Tech N9ne Says Machine Gun Kelly Nearly Got Them Banned From Venues For Starting Food Fights

Whether he’s dying his tongue black or carrying around a vial of his girlfriend Megan Fox’s blood, Machine Gun Kelly never seems to run out of antics. According to Tech N9ne, he’s always been that way. Machine Gun Kelly supported Tech N9ne on a record-breaking 2012 tour where his rowdy behavior nearly got them banned from venues.

Tech N9ne recently sat down for an interview with HipHopDX to talk about his experience working with Machine Gun Kelly. The two had embarked an an exhausting 104-day tour in 2012 where they played 99 shows, earning them a spot in the Guinness World Records book. Tech N9ne recalled his fellow musician breaking “every rule” like starting food fights and climbing up on stage equipment:

“MGK broke every rule. Wild boy, he’s a wild boy. We almost didn’t get to come back to venues because of MGK. […] I’m talking about food fights in the lunch room during the day, you know what I’m saying? Everything man, climbing up, breaking sh*t. That was the year I went to his 21st birthday, and then the next year I went to his 22nd birthday party. I think they were both in Vegas too, so I was with him early on.”

Elsewhere in the interview, Tech N9ne said his crazy tour schedule was purposefully planned to set a world record, but it was so exhausting that he’ll never it do it again. “I’m telling you, the last couple of days we were so delirious, we were forgetting the words,” he said. “My people who do the booking, they know we gotta have a break, especially how we do shows. We don’t just stand on stage grabbing our crotch. I’m sizzling, we really out there cardio life. All that 99 shows in 104 days, we did it, me and MGK, never again. We proved it, we can do it.”

Danny Brown Went ‘Back To XXX Time’ While Recording His New Album ’40’

10 years ago, Danny Brown broke through with the blog-and-fan-favorite album XXX, redefining what rap could look and sound like and pushing him toward becoming a boundary-pushing star in his own right over the next decade. In a new interview with the Amazon Prime Video-based Coda Collection, Brown reflects on what made XXX so special with FakeShoreDrive’s Andrew Barber, and explains how his groundbreaking breakthrough album inspired his upcoming sixth album, 40.

“I think rap was totally different,” he says of XXX resonating with fans in 2011. “There weren’t too many people talking openly about drug abuse or mental health problems or being just vulnerable in their songs like that. That was just me taking my influences and melding them all together. It was just good timing — lightning in a bottle type of sh*t.”

He also described how the pandemic and resulting shutdown affected his writing process on 40, comparing it to the process on XXX. “The f*cking pandemic hit and next thing you know I’m in the house by myself, stuck, bored, I don’t have nothing to do,” he remembers. “I started back writing and sh*t was trash… I’m like, ‘I might be washed…’ Shows are cancelled, I’m trying to make new sh*t, so I’m just going through a whole depressed, stressed-out moment. So I just wrote myself out the ditch. That’s the only thing I can really say. It was almost like ‘back to the basics’ of the sh*t and it felt like it was back to XXX time again.”

And in one more part of the interview, Brown recalls having the chance to sign with 50 Cent but refusing to change his look to appease even the mighty mogul behind G-Unit Records. “50 was down with signing me but now I’m already set into my look,” he says. “This is when I’m wearing the skinny jeans and thrift store clothes and sh*t like that. So he’s like, “No, you need to look non-approachable, you need to look mean, you need to wear big jeans and sh*t.’… I wasn’t with that sh*t so 50’s like f*ck that sh*t.”

You can check out the preview clips above and find the full episode here.

Gorillaz Are Dropping A Collectible Vinyl Toy ‘Geep’ To Celebrate 20 Years Of The Band

The Gorillaz have been beloved for decades because of how meticulous they are when it comes to releasing new music and honoring their past work. Today they’ve announced a collaboration with Superplastic to celebrate the 20th anniversary of the band with a limited-edition collectible vinyl toy called “Geep.” The toy is the green dune buggy that’s driven by Gorillaz member Noodle. The Geep comes equipped with working LED lights and a removable guitar. To give a sense of sizing, the toy is 10-inches long and 4-inches tall and will retail for $120.

