Barbz. It’s obviously coming out in 2022.”

In the meantime, prepare for the release of “Super Freaky Girl” by pre-saving it here.

What Is Eminem’s Greatest Hit From Each Of His Albums?

Eminem is gearing up for the release of his second greatest hits compilation, Curtain Call 2, which will feature 34 tracks from the past 13 years of his career. It’s a follow-up to the original Curtain Call, released in 2005, which covered the first 13 years of his career (not including his pre-Aftermath/Interscope work, which included underground collaborations with Rawkus Records and his independently-released album Infinite). Does anyone sense a pattern developing here?

But as with any project touting all of an artist’s greatest hits, Curtain Call 2‘s impending release begs the question: What exactly constitutes their “greatest” hits, anyway? In this case, we see entries such as “Berzerk,” “Godzilla,” “Lucky You,” “The Monster,” “Venom,” — and even “Walk On Water,” which is a pretty iffy selection considering its initial reception on release. Since we already know which songs Eminem considers to be his “greatest” hits — at least according to the album’s tracklist — let’s break them down by album and see which ones actually deserve that title.

2009 — Relapse

Hits: “3 a.m.,” “Beautiful,” and “Crack A Bottle” featuring 50 Cent and Dr. Dre. According to Billboard, “Crack A Bottle” is the real winner here. As the lead single from Eminem’s first “comeback” album, it broke the first-week digital sales record with 418,000 downloads, topping the Hot 100 chart. It was only his second single to do so after “Lose Yourself.”

2010 — Recovery

Hits: “Cinderella Man,” “Love The Way You Lie” featuring Rihanna, “No Love” featuring Lil Wayne. “Not Afraid,” “Space Bound,” “Won’t Back Down” feat. Pink, and “You’re Never Over.” This one’s obvious. While Recovery produced the most hits in Em’s recent catalog, “Love The Way You Lie” is objectively one of Eminem’s most popular songs ever thanks to the emotive chorus penned by Skylar Grey and sung by Rihanna. It’s Em’s best-selling single, moving over 12 million copies in the US alone. It was a massive smash and led to Eminem attempting to recapture the magic with “Won’t Back Down” from this album (nah) and “The Monster” from his next album, The Marshall Mathers LP 2.

2013 — The Marshall Mathers LP 2

Hits: “Berzerk,” “Headlights” featuring Nate Reuss, “The Monster” featuring Rihanna, “Rap God,” and “Survival.” Speaking of, The Marshall Mathers LP 2 was Eminem’s attempt to go back to basics after the critically well-received Recovery alienated some fans of his earlier work (leading to his current string of reactive records that tries to course-correct on the critical reception of its predecessors). Nevertheless, despite “Rap God” meeting those fans’ expectations, the best-received song from the album was still the Rihanna redux “The Monster,” which again peaked at No. 1 on the Hot 100.

2017 — Revival

Hits: “Nowhere Fast,” featuring Kehlani, “River” featuring Ed Sheeran, and “Walk On Water” featuring Beyonce. As one of Eminem’s worst-received albums, it’s no surprise that this one only owns three of the records that appear on Curtain Call 2. They’re also Em’s weakest singles, dipping into the pop-ballad well that worked so well with Rihanna one too many times, with too many artists who were just bad fits in retrospect. “River” was technically the most fruitful of them, rising to No. 11 on the Hot 100 and sparking a creative partnership between the two artists that continues to produce to this day.

2018 — Kamikaze

Hits: “Fall,” “Lucky You” featuring Joyner Lucas, and “Venom.” Em’s rampaging follow-up to Revival was better received — at least by his fans — but still only produced three singles. While they were all technically “hits” on the strength of their streaming, “Lucky You” turned out to be most popular, climbing to No. 6 on the Hot 100 and launching Massachusetts rapper Joyner Lucas to a new plateau of stardom. Still, the meme-ready “Venom” is probably the single with the most lasting impact, appearing in the Sony film of the same name and becoming a go-to sound on TikTok four years later.

2020 — Music To Be Murdered By

Hits: “Darkness,” “Farewell,” “Gnat,” “Godzilla” featuring Juice WRLD, and “Higher.” As Em’s latest album, this one probably benefits from recency bias. It’s got five entries on Curtain Call 2 but in its defense, they were some of Em’s better recent singles. “Godzilla”‘s the clear standout; aside from charting the highest at No. 6 on the Hot 100, it has the benefit of a viral challenge without the drawback of a distasteful reenactment of a national tragedy. It also boosted the visibility of the late Juice WRLD, making it a bit more likable.

Curtain Call 2 is due 8/5 on Aftermath/Interscope/Shady Records.

Drake Announces The New Date For His Young Money Reunion Show With Lil Wayne And Nicki Minaj

Earlier this week, Canadian fans looking forward to a Young Money Reunion concert featuring Drake, Lil Wayne, and Nicki Minaj were disappointed when Drake announced that the show would have to be postponed after he contracted COVID-19. However, there’s good news on the horizon; Drake’s clearly feeling healthy enough to put the show on this weekend instead, proudly announcing his negative COVID test and the new dates for the final show of his inadvertently extended October World Weekend.

“Negative test…” he wrote, “positive outcome…this was the only date available until the fall and because the family is so solid everybody is flying back in to make it happen for you all…SEE YOU SATURDAY…young moulaaa.”

The show will conclude the most recent segment Drake’s “Road To OVO Fest,” which he announced earlier this month as an alternative to his usual blowout weekend in Toronto. Since he says he’s working on bringing OVO Fest to the world for its 10th anniversary, he instead offered October World Weekend, including shows with an All Canadian Northstars lineup at Drake’s venue History (where he sang along with surprise guest Nelly Furtado), the Toronto stop of the ongoing Lil Baby and Chris Brown tour, and now, finally his Young Money Reunion concert.