Geep is not the first time Superplastic and Gorillaz have collaborated on merch. In 2019, they released a soft vinyl of Gorillaz lead singer 2D, along with a full band vinyl toy set featuring band members 2D, Murdoc, Noodle, and Russell in 2020. Of the Geep collaboration, Noodle had this to say: “The Geep, our most loyal companion. We hope it will bring joy to all the homes it parks up in around the world.”

“It’s been my dream to ride shotgun with Noodle in the Geep…on mushrooms. As real as I want that moment to be, we all know that this shit isn’t happening. So, we decided to make a super limited, dope, amazing toy instead. It’s been killer bringing Gorillaz to life through designer toys over almost two decades, and I can’t wait for fans to get the Geep!” added Superplastic founder Paul Budnitz.

Check out some other images of the Geep below and pick up the collectible here.

Superplastic
Superplastic
Superplastic

Trippie Redd And Playboi Carti Commit Therapeutic Vandalism In Their Explosive ‘Miss The Rage’ Video

The concept meeting for Trippie Redd’s new “Miss The Rage” video with Playboi Carti must have included the phrase “homemade rage room” somewhere because that’s exactly what they wound up creating. The video opens with the punk-influenced rappers pouring gasoline all over an old car at an abandoned lot and setting it on fire, then chucking other random bits of garbage at the resulting blaze as they perform their long-awaited, much-beloved collaboration.

The video, which arrives just about three weeks after the initial release, might be just the thing to increase anticipation for Trippie’s upcoming fifth album Trip At Knight, which is expected to release in July. He’s been previewing new music via Instagram non-stop since his last project, the deluxe version of Pegasus, produced in conjunction with Travis Barker, was released at the beginning of the year. In the meantime, Trippie was also announced as one of over 20 artists set to appear on the soundtrack to the upcoming film F9.

Meanwhile, Playboi Carti is a month removed from his “Sky” video and has been teasing a project of his own on Instagram, where he wrote “i waNt to DroP like RN.”

Watch Trippie Redd and Playboi Carti’s “Miss The Rage” video above.

Jack Harlow Remembers The Show That Inspired His Song ‘Rendezvous’

Breakout Kentucky rap star Jack Harlow got to live his dream by appearing on this week’s season premiere Complex‘s Hot Ones, but his dream turned out to be more of a nightmare after his saucy fingers got a little too familiar with his right eye halfway through the episode. He spends quite a bit of the interview suffering, but before that, he got in a few really fun responses to questions about lyrics from his debut album, That’s What They All Say.

Host Sean Evans references the reflective song “Rendezvous,” on which Harlow rhymes about being “Eight deep at the show, it might be eight fans,” and asks Jack about his most “character-building” experiences on tour. Jack recalls the tour for his 2017 mixtape Gazebo where, “night after night, I was getting character builders.” He describes situations where he had as many people on stage as there were in the crowd. “One that stuck out was the first night of the tour, which really set my expectations. It was Birmingham, Alabama. There was as many people in the crowd as we had come to the venue with… I had some humbling shows, but they prepared me for this.” He also talks a bit about doing his own stunts in a Call Of Duty ad.

He’s certainly seen a turnaround in his fortunes since. In the same month that he released his debut album on Atlantic, he appeared on The Tonight Show, Saturday Night Live, and in an NBA All-Star Weekend game of two-on-two, bringing his audience from “eight fans” to millions in just three years.

Jack Harlow is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Eminem Teases His Upcoming ‘Killer’ Remix Featuring Cordae And Jack Harlow

It looks like Eminem’s long-held animosity for 20-something rappers has subsided, as the 20-year rap veteran has reached out to two of today’s quickest-witted spitters, Cordae and Jack Harlow, to remix the upbeat Music To Be Murdered By track, “Killer.” Em teased the track ahead of its arrival, offering fans a tiny snippet of the track and its animated music video on Twitter. Its visual style resembled a pulp noir comic, with white ink on a black background and action shots that homage hardboiled thrillers and the comic books that Em loves collecting.

Incidentally, both rappers share more in common than just a love for complex rhyme schemes. Cordae’s breakout moment came with the release of his “My Name Is” freestyle over Eminem’s own breakout major-label debut single from two decades ago. Jack Harlow, meanwhile, has expressed his love for Eminem, checking his peers for underrating the Detroit icon during an interview with Pitchfork and putting his own spin on another one of Em’s classic records, “Without Me,” in an SNL sketch “explaining” how NFTs work.

The “Killer” remix drops tonight at midnight ET.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

DaBaby And Megan Thee Stallion Lead The 2021 BET Awards Nominations

The 2021 BET Awards have been announced and once again, DaBaby leads the field — although this year, there’s a little twist. Whereas last year, he had 12 nominations by himself, this year, he’s tied with Megan Thee Stallion with seven nominations each after what was an interesting and relatively slow year for hip-hop thanks to the pandemic shutdown. Behind them is another tie; Cardi B and Drake both received five nominations apiece. The BET Awards will air Sunday, June 27 at 8 pm ET/PT from the Microsoft Theater in LA. See below for the full list of music nominations.

Album Of The Year

The Weeknd — After Hours
DaBaby — Blame It On Baby
Megan Thee Stallion — Good News
Jazmine Sullivan — Heaux Tales
Nas — King’s Disease
Chloe X Halle — Ungodly Hour

Best Collaboration

Cardi B — “WAP” Feat. Megan Thee Stallion
DaBaby — “Rockstar” Feat. Roddy Ricch
Dj Khaled — “Popstar” Feat. Drake
Jack Harlow — “What’s Poppin (Remix)” Feat. DaBaby, Tory Lanez & Lil Wayne
Megan Thee Stallion — “Cry Baby” Feat. DaBaby
Pop Smoke — “For The Night” Feat. Lil Baby & DaBaby

Best Female R&B / Pop Artist

Beyoncé
H.E.R.
Jazmine Sullivan
Jhené Aiko
Summer Walker
Sza

Best Male R&B / Pop Artist

6Lack
Anderson .Paak
Chris Brown
Giveon
Tank
The Weeknd

Best New Artist

Coi Leray
Flo Milli
Giveon
Jack Harlow
Latto
Pooh Shiesty

Best Group

21 Savage & Metro Boomin
Chloe X Halle
Chris Brown & Young Thug
City Girls
Migos
Silk Sonic

Best Female Hip Hop Artist

Cardi B
Coi Leray
Doja Cat
Megan Thee Stallion
Latto
Saweetie

Best Male Hip Hop Artist

DaBaby
Drake
J. Cole
Jack Harlow
Lil Baby
Pop Smoke

Viewer’s Choice Award

Cardi B — “WAP” Feat. Megan Thee Stallion
Chris Brown & Young Thug — “Go Crazy”
DaBaby — “Rockstar” Feat. Roddy Ricch
Dj Khaled — “Popstar” Feat. Drake
Drake — “Laugh Now Cry Later” Feat. Lil Durk
Lil Baby — “The Bigger Picture”
Megan Thee Stallion — “Savage (Remix)” Feat. Beyoncé
Silk Sonic — “Leave The Door Open”

Video Of The Year

Cardi B — “Up”
Cardi B — “WAP” Feat. Megan Thee Stallion
Chloe X Halle – -“Do It”
Chris Brown & Young Thug — “Go Crazy”
Drake — “Laugh Now Cry Later” Feat. Lil Durk
Silk Sonic — “Leave The Door Open”

Video Director Of The Year

Benny Boom
Bruno Mars And Florent Déchard
Cole Bennett
Colin Tilley
Dave Meyers
Hype Williams

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Gucci Mane Recalls His ‘Verzuz’ Battle With Jeezy Was ‘Tense But It Was Real’

Gucci Mane admits his contentious Verzuz battle with Jeezy was “tense but real” in a new profile of the trap godfather for Billboard. Looking back on the night and the provocative goading the two rappers engaged in, Gucci expresses his appreciation for the opportunity. “It was a good step forward,” he says. “For us to do that and for nothing bad to happen, that was great.”

Gucci also spends some of the profile addressing his outsized impact on the rap game compared to the amount of credit he’s received for influencing some of the biggest names in rap — including, Future, Migos, Nicki Minaj, and Young Thug. “Is the true story of what really happened with all these artists and how I helped them going to come to light?” he wonders. “There are some interesting stories, and it was so long ago that they get lost. Nobody ever really told the true story. [Artists] want to tell you what made them look good… I don’t get the credit.”