NBA YoungBoy Reveals ‘The Last Slimeto’ Tracklist Featuring Kehlani, Quavo, And Rod Wave

YoungBoy Never Broke Again (aka NBA YoungBoy) has been juiced as of late after beating a federal gun possession charge in Los Angeles last month. Now at the stroke of midnight of August 5th, the rapper will release the 30-track album, The Last Slimeto. While the finish line for the album drop nears, NBA YoungBoy just shared the entire 30 song tracklist for the album, and it includes cuts with Kehlani and Rod Wave, as well the already released “Don’t Rate Me” featuring Quavo.

Almost half of the songs from The Last Slimeto have already been released on streaming services. The track with Kehlani is called “My Go To” and the Rod Wave-featured cut is “Home It Ain’t Home.” Check out the complete tracklist for The Last Slimeto below.

1. “I Know”
2. “Hold Your Own”
3. “Umm Hmm”
4. “Top Sound”
5. “My Time”
6. “Free Dem 5’s”
7. “My Go To” Feat. Kehlani
8. “Lost Soul Survivor”
9. “F**k Da Industry”
10. “Kamikaze”
11. “Swerving”
12. “Stay the Same”
13. “Home Ain’t Home” Feat. Rod Wave
14. “7 Days”
15. “Digital”
16. “Vette Motors”
17. “Slow Down”
18.”Don’t Rate Me” Feat. Quavo
19. “Proof”
20. “4KT Baby”
21. “The North Bleeding”
22. “Loner Life”
23. “Acclaimed Emotions”
24. “Wagwan”
25. “Ghost”
26. “Nightfall”
27. “Holy”
28. “I Got the Bag”
29. “Mr. Grim Reaper”
30. “I Hate YoungBoy”

The Last Slimeto is due out on August 5 via Atlantic Records.

YoungBoy Never Broke Again is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Roy Woods Brings The Sultry ‘Insecure’ To ‘UPROXX Sessions’ Ahead Of His ‘Mixed Emotions’ Album Release

Drake isn’t the only member of his label releasing music this summer. OVO Sound rap-crooner Roy Woods is also gearing up to release his own new album, Mixed Emotions, this Friday, August 5. So, it’s only right that he dropped by Uproxx Studios to deliver a simmering performance of his sultry single, “Insecure,” for UPROXX Sessions.

It has been nearly five years since Roy last released a full-length album, 2017’s Say Less. Fans got a glimpse of his evolution in 2020 on the Dem Times EP, so it’ll be interesting to see how his sound has evolved even more since then. The Brampton native expressed his gratitude to his followers for their patience on Twitter and promised to reward for it, as well. “To those of you who have supported my journey, I appreciate y’all,” he wrote. “I know you’re expecting an album this week, but I’m adding something special to it, so stay tuned for more.”

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

Roy Woods is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Lizzo Didn’t Think ‘About Damn Time’ Would Be A Good Lead Single At First

About Damn Time” could end up being the biggest song of Lizzo’s career. Currently, it’s at least in the conversation, as it recently became her second No. 1 single (after “Truth Hurts”) and it now has two weeks on top (to the seven of “Truth Hurts”). Whatever the case, what can be confirmed is that it was clearly an excellent choice for lead single from Lizzo’s album Special. There was a time, though, when Lizzo didn’t think that would be the case.

Lizzo is the guest on today’s new episode of Hot Ones and at 8:52 into the video, Sean Evans asks how Lizzo chooses her lead singles. Lizzo responded with the “About Damn Time” backstory, saying:

“‘About Damn Time’ was the last song I wrote for the album. I was turning in my masters in March. I wrote ‘About Damn Time’ in February, and I was like, ‘This one? [I don’t know] about this one.’ ‘Cause the hook wasn’t done, the verses wasn’t, ‘In a minute, I’ma need a….’ It wasn’t there yet. So I was like, ‘Uh-uh’ [shakes head].

And when I finished it, I was like, ‘Oh f*ck, this song needs to come out right motherf*ckin’ now. ‘I been so down and under pressure? I’m way too fine to be this stressed?’ It’s like, hello, we needed that right then when I dropped that motherf*cker. She I’m so bad at picking singles for myself because I think everything I do is incredible. I really do.”

Elsewhere in the episode, Lizzo talks about the Minneapolis music scene, her best older rap song, and more, so check it out above.

Lizzo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Brent Faiyaz Finds It ‘Hard To Listen To’ His New Album ‘Wasteland’

Brent Faiyaz just dropped his new album Wasteland, featuring acts like Tyler The Creator, Drake, and Alicia Keys. Though fans have been loving it, he confessed in a new interview with Variety that he has a difficult time listening to it.

He said:

“Oftentimes, records that are real personal will come from a place where I know where it came from and I can pinpoint that to an exact situation that really happened in my life. It can get hard to listen to, and especially hard to perform. Some songs, I’ve been performing, and I’m just like, ‘Man, that’s just a lot; I can’t perform this sh*t right now.’”

About being called labeled a “toxic” R&B singer, he said, “I don’t really think about it, to be honest. I don’t, like, wake up and go to sleep thinking about the state of R&B. Anything that somebody else is making, that’s on them. Any opinions that somebody got on what I make, that’s just how they perceive it.”

He added, “During the process, I write what I write and make what I make. We have to drop it under some category, so we put it under R&B. I don’t really be thinking about it like that.”