Elsewhere, though, he acknowledges the possibility that he won’t receive those accolades in his time. “If you wait on [the world] to give some credit, either they’re going to do it when you’re dead or when somebody has fallen off and they’re not relevant anymore,” he reflects. “They never give it to the person when they’re still in the moment.”

Read Billboard‘s full cover story on Gucci Mane here.

Gucci Mane is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Soulja Boy Talks Going Viral In Multiple Generations As The ‘Make It Clap’ Challenge Blows Up On TikTok

I don’t feel old but I’m old enough to remember being too old for Soulja Boy when he first came out. Back in 2007 when “Crank That” was terrorizing sound systems at wedding receptions and sending ’90s rappers into conniption fits, I remember sitting back and watching the chaos with a sense of amusement. After all, the kids loved the silly dance that came with it the way those grumpy old heads had loved doing the Kid n’ Play Kickstep — also known as “Funky Charleston” — and ringtone rap seemed no more destructive to the art form than the Fresh Prince winning the first-ever rap Grammy.

Considering that we saw the Kickstep come surging back riding a wave of ’90s nostalgia (even though it never really went away) and the ground shaking popularity of the elaborately choreographed dances on TikTok making hits of songs like Doja Cat’s “Say So” and Megan Thee Stallion’s “Savage,” it was probably only a matter of time before Soulja Boy became a fixture of that app’s audience’s repertoire. And so it has, thanks to the man himself, who went back to the creative well that first launched him into the spotlight for the irresistibly catchy new single “Make It Clap.”

The track, which he cooked up off-the-dome during a freestyle session on Twitch, is all the things “Crank That” was; simple, repetitive, instantly recognizable, and of-the-moment, tapping directly into the pleasure centers of its young fans’ brains with a trunk-rattling, skeletal drum track and loopy, hypnotic whistling tune. But the element that’s making it a feature of post after post on TikTok is the Soulja-concocted dance that goes with it, a Macarena-esque upper-body Hokey Pokey whose moves are just enough on the nose that they echo the lyrics without the lyrics being instructional — in other words, the sort of dance damn near guaranteed to go insanely viral.

That’s exactly what it’s done, shooting straight to the top of Billboard‘s little-known but portentous Top Triller chart — both US and Global. Songs hitting that impressive milestone generally go on to invade other, more mainstream charts as casual users begin to stream them outside of the confines of TikTok and its endless-scrolling array of dance-along videos. Thinking Soulja just had to have some interesting thoughts on going viral pretty much the same way in two different decades — especially now that he’s an established vet, rather than the table-flipping young upstart — I got him on the phone for an interview about the song, dance, and their ridiculous success. I wasn’t disappointed.

Could you walk me through the process of recording “Make it Clap?” What were you doing that day? What happened in the studio?

I was streaming live on Twitch. I was on Twitch streaming, and I got a server on there called Soulja World. I got a studio in Grand Theft Auto, but I had started the studio because, with the pandemic and stuff like that, I couldn’t really be around all my folks. We just be in Grand Theft Auto freestyling. Mostly I just be on the mic, just spitting, going through beats. When I pulled the beat up, I was like, “Man, this is it, too hard, I want to turn this into a real song”.

When you first came out with “Crank That,” you did the dance yourself, you created the challenge, and it just sort of took off. Is that what happened with “Make it Clap?”

I uploaded it, made a dance to it, and then everybody just kept doing it. I did the TikTok video, then I posted the TikTok video to Instagram and I was like, “y’all go check out the ‘Make It Clap’ challenge”. Then everybody just started doing it. I feel like it was just the people coming from my Instagram to my TikTok seeing the dance. Then after that, the TikTok community got on to it. They kept it going. I just kept remixing it. We kept remixing it until it just caught on.

Obviously, it’s a little bit of a different style of dance than “Crank That.” How would you describe the differences?

I just feel like back then, we had less dances, and now we have so many dances where you can incorporate all them dances into a challenge. We came from “Crank That” and the Superman, to the Nae Nae and hittin’ them folks and all that. Now, there’s so many different dances out, it makes it easier for the kids and for the grown folks from the club just to dance. You could pick any one move and hit it. I feel like it’s hard to learn when you when you’re on the outside looking in. But I feel like once you get involved, it ain’t as hard as it looks.

It seems like there’d be no TikTok or no Instagram challenges, or any of that other stuff without you. I was watching The Boondocks the other night, specifically the Sargeant Gutta episode, and I had no idea I would be interviewing you two days later. You went through a whole era where fans clowned you, and you’re still here on the next version of it. What do you think about the longevity that you’ve had?

I keep going, and just keep going, and just keep going. Just keep going. It definitely hit me though when I went number one again. I’m like, “Man, I did it again. I really did it again.”

Do you any advice for younger artists?

Blueprint though, just attack the internet. There’s so many successful artists out there now. I don’t really want to judge the next artist, because you never know what they’re going through. Sometimes it could be life obstacles. Sometimes it could be they caught through this society. It could be just people. You never know what it is, but I just feel you got to keep going. You just got to attack that internet.

There’s so much success out there for people. You can do anything in this day and age. You got to put your mind to it and attack. Just put yourself out there. Just work hard, and just keep going. It’s up to you. If you don’t want to stop, just keep going, like me. I know some people are like, “Why he ain’t stopped?” I want to keep going.

I always ask artists this question, because I know a lot of you guys have to do so many interviews all the time about the same stuff, and people ask you the same questions over and over again. Do you have any sort of things that you’d like to talk about, or any interest that you’re into that you never get a chance to talk about because nobody ever asks you?

I would say crypto, but they talked to me about that a little bit, but definitely like cryptocurrency. Bitcoin, and stuff like that. They talked to me about that a little bit, but if I really want to speak on some, that don’t nobody really talk about: Anime. I like Dragon Ball Z. I need to do something with Dragon Ball Z. Dragon Ball Z need to holla at yo boy. Death Note, too. I’m a fan of anime, cartoons, video games, and tech, all that is it.

I feel like that should be the next move, period. That’s why I came out with a video game concert. I’m a fan of South Park, Family Guy, Super Mario, Sega, Sonic the Hedgehog. Art. got a toy coming out with YouTube, Soulja Boy action figures. I’m inspired just by stuff that just creativity. Creativity in the music. That’s what I do. When I’m in the studio, I’m creative. I’m making the beats, that’s being creative. I like to create, I like to create stuff.

@qveenn_neshia

we have too much fun😂😂 (before everyone do THE MOST.. idk the dc)

♬ She Make It Clap – Soulja Boy

Let’s say the next anime Netflix gives out, they come to Soulja Boy, where they say, “We want to make a Soulja Boy anime.” What’s it going to be about?

That would be the best anime and highest-selling Netflix show of all time. They’ll turn it into a movie, video game, merchandise, everything. That’s what I been praying for since I was little. If I get a Soulja Boy anime, it’s over with. There’s a lot of stuff I deserve. They try to suppress me and put me in a box and say, “He from the hood.” No, I’m Soulja Boy! I made “Crank That!” That’s crazy to me, but it’s all good. I just went number one on the Billboard again. That’s why I’m not stopping until I get everything I want in life. I’m not stopping.

Beyonce Says She’s ‘Cooking Some Music’ While Chatting With Her Destiny’s Child Bandmates

Technically, it’s been a while since we got a new Beyonce album, as Lemonade came out back in 2016. Really, though, she has offered a couple new albums since then, albeit not solo efforts: She and Jay-Z teamed up as The Carters for Everything Is Love in 2018, and she collaborated with a bunch of artists on her 2019 soundtrack album The Lion King: The Gift. Not to mention, she recently made a low-key appearance on DJ Khaled’s new album. Now, it appears she has more new material on the way.

Yesterday, Beyonce’s Destiny’s Child bandmate Michelle Williams shared an audio clip of a group chat between Beyonce, fellow Destiny’s Child member Kelly Rowland, and herself. During the conversation, Rowland talks about making soup and Beyonce adds, “I’m cooking some music.” She added with a laugh, “That’s Chef Boyar-B and Chef Boy-Kelly.”

Beyonce recently celebrated the fifth anniversary of Lemonade with a touching post. Sharing a gallery of photos, she wrote, “I’m grateful that this body of work has resonated so deeply with so many people. I’m so thankful for all the beautiful souls involved in making one of my favorite pieces of art. As I celebrate five years of LEMONADE, I encourage everyone to continue healing, loving, forgiving and uplifting. I hope you find joy today.